!rot+eHorplnx!
^o sexorr Ao:Buerdxi
erE'insrehoe/rl xo usir6ur p.lguouruc opspr,r DU9
sre'.lsI!N rf'a-L fq p66up!V tueuruEd{.r,orcvouerd
uo+teH orpln^d ^q Pal!dLloJ
wiHveg lls ds
oNvld Hl-lA l-NtwrNvdwof,f,v
S9NOS-)1013SlNVdVr
wffi #gEV H
A>)
a4
v reD
-60 a9 @
86 96
v6
^ . 9_ r r- l o s - ' - ' e-"_, ^ _, b ', _ I- ,r _ ' e^/\eullo erun^ e^opesv '|o ' ' ' eulqsoSP) sSuos€reqo ,o " ePoJn) jo sSuos
s8uos SulPunod-arH 88 98 llnsrl ,o qelln'l ' sBuoss..ia/to!\i aqI t8 eujn ]o tequof-8uos aql za urerunon aqt +o uPsorerurtls 08 nqsnl) jtoSuoSs.rauln leoJ t8L eso|o s8uos ro)leso^ ' ' .utrqs €rldujo) aqa ro,| dlqs eql ,L " " " " !8nse^+o sBuos 7L ' lnsrourlqs)(os8uos ototllqsn) )to sguos L9 ....' oInC stuos ,o . . . . ' . . . . . . . , . . ' . . . . . . e s e1 O s 8 u o s t9 +o atst op€S]o sguos 85 " " ' o>llJ!)>lo) sSuos 9! " " " " " " " " " +o o s ! ) + os 8 u o s tE """""""""l'"' lS """""".'..".'"'eul ]o s8uos ' ''.. " "'"''' o p l D l > l ol H 8b o S u o Su e r o s ^ ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' a u n oe q l 9b' "sol ]o '''"''"' n q u s Nj o S u o Ss . r € ^ ! r ce l u e ) ,V sra^\ot',es SuHrld ,o sSuos 2V """""' '''' ', leuoqs 6€ " " ,o PD ar.la ..................... e r e l l e st o s 8 u o s 9€ " " nzlv le 'ePue€'rn t€ " t€ " " . ' " " " " " " ' euos lo sSuosuo€ '. " ' nslesn) sBuos 6Z """""""" lo ueqof]o s8uoss.rauln-leo] 9Z " " """"""""" osl]o sBuos €Z "" """.'"" n q l q t l q l] o S u o su o g 0z "" nzereslt s8uos "" Lt " "" ' o " " " .' .' " gt " " elrrtqso,o s8uos " "" " r q s e q - u e qor N Peo zl "'"' " "" " ^qeltn-l 0L "" ' sluossolg^rraqJ " 8 ":
qcL,J$@ 6.zg,EM @ gg9Els{gff@ @ !gHH@ qg B c-6* @
&++oYE @ E! r4 + trX @ .e/Y.{lE-!@ E+ ryB!HY4(lq tEv4lt(.+ qg.r:8 { Er9{9 v')'v: 49xE@ 4g#H{
@ @ @ @ @ @
4sY#@ 44Tlls@
cF &a@ t Il s+*9 FdoE (+E
@ @
qg@v@ €$tr4@ w^.nE+ @ ,lt<&(t=+ @ HC+84 @ Hd{r$i+4 @ --.risdv+i @ H'IFY* @ ngffH? @ HdesWgE+ @ !c#+@ CBgEtrH,@ 4F #@
E+r#
@
re*Hg* @ qcqY@ '1Fl+ ggas{ @
&++@ 9>* e)i o
sINtrNoc
P R E F A CTEO T H E F I R S TE D I T I O N Studentso{ music have on occasionsatiemptedto put the melodiesof some of ihe more outstandingJapanesefolk songsto ihe noiaiion of Western music in order to preserve ihem from oblivion. Frorn the literary poini of v;ew, ihese folk-songshave been translatedinto English and co lectedby scholarssincethe beginningof modernjapan. However,a completecollection of ihe melodieshas not been assembled. A rhoroughstirdy o{ these folk songswh'ch are characterizedby the placesof iheir origin requir€sthe effods of specializedscholars:nd experisin musicand liieraiure. My efforis in compiling ihis book does noi preiend io be such a specializedsiudy of lapanesefolk songs lt is iniendedto be a collectionof the mosi repr€sentative songs ol our countryand to offer a handbookof the iolk-songswhich are still beingsungthroughFolk-songsare disiinguishedfrom ihe so-calledpopular songs which may be in voguefor a periodof iime but which are soonforgotten. Someo{ the folk,songscolleciedin ihis book were ai one time pcpular songs but have developedinto {olk-songsby thei. being sung over half a century though their authors v/ere forgotten. All rhe songsassembledhave been sung before 1900 and are sii I being sung and may riehtly be regarded as folk'songsof Japan. True folk songshave slch individualpecullariiiesand characteristics that their notaiion in Western nrusic can be accomplishedonly imperfecily,for it is noi only dl{ficult to indicatethe {requenty occurringgrace nores of JEpanesesongswhich include even quafter tone iniervalsbut there is also a rremendousdifference in the manner of singing them among thc Japanesepeoplethemselves. Moreover,io isol:ie rhe melody of a Japanese song frorn ihe rhyihm of its accompariment of hayashi,lhe orchestraof {lute. drum and samisen,is io give only half of the realiiy of the song. This is particularlyirue in songsof which the rhythm of iis accompanimenthas been emphaslzed.and any attemptto notatethem in the Westernsiyle is not only a violaiionof the sp rii of the songsbui also fails to revealthe true melody Again, ihese folk songscome to life only when they are sung in the style pecutiar to the lapaneseand especiallylo ihe people of ihe region from which they originated, and they lose nrLch of thelr beauty and appeal if they are.sung by vocalisiswho have been trained n ihe Western manner of singingvibrtao. Since these folk-songscont:in ihe individual dialects of ihe various districts, it is ideal that rhey are sune by the natives of th€ region to which ihe songsbelona. The impossibilityof adequatelyiranslaiingthe catchy, rhythmic phrases,which in themselveshlve no nreaningbui which give a deflniie personaliryio the folk-songsof Japan,has requiredme to om't ihem in my book. These phrasesmay be comparedto ihe hi, ho. the merry-o, "ta ra,ra boom de ay, "yo ho,ho' and similar portions of Englishsongs. Despitethese technicaldi{ficulties,I have endeavoredio compilesome of the represeniativetolk songsof lapan becauseof my e:rnest wlsh to introducethem to Western pecpies For these reasons,I have h:d to chooseonly ihose folk songswiih simple melodiesand rhyihm, avoidingthose which are full of irills and iurns and at the same time lowering somewhatihe key of the melodiessung sottovoce in ihe higher registeror raising to a certain exteni ihose of lower tones which are us'r:lly sung by men. ln receni years atiempts have been made to arrange some Japanesefolk-songsso thai they may be sung wiih the accompaniment of a piano or in the style of iazz. It is my hope in cornpiing ihis book that through this colleciionof lapanesefolk songswhich are in the main in ihe minor scale and are characterizedby melodia lamentoso m:y coniribute to ihe birth of a new style of comdositions. Tokyo. Japan
RYUTAROHATTORI
November,1950
4
! 096 L raqua:ac e 3re uorlrailor 3qr rnq rred aldoodall 1o sEuosparre^pue alqerau-rnuul ,o 'uoqiperl 3!roL sguosI o] ]o ^+ualdLl+re lle a^oqe PUP slrll ur ua^r8 arP .leq] sBuosaql p pue arnlln) Plo ue qlL/\ passaLq uaaq seLl uedel Luralaq} Jo asuaslrrr+s aLll ur slsxa -srea^ uo!]€u ou uoLrPer] Pue arn]lnr +o punorF)req aLl] rnoqrl^\ Puesnoqlauo ra^o s! ]r :alelurp suorlPer] a^eq Lllq^\ srralerPpue sLuolsnrplo €q.lLllr^ PaPunoqe SLrrpuolxa ^larP^ aqr ur qrrJ sl )l 'sl uedeI se ^i]unor E lleursos sp 3r\ se iluouSosltld +o rsqlo Plror' aqr ur s'.rorleu aqr ,o rnq uedel ]o ^luo l.ou alPs aLll roi plro^ 3tl1 rrl lte jo eiellaa Pue Bu PuElsraPun araLl^\!a^a aldoad rro raqLunLrr3+earB€ ol u^\ou)j aq s8uos-)ilo+asauedPIaql +eq] Padoq aldoed ^ue 'o rarral ro $looq aq] ueq.l sBuos)jlo+ 3q] qFnorq] P3leul aio+a]3!$ sl rt -tlut aq ra]t3q ^eu uolleu I!€ lo alrl leuorlouraaLl] se Plro/!\aqI ur salilunor raqlo lle 01 pspuarxaaq o] atqej sap sr +r :salPlsParun 3q.l Pue u€del sairlunor oMr aql uaa^]aq plnoqs sFuos')lo] qgnortl] a8ueq'xa lern]ln3aql asrnor +o ralleu e sV aurluor +ou 'XeM raPun lllrs sl luaurou luasard srq] le Ll3r!l^ s8uos or s,rolrPa pssodordsrLlur uor+er3do -)lo, uor+rsodLuor uo 3]rns €9] osauede[ ]o lerlsslp.ro 'stuos 'trrsnt\ jo a8alLof )iro^ r' aN aql SuLrsanbar ]o orCrCoBn 1l Llror+sP' raqlouv -)toj asauedplaqr lSnorLl+fulunotrsrLlr]o asoq] qlr^ PalurEnbt€aq rq8 L! ^rlunor leq+ ul '3PerB^rEluauela ro+ uaiPl Ll, 3q+.leLlrurealor Bul^,!]er8s€a 1rsP ua^13ilPelS se^ qrLqM ul paluld aq o.l uoLrraloi all] ]o s3:ard o,\l ro+ L'o ssitr''r3dPalse oq^ looq rx3+ rrsnL! 3r-11 ^asraf aaN ur lueduo:) ]iaprn8 ra^lrs ]o ]Eql se^r\Luaq]lo auo salels P.+run aL'lltuor, 'r3^a/hoL1 sr€aI ^tretn]l+.redPeoiqe LLer+ srlal ^\41 e +ou Iq PaBernoruauaaq seq aq ')ro,^\ FurPre.Mara rlri lnq a^ susdxa uP se^\ Lp LI^\ Paaol e aLU!+s q se qtrnu' assqr ut se s8uos)to, 3ur+raot 1o asodrnd aq] jo' Puel aql qBnorlllrnor e ap€u seq rolrP3aLll srea^ aarq+ asaq] gutrnO Paqslqnd s€^\ uol+lPapLlorosar.llarLrs sreai aor'll sl ll
Notrlql Hrunol lHr oL ltvllud vg6t ttn.qdl 'luaurrueduro.rE ouerd jo suolrerouSurleLujo alqrssodur 'rtnrtt'tP iia^ are s:uos-)loj asauedeIau nuaS Pue snorPo]at!^lereroqelaasaqr+Pql +ou + nre8nsf p're araq 3re sBuos-rs3urPrunon uosearadulls aq+ ro] lti:3r reert qrra Pa.llrLuo a)e^\ro rqsezl se sEuos>jtoj Parerrsrdde^lqBlq tu3^ PUPa^tleluasardsrqrns aLuos aulr uolllPaslqr ul u3^r3are relnCodfua^ euroraq^la]€l 3^eq qrrL-l'\sEuosraqlo aluesaql le lnq 'rlnsrl +o sSuosiqellnl se sSlrosLlrns PapPeare +o .raqurnue puP sBuosSurPunod3rH sauo ^\au PUerno lta are uor+rP3 rsrrj aLll ul sarPolauauos uol pa Pas!^arslll ul 3ql iq Palurenbieaq ^€(rl ua^13 sarlroqrraq] ur aldoad +o iaqujnu .lsa8reL o+ Pa]rosorsr a q ssoo se anoruqla.lrerlrur a.raqsa Pol.Lua'-lrreq+Padoqs +r ^ea srqr ul o} 1dPare sr3sodL!'o: e+ pue €td|rlrslsctu aLF p€alsurPue pap o^e Illnilll^{ s }o asn a)ieLLl oLreldBu11e1;Lsanb aqr '+ueurluedurortre IupL! Lp q^ 1u3,.uaFuerrP l€rrl]rl.rePelEr,lsiL.ldos stq] +o uorlnlos3q+ +E ldLua+teue sr uor+rPa Pasr^3raLlI I ruaur:uPduorreoued PPe o+ 'uorre+ou se os aroLuda.lseuo oB ptnoqsrol pa aLl)lou .{tjnr lerlsnu uralsa^\ aq} ul ua^13 aqr eruls .lPq+s ql se^ ro+rPaaL|,o Pururaq+o] uaaqa^eLlsEuos)to+ asauEd€J Jo s5!Potalu rq€norqspro^ +rarp pue siarlalr aq] +eqruol+sanbaqr PuV sr lrrr pue siaqsra PooBaa, € tou Iq pas,^pero pa5€rnoruauaaq seq ro+rPaaq+ sres^ osaql 3uun0 sBuoslloi .aau a^eq srea^rnoj €del ]o sarpolai\ +o uor+pa]sr+ aqr ]o uolerilqnd 3q] arLrrsPassECl
NO .tOt ONOCTSlHl Or lCVllUd
PREFACE TO THE REVISEDEDITION ln the previouseditions,merely 33 songs out of ihe innumerabJenumber of folk-songswere selectedand iniroducedwhich left much to be desiredso that, Japanese in this RevisedEdition, I have added five orher songs. In making this addition I have sej€ctedsonSswhrch are most popularlysung by the lapanesetoday,namely,"Bon Songs of Soma , -'Songsof.Saitara', Songsof Picking Safflowers, Songsof Kokkiriko" and >ones - ot 5hrrnotsul Japanesefolk songs are yearly atiracting more attention and interest by the p€oples of the world as might b€ ndicaied, In part, from the correspondencesaddressed to the compiler fror vafious parrs o{ the wor,u. Of ihe growing number of such persons,fhe one who mrght be consrdered as the rolk songs, I shoujd like ro me4iion ihe narre of Vafla most ardent ioler of Japanese Jllo Reinh.rot a proless,oral+olksine;r.of W.sh,n8fon. D.C. LSA Thrs person I was nformed,practicedsix hours daily, such piecesas. for instance, ''YasuEi Bushr", The Mower's Sones' and "EzashiOiwake",whiah are difficult numbers to render even for the lapanesethemselves. She even expressedherself as follows; ''My problem is this: To obtain iransliterations of thesesongsso ihat I can learn ihe lapanesewords. I should most like to learn first in the hope that you could help me with such transliterationslEnglishlettersequivalentio ihe lapanesewords.)" There are other pefsons no less ardent than this lady who have written me {rom Canadaand lsrael. And it is a well-known siory thai ihe Soviet baritone singer. Artur Eizen,during his concert tour of japan, sel€cted"Soran Bushi' as one of his tavorite However, since japanes€folk songs emergedf.om a backgroundof peculiartraditions rernote from Western countries,one invari3blyencouniersdiJficultiesin 'ndicating the music accordingio \ /estern musicalnoiations. The Wesiern musical notations are inadequateto tfanscribethe characteristic finenessof the melodicornamentationof Japanesefolk-songs.Evenif perforcedlytranscribed,the transcriberhimself may oft€n be unabe io reproduce the music fforn the music note. Consequently,I should like to recomm€ndthosepersonsdeeplyinterestedin japanese folk-songsshouJdnot, merely, follow the scor€but, ai the same rime, should hear the songsplayedon recordeddiscs. Needlessto meniion,all Japanese recordmakershave on sale Japanesefolk-songsbut, in the United Staies,ihere ;s the one set of "Traditional ' Folk-Songs of Japan selectedand arrangedby R. Hattori from his collectionreleasedfrom Folkway Record. Ishould also like to add rhat the lapaneseembassies:nd consulates locatedthroughoutthe main cities of th€ world are prepared to show the color movie, "Folk Songsof Japan" presentedby the Ministry of ForeignA{fairs of Japan (th€ musical dir€ctionof this film is under the supervisionof R. Hatiori). February,1964.
No larl
ol this book m.rj bc rcprodrced
r t i t h o i " p e r ) n j s s l o ni n w r i r i r i g l o m l h e a u i h o r
6
TNfl WI NY d IIIOJJV ONV Id H'II il'
SCNOS-X'IO[ flSflNVdVT
gtr#E+E
5(t,
5(
b
CHERRYBTOSSOMS ( Sakura Satula)
Moderato elegaftte
3
4bl:i Mi'wa-ta
la Ni
3
,. su
{' f Ya-yo
a"-
,, K!
h i
j' rr su- mi
ar Do
n, ka
z So
c:e-
t! iva
'i, -,. ( ku -no-ka
;' oi
8
6
',{pEI stql .,{q pasoduoJ sproa qEIAug aqi uI dpolau .ql surs 01 unJ aq plnoe 1I ., -{Potelu aq1 01 p3llns arilr-ololl aql aul L, pappe 3qs tl3a dlretnr!1JEd sr qrrqa tusulurduorrE
€r\ 'o9 sn la'I ,.43s Ileqsiiuor 'ouo qo auoo ,{r.^3 arl€ 3q1 uo aruDratrl tsuIlIEA\ pnolr ,{iql arE ro rslru ^€qt 3.rv sB r€l suossol€I '{)Is antq s.Suuds qle.ui araql ,{I!^o'I 'aarl drraqc 'aaJi drr.qJ,, :snql uoutsoduor raq Jo }1jq qslllug us au ruas peq aqs ,, ernrys 'ern{Es,, sla suos al]ro^€J ,tllulred:a raq 1eql pue.,sEuos'Ilod assuede{,, EILI€^I^sLruaduI ssplsar aou u€as pBq aqs autdls uolrtr^{ seq'YSo troa,{u puB sqluoru xls roJ uedet uI pa^!t ptq oqa 'au,{e^\s ,la uELuroN srl\l
'aJI ]Inor lo u?qrn pernltnc eql to lnq aJII Iertu aq1 Jo lou aco spr4urar qqqra Jo Ipolau aql 's8uos plo pu? luESela aql Jo auo sI sltli
.4/ (4 d;t :l g
+J"1 "1J.1 "9.+.\2'\@ <,+ &
q d +:rq g \t9a*ffi
9)e
!)e 9)?
?)8
'z
j/v)aq) a+t aaso+oE sn la-l :aulof, O 'aulo]
: aluof, O 'auo)
:SulurqsPue +q8rrqoS 'spnolr Eulleot'.ro lsl|.u e a]i|l ,AaqL :aas ue) ota se ie, sV ',(1s qrreyl aql ur sruossolqArraq]
sruossolgftra{c
1l
++#
LULLABY { Komoriuta)
Andante dolcissivo
,,tiiii.!i;i:'
FtL*irtr Nen irn-leh Ne
aa
\ ,
li a O-!o t'i
a tro ' ri^ r.-
fi,L
ir
i yo l:
/r
L
shi Jt^t\ta sa-to e
i
na. -
!!.
l0
II -s^ep pooqplrqr raq ro slq oi sauos rlrns Io $os aruos prEaq lou s!L{ oq^! asauEallrtaql Suout auou !I 3r3q} {Iqeqord Suns orB ,tiql qrtq.^\ ur nltlErol pue aurl aql ol aulpror3B r{Ileala os raglp ra^aaoq 'spro.{ oqJ s-{ep usplo 3q1 uorJ Suns uaaq a^Bq sSuos ,tq€Ilnl a$qJ
'uEdEI u! ^'?1sslq aulrnp ua^a uo!1ou3 tllla ,{q€IInI aqt Eu€uts uaaq ^p€artE peq ra8a€S alad I'EJ Jo r€]l€u ! sY .,,{qEIInt aq} s€a r.Lllo 3q} pue rqsnq epornl sI auo au qrra ptro.{\ aq} plinor€ {req .{ltr?r 01 sdoq I qrrqa 'sauos InJlrntaq Ira^ o^r1 '{ou nod {u€q1 ol luea pue suotl€lsu€r} rs€3t lE ,urE3L ol alqe sEA I asnENq qslt8u[ q]rd ssuos-]ttoJasauEd?f Jo Aooq Jno,{ q8norql ^Iasol) p3lool L, :rJ€d ur lrssurrq p€ssardxa alu o1 rallal e ul €90I Jo nuqne 'rotsols Euos'IIoJ u€rlrruv €ql Aurrnp u?d"I parlst^ oq& 'riAras alad 'o,(uorox uauuaN,J s! Auns ,,oflroro{O .,ipe1-6o4
.,
'.otil JU\t
alEi raIrIA
d'1r
nq udod
c se 1,.-J€rb
vl q$
!pJo^1 dql
$oldq pdluld
pooaqsnrq ? q1!a saellor olqunq E uL, auos aqJ/
.saqtoll
'.i+J-* :l q.4# "q {l .1 i +1
v lrf Fl g4 vmFlg
:Affi 7 W a4!*aM
:l*;4H
:l{q$.f/ 6 Te +4V H@& )rF.)l"{ t"t, :lq9$I!, :l+/r.qoE
Z.rr*E .}?enoq :1.,\': I
Et( +sl
ocl?E{
g-.l r?"/ et .:l+..1.-1 ti+9? T ( S: s+ T 6 92 "/r+"/V
aql rlse^ o+ o3 Plno/{ la^rr aq} o+ aqs raqle8ol Plnon sllrq aq] ol aH :s+o33e, :pa^ll atr^ srq Pue ueu Plo uV 'ale8 la)?!/'^ POO\qsnJq e [.]l!/\^a8e+]ol alqurnq e ul
'8op agf,ellr-rarded SurdunI Pe[ Pue 'LutuPSurltleJ 'a]nl+ v Pa zaulotl Luor+ SurJq aqs PrP sluasald leLllA 'aLrloqraq o+ sllrq aqt ra.o zauo8 asrnu s.^qeq seq alall^A 'lse, daals'Plrqtratrrue aJ,no^ '+se)|daals 'lse)! daals 'iqeg Iqelln'l
E
*"ttFHflJL
OEDO NIHON BASHI ( Oerlo Nihon Bashi )
,e i:" bo
f.5 .O 2.a No
Kl:,t,il"Lda Ni Lon Ha-lrD$'+t Hakonoo
/iB ba
r*
6ti
Na
a
IIa 4at Chot
-
na
l:!' bo-ri
-
rsu
A
Da
-
chi
L' do 6 ru
+l
+
IIlI
I
F
-!"r! +
-rolrl -.4x.1
.
rt1. Eq.
+p
oqf,
>+t
-t 'Y rtls
e"+
-rt
$ ' os
!
RS
€I
ox ox
_ oql ?-ra! ul . _- ---:---
+:l
.s
fl
on
o
(. .
I.
otr .,
nqs ':t4
I - €rt .^ \4
Dld q
:i5
+c1l!
l.f
Oedo Nihon-bashi
t"-i:tF E4r{t L
LeavingNihon-bashiof Edo Early in the morn for Kyoto, The processiongoes on and on; The day dawns at Takanawa, And the lampsare extinguished.
h'iLF Et'ffi+:.nt , AoE b 'i1tU44 2-t blrbv a o, = "7r
Climb Hakoneas you may, You have to stop at the barrier; Men they disapprove, But women they passon; Ah, Mishima the f lowery town I
46 Mffiak'Wfr'e t r- L1+.I: #*o$o-ed*Wt,n ar+ #itsDr'ttL'i' t ! r: L=E
€ffiFq{rT
&*r{#l
=4 at
t+t-
a +4L
=7ia
TJre_se 99ne *'ere very popular from the age of Tempo (1840) urr l t_heenal of rhe Meljl e!a" The bo, dance of Japan is of such unique character that a similar dance type js found nowhere else in ihe world. The sam€ ts also true of ihe Doz songs which accompany the There is no accurate estimate ol the time of orjgin of these two unusual cultuml phenomena, but it is certain that in ancient times the Don dance was perfo.med during mass said for shorosarrhe spirits of lhe dead-at the iime of the boz fesiival, the festival of the lanterns, That is to say, the predecessor of the t)o'?,dance vas the zembzrsr dance: the chantinA ol Buddhisl p.ayers while dancing and lreating drums and ringing chimes at the So primarily the Don dance was to be danced by those vho had recently losi a close .ela. tive: sons and daughters rvhose par€nt had died, parents suNivi.s a child, husbands or s'ives vhose spouse had deceasedSinging to the music of drums and fluies, ' h . ) J a r ' . d d n d d " n . " d . l o . r n gr l . e m . e l , F iSn remembe.ances of their lost ones. But unconsciously this dance of lameniatjons was gmdually popula.ized to a festival of fun and gaiely, far removed f.om its origins as a mass for ihe spiriis of the dead. In olden iimes thefe were the ?dnobata Mots&ri-Festilal of the Weave. {n the sevenih day of rhe seventh month and the Honen Odori-Hawest Dance-to celebratethe suod)ipld. o' r\p au 'nn cropc. The.F were both gmdually lncorporated into the Don dance so that after long periods of history only the Dor dance remains as a yearly festival throughout the country. ln spile of the relaiive smallness in size, Japanis pnri.hpdr irh nan) rz' "d BeoE.aphi. cal leatures which in conjunction vith the many faceted history have produced an ex tremely large quantity of folk songs, most of which are suited for Dor songs to accompany Do, dances. This one fact alone easily indi.
cates tbe place of lhe ,on festival in the heafts of lhe people and lhe cultural history of the August 15th is the season of the Don dance in most parts of Lhe country. As this date approaches evefy tovn and village in the cuuntry ic h-"J bu:ld: .J h;gh ."i"ed pla_lormc in lhe center of the public grounds. When the night of the Don dance iinally comes, a drum is set on ihe platform and Don songs sung to the rhylhm of its beating. AU lhe townspei:iple and farmers dance around the platform the whole night thfough. The bon dance takes many forms in various locales around these islands but ,4udodort of Tokushima City ar,d Gujo Hachlman ot Gitrr Prefecture a.e famous for their grandness of scale, though they are enlirely different in the form of dance. Tbe Alnaadari is a procession siyle dance, the danc€rs going through the streets dancing 'Ihe Cujo Eachiman is a circle dance, the dancers performing in a circle around the platform. Many such dances were fostered by the Tano Sana (feudal lords) of lhe Tokusawa T},e Auaadari was pedormed to welcome Lord Hachisuka lvhen he became the Lord of Tokushima. On ihe other hand the Gujo Odort originai€d when the rul:ng Aoyama Clan, vho occupied r\p ca rlp, r-E red po r'-sion f-ndc or " n d . . . . o n ,i t i " h s ror i p a. pflor ro ffomu rp tion among the agriculiural, industrial and The bor dances and songs which came inlo popular favor in f€udal times a.e still being danced and sung from generalion to generation. But the greaiest change has occurred i 1 r e " e n ry e a . , q h F r e i nr h e E , n o p l . r e o f r h e bou dance reflects the bdghiness of a new age in its appeal to the younger generation.
T4
.cN
{' .i
_
or . i{Hotr / ) t'. ot - I.?IIou 'I !'. t
Jo
rEH ,\.
SI
)- -!
.!rH y\.
nJ
P€ :-ni! ,.q q q
,i{ E
E$
oi
'l{
,r tI
o!
'' F 1
oo _ol
a E
? nh +
x .- + .:l
.fl6
& il 6 .v .-:1
(qsng
etlll.qso )
.{O SCNOS YIAIIHSQ
s3
Y
Songsof Oshima (OshimaBushi)
j\'Ein
I am of Oshima The isle of Divine Fire; Smoulderingin mY heart, the lire never dies.
7 - bt l-,{.,tB MMr
Azaleasand camellias Light up the mountain; The boat carrying mY lord Brightensthe seaof Oshima.
r - 2.c1+tJ. b[ttyF".Ltr &oafi.{l 3 #u 6f
ll you are the man as gallant As tales would have You be, I wish you iould stoP the tide Off the bay of Chiga-saki
q,,rMt/$ot r -9$ie'i6 'EI,O&\ -te, ].L:ET 7,Z
Mountainous waves I see Out upon the sea; -fhey are for my beloved To prove his courage.
r - tt otffiow-e t tv l*JrJtlt
The port of Habu May be likened to a Pouch; But alas, it has no string To close its mouth !
7 - &i9@i&l*
I am of Oshima, Broughtup amongthe waves; The dark of my skin ls part of my heritage.
7 - bt l-,r ,tE
I am of Oshima Of singlecherry blossoms; 'Tis no wish of mine to bloom Like doublecherryblossoms.
7 - bt Ur ,tH *Eo& j
BBl:'Eqita
ffiif
ltrl
n'bl'E-+llv*oE[bf
j
E l,
dr€i8]
{gUr..L L t:tta
#ittlt-
ffiF€t I
3 #t9r., €,@RL,@t*
'^€l:gt(fi'tta
:6t:tjt-
Oshima in the province of Izu lies in the Pacific ocean at a distance of about erght hours' dde in a steam boat- The tsland is noted for its volcanic mountain, Mihara, snal camellia trees which bloom in season all orer the kland' Since the pleasure_boatwas macle a regular line, the ptace has lost somewhat its atlraction, but the song has be€n sung throuahout the country.
t6
LI '(€uIE,{e{EN 'tqJnsoNofo.{q asra^) .,rfoqsoqs rrdur]qs ,{q risnu Io aldluaJ,aq1 r€ suooa?Uaq1 Jo ctsnN aruEc,, q auns .rou q puaaal aqJ 'ontl q paddu qrEulols raq q1!a prap uoorer raqrour aq? pug ot '8ulurour txau aqt uapJ€aaql Fqrr€as aq .{llsounr ]o lno suootnr aql e p3sstllllsaud aq1 tq8lu auo stqAtu aarql ro o.r.!1 roJ panuoso, sIqI 'SutruBpuo ldo{ 'sleaq q ot aiuq suauopqe rtaql ,,|,\ou lull]p oqr Sultmq ',{EAe lsl€urluE pasatqAuJ p aqJ, ur e aq unJ .ro.{ Autaq leaq Io pearsut 'uoou uumlnE IInJ tu€IIIIrq € rapun uapJeaaql q qsnq aqt uI SupuEp 'nEtnspue atq 'suoorerpug ot'tua.^r aq raqllqJ pJEnaaql Jo uorDarlp aqt q punos auos Xq p3lla)l€^{'r se,1|aldurataql Jo rsal.rdJalqr aqt 'puaaalrEror e sx'?s'o8e Suol'8uo.I ]loqsoqs p3IIE, ataluat lpcol lerus e lE u.r dorp 01 IIa-'l\ op ptnoqs nz€rEsrx o'} srorrsl^ o,{r{oJ,'Irournser€>I ot aulEr 3r.tsuaq,||.'aurEu riq n{nJe{E,^{ 'EqsIaSuroqnzD&su € .,lq (926I-Z16r)oqsIeJ u,r '{Eads ot os 'parnportut-oraraa ltlq (Z16I-898I) 'opal ur .,sg?A "ra lllaI{ aql q uor^{qo olul IlaJ.{aq; Iq € €pEur^IlEnlua^a,{aq} ,{uuad,, 1€ ulrq ^q 8u€uts palBadarqAnoqJ, rauutds urP,{Ilorp IEuoIssaJord uroq-nzEr€srxe '1alnz?rEstx]asn,tE,{q (09's8I) IasuY 3q1u! auns lsrg tra,u uI Jo Suns sI qclq,{ 'uao sl.r Jo ,{aqJ nz€res]x Jo s8uos aq} ro \rlull nze]€sTx"ra ,ttuald pEq nzErEsl>Is,{Eplsaq s'}I uI rotor lecol s'}I s€q urol Uod ,fia^q 'p€[ec uaql sE^{oIloJ s€ 'opa^ uroq puE o} sdqs qll^r paullE,t\spue (ZS-Z0Or) Era !^rdn{oJ aq} Suunp lJod snoradsorde seia 1l'Elnsuluad a6og Jo ai€AILoJJ3qJ Eas,tqtelldertsqror parrauuorsc.^{lr'l16! ut prclsea,{e^{llEr aql aroJag of{ol luorJ utErt .{q srnoq aorqr q arnpaJaJdEqlqJ uI'nzEreslx
'arP o+ iPear saleur IeP aql alrql^ 4lE+(tc ,r:.'..1 Lc4+ ?1-fE:lE :Surllorale aloqsesa^e^ aql y+^+ r+r 4 .,C.i{t1#{ : l] pJeMauioqslln8 easaLlI Jaq ,ro slser dlqs aq_ 9 ?.(FIA'5 ) O-r,fl1€l!"{ :SurJooLu 'lsea aql o+ lo lsa/v\aql ol 3u!o9 c-+.4W +(E+(L ).cr:l 1t:4+ leoq e ^ueul lle/t\e oI yltr'+ :sasnoq-eal lln] u,^ol v t+t..r o0-l 01 'o 'llpzns le ):F rHgV]ggr4od Plrnq sn lal 'reoq aqt ,o sreo aLl+ lc o_L q4.(c-2+ +(E:+(tE tc^:1 484+ ou aq ll.alaq_ aur ro, ueaq )a\au AeJd :at.u Jo] Y+r + t+r + lg4wJ.d tle/v\ 'eas ol Ino lnd uaq^A il+ ? olqgF I 9 r-t) )_(14 I '3u1,(;1 aql ^^ua I s11n3-eas 'LUe Se Uetunh ()lq .t 1t:4+ l 4 l E+ t E,L.t I y+r+ : /v\orros]o sleal Paqs I 'eas apl^\ aql ia^o 8u!)ool
t+.. + lqed..r?+ Ea?0 .1€l )ct1$4fl
IAZH+E
,. fLtr 4 lL E
| 4r +
| !+r +
'pa^uie seH lou la^ ,{ur 1ng auo paqsr,rn-3uo;
filc-+(ia .:+(-+,a^ure iaql spuesnoL!+o suat Iq 'ea^
rr+ ?+!r ?*+ilEg 9 A l { d rE l
+(E+('c tt r,l 1t 4+ y+^_r y+(.\- .qffil.+(q e Ui2 ill€EY 4€€rF4
i9€€Ev
'puesnoqlaql iq a^riJesdrqS
'luinq-uns aluolag uelu ^ul ]sal 'o^)iol u! aulLls]ou lr lal $g 'nzeresr) le araq saulqsuns aq1 (nlulz nzeies!))
AEBfifiJ
SONGSOF KISARAZU I Kisanzu Zirku )
t.b 2. tt
b
tt
b
J
&,
Ki-sa )- la F t r -n e
rd -
zu ll wa
tr *L
-< -
a Te ru t L Se-cn
,L _,_
lf,
kio w!
Ku
tu- ru
Na
<6
-r.
-
K
ka-
18
I
ox E.Ir - o)I 2+Q: o)t "lI
!5 01 ..q-:-?.'t-
t
3u r{
,
I'
-Y
- o)t
-
ru
-
r -ori !,1: r-o1 {:
nsr - rlll a: o1 -o
!I{
{r
rl +
{o( .3 :ioo .-.?
6I
RP,EIr'J
.:l } lu !H ,!t
u ort-€r-Etr q:.4+ rI-ort'3r'3t q -- 1+
-
!
ffi,I.8ffi BON SONGOF CHICHIBU .' ( Chichibu Ondo)
Melodt trMscrib€d b] Hatrori
l. t)-
bA-
brr-
b
t^-
20
q o ?
-{-ra c :
-
.4 -!r
Y
-t
. E- a
ar
e.{r -
a
.4
-.8
+
nn li (t
-El v o E4 -1 4.4-2
(1
lz
iI
..r;u
r
e( ou
14
.r 1
rl +
- ':$ - EJ -4 ! -€1 -ts _:l .f
ou a ou $
ou
-
1-
Itr' 1i !r (t
(E^1E) .(
4
(oqrerol)
!) n:{
>
(oq.8Jo,
G,11-)
"i q
)-
-!s + _ o l. ?
->
Night Festivar in ohichibtr CitY
8on Songof Chichibu Birds,too, fly Over the mountaintopThat cloud-swelling, C l o u ds w e l l i n g Mount of Chichibu. Look at the chapped hands That are trimming charcoalsacks. By the time that Your handsare chapped, Karisakaridge'll be snow-capped. FloweringNagatorois All rock-floored; Awaiting whom, Awaiting whom I wonder; O look, the misty moon rises! When the moon rises High abovethe frame-work You dance, Dancearound the +rcn\e In many,manya fold.
#
7--
'i
iF
E
H6W.7.rt' 6Dt\Mr--. =qthl.-) =o) -6:t1S 4trj.
7 - , E?DI&+: ffitr+i. a.!Lrrr tutt'DP W!\ tlJtt,D+)-* 6i1a 5r'jj &
7-'
7-!
lEDF'ffi "aaEtit:l} at) - r AE/tfu'1F,, 6 i-tS *. te6E
Fi:t4a
rdDi--
*izi.(i1ij
B,4Dttuffir)
6i-LE f€-+€
Chichibu forming a region by itseif in the western extremitv of lhe Musashi plain. As it is isolaied, this song rotains its local .otor. The song is sung in the hope and joy of the rich harvesL ot the year at the time of 8or, the festival of ihe dead, whlch takes place usually in the middle of July- A wooden framevork is reareal on the s.ound, in vhich there sit a chanter and a number of musicians. Around ihis frame-vo.k, the young and the old of both sexes pedorm a liv€ly dance. The music consists of a fluie, a biA drum, a small drum, n p n r ' b u Ln o s o m , s P n . and slo ra percub"iu.ins
77
tz era oqslEJ aq1 EulJnp IIInI4n€aq os o 1 a n p u 3 3 q a ^ e q 0 1 p I E ss I 8ulrs oq^\'ttrEa le rn3ssau pu!]q €'(+E)nqruY rlral\l aq1 oruls u,l ou{ uaaq $q jluos oqJ -qlr ollN }o ,qlrEFaiod sMnq'era 'ltrtQ aq ()1plus s! Suos arlJ sq.nq"s aqr ut lrosar cas ! "^q1 Jo lrras i?uFlro
q 5r,t:4fl (. v) ae4 l**ffiJ t !'\:48+(oeA*ffi 'O;8i:llhi
F)e1c4@Bi
w @ & ( < v ) . 1 f i ? . 4f * 6 l l {,+a4 '\tra.46I :4(:.(?{]ft
:4 6
"VirWtf{
'/v\ol Pal\1oqPue +uaq alv uauleoq +o sleo a8nq aq+ Lla^f '8ur"o aql ur Bulqseldsaurol qsrl olruoq jo leoqs e uaqlA ;qreaq aql uo saar+auld o 'Pauor+sanb ia^au s! Jouotilnol 'aEer ieur sa^e^r aql q8rq laaamog ^eul PrJl/t\aLl+Preq la,^4,{\oH "^^olq 'saar+aurd lrelq ale araql
c.\6
( ^ Y ) J E ] , fl * ( , + l c- E 6 '.1d1!l @rb
{4qa+ 'Y4q ErT{]
reJV1o u,, o+ aq] ie Puv :saar]aurd Par oleul^ +V 'saaJ+ auld PalstMlare osl ]V 'repuas af,urlordalll ul +o
Y(bq (. v) +rfllt* { ) d.rl *aq '+ntt \ 6 . J-PE**&M(oaE+=
rleu-ou-rqsl +o lroo aq+lol 3ulaalef, uo saoD dlqs aq1 ltes Iln,LraPufT 'releo le sraMoll a)eLu sa^er\ BulqsePaql
M+ eW?+o4I E=vH'l-'tlflTl4d{r
1 @ A a E l ( ^ l ' ) - ! -F Z g f * t ( i t { l ? @"{l.rTl -f-{ ? H*4{4
r Eq$+ 'Tr&rr-*$
'lsea aq] ol rr aarql Puv 'olly\)|o u/v\olaq] ruoJ,^eMY '^ltule+os.ra^a'Illulet os ra^l uaasale saal+auld aqf : leleo alqerouoqsl lsoLuaLla osl ur lle +o snoLue+ ( r q s n Bo s l )
sl
rlE
osl to stuos
ffi€f
SONGS OF ISO ( I s o B u s h i)
l--
de-
2.4 Mi-
Laj
i. io
"€
ll /x-
o _
t)
b
Me- i
rL
Ha -Do
I_ SA
Hi -9.
'
shi
: S.
24
_a,
I) ,l
sz
!i
e -Ifi
it
o-o
I
?
-
jl
(ru (* (ao t'I
o,ts', -rsr "a I +loqs-l'rs).4 t 4)-
-rl
HWft.fr,ffi COAL MINERS SONGS OF JOBAN (Joban Tanko Bushi)
L
z.
b
Roku ji a/" t!t. S.n ze!
r'
t)
li t+ j)a
ra -
,vTtllt'. Kn-nd-te
- li
ar:rLll-r"J< ku
S!
g.-re-b.-
Sn
gc- rr
Ii - go'kn
26
_.7 -.I -+
t.,
L9
qr -nsJ (ot-Doo c- \1 .t - O (or-troo -lf (.1 i.{
-ol)otro.o{-I.3H -q11 -El
ou t.1
I - od 't1 T:q
HCJft&tr
Coal Miner's Songs of foban {JobanTanko Bushi)
From six in the morn, I work in the mine, Carryinga lanternto and fro-
Ere longyou'll lie amongthe dust
r. E +, tA) tnn;6t- t (= - l'"J/1')*flOl:Dl
You'll find some fragments left over; And the fragmentswill bring
\Mivesof coalminers Will becomewidows
i:iJ)
T*1,trufaf (-, ,r e f , .,.rj) *tt&..|i^O e - r.""/l) ltii6 (.,
,\7 -
r s
j
{r- trj)
2\, ,: h,OtL,ril1ft1;Aia ]
(-,
rD
(-'
+ P {5' tti)
{s.tij) r&7"+l!ftnt(: - 1'":/r) 6tt6l
tR ii.1it
"7(-,
iE
+e
6*orFltj
S,ttJ)
EnJf,4t*br-(" (-,
The moment the rocks fall.
f
gli=+,(
-. ? -
Cold enoughfor you.
Listen,you young girls"
Tp
(-'
Of an abandonedmine.
You explodedynamite,
tTlf-t !
(-'
All for my parents' sake.
Three thousand feet down the mine And you are in hell;
g1o)^ft+h, t,, ,,
-,7 -
- t: r)#1$*! "
{5,trJ)
J6ban coal mines in Ibaraai Prefecture, Ube jn Chugoku, and Chikubu in K y u s h u h a v e A r v e n b j r t h t o c i m i l a r b o n C sa c r h e s p s i n . p r r - p b F 3 i r , n i n Co t l h c Meiji era-
28
(m. ! . om E+ l+, (m- r ' oqf, E+ l.+ t
04u
eu -,oq3) l rE+) @-Iom) + E+)
ni . 3S
o,{
N.oZ
o[-
I
T
ou fl-ssY (ors p a!! (E< o otr nI 'O (ods (' .r 4lE^
.t ,+ )
?
lol {oPeH) rr /.!..) IoI-rloP3II) r-E /Iv)
eu
D{
r.] _,+
3i
Y
6Z'
?Ir
E
3! - 3II
rq' -?
ou ., eP a
lr
or - rH -E $- ! - o
+n
o
ea fl
-
nsr a-
Es_r) e )
Ilc - I :-q.^
oP'
-
{r
Er
+
lqs ' lN
l:l
!r-o
rJri-{+
ol
nsl
I-oL
i
>r
(rqsrg nsl€sn>I )
JO SCNOS ITSJYSOX H &
i#
Songs of Kqsabu ( KusatsuBushi)
€Bl t- t a-Eltl''H-r ( r.'y r ..1J,= ) Kusatsuis a goodplaceto goi #'i401+l: t, (. , t ) iEit4 ( j You must visit once in your lifetime, -1-=1-r), (7-4' For flowers bloom e'en in the hot spnng. Kusatsufield is beautiful like brocade,ffitit i tJ-tee@Egi ( r", - -.1.),= ) An'ia*Dl And e'en the smoke rising from Mt. i * H o ' @ i ( . t + ) (+-.1 ' t-4r) Asama Will be aglow in the settingsun. Kusatsuis a good placeto go; Mt. Shiraneis cool with breezes E'en on a mid summerday.
€Fjt'taF'ROllli *3 ^6t"o) (-,
( I'v:-, i/' ) r ) l d . i r r 4( I (a=4, 7"4+)
Among the mountains,,called man and t9-6bit D'''htt*]\E J ( 1.",--.1 i/' ) wife (. r + ) b 6 LN,lf bI We go hand in hand gatheringherbs, Fta*a *./e (v" 4+ 1..4r) Through the forest of pine trees. Kusatsuis a good place to go; €eJL"t aE^@a{"d ( Fv - J :/. ) You may carry home in your sleeves if,ir'lr.1Ea(- t + ) Ehra La j The sweet fagrance of the hot spring. (7 14+ 114+)
The songs are coDparatively of lata comlositio[ characleristics ol the hot spriigs at Kusatsu.
an(l ex]Iossive ol the
30
Ig rJlrrrto uu' 's rc lerlrra,{ lo.ruov
T +,f-rl 1,1 + -1! --r., oli+'i )*
:r q =-t.-ai T . I l ? J : l : :1i r , { E - i " :' tX 1l ir')18 r:ts. / L\/ \/')-:Q a tF
TI)..r.?)F! . E + u Y gl ). f) q \ - E - l ' / t9rt..4q +.! 1 :1,?v (, Ff - r. '. :fi?9-1)a X:i€.[, (rR E - r-./
T 2 !:,.t:F tt.1 /_ 'i rlF'l? (rF! - /-./ T l- .1}l|:(S1--141 E-}'/ {:l:l1a.r -l 1)
'arueP u a ^ r l u al l r ^ A a q t aL1+ea^ oo+Sulleaq-LunrP 'ParPealsaq sdals alll -3u1s noA uaq16 's](lEIualour o^ l ,O daalsaLll lle ie,{\e aseLlllll'a\ll -ltlEluol Surleaqunrp ,LoPunosaql ' P l o BS u l u r t l sr e a g aq+ul sqraq Pue saa]] aql ure+unoLu 'af!l +o slea aLll slea€ aprspeor aq] ^q sser8aql uaq^A ' allr lo sJeaaq+s.lea8 aprsPeoraql ^q ssPi3aql ua,^f 'slLleldalu aq] are Pal+lureillaly\ :Jea ladureqP sl slql (eln rroPo uoB euros) etuos ,o s8uosuoa
gdgggry
{B ,F; ft
ftf
IE
BON SONGSOF SOMA Melodyrran6cribedby Harori
I. )\ 7 Ha - sZ. )\ 7
-
I
ia *nia b -Ko, mcli Ho
it--ij hotJ -na
g& a tu-
I I
i
32
t ' t
.q-rt eu-oJ .4 ) --
R
.tr.e)l
ts
-+ €s -+
ar
^ er ^
Y
ou
cc
{ T
-lu
Y
--:
_-,,'/
eH#ffitlt MT BANDAIAT AIZU 1Aizu Bandai San)
a
r'
t
{i:L /:f' a/- l]
A - i zu B a d - d a i -s a n w a _.ati.)--15,: Ko
to - sh- Ho.o-ne.en
-
/r
n.
Ta- ka Ho
oi
.<'t{
34
sg 'suns arE ,{aq1 araq^! sa€tl aql ol 8ur -proaae ,{J€^ spma 6q& ,f4unor 3q1 lnoqanorql rEtndod ^Jo^ suoraq a^eq IaqI 'ornpaFrd Bulqsnrlntl Jo ,fIrBFalFEd lqrlstp n{oqoJ ar{1 Io aJll leuollolna aql 'ra^a Jo a^Fs3.rdxa 3rE ^aql 3ruls s8uosl oJ sE paprE8sr aq ox oulor a^Dq ,{aql '^!oq ',{tale.I sSuos rElndod ?nq s8uoslioJ .{fleulalro lou araa s8uos asaqJ
'araql
,las^u dn ^ orls of
suealulle ^q a.raqro8 ll,l :l+gE:i T - - . 1 s 9 f i J . 4 ! + q l:.! @E E 1 . 1 r f l V - L ,
:^|ep aSessaruaLlt saulo] u/nol aql elue^lqse8;g u,ro,r1
4rl t
'/v\ouaa2rJsteag
9ll;4*:l
T
- -
-1.1Sr(W:lW f f i + 1
I H.r@F ??
-r. l.
sser8aplspeoraql ua.3 'llnt ore a)l +o srea aqf : auo poo8e s! real sltll
'plo8 surer8reag ]o __
9 1 4 eq l / : l f
,qge:tg e
f m@E Frmg#av - + v
Ddqc-c ro,{qc!S yE+ zt ,E+ 4z o{q,-n6 rofr{,-nS yE ..Yyet.,Y
ooqureq)tosa^ealalll rol 'arolsalnseaile sl nzrv le lePueg..ll^ (ues lePuegnzlv) nzlv tE IBPUB{.f hl
rx#trH+
euplqms + rE+az E@lF-nS +yE1."Y
-
EH
I "H
'
I
n -e!Q .u-ox :r -trg . <,t : tS F -rN A 4
El -rI! -
g
"3 ns -E
frfr
BII HF t
SONCS OF SAITARA (Saitara Bushi)
MelodytraNcribod by Hstrori
I:
,L-
L
-
il t
a Te c Ko
36
or.r3 'I fT ol - te
eNar'Y
-.
3 M. r - V
-.
.
rq
rr
Lt
lsr'eE
ct
Songsof Saifara (SaitaraBushi) On Matsushimathe port StandsZuiganji the Buddhisttemple; As the sea is in front And the mountainon the back, Shoalsof fish may aboundthere.
x
ltHo 13 +{AV'la
EijB.Eri e /1.&],F t r
Ell E0
H&+ra u d)
a- l7Ll\r r.,tiF.ffr ,,
i LrrBrI( r- l. 7 L,/.i / , j.J(ml:r
At lshinomakithe famed port, Still more famed is Mt. Hiyori; In the east and in the west A view may commandMatsushima. ll before you. And Toshima-----a
FoE ZoadrEv.lrfu!r trF li6EH Hd)Tr.
At the Shrine of Shiogama The cherrytree in front, When it blooms in the spring, Romancewill be in the air Over N ishinomachithe town.
ffi68*o R3{ftt
@F5d)EU"o.,1E& i*f { h-r }, Eo)El
Zuiganti the ord temDle Drasoil h the so.gs oI Saitara.
38
6€ 'rarns 3ql 01 ,!'tr€,, aq] puE irsqlorq aql ol srrlar a^oqx ua^ra asrnr aql ul .,L, oql 'Aurteatstu lrqaauos s! ,,!Pai{ -{tu Jo ir€,, 3s'rrqd 3ql TIFnoLII rslsls sq 1a3rr o'} '3snoq aq1lIsI dllllnr} s,I qt aErll]r aql r3^auaqd\ 3pL_ur€o1dtl plno$ raqro.Iq aq1 'rllqn(I rn raqlo q)to eas 01 u.lf:Llrol ar3a .ialsrs puP rarilorq aql .,{lltu'?J!!o1 E pa^ol aqs uroqA iiqlorq euo pEq aqs Jaiq, o'rnl^ aqs arurs lnq .to ;wrr
"il.rtjdp *,,:hliil:"i:;,xTi."":Tff*" arl1 01Lr aq,ro.{.unrr '.lcrop., "*,
raq Jo lrlan?u sEA arsql lng :aopulA eql qSnorql ul podaad I lm€q ,{ur Io Irta sLIr purl oJ ;q1 olnr ua^on! sI 1rllo8il t9.qircl reqlonY :o)ji:qo rltttul]\ '3ar1 .{rJaq) ! qForr -aq aprJrns Elrn'lluuot ,{q qlPap uI utaq1a3.!\s slq paLllot q1i1o,!InJasro ar aqJ, ,,rloriq ,taltfr .ql orui 3trolp".q IIaI pur?otrEIEq -r.q lsol lrla aql 'sllrq €qi passor) .uEd €ql sE ']r'r.L.{tdulor prp 6qS uolrrsodo.(d slq snor3l:-odrrd ^\oq rillEul ou ipauosDs:I.Ll 1nq roJ Pi.lEl) tIIPar aqs lI '(lllaplJ Ducuruor srq ,{a.lo llno-{! iqs J;q lsat or rclrotu,{^Eaq lr InPq aroffpq srq aluru IIIEr\s atrnoI sq},t!P auo il.sla^\ou n.i)nxtr orll',{Pp,{rnia SuIoF s]r'\ aqs tll\ rrrd or sIiIrI .rapro,{ oJ,,',!ld.r pllto,$ 'sl|rl nql EuouILr-cnorzspuar 3ur]s'puEn aroqa s.roqqFr.tr aql ,{q p.lst uaql\ plarl sulaqriars aq1 ruonEJrossti.paxruli, .lEralo] lou llno,\! s{rp asorll uI ruolsfs ei,"D pr:r: aqr asrDJaq 35DIII^ aql uI rau\oPrrq lsaqrlr €q1 Jo rolq8nEp oq1 rltr.\\ ..\ot u aJ rLrnruEs 3(I^or e Jo uos €ql o8D aurq AtrolY a'\ol polElnltrn Io rolrqo IPpurqS aqJ o:{'qo li.rots aqt st1;} 'otcqo !,\tzrJ, aql slr o1 parralal oslD 3q1 io suolsrnr alLllllnlr.ql roJ;runql aql spjrord soqltd puD srol lauo lsoN 'ssJuep pnr stuos a^um rraql go ^!oqs 01 rrrLl prlrr rPJ uo.IJ nlcluissD sral€ap nsroll llnq^! 'l!fJ asroq irnuut eqr lo ,{t1! -(q ritqrssod 'IrlI}lV or palrodxr atu€q} puE €lEsuruej\ r.."--i"pur.rS r pa.lrsruor ,{Il!umr st,{ qsrq otlEqo iqi 1tq1 a]!Jip!! o1 ulaes pFor{ asu?s Lroluruo, '!a1t)!rslq.Ios 3ql o1 a^rlrulr.l aql lrlor} purr xeld or aql o1 ol'luls ar{} II 1o ^!PI -{q ..,o.rr .,ntr"ron" rn i""ru.rrl r rltno.ql sossrd 3sr.^fun 'ql 'rartroqs "{aollrlrr oq1 lncl orE surE{ar s1r pu! r3/-IEu puE alduris arotu fl o{€qo lr?aeuel 'a{l€ lrrrlslp urals€a'qrroN ar.ll o1 Euolaq owqo EleAe(u?,I. puE €1qv aq.L 'r rol lnLIISIroaql Jo uoll'rlu]xorddE lsssolc nql sr suolsro.\ Sunsr\a -iutrlr aqr ]o qrrqa Llo.t.{rssod sI uolsrr.p IPtrg ou puE'uaoutlun arr s.r?soiluoJ rriqr.{tluanbarJ e}nb'qlnoru Jo pro.!! {q suoueisua8 q8norql u,\op polucq usaq 3.\Eq sanos IIo] lsour 3r(r!s puEI r!3q1 !i palEulalro lqsnq orE(to aLO ltlt1 ul'rt) sirnt)aJard t}lBtuet! puD IIIIY qloq Jo sa^wu €qJ
l'$ i :j
l;i.ff \.,
i'*'
Efil*"lJl_
THE GIRLOF SHONAI I Shonai Obako) ,:60
66
1.1,, O-
u' ba
f. l" aD' Ta Id)a-rYonoi
lt'-D bo
-
no
ld Hi
f. Ta
l" _l' ,L n-zu ' re
a: L6n'ba - ko
{ ma
a u
!a
u
40
(aE;.c
1-.-c)
EW.?&Ve*.1fl@H .t-+9"1?F?,% (4
-...
E
4 t.,?
E)
x12tHr-\2a1.48i9@6 ? +.q1'l?.Tl-+
a---c)
(aE.<E
a=.-E) :la T ?'1S
(r-.(.
l-E;4{l@llE "?r1.41' 9 llEE
1.!?+*?+.q:r.lo9r-!gg r{*$fi
(4-","c
(1-.\.
?Fl-+
It 'Suruutdsueuor* PIo ue IluO +qgneuse/v\alaql lng
-laq,o
: /,^opur/v\aq+ qgnorqt u! Padaad I u e a q ^ u - t ; o 1 r ; 3a q 1p u 1 1o 1
'Ae^^raq pa)f,olq seq /'^ous SurllaLuaq] Ituo '^es^aq] os 'Punos Pue llal s,aqs aPlol e qll^ u/t\oPaqs sl aaurof,lou aqs saoPIqAA '3uru!1,are sa;;1arr1 ,{1ug
1--'.c)
gxt-! 7 .7tt6 afr a+ I *? Fr-.r
c
'raq +ng Jo +qgnous.?.raq+ :plar' aql o+lno lua/\^| leaq lr-u +o IrB aqt taauJoI
a --< e)
Fl:lgr- Hr- f 1.[+?Fr@EEl ? +.4eX? Fr'"
'lallas (a -s
c
1--'. c)
9xl-1lYl:r (4 E.< c
1-.<
ofreqo] e +o a?!o^ 8ullnoqs aql lluo \42 F.I9zl.tr!{ow t-+9X?.8?-'? 'raL1 /\^oPeqsou s,alaql lng ,o e) :Plar, aq+ ol lno ]ualv\ | rnoul ; g-rrBaql laaLu ol
.Fl:tg.1Ha T'L!+?xr@EEl ? +.49X"F?-%
'euoqsi (o>leqo lruoqs,o lr!9 aql
fn sfv3 8
ot
o)I4
ox
of, ar
2
--) IW
"Il
fi' tE fff a| rF SONGSOF PICKING SAFFI,OV/ERS Ilelod]
J =88
traDscflb€d b] Hatluri
1.6
t
2. t!, tt
ri D
t Ko
a So
I
tn
a
-
I
n
q.r -l{ q.f q+ 1FB}4/+ 0.+.i+ .retrd$lFJ
ui.r?lr* ++.c.).1r+d qc'1*q+
q+1FSg+.!+
(i ZQ'Vtl
F l ' r 4 ? : 11 +
l Qt+ lW
.la,qw4et
1++'lFHf 1r+-l+g+{F/+ 9W:qg!.r'qllalaW E.t,^X.r.t>{1+ Z + g +oW: 1 + + 1 E S +q + r F R I + - ( + {t a it1+ t[n ">\ z E:1 1416(/ZJT!
6d f/
ff!l
q \ a T n4 ! - L
w 'sra/\^ol, aluol aq] )f,rd Pue o'auol 'Lrroolq lln1l jo Plar] aq] sr In+rlneag ur sJa^\ol++es Peaqra^o:arls realJ aql 'ie,^e lqEu sJa,1^ol+ aL{llrrd 6'1116 'aLu
lJnLl
AeLu suJotl+aq+ +l purur ra^au ll,l 'no^ qlr/\^ luo auoP rr.le'sra^\ol+ 8ur>lrrdaLlf a)aM | +t +o 'Ie,^^e ol+ alll )lrd O '>ltrrd lqgri sJa,^ Pa>llrd sJal(ol+ aql Luor+ ]no au.rol llla^o-l 'PlJO,^ aL{l ualgSuq ol aurol seq aun[ ^lra,^ol] aLll 'sra,^^ol, aq] >lfrd pue aLlrof O'auol 'eleBeLueA ra^o lle /!\ou are sra/.o11 aql os 'u,^ os uaaq a^eq sPaas ral!^ol++esaqf 'Pre,4u^\oP aso+rLll +n uroJl (eln rLunsl eueqruag)
sra,nol;;Es8ultrld to stuos
4
a r ' r q s . 3 u - r s r . r . R q s€ u - ! s I ,,+.!.11.11 +1 + c
)
t
EH
ffi*lt+liffi CATTLE DRIVER'S SONGOF NAMBU Lento dololoso
na- re -
ki
i D
". -
'
do-nlo
l/rt/-::
<
clri Saden go,kr
L
ri
44
st 'pror ulelunoul aql 'uaxo slqr 3{I Suos € SuIEuls pul Suotr sauars Jo oqra ur sa^!a Suos 3qJ ouo qcea 'peor aql uo oA or p3sn sJ3'qrp e$qJ tqala 01 u3^os uorJ Jo aSreq) Aul^eq 'i",it .qr uo splsu ?I{1 q 8ulal3als 'sdlrp i€ra^3s .roJ sra^lrp'ao1?r asaql rq ua{n] uaaq seq ulerl 3q1 uo srnor{ rnoJ ueql sssl u! pai6^or ,{ou a'uEls]p €-nqultN prorl Jo u.a{or 3$s€r aql 'E{olrorll Jo ^1Ir 3q1 uI su^{opoE €ql ol €pl€t aql uo Supnpord roJ 16^Ir €aP,A[ eql Suole sa;€n] s€q a'Ir aqracu ;".;"; I 4 J { o u I l l d { , ( l l E n o ds l d E e I r ^ " n o q E ] u n o l u E ! q J n e ^ \ E S u d p ' n q J d " l o q l"""q q J n s r o J p d s n ' { 9 3 ! t l Ju r d q d l e q d l r r P r L o . t u L u r u eS u o : r s d J e , t ; q r s e s \ o d J n d isetrtloeJ uollerrodsue.rr to lrei i s: araqr sraqd '$nla{_€31 pu€ sasroq €qr arnlraJard 3le]\tI ul l4rls]p nquEN aq? Jo sFEd olormr arG uI roJ rl,ltoul
.?-E6UeS lro)
Ato,t 5r crm+l@tr ? t ) , + J -* r - + J 1 t t 9 : & 3 ! 2
'sq+daPulelunour aq+ul Punol '!teu rto sa^eal aqf Suole nox q]!/v\3u!g 'a!u!+ lxau 2qp3 ngA uaq16
.a-9suesero) 's'rn opo8 aq+ ul palols puv aPeLuaq ol 3utla11ouy 'alu +o nlol PuesnoqlaaiLsalnPo,ld lq)ne,4s
*S'% 9 as+i-ac ? "?H@+.+ 4+=U$
'a-esu9sero) i}led.ralv\olaq] ul suralled-au!,Puv 'sraplnoqs aq+ uo ).rolv\-lalseq ql!/V\ 'sra^uPaql +o ouoLul)lauJuinsaq+e )ool ol Inlr+neaq/\^oH
*1.t,:iw gE5:tg rZ#14+ 116g 9 J-e
lr1@9 9994
rltr@l]+$ I :1)&gH
lrc*EH
'a-PtgEsaro) 'aro ,o sulelunoL! qll/v\ sPunoqv 'lsa/ aql Luol+'alaq^A o+ aqt +sea uot3al aq+sl nqureN 'aPls-fulLrnof,P LlBnoql. nqureN fo ,uos s.ra^!ro al lc
_,q-
,o)
o
ox
+=oil)tll
THE DUNE OF TOSA (BozSongs
of
Tosa Gata)
Metody rmnsclibedbr Hettori
:
n
2.n' t
x
t.L
aFr
x-
b
na-
i5_yo
+- a ya- no
Be
(
I -
le ya
-{ v'- L/r i
--t {a?6 ' e !_ny.a --'l.iZ Iae
l:- -
a'r
46
Bftqolqs
LV 'nreAnsJ, io sp?IEq {uEur SuouIE 'isaq aq] lou Jl lsaq aql Jo 3uo st puc's8uos{IoJ uraqlou Jo d}nEo.l tpslra} rEreqr 3q1 pulr Io tullia} 3q1 scrl 1I €lEa8soJ .}o s,{'rp snoradsord 3ql Jo "{10urJ alrns aulrq auo Iluo.qr sI atri'{ ue,\15Auos aqJ! .Ers 3qr nq luarsluluar .{lrpol 'sdEp rsuroJ uI €IEI E, SujuEalrl lrroa nulY ut 'r?soJpall':r osi€ sE^{ €}ta'?soJ 'auo slqrall8au ? suroJ3q seq rrod 3q1 lsanllIreJ urapour raqlo pue 's{Ep auo8,{q 3r.11 sD^r lEq'} lng s,{&\'\Ier au]{q 'utdEt ,aau Jo Sutuado aq} qrlt\ ',crtuno, aqt Jo s'lrod roqlo 01 lJod stql luorl raqunt pu! rue3nsJ tuor] oru paIrEJ xrrunor siril Jo slJld ulalsaa tuorl pue (optD{{oHl ozg tuorJ sdrqs osaql IFl slururn op plo lrAuorql sdlqs s! 8ur'ls]rnog sB.{ rlod aql s-{Epasoql uI sn'oae sr€ad psrpunq .q} sY Potrad tq.Euornlr aql 01 elnll€[lE>I aql uorJ ro . i \ d s t n o q Es P \ E a s . ' r d c f u J r q r r o . d L r rL o l r o o b d ' . 1 \r n o t u - e l L L l r o d u ! u E s c €tEaEsoJ. lrod aqt lnoqE atdGd arl rra^ uaas arE sraql ,tEpprur aql q u3^g 'I{s -dara aql rapun araql pu€ sraq para}leos sisnoq a€J ! Ilrta 'aEEIII.\'SuIqsg pdLdssir ' ^\ou nq5uoH Jo Itrud.r:\d ur.ar.ou d\r -. uou e sr ErrSLsoJ
J-J.1g.I1U€:78
'+sar ^n aq+ lle-Pueleq aSPas ual}o;Jo+a^eLl araq/l^
I 'srala^eJl ,lo)tasnoLl aql e^-e8nrnsf ]aqurau-rarI 'lselra^o s! l)s aq] ra^auaLl^A
' e/!\e leoq Au ualseq I 'ader aq+ I>lesopasseduaLl^A :^\ols Suro8'esof +lal I sa^a A|.uul srPa.lq]r,^A
.Tl+ c{.4l,9n4
'^lapl/v\ os u,{\ou) srl, 'oB Pue aluof, sdtqs sV :lod aq} !retuoPo)sl acPIde Paure,oS
e 1 1 9 ( ! * q7 &sv{sH xn?a+qflv ? r1!(Bilyz
{.) Z.l e€V
..4:tH.J-4 +e 19H4=+
q r1 f q4J_{19 :r&+d++o4. 2.tll N ,{q patutxt
,9!!>k rt1.r&O={-
'sarul^oro uralsa,r aql lo asoL1l lle o] a^r8 Plno/\^| 'atru aral{ -}! +l 'esol jo aunP alla
]led oueld
+ r1
+
o
:r
eJ
J.
-?t
I
L
i
b
h,ffi
SORANSONGOF HOKKAIDO ( S o r a nB u s h i )
Lf Ya
-
!e -en
2. + Yd-
, So t So
-
t t rn -!n t r. '!n
, So , So
-
t I ro-ao t ra-e!
, , So'ro-tu t t 2 ra-u So
t so, So
y 7 n-aa , t ra'an
) So ,) So
-
1ra" -, rua
48
-tq
-|
-a]
Iol
.n q nrt 'r, :,l )
tt+ rq, t=1'
nu - 3r
'o,t.
_DI
+r ?
tq -3:I - Di
o-o1
-
ol
Ir-Eu-I
.,{ .} uo - o)I
ou or
al rr.1
6V I 1
I I
I L
!J'!I
rioo
tr.'t
-$
-q -?
nI_t\
-::):r.r4{$.q ID
. . - . - _ ! tt r i z : t
-ou _,i
Il
. 'olt
!
rx
r.+ .4
u-Nu ( I
I .f
!
(
- o!-rtrnJ
., :/.t
o!'ol (, :
'i(l :
.tt-ou'D)l Erl-tu"nrI
1+2>
u]'qs-,N "1 1:)
t\.
z ) b l,Fa
Soran Song of Hokkaido Yarensoran,soran,soran,soian, Whether herringscom€ or not, We asled the gods to harvest;
At^v:/
t-t:/
t-7./
t-2t
t-rt
r: l,i,(ffi)*6i't tr6ffr: : it rf ELoffiffi6 a yL\H< ,"a
Each and every god whined, kon, kon-won't
come, choi.
Hear the songsof sea-gulls
( F: rt tl $oEg@rE
Over the ocean waves
fiF* D6*rl
+D) 6 i'Lrl
And you can't give up The life on the sea.
Yoichi is a goodly town
+iF l Li I L -Erl
You've to visit once at least,
&'.6-&0tLhtiL')
a5" da
For the golden waves Aro
t'^
^
+lD
lf the sea-gullson the offing
i+@EBit 6 or'i tt 6 ri
Were to speak as we do,
l;J b Hrrt b Hi'tlt: i
Your messageI would hear from them Or the messageI would send to you.
S6ran Song is one of the folk songs ot Hokhaido, being nexr otdest to Oiwake Song. It is so named from the shorting to nark rime, iike yoho, as ir is origtually the shouting at drawing up herrings. The o.iginal home of this song is said to have been Tsugaru in Aomori Prelecture as the fishermen there useat to make such shouting as this to mark time for ner-fishing. Since many 6shermen in Hokkaido have come from Tsugaru, rhey p.obably brought with Lhem there this s6ran song. Herrings in the sea of Eokkaido arc founal in the lvesielll coasr. an.t towarrl auiunn to ihe eastem coasr, where a gfeat number of them are caushl About l h i s u m e I h e t e m l l F h e a i n C s . o m . a s l ^ o r er o h y l h e i r ro rh.." -.on S " ,color of rhe sea. males also, and ihat in such a great .umber as to change" S ihe The fishermen have to draw in their ners aU at once, and rhar can h2rdty be expected if there were not this lively song ma.king their time.
50
IS 'raruroJ 3q1 a)u snldrns aql uo pal aq 01 peq aroJsrstll puE otnpord lo 'otu SuFnpord 14 qtlr s€'{\'ra€]l|or{ rarlrol Xeqt uI rood srM ra1l€I 3qr ollq^t ()1 'i|gl"q"ia {919) oltl"J, 3rI1 Jo ]Eq] o1 p38uolaq osII 3Iq^{'Ias "qJ p a 8 u o L de q u t r p - o l I l d J " u r , o r r ^ \ o d S u I A o ' 3 a u t l J r q r o s d 0 5 s J d gu a J l ' r q l o-racNr ouc as lo dJ r^o-d rqr pap,^!p ut,rr \ d r r r J d t d r d '€ra !!lal4l aql oruls 'nlo,r, uq,r, :"ui p""or" sureJ xrraqnul '{uelu 'rE aroql pu! oucScN ,,']t"-'n S-r',nn" o uoo'oJI ic luoLrodL ue uaro s"q drnrralrJd 'eq rllir ? uo Jdvr dqr u^\oD l i d o r . l r r r J d q . r o , c l l r F r n c c s l d 1 " ,' a d ' 3 u e q u E d r u r"dJpooJu3tqv \ r s J u r S p c o ' o l l c l o l a q l Curo: ur eu,j.) rorlL,roosuEJ "o Jo s rrr or'r"B or "u euL dlqe'Lddsrlurdql eeA ,{cr$r€rci slqr'sdr'qouornc arnFaJard ouPatN uI €pII put ?uI }o alrtcala ou arar{ sraq} uaq^! s{Ep oq1 q Euuaruaa 'ia^Ir nfruer aql BuoIB Suns uaaq sPq Euos sIqJ "i""oi
"u
"o
;{1qvogg+j]#.d .1f]Q9! + q 7
*4crgH+,jftg
'ogB+il#.g Tr?*4
-.1.-
'@EE+rltrd
? v'6-l1v,€-lz --'''
FlilSEec
t-it@V
'1 ) 6 *{l:4{S '? '2 I *,1:4iS - r"
T1+@-1{/9
EE+:CEY
'o.lqeI Pue eul ,o a)u snldrnsaql s!I, srl, :$eal u! PatrnPord 'a1es s,^+Idloj }ou ,(es 'ole)ef pue eul +Y sleal u! Paf,nPo.losll---os!) ol aloLu JaAf 'osr) ol Paddrqsaq o+ allr aql 'aPef,orqsnoaSroSaql q8norql 'aperorq aq+ q8noJq+sPea,rql]eoq aq] :sa^ealaldeu +o aPelorq aq+ qEnorlll !, a^!+-Itua^\+,to1 sun'l n,(]ual aq1
'ea^ aq++o raSulsaql aasol isar++!P :sarl.llPaq+o] tla+srlo] qsl/v\I :sa^eal^ttaqlnul aql uroll sBuosleaq I dn 3ur1eo1rr
etsu.l. +:l'gE +:l* * Hd.l/ 9 r.l9:4h.1, ! .4+@* - r.-
'1eq,(u.r e a)rl lle+Iaqf uodn Jalv\oqs :aur +noqela^oq sa^Palaall aqf :osr> qgnorql peor aql uO ^aurnol ?q+ st auosauol oS
'.(*arjz:l-+; 9.4.+ q Y!q*@Xa:i€ Fl{{cr9J6:lz I.ISSQ' -/"
'+1e
'+1 q+{a:1++ Ery+:l q+ft:l++ Sl1.llLEEx - r'.'
9.4.4r( * 5'l da
ffi
.reap ueuleoq ^ur ol leq lloultl v a !3 plnol I tlsl/\^ | :late,4\]to s^erds q+!/!\Para^ol aq llrlA nfuual aq+ u,4\opSuro8 leoq aql
( r q s n 8e u l ) eul lo stuos
w
F rft EtI SONGSOF I NA (Iria Bushit
t:66
72
,' 7 Ha- a Z. )' f l,
-
Ku- wa
ryu _
Ku,da
no
Na- ka
tr ,.
bd
-n
L
-il
shi-t,u
ki -
ga-
!a
I
IG- ta I
52
tqsn{ rq
Jo st45 5u!c(Dc
4
r+
lu
xl . Er a
-
--
|)I_t)
o.E){ a
-:::.
.1 -
xr
tI q!
rr l
ti.I{ r,\
F
& f SONGSoF KISO ( Kiso Bushi )
Scherzando.l:72
l.
3j:
Ki -so
)"' L-t o . ur - ta .t !._ t: Ya - rit.-
Ki-
NA - Bu
/: -
Ta
d€ Do-
rI ?-t bi
Sa-nu
I
Y o i - y o -i y o i
tJke? ya
+, trI^4 Nan-jrA-rslDy l' tr 1'!.4 N.!-jla-r!-IoJ
Yoi-yoi - Ioi.
o-So-c
54
ss' 'r3^! aql uo lJer 3oI 3q1 3ulr331s uaul aql aft aroq u3^t8 Auos aqt q 1ns-uo1t-DllrrN 1s3roJ slr{l uI soarl aql aullal uslupool{ Jo sa^ll aql rc} qsng-osl)I }o /{uEW -punorarp?q aql -{reu3rs aqJ uI slql stq osDI aql ruauura^o8 $aroJ Jo lnJ$n€3q rs!,{\Dan{ol Jo s,{ep aql Jo 1s3roJ palraFrd lPal8 € auomq sBq 1I ar41 uI pu'? 3 J u ! s l u r u r u r d , r o a a q t J o u o r r r s r o r c lI c r J d d sE p E q i L q o s r x u ' r s r - o J 3 q l 'ssaPp dEp aqr $un Suos s]ql Jo aurlurqo aql 01 )tlo,{\ €ruErJ uapoor\ aq1 punore s3l)rla uI sarsEp rlaql luro.tIad sraouep Jo sparpunq :ra^a s€ Ins?lsnq']ua learE qll^r plaq sI r€uiurns u ! p e d p d q r l o L e \ r r s d J3 q r l e s r u c o d q J s r n r J r J d r d o u p a e N u ! r o ^ r r o c l v a q l SuoE u^tot e 'eurqsn{nJ tE pIaLI F^I$aJ aql lE Auns Suos xLog € sI sIqI
yEvEye y*1+4A.4
9J":{lg@ Fi? eH@@.6.V
9 e (t(o.4tr - 1@E*
r"1v4*a Y*! 1 +(A.(
vE ye yE
-al-4{}i*ry I (D.(tt - 1+,!W
"lF+9U?+
y+1+^/.4 F iq . 4 $ 1 5 * 41* ([email protected]! - 1+*
rz#4*e *:1 q+c* q (o.4!I - +W
yEyEvE
v+1 +c^.(
.1#9t-E
X t ge € 1 @ o 6 : f
!e(ra.41r -+oE*
ce
Y
,.'uns 8ulurour aq] ql!/v\^ ol8e slql, ,, ,,.a)eluo +unon le lr sr ^ oH 'os!) aql u^\op Suro8 ueLuleoq'9,, 's1ros q+!^ raqp8ol ..t^es no^ op s+uauJle8laPunPalaPlo no 'osr) aq] u,toP Suro8ueu+eoq'^es'O,,
.tisaqloll ralu!,l no^ a^!3 of Pro''e auo Plnor i\ oH 'os1;4aql urnop8u!ogueuleoq 'Aes'O,,
,, uJen no^ daal ol slcos PuY 'saq1o;t la1u1arho,( a^!3 Plnol I t{s!r\ t 'os!) aqt u/v\oP3u1o8ueuleoq '6,,
., raluulnsul ua^a Ploc sl +1,, .,Zaleluo ]uno^ le +l s! /t\oH 'osi) aql uMoPSuloBueul+eoq'Aes'O,,
I
I
(!qsn€os!)t) os!) fo s3uos
;
-1
+U:rOlH
SONGSOF I(OKI(IRII(O Itelodt Fsn,crided by Ha$ori
Andantino
1.-'+t:o Kok
2.*r O
tJ -'i L ,t, su.un Shi-chi rt <-a ?na kuko wo
-
So. de
oi, t mkarakaij" 0)6 L no no.to
i\ t', ni
trtr-
ki - ri
Lo
t
r:
,,
ts
l
b
do.ri
tJ Na .l Sa
a--lr-Lrr, go - bu. ja l.-a-ri ko se i
D?
x
a
Ma : M.
,;-rr ga'i t-sa ra
a' oill
no-
ilil-
i tl
do nosan sa wa { oiA i it do no san- sa $a
56
+Ei4E(r'(ileffa ++BF1?Eo(trreffF 6 :qTFI).\4d
( :s-!-Bl)"tgd
Fr 6.?:f \1 > +h:l rflo.,rt9J
9q2111o&Xt1++
+ : e ? + ) 4 1 l w ' q 4( \w 4!t4t!1+<+(i4,/ 4 ! c 4 ! !r1+.
4 o . . 1> ( 1 + € l )
+1r4+40q*I].'^4 rlJh(j r: ( +.
+ a \tT.++
E!@tr6+tr
u.p'oI .ar -.P _.P a.4c4.4! ue? -o)i ' 3r - aP ' .p E 4 + +
?s 9R
tc
'3ur/v\or-u-ssetg Jo+ no^ ua)e.^AeoI '^)s aLll u! dn 8u!^l+alrq^ ir) Aaqf ',{ll ulelunoL!JaPuoislnqlnq aqf '/v\oPur/v\ aql qleauaa LurqJo+Iol-)lsnlu e s.a]aql -8Lrr,{j: plrqc aq} Pulur }ng :llt/r\ ho^ se a?uePaq+ aluec
'sa,raa1s lno,{ q?lel }! Jol lll/{ '3uol ool s,+! poog^ue op l.uo,^ lr tr :Buol saqlqr Lla^aslndqe sl f,tsnLu aldurrsaLll o)!rll>lo) .ro+s1f,rtsooqLr.req (eln ou o>lrrr>l)o) ) ollrlllo)N ,o stuos
3II €H
@P.o:{-ei -.P -.P a!c1,+! u.p -o1 'ar - cp - er
:r
&.W *' ti -\ SONGSOF SADO ISIE
Dolent€ e dolto espressivo,J- es ( Sado Okesa)
I LSa - do-
ki
J SaI
I L Shi
I
Drr-
j y t r-
-
L.-
<-
ku-
58
oq9fi*'oq9ry+:i.q 't"
r+y::1tr9 t-' 1t-{(o{t
9..4s?l'.(es I H t - u e . 4 + ! . 1 c : r e{ , 1 - qe' 1 4 . ' t - t "
6S 'a)r^ias Jno^ te salPPed Pue sleO :no^ lo, Sullre/v\sl leoq it, 'sa^e^\ q8noi aql a+ldsac
oPeso+ aLuof,o+PulLue a^eq no^ +l 'oPes )to Puelsr aql ra^o Sulruep st uoou aLl+ua^f 'Esalo ro alou tulaLu aql of
'alsl aql uo +rl3!lou s.araqlsv 'daalsesr oPeSs)urqlal^ 'urlo+-/!\ouse ul Suluas sl uns aql _eleEl!N A/\^ousJa O
' t*
'q8nouatrtsnulsl pa,t 1o,fuelpunos at11 'paPaau lualuluedurof,zeuasrulesoN sl :rool, uaPoo/v\aql uo a?ueo 'esalo aql arueP o] Sulo8al,no^ )tl
t- E J?{ (,4 edI .1 *&= f u q { . 1 - F J @ 4 ' 9! 1 9 S { e Q - + - l ' '
u?g'9V r.4:lapsa 9 UE.r-EYi
'&WaF
'eas aPl^\ qSnol aql Ja^o
{@Trl.Ev+MFl*9 , . 4 ? r . 4x q . q ! i J - ?1 4 . 1 ? . 1 X - r . -
Ae^e !r aulu-Auo+sl ?ls! aq1 ios alu aStn ^eur no^ qBnoql 'oPes o] aurol I Plnor /1oH e oPeSsl Zaprqeo] a)eld PooF 'll
. 4 . rf q g ' . 4 . 1 f g r l 4 ? ''sa - /.) tz lr 9)FF 1 '&?l
PJPlv\
-o+ Puaq sqr?q aql Pue saarl aLll ua^f 'oPes Ple/^ol Pue oPes Ple,^oI (esa)o oPEs)
?4r s4+l
alsloPes,o sSuos
EN o-1f,
ns
+
EighL hundred years ago, du.ing ihe age of the Fujilrara Regency, Sado Island was ar isle of er.iles. Sanished thiiher were such histo.ic figures as the Emperor Juntoku aDd Sainr Nichircn, founcier of the Nichiren secr of Bu.ldhism. The discovery of a gotd mine at a place called Aikawa on the jsle about 850 years ago-durinA the rule of the TokuAarva ShoAunate brought an age of prosperity and splendor. cold production here used io be big enough to make an imporiant financial mainstay of rhe Tokusarvas_ Iis deposits nea.ly gone, the mine is noly in a decrepit srate. But the isle is rich in local color, rraceable larg€ly ro tragic stories about exit€s and memories of the Aolden age. Mosi expressile of the tocal cotor is Sado Okesa, or -{ Fotk Song of Sado. As to the origir of the vord ,,Okesa,,many tegen.ts are tot.l. Once upon a ume, goes one leaend, there lived a dch otct man in ihe town of Ogi on the iste. Ee kept a cat, which he loved dearty. Evnrualty his fortunes wenr down, anal h€ was reduced to sorry straits vith many duns at his heels, The animal iook compassion on its poor master. To cto him a good turn, rh€ cat tmnslormed itself into a beauriful girl and took to the profession of geisha, calling hersetf Okei. Okei's singing and dancing soon won her rousinA fame far and wide. Her song and dance b€came a fad and her name, throuah various srages of transmission, becam€ corrupted into ,,Okesa.', Another legend-not necessarily or ihe orjgin of rhe name_has it that a dauAhter of Nobutaka Oda, a warlord, fe in tov€ ivith a nametessyoung man and eloped with him to Aikarva Town. There they opened a small resraurant for Every time she sarv men from Kyoro (and Osaka), alrawn hither in large numbers by the goidrush, she nas seized with an inrense homesickness for the Miyako (th€ capital, then in Kyoio). To everyone deparring thither she entrusied a message to folks at home. The message, according to rh€ legenai, was in the vrords vhich make the first stanza of Sado Okesa: Tovard Sado and toward Saclo, EveD rhe trees and the herbs bend towarai ir. Is Sado a good ptace io abiite? (Dor'i ask me.) The second stanza runs: How could I come to Sado, ThouAh you may urge me so? The isle is forty,nine ri away Over rhe rouAh ride sea. The distance of 49 ri (t ri-about 2.4 miles) is from Wajima on the Noto Before the discovery of the Aotd mine Saclo hacl more communicarion wirh the Kansai districi ihan lvirh Edo (nov Tokyo). The eartiest ateveloped town on the isle was Ogi. Bruno Taut, notecl cerman architect, visiia.l Ogi white in Japan and admireit locat houses as ,,welfbatanc€d and highty cutri;aied struc_ tures." These buitdings and orher retics of cutture sri]] .emain. In ihe age of baryes, Ogi Town was ihe gateway io SaatoIsland. Norv it is replaced as such by Ryozu po.q onty ihree hours arvay by steam€r from Niigara. The close ties between Saatoanal Niigaia City are sung of in Sado Okesa ihus: Over snowy Niigata_ The sun is settjng in a snolv.srorn1. Methinks Sado is asteep, As therc,s no light on the iste.
50
t9 'arnFPdap r,I3ql plaq FnbuEq aql 1B uaudaqsg Jo a^o eql uo ,{Fload$ er.ll sE Ilaitr s€ salErlcl aql .tq Suns sauos Suplulrp oql u! paleq8lro a^Eq 01 plxs ar? sauos assqJ {s8II'}61,) polrsd u€laH aql augnp salErl{t Jo lBas aql osle sr,{ 1I rpua3al E uI plol sv E3s ou€Ulnt aq} ra o aql!€s sdlqs aq1 roJ uod orJ 'ts-id allllr lu?Norllnl u€ uaaq s€q 1I s?iEp usplo aruls €Fsu]uad €ulqs aql '.JnrJdldrd a!l{ ul u^dol Surllsg E sI asP^ao e ssll r se ilrusd JoJ snoursJ
ieas SurlloraL{+uodn +nO
*fiaQ
'at Ae*W&
o4E+4 +694+)-8e
Pa^olaqALUPuas I lleqs /t\oH : s? e/\^a+!q/\^tl+!/\ qAlH 8ur],o aql aaso+ aslr I
, $:4oE *+tr
o+tr J4
_, 9+<+g 4ttt$veq
>1crq)-E
'q8nolqr+qB!u 4e/"\ e daa>f'O lle 'lqclun) ,o tl?eaqaq] uo Puv 'auur.isaql ,o suJaluelaq+lq3!"1 'ernu.loleN +unoulaql ul +o
d] Pue ol o3 ^eui sla^ot aql lol !>re1+unolu Buual,^o]aq.l q8norrlr
q\t9:tt;ir:+l
^e/v\qBrq e a)eui Plno/v\| ',te,ra,(u aaeq ol
'r 1*{++
v{+v+c('/
I ala^A
.Buo1 p a 1 A 1 1 11 9
: u n s S u l u r o r !a q ] u l
:?.1r$g
stau rlaql i\ erp uauraqslJaqf
>E4grzEElSl >a44HW t1.+++
I
aleld ^lpooBe s! ase,{O
'L:*++
(rqsn8ase^o)
{rlts
assao to stuos
F-HFN SONGSOF OWASE {Orvase Bushi )
Allegretto .]: tos
1,' t
i
Ma-
L
I
-c -tl a . Le- t€ u f-*e:.tt ya-nawoYoiSo
Dt lo
-
ta
na- ni
)
o
3 Yo
:---
t
6 -A-
,l ') i So
a
-
no-A-
.-(_n'li.-ri6 te-
3
-
.x
O hi
-
b-
MelodJ rranscribed iy Haftori
t
4_+
no
,ki
ya
G-o-
U- ra (i, Ku-{s
6
A
ni
Ks. yo
'€
/r
-
wo
wa -
A
<
hi- kr
)r./ No
on
no
lo
)// No
-
on no'
!o
a
t9 D 3 E u e r r uI r P d 0 r P L d
'oi
t.is.l a
-T --+--
o +
lqJ
!
!u_nx
:
e9s
.+i
nu
-
7
4
?
3{ 3N
.+?
-
r"w V--
-:
|
L-
I I
oH oH
fiIl.€F
SONGSOF GUJO ( Gujo
Bushi )
Nlelodyt'escriberl b/ H.rtori
l. (' ll! Gu' jo
r-
Ha-chi L' 23
trvr+6v) SONREN-SE, A tvtt.. a S0N-REN.SE, Ma
So' de-th-.ti' So. i
de-te
yu-ku
to
tsdn.aa - ru - ku-ms
-
ki
a
ne 4 n
6hi - bo
So
de
sh; - bo
yo - ka
So-i-yo
la'
64
nr
- os-
bt-or-!
.(r-
.:l
3E
-f
.1
+
i
.4
rr !u
.r-?-
V
-rd
'or
..
.1.
-.r.1
o(-t -{ :f -op lrls
a1.
rS NSI NoS +
s9 trsulqcell oltro la SupueD uog
- os-
oq . !qs-6P -t-
EIlr'3S N3U NOS
Y
J-
L7
1
"].
- .S } - os
;
-
-
c,
-_(,
Son6s o{ Gui6 ( G u i oB u s h i )
s r'$
When I go out of Gujo-, I wring my sleeves, Thoughno rain is falling, I wring my sleeves.
€E.ta)t-,.1,f# S
High up in the skY The moon is roundand round; \Mith no sharPcorners, To wed a couplesmoothlYenough.
XD, -*rBt/w t >^.
Look at a calf Over there at Kodara: The little one is black As the cow is black.
fAlvJ\SRo +o+H
One may commitsuicide By jumpingfrom the Somonbridge. Like Saibeithe drunkardof Kodara, Drownedwith a barrel of sake.
,i,.trLt:td& FFlffi-a d\ErEz+z iE€ L
Gujo is knownwidelyand afar As the home of swift horses; The warrior'sfamedsteed"Surusumi" Hascomefrom Kera,oneof its villages' There'll be songafter song, The danceeverlasting, AnC there'llbe manY A moonlitnightioo.
nF$Kl,rrl: & ulra
AElj L /:6
F.HO>E
[Fg?-J < ,r ffi$r-J < EDbn'6\,'&ra2' <
remotetrom In olden days Gt\jo in urfu l]relecr'ulPwas reganledas I towr it had a com' Ase hosever' Tokueawt x*,o or c,lo trohvor. tn rhe coucaled hiahrv a was ez'.rma "i,ti. r-oil i"' ;,'r;;."' p"'."',"",v i'"n'i 0""";";J fler over his of prospelitv i"J i"t"riie""it rnan, ani naintained the peace and Jour classes' the of velfare peaqe and irrree rruni"ea and fortv vears. F.or the dudng Don-danc€ the intro'luced he arA merchants, t".*""", artlsans Cujo. sonss or rhese "r*"r"t, orLsinat"d in whi'h deld. or tl'e **;" it'" 1""'i*r numDeror There $ere m"nv horse{arrshel'l it Cujo which rlrFwa srcat it of hdse'fair theme the is whv provinces. This various l-n-""-a""L"" wrins songs' "r these of .i-J i"""o amons the bou;ongs. rhe words in one of these tlt"teh" * rain is f;lling,- tell of ih€ emotionsor so?rows *r the toim' in courtesans the partins with "f""""" at theii --." i""* .irt";"*"i.ces in; rons periodor pu'P thcre misht i" i.,ei*,ri,. ;i;;;;;t"il;6;;; 'n'. ot Kodara or lhereaboutslike rhe !illaac -Risolerto ri"* i"r't.r" or drtnki"d" in saibeiwas r tavorire in verdjs ".i Mantua or in"o,r" ii"i"""r-,. trcm rhe bridsP tauina iire br hi. ,r', orren drunk HF eraed if"l"t'o""." suicide commiting as sung have people humorduslv *rtr"rt the ii-"t" "i a barrel of sak6' "i with together
^/ _ *
ro te loi lE
qs
o
-l-
oqs-I E4 l/ oils-! E^'
-
+ I
4
3
oI E ot E
oqs - rol E4 tE oq6 - !o EI lE
or -un-n{
-_ a
l'
_
tux -
Eq - 3u ' nd
:
{
_
-
oq. .4 qt6 e<
'
L9
r ' I y
( n61
oo,F
,_s
0,,16 '
_'
(t
@'eI
- {
or
7
3'j{
ll
q
lqs - 3 H 1
01 - oE-lqs-nt
-o
,1 1)
?
,f '1 >
?
- @-{en)
ol
aluouraca/|l]|
(rqsng opwqsn)I )
oJorirHsn) Jo scNos $E**
Songsof Kushimoto (KushimotoBushi) Here is Kushimoto, Yonder lies Oshima; | -+ ',c <^'^
'
h/i.lda
The bridge o{ boats Between you and me.
a.r**+, 6rr,.rliB ffitt,uI&Vr tuffitt 34V.
a4:/1
7i
a4
a4:/1
a4:/j
Here is Kushimolo, Yonder lies Oshima; The ferry-boat in the port Acts as the go-between For you and me.
L Ctlsz'' Frr"rt^E
Although a lighthousestands Out upon the headland, It will nevershine Upon the dark path of love.
i+,gorllsl:s€anl" BioEl6?F€ 6 l,r r}rl
What is the name of the headland/ I t i s c a l l e dN a n n aU r a ; But how is the headland? O, it's out upon the brine, And coveredwilh rough waves.
trF, Siit?B-tF
Placebridge piles One by one Out upon ihe brine; So this heart of mine may reach Kushimotoevet dear.
*.=2
+&L i tJ,i$fitf* a4
71
a4
a.l13
a4ra
7u
14;/z
ra
a4:/3
34;/1
34:/3
Df igq@ttFrllE& 34
a4:/1
7t
a4}/1
a4:/3
Lffiti,s'-tT
,i't Ftt j 7t 34
S+^
34ta v=
34:/1 34v=
34s/a
Kushimoto Bushi are folk-songs of Kushimoio in Wakayama Irrcfecture, which is a fishing town i1l the southem extremity of Honshu. The cape, Shionomisaki, lies about ihree miles south of Kushimoto. As the sea around the cape is fu]] of rcefs,.there stands on the cape a fi$tiraie lighthouse vhich was built in 18?-3. The rough sea on the west of Kushimoto is Kumano Nada, h rvhich about two kilo- mete$ f.om the shore lies an island of Oshima with i}lirtysix kil.m. in cncumfelence. Uulike Kumano Nada, the isiand of Oshima has a cruiet haven aU the year round. In olden dats it had pleasurequarters; thercfore, the ships sailing nearby made their poht of call at the pot to the delight of their sailers. Kushimoto Bushi today have come from the old songs whi.h srng ,,f rho .mo i.n.l .lilc : , ho e day'. From Kusbimoto to Oshima. a disiance ol lbout two kilo melers oD ihe sea, there lie tt.ty islands as if bficlge piles were built in a line The place has been named one of tbe natural preselvations of this country.
68
414
(.
69 'cas 01 tno paaor -{3q1 sE ualurarlsg !.u.to} aql -(q paiuEduo,JEun Suns 'JastulEs ^trdunor drdq sE.o. a ,. .na rudunJl"ul 3urrr" -"ru'-d4f euol"pEr. e e q r , . i \ p d J u P p" o b . n r o u d e I q s n q ' ' o ' . u l q S r o r u " u u " d u o r r'rqsng lnsrouqs FIIEr-sEuos luoJ ltuorlIp"rl aql ae soErl asaql 'o Euusaralul lsolu sd"ruad 's.{Ep EA€EnIoJ snoradsord pio aql Jo u1?uror qsarJ sl] ,{lrElnrlu€d-pooJ tas sar?rl t€rrrolsrq ,lllro sndolto pu€ ureerq Eas'ra^a^\oq ,lcpor Fsloullqs su roj dluo paFu aAEtU,\Aulqsg p€rrasap E sI 'nlo{lqs puE rqsuoE roJ -{lo^llrodsar sIEAalEa €qt sE p^ras au€EnreN puP rnsroutqs qloq P]rad ea€itnloJ arll au]]no '^€p E s€uq a^g 01 aarql ]rtrDiou?I uorJ il"s s3! ad smoq €rql lnoqE sunr dul ajpua aq aue5n.r?t\I Jo -{1Ir arl} ptre nlolrqs o1 IrreJ rq ssorr€ uo anulluoi UED nqset! rtr\l ro lool aql le rnEo(lqs ol ral3^Ert iqr nqsEA rN aulqu]p Jallv rqrn]ouEJ Luo.rJ,{IoJ s,nXj aq1 :rai€a ,{q $ srnor lc.rlp ssal prlql Y 'IqrEru'r.{Eqc 04 3^Irp s,rnoq uE ^q p€qJE3.I . q r . o l r e u _ c f P q JJ J r J u r L r ) r r ' ' , r d d rq JeJ ir rO r..t uun punoqqr4ud .{ruo uEznqsel\ -{qreau uo4 {I?{ slnurlu-oa € E+ ,{q s€ruuru €1 Jlosrr-uoll€}S p3qli-llt).q u€r !.roJaraqt puE qFit{ sr;law €8I ,{tuo sl .,ul?}unot1l,,nqs€^\ '€ulqsor$1 pue plEso uaaallaq ?ie.\r JI€q etnsulusd Eurto)r aq1 uo nqsE/u 1i/[ alqGsarc€ ,trFBs r lods r€Fdod lsou arlr']tasl] pllrrl aql luorJ s"Er"rouBd ?as puelul EuIAar^ 01 arou pu? arour p31r!rll€ uoaq a^€q srslJnol 'IiatEI 'ra^aaoH -P'luanb -arJ lsoul sr auj'I Eqsl")I uasql I€sue}] 3q1 lq unr (ntrsrl{n uo) nddag'aqoI rnoq-8l arII 'stjod lauuEq, uaa^\l€q {Id teqt srnuBats }qEru ro ,{€p aqi Jo 3uo €r€r sls-rrnottsoru ':UEd IEuoueu stl pun €aS puEIuI €qt qanoql la^€rl oI 'puetaroqs Euueproq orll Io +rEd pu€ spu€I 0q6 s.EaS 3qi Jo ,{1uo!€ur 3qt nqsuoH puE n{o]IIrLs u.oaraq {ea ralea ar]l }o lsou aulslrduor 'li€rjl) \r?d rEuotleN Eas pu€ruI 3q1 sr €as puetul 3q1 Jo 3lppilu oqr ur qlun]d 'rtlnos strod urelsEg red puE I€qAu€qS 1r1au?t Surddrqs t€uopEuJ3tul rofEur € se sa^ras Ilaslr Isuu€qa aql ps€ solrlu 0t ot rnc,J ruorJ s€IrE^ q1p0! su lsaa 3ql ur i{as . o r - o u ' r q Sj o s r . c . , S d q r o r r s E dd l t , . . ! e t p s o t o { e A d q , u n U . d t ! u 0 t t E - : u u n r pue slsuu"qr Iq palrauuor s€.s a^g Jo saFas € sr EaS puelul orlr ,{ll€nt)I/ ' t u o q o u s . J d o ^ o - 13 q t r r r c n u E a u u r d q s € q ' n q s a { - y p L p , t o ! -rqs lnqsuoH Io spuEls rol€lu iql Euuerndas lauueqr patlop-pu€Is] slqr q8norql 1I ltEr ssau€dEl eql s? ,,slouuEqC ulqrla ees!, ar{1 ro €aS pu€rul Iles or puv aql-F>UEN olas aql st sralla! nsauEliel IIe Jo InJnnEaq tsout sdEqrad 'asaued?t aqt .{q .{of JrlsqlseE uE ptart uaaq s,{er\€ 3req u€3ro puE nas Jo sann?aq aql Jo uorltlftue} -uor puy eas aqr io ,(itunor p osl€ sI u 'uopeu pu€ISI uE sl uEdel s1i .t / +
T /..1
E:lQErlE
j-\zE {
?$H
E.qsl.qlt E €rs#H{ 1f... I
-/1-
.r /.1
'./tr.1
E:qi{$14r@€+i*E+= ES . # 8 . { E ) F ) * : q W .L1+
4(4i
if
-1
,r-./Ei
E >w\sLlofuLto4t E + 61+Y4He E --l*t#H{ .r/+
4(4r
'/l (:*
E){
.'-./tr.1 }T+F1?F
(.1E| EE'g#RA
E)rH)T
:F
IIE
iE
A
'lla'reLlo)ol
.orgsaq+ spuell aLl+sla. dn ar] leq+ slr8 lrer' >|.o +9dl9s .rnsloLurr.ls e s^Pls leqt aoor lo Joll)ue aq+ ll sl 'rla'leqo>loI ' sleo a^r,!-iu:q-tql!/.^s,o^(ulecto drqs leql 'lrod aq] InstoL!!qS ur saurotr drqsBrqV 'rla'reqolo_ 'no^ ra^o suraluel aq] uolf,aq uMo+ alll 'uocl aql +e.roLllue lse?no^ uaq A !nstoLu!rls 'alos aros aoueu aouol reLlo)o1 '+ou alqero^e, Jo tr Pur,^^aLl+Jaqpq^A ']no Jo u! aLuof,^eLusdrqsaql 'Uod ^lpooB e sr rnsloLu[.ls (rqsng Ins+orurrls) rnsloulrls ,o stuos
+
--^
f;fi
SONGil OF SHTMOTSUI (sh i m o t u iB u s h i )
II€lod) lnnscribed b) Hsuori
-,
{r
-;}
. tsu -
fr i
-
6
2. t,
6
]r
/l ;r 6 mina
r.L
t&
-
'ar
i Ma
r - 6 to
-
6-O
mo_
-*: h4.li
-6h
Ma
70
otr
DI - el
.u o,{ (
IL
!q \' !3
-t
}T
* * ffi SONGSOF YASUGI i:88
1Yasugi Bushi )
96
Me-i
l.zu. no
O'ko
--
i
Ni-no-tsD Ll-,'
ni
Jim-ar
*h
Ki!.-
.
!"
oTA
na
cl
'!)!qslN ^eg aq],o lno rto Ie.a\eSulllessl dttjs aql 'rL!e)ol ,o lunon aL1]se qBrqsv alD ]o s8eq ql!^ papeo-l
t !.-4g"3nnw+
't8nse^ )!o s8uos aql €uls no,{ Preaq I 1t1u6 'atur^oid +aal!\su,Mo iul uroll ara,^ no{ +eql I /t^aul }qBnoN
1 4 : 1 . 1 : i9 + t ? 4 - q @ : l)
4g*V,:1.1r-gt-l&
H*S f ) 'ccr4tS
rr4+ +? ) i E + * q) 7:\HAV
+s+x*
4E**:rT*+EH Fr@I !r 6, F t- tr'at14',1(.1
qg#* q ?.4-+a'rH vX
e)thw W*frfr
'relP rLue>iol lunon aLl.lPuv lo 'LuoolqesLlossolqtulaq] rqlrueqs '/\^Ore ur sasnoqpuesnoLllP lol ir+unoJ aLll Ja^o uMoLl>lsl lSnse^ 'rBnse1 s8uosaq+ PUV lo olunzl aLll Pnoio /\^oH a u r l u , o a ) u t ^ o r dl e a P+ e q lu l
+o auuqs aql ale
'lSnse1 s8uosctll o+o ualsll lsn! 'a^eal no( ao+aa 'peol e aleLu ra^au lll/!\ ournzl ul pau-re]s.leq/v\^F.4\?a)e1 of lqsng r8nsell !8nsrl fo stuqs
dE
ItI6 -t
:'l
-:f
!q6
q
'l
yasugi Bushi are the songs around Yasugi Pori in Izumo (Shimane Prefec, ture). Since the opening of raihvay, the porL has lost iis significance, but. formerly the port behg situated along the main highway of Sanin dlstrict harl flourishing days as it wns crowded with ships and the to$'n s'as full of merchanis as th€ wo.d'Yasugi seng€n' (a tholrsand stores of Yasugi) tesrity ts prosperous The orjginal song is said to have been composed by Sahei Waranabe ( tfrfil e46 ) duriDg the age of Eunsei (1818 29), and dufjng tbe Tajsho era (1912 26) a voman named Ito lvatanabe (EHtr.t ) who claimcd to have descanded from ihe f,rsl composer was knorvn as the singer of rhese songs. The clainl, however, js nol trustnorthy as some lhink that these songs werc originatty rhe songs of boatmen ai Yasugi. Izumo Shrine of Shintoisu is the most well known shrine brdlt in honor of the god or marriagei heDce young \romen as well as youn8 m€n v,rho desire Aoorl marriage make pilgriNage throughout the land. Shrdchi Sakur.a, or ihe okl cher'ry tfee, xhich is siiU sung in rhe song, is noiv n hered, onlv rhe daad sium! r'emaitis. Eut Yasugi is pfou(l of havirg the beauritul scenarv of Tokami, tama, r coDeshafed mounrairl corefell wth greens which is saeD far out on Yasugi Bushi were liFl surg as an accompanjmenr to the cl.rncecaucd .loj,jsll&ri, of loach-Aathefing, about 1910, ivhich hare sincc lJecome so poputar as to be sttng a1l over the counirv. The dance$ with roivets ried around rhcir beads, their kimono tucked, and hamboo baskers or circular rrars in their hanals. imitate scooping or iishing loaches. The rords hale nothirg to do rvith thc daDcnrgas far as the meaDiug or associarionof icleasare concerDed. .the unique, ness of perfonnance, howevef, secms to have caughr tha fancy of people.
The Ship for the Kompira Shrine ( K o m p i r aF u n e ,F u n e ) S h i p ,S h i p ,O , s hi p For the Shrineof Kompira,
c tuI'6*Ante (t"a L /r,a.r\ 6ffE3il ;E+r:{,rLA ,a-
v1
t-
l/a
S a i l ,s a i l ,O , s a i l With the {airestof windsI
Sail roLlndShikoku the isle. To Naka-goriin Sanuki Province. Thenceto the Shrineof Kompira
14E?@d-Lri#r'!], #llr4ofil1 *gE r, aftie,tff{R -ED f l'r' Ln,rr6 ir'LJ' da v2
t
:/a
,a
:/-
On the Mount of Zozu.
This has heen one of Lhe mosl popr ar songs of Japan since the early years of the Mejji em. The shrirrc is .l rhe Mounl of Zozu in the country of Naka lno$i Nakatado)in the pfovince .t Sanuki lKnga\va Irfefecrure). Kompira js the tutelage god ol sailo$; hence tte shfine is visite.t pafricular.ty b), those who are going abroad,
74
4
r
rr nn-6I4t opqi-I
er
.)
(l
.?'+
"r
a
9L
N*,+
r F 'o8-ou-Di rN 4 .t:c, -q V
n'nqs-tr!-Es e -. r!1 "/
4)11
'nqs-nqs 3I nq:^
(eund'eunJ
erlllluo){
SNIUHSYUIdI'^IOYgHJ HO.{ dIHS SHI rlYf4qfln
?
i.r ffi
YOSAI(OI SONGSOF TOSA
2. tt7-
al Ko- u I
llD He. Ii
chi
r na
L Ka-i-so
Lf
Ba
e ya
-
l:'4,
Bo-n i: i_
3
sa t
r"
an ,j ga
Ku-q
ns
i"L
Ka. u
76
tl 'asauuduf u loII prrunouord qloq orr Iaqr sE ..4^o1,, puE .,3ruor,, uea-tiEq spJor Io '{'rld t sI aroqJ 'tuulo uana sx l)lnoi rr3^ 3.'D $)trtqs uI 3q1 lqFuEJ srtoolrrro r('}rJ IqJol aql ltu souaqsg sil roJ palou s! pulr oluJo Jo,{r?q,rq} ',{Dpol oEpnq rrluroJ or-tl lltrar ol atllll sr eraql pu! lalJn]lsuorer usoq oruls s'rq puor otiJ as'roq slq Jo l€ql ralJB pi,"ii" u , u , a s n J o l u a n b a r . l3 l u e r a q1 l s P ' u 9 6 ' { q u s r ' a p g q ! { q " "se.t ^ i s p:oret ! r q rnq arnFn4s ,!€rodr al P dq pauuEdslsrg sB^{ qrlqa'lsaa 3qr pacetda: or Fca aql urorJ qAnorql Suluunr ra.\lr aql lo aprs ratl'lla uo srors € peq oqa '( 3r3q1 s^rp ) eIEurirtH nrlolos p€uEu sueqlslu snoiadsord B s!r!l &*gg* ui_orejn lo rtql pu! €-{€uUEI{ Jo laarls aql sutds 38pira €{eur]reH ".pro 'r3luroJ aqt sB a nos ^r€pua6al ou o^Eq inq p3ppu uaaq o^€q sDzueF o^{l 'saop uapooa lq8noq cq^! slddlD e Sulll3r Ezutls 3qI luanbasqns 3q1 prc .P€II€q rpallas snqr sE^! rallEru relndod E ()1 asg 3^eA aposlda slq'] lnoqD Suos 3q1 lnq 'uolssaJord aqJ, -,{rtunor luaraglp B 01 qrea pallxa ara,{ Irla oql puE lsaud 3q1 qq S"t*oruq lou s! t{qnal aqr sroFq pallnsul uaaq Eu1^€q raUE pue'parnldct 'padota ,{aql os 'aldoad uaol 3q1 or uaou)i sra qrlq'^'| Jo araa ,{aqt ralEl 1nq u*p l]1 arull uorJ ,{l]airas laul or!1 aqJ, r3^!r eIRurrEH oI{1 {qrtau rr"r € te rq5noq pEq aq qriq,l| I4d rlBq e raq ol lu€s lsalJd 3q1 uopl€lr aqr arols"qr 'dlrC IqJqI reau u?sjepo0 asrald oJ rlu0 paueu uopleur ! qrlr! 3^oI q IIsJ oq,r! pa^{ araql (8}-0!8I) Jo aSuflr^ aql lx (gw) ulqstrnr p3lu€u 1s31Jdsuno,{ e ooura.r.ro aet 3q1 ur :puaaal e 01 3np $ uII ricq E lqanoq Fa]rd e Jo sricads EzuEls aqt lPqJ lqsne to{Eso^ sarEld suos ur paIIE osIE aie lqsng EsoJ
(rE4E
Yc4E)
9:ee{4:?W)YH rl q{c, >?q-+ +.+41\4'\'+4e Qt (y E+E
vL+e)
. 1 ! J + ai +l . . t s . + q 4 . a l r
.?.r.f {1J,V (.fC ? .1#:1gB'rr*e i lct+e)
Ite4.E
:18 4 9 Hfi&..4F q -e.1 r @I :1Z.1Hl5.{t4!:4
(.t elE
I ct"e)
puv ieas a)rl-puod^ui ur 8ur+nods s aleq^\ e IluO SuruJLur^ - ies plnol{s I nox 01 E u r l + r ro+s € u r q lV '!orl .rno^ ut qlnrl ou s.aiaql 'aulol uaq/!\ lnB I Pur+ | 'os ^es s^e^ no^ le 'a^a ]e aLuof,'aLuol 'aluo] 'ura+uelraded e aseqllnd /v\esI rol eP laqlo aq] -4\es Purlq aql ^eP 's8olr uapoo/ jo ired e Anq +q8r4 srnoj lle uo Sull./t^eilalddlJ?v 's8olf,uaPooa +o Jled e ng alddrif,8url,aerf, e A\es I lol 'urd rleq e aseq)rnd Plnoqs
ti,€'t ltalld :lga q B{;4 H\'q:l v C q + peaq-pa^eqsP leql asuolns ou s!f, raiflz'\H13v.4 (rt
lE
Yc+E)
?rE H,.\i!.4 9 eg+ 4 4 n-q+6/$l@lse @9+ qE.1 :?f
'ropua^e uJor)|utd Jter.le ^ng e /v\esI lsarrd PeaLj-Pa^eqs 'esolo atrul^ord aLll ul !qlo) +o a8puB eu.rueHai.ll uo (lqsng esol) esolo stuos rolssol
/.
)L ttl ft. fr, ffi COAt MINER'S SONGOF KYOSHO Moderato (Kyashu Tanko Bushi)
r. -,
*
Tsu - ki
Tsu- Li g.,r. f *-
.(f:-31 d.-ta -
Yoi
ko-e-
Yoi
rj ga
!' 4 Mi - i-t' < O - kD
,Jl: l, kers-anl:a rl nisa- i
lx-
,t_ g.-
r>: ii r! _ t.-kH-i-
d) -a no de
ku-
ss-i-ta-
to
re
a_
-:
Sa zo tF& I I Sa-na -clsn
t_ ya,:g. -
78
6L '31sE1rltndod €ql pas€atd 3^Eq i)l rsauos qsng B1€)1EHsE qrns wa3s s,r€ulru Ieoo 3q1 s€ s8uos alduls qrns 1nq sELoi rrqto
,{ue.!l t,dlo llSr ro lJ'Jlrrn
s iJ
s d4hLluo 1c
d'd
A nc
'uedel ra^o llE relndod erlnb auornq o^uq ,{eql '1I rIrI\ plror\,\ i,tris s-{Epuaplo luorJ nqsn,{) ul lJlrlstp Ewu]u aql ul Auns ua.q o^xq sAuos s/3ull4l lEoJ
'!o^ lol ouEs 'uaq+se/v\ sV 'no^ q+!/v\l.ted | Il,l 'uaalqBra +o lrg e alu a)eru Il,no^,tl
+ T'LllK ? :1U ) .114
:iv+crH4.,? I
:no^ q]!^\ Ued Pue 'purL! ^ru aleLu ll,l 'sProMrno^ ur qlni+ s,araLl+ +l
.J-fllls .f-T q e"1'g 1 fla e "\ t'V(a 2 t{:Ittq
'!o/(
r!
or
-eE
€I
-oD
-o
-
lo,( oues
'auol
l,uo/{ ueqf,-eluesl ule^ ur Ile al, aLlI 'ln+rlneaqaq {aq} qBnoL]I
[email protected] +:l qEt1q. ++'+ -l-?:1.1ift ) f 9.rlv lr 9:1.l!fi:iB aoogl
:sealezealqnoP uJoolqaraql 'aaJq+'o,ry\+'auo-sulelunouaql la^o
?Bmq fi:trY ri ? a
'i)ours aq P|'uaqs 'lol !o{ ouEs 'Llglqos are qlels a)oLusaql sv
s V E S-"++.2 9.4:.1.4{,) t'@'t€l:tl4tu\i!Q :1H:iT@91?*tll= v E Y e:Il1t4g :lH:lSr4 H
,o aurLrlleol aq] a^oqe lel
:a)|n 'lor(
llP 14 H ll,r v
otr - 3s
(+Yrll ou -Es 1+q,q
lo,('uasrt seq'uasll seq uooLuaql nqsn,q to stuos s.rau!N leoC
rp-Y
.i :f !ri
+:l
a] E
ul - nu -3x
-
E:{
&r>#t*Ftrs/,
SHINTAROSAN OF THE MOUNTAIN Melodyrranscrib€dby Haftori
Andant€ lirico ,l = ?2
2. i.
3/"o-(
ti-
'i
l.
.71 t) - ia*
tan-d
+
O
:i
-{ A- -Jl
J
J r"-ll Mi chi nya
I
L ba t!,. Ll'b
n'
+ --
r,
&
n'-L la- "hi b lt,- rt T' Lr. sP-
-
To- ro-o nai ton a - ks - r "
Mi
zu-ka
n' d-r
" k e n a- n e -
-
1,r:r I . 1 v\ t I - ro
Lr Lr.O-_l s h an o _ s 1 . ; v' L+ o-_t ,ha no SL. j -
L* .r .3 H L\'C *
L
:
Ij 80
astolqs
J /
'uatuo.'l,l. pro-tr paldde 01 ro uau o] iaqlla lnJ'Fsdsar u s! zrs * 'rErnlIlES surospuEq pu! auno,{ str.l1rol suapleEl aql Jo a^ot ro E{rlurro,{ lrapE aql Jo 3^Fsardxa s! auos oqJ 'slnoq€araqr ro a8r?n^ aql ]o suaplDLuaunod IIr Jo arnsou{r aql aurtraq 3q 1Dq1 s s c l J s t q J o ! . r d t r u d \ ' . - I s - r u u e L us ! q u r d . r ' r d 3l ' r r Pd u u s l r r r _ qu s s r j s d q t i r r e 'spuerra auos uo asplu^ aq1 o'i .ldual aq1 uorJ laop Auluroa 'alclood .{(t uoas saunlauos sr?i{ 3H aldlua1 oql u! Pa^tI 'l'as srql Jo asloiap E rorenrrqs se u^{oul IHnures r o3r: srE3^ 09I lnoqY slsde ra8uol ou 1I qAnoql'sargrrJd rll3rsE roJ arEld 'r 'tlu3su]n sE M\ouri ardual lslqPPng u Pools ulqunour qStLI sr313ur 000r lnoqE 3rEq-ErEJ, porupu ul'rlunour D s! slql Jo dor €ql uo araql 'nqsn,{n q'$rntr3Ja.(d raeseaeN pue ?5BS u3a^!laq -{rppunoq oql uo
yeyEy'e1L
sTsrlg >+tlo*q ed?+,' F
ed.q.??+al + l+,r !*
1*. k
StH(rVH q"/ *!FYl*og
yeyEy-E4l
sTsfrg >zwo*q +,4q€*..,1.4{l+:tR +. A A. lr
*]e+g€rTitHY4rg YE).EY-E1!
t./*rr5 >*#a*q 1'quffi 1? '\rrgtr+a+ !+. !+
!+1!+
+:rR+.r:Lo? * gHYl4(/g
,ea/\ iaq st uel! e alqe^olos 'lueljeSos 'adtosPueq os lol 'uef,Ja^aunox aall aq] qlrlrll 'Luaqlqf,eaiJa^au ll!^ alod rho/\ :aat] llel e uo suorurlrrsad pauadu pue ile)t aqj o] Paua)., aq urelunour aql jo ue5 ole+urL.ls .ea^ iaq sr ueLue ?lqe^olos 'luelle8 os 'arlosPueqos Jol '(sueaLu lle ^q urq urelaPot se os) ^raddrls PeoJaLl+a)eLu Pue uodn rale^1 ^\ojqf 'ur1o] uJol+autorl lleq saog u!e-lunoulaqi +o ues orelurtls uaqnn 'ea/\ iaq s! uew e alqe^ol os '+uelleSos 'aurosPueqos Jol 'suraluel uaploS spuesnoqtqll^A +o 'ra^o lle Peoi aq+dh tqSrl ^erd 'u \ot o] ^er\ aql lP u/v\opsarrlo) ulelunour aq+to *ues orelurrls uaqnA
r\r iq paswrE lred o!e!d
ot
I
( Ior ! - o r
ol
!
t Ior I -of UE
t.ol
I 'od I 'o{
! !
or Rr-yl ord-D
-
e 4L)
3,-T
' Rz
F_Y.i
rz-83-Bz
s-" F
*HoFElt,1,r.
THE SONG.COMBAT OF UME >
4/"4
-
t,
Jr-
Tsu '
rs
bi
,,
f-
.s
Melod/ irsDocribed bt Hatod
l- yo
ya-ku
( -
ile wa
t
t.
Ts-ri-
ga- ru "
.l
o
in no
d --U'
ge-
-do"
Ku - chi wa -Pf^tf Ya'i-chi
yo
a:)+:>
(
r-j o
, ya_g!
>r- >.'
:\t
82
g8 ''t€P slq] 01 sa^r^rns Fuos pto u'? q)ns 3raq.r\ -&lrmor srqr u €AEIlt^ {luo aql sI slql jotuor! oN irrt ri'rlu sIr.(L oraq.tr spoo$ alo -{.1 popunoJrns 'a8rtll.\ AururEJ a^rlru]rd itrood u sr auLt stqr su sEuos qrns auos ur s iaslil3ql sssrdF or ldD arE s8ullaar IIr rlnlp puLr :u.{opuns rar.lD Euot srooprno,{Ets o} 3^Er{,{aq} :lJat€arls]u ra^a Prc parJJl5au trar.lo arL? larp|qr ,{rasrnu asaq} 'srureJ ori} uo rsnq 3.rE'!aur su lti.$ su uau.r\ !-rauruJ aqt sF ,{rtunor srql ur sulrrtuar rrasard r!- o3lr srE..{ porpunq o^\r tuql Suos .uo ,ituo aql st srq|r!.!a.{oq 'nqsn{I arnrJaJald crro -\ou sr r{rtq-tr .JLrrlord .q} lnoq8norqt p.r'?3q tnoq'r €q lqErur arnleu srqr Jo sAuos iuDr\ 'aroqn uarla se .uO io tEqluor-auos aql si qins stsuos !r s3\asusqr SuourD.li.\3J :-eu93uos IEU I3q1 os Sutop a.rD -{aqt i!q.\! pue lslJpq iraq} uo Lunq} SurirJrJ -iq sarqDq Aurpuar rarpuql ro slIS Auno-i -{rlnnor slql m sa,qEtit.\aulurrBj rqr uI pug tuls dEru 3uo
']slur jo e Lll!/v\PaPnorqslou sr teql Pnolf ,\-att)ff)^/.q'('qo# sutelunoLu aql Suolueauous.ataLll I r U g I I l . + S : ) i q . - r r+ q :sulelunoLuaLl]aas o+ +no lua/\^ | z lJeaLliuj JtossauPleLl1o lno B '8urdaa,u peatsut SursI arq,?)A rt*e.-fiF!t 1o .y ( y# .+q +reaqxuJ +o ssaupreL{aLll Jol ?.lw+1 +.+ :.1.l-rl+a :Burgursaltl 1 asneragSurs| )urrj+],uoc .V B ']uajed ,{u se no^ ot dn lool ll,l puv 'aur Joj EETW +(19QtSt&E +reaqSurrrole aae;1 r +> . f ) G : ? K _ t L4 + X + ( r W :]aguerlse ro, se au-tlo' teaq e a^pq of 'lle 2 Pue no^ ro+ lla,^ aq Plno,^^l, B 'no^ ro+op Jnoxleq_L e/q:49!# t,ue, s+uared aUnl+ow s^p/t\leSurLllaLuos aq ll.aJaLllJol 'sarurtaLuos +:)\Z+r,S t !_+4"/q. r q]t^^ alppauJo+ seq alro 'rejle s,raq+oueol sguolaq s lt ,r ua^f V 'arns ure 'au .ro+op > a!:?g lll4tlf ?.1q! llr/ s-luarediN I 'aur ra+jepa)ool aq ol 3u!Lil^ues,ara!l] ,|l w16aY4l ).ye4./q.,r :aleurPfurlr^aPaq+,lasrnoi a)eLu llr/{ no^ olur asourno^ thd no^ +l B 2 'rre+'pasla^poqaLuos 'sapeH ,o 3ur> aq+sea)rar+ses)ool aqspuv w+^/z r1)qY]'E 's.allPotrorf aq] se 8lq se sr Ll-lnourraH 's.IalLroruaLll se par se are saIJ raH : -fiF+lflE tEl4L"/q -lrB leql +e>lool')ool V Eieqorqs rl Iq patueuE tred ouPra
Dt
/{+EJE THE MOS/ER'SSONGS :54 *b
Lento tranquillo .l
tn
Pi2n. part arra.Eed by M, Shiohara
s8 'punoff salr,p pur slllq 3q1 ra-to au]lE.raqra^ar sauos €saql SutLrFBlu! {q ua^a aueJs d L r J o i r n , i u q d q r q , , r \ : r J . ] J r + t l l r \ , r c r L { s { o q , q u c , l c Jl o r o n o u l d q r u o d n 'rra.{ spuDls lurr s]ql uI $tep io stlrq oql ro^o aqt olrrtl {u[ lY lrrrlsrp Jr Jo 'l.rD siil u! raqrou'r aurtrDrrr sl ra8uts x Itlr .]r se 1)iBaq arE s6uos qrns {u'rlu 5u!.\\otu Jo uosp€s aql uI ldlual sql ut aots IFnssareu suloJ€q sAuos srq 'puuq lqFu rqr u! aq )s sq Sulrlndru'rur atrqa sEu]s .ra^!ou aql sv SuoI lanJ iarql Jo .lrueq u srq 1_rsB 31rcdrenlro €q1 uuql i.8ret st asn daql sqfrs aqJ 'Fuuoor ro r.poJ sp posn aq {'rlu qJrq^\ lsqt€lunou pur srFq aqt r3,.\osnqlunrslu ro ssurir ooqurEq uaop Surlnr ..rE {aq} alq,^\ sr3^rolu .qt -{q Suns arE sauos asrqJ s.n)otalu asauEdul InJrln'raq lsour 3q1 ]o 3uo sE p31[nor aq ,tEur pue sddr rau'rt aqr ot Auot.q (uqsn.{>I) a.rnlralard l)trz,!,{!Iv u! oqrqrE>tr?J. ur prpaq 'punoqD ,?lrsltrrr ro s3lou.arp$ aqt qrlq.^t ul arl-' llqr s8uos s,ra^\our rqr s8uos a:yr4ro Jo llrqr sI raqtir 3q1 puE',tpoqd(r {q Suns aq o} ^sDa puE stdu]s orE salpolau aql q.tq.r uI ro.LEI Io sauos puD saucszoq Jo rrql sI auo :sad,{l o-\11olul pagissulr -{l!t8nor 3q,{IrLu s8uoslloJ.saucdtf Jo sDlrolau oqJ
:f a <-<-# (tFgtg
iealazv ^+tardO ' Luoq/$iq uaas aq 01 Pauoolq a^eL1no^
r+.'i*)
€ E i ?r r rq g : 1 l g
^er\e re+ alep aq+ul 'aas uraql a^r+'suraluel aLlI +o Pa+q8rl I
I < ' T \ ql I f 4 9 9 >a E
t
:Pla!,
9+a,4nUq r:l?+ $Y4
>ee4'1t|q6
+ x 1 + € H+ T )$
| 9 l t . t ti w
l'..l9f$BrjlEElFr,e.4 {,7?+++lY(/n1o: g! t!4 +
aq+ LlSnorq+Peor BurPur^ aqr Suolv 'uaal{ ',{'Ueds.apuq e sao8 araql | -ra^o lle auoP sr lsarueq aqa 'auJoqro' ^l+uaBsser8 aql raPlnoqsos 'auoq o3 llr4\ a/v\'asroLlno^ :Buluaq$ual are s/r\opeqsaLlI '?ur^p sr IPp aql sV L -ulnoP s)lets alr,r ?Lll !ur+]nl
'Pla!+arl+ u! aq ll.a,'l/\r^or.loLuol :+unoLuaq+ ra^o llv auop sr gurMou aL{I
Itx
stuos slra,hor{ arll
TL
+ + tr
*ot
LULLABY OF ITSUKI Molto Lento
l.;.
a'
O - do
2.*
t:
O - do
n lli,i,
lt"
i'
na BoFgin
Bon
giiBorl2ra
sa
a.bt"ut,
t:
jinAn-lito
ia
I nr-u- ,'t, na lGn-jin
Kan
?.n'6
a
- . . - . ' ' - - - - !
I
l:
r",r
Bo - on g!
lJ
I
(-r+-lJr{
ha- yo
,'L+I n' .t Yo'ka-shuYo-!a
+'-!f-Ir'E bi o ----- -- _\.
Yo-ka Ki
86
+t
T8, '.tlnl lo oll'P'tr{ oltr r|! ,tltullsn Lrl.rt sl qJlqr! tusr,-ll'lrng ur l,Eel, aql lo lr^rNal aql sI 1ro8' 'spu[pq asauu.IDl sr.ll trl fpoian ]o ssaullJr 3tl] s3LIIql riur Auouru aoqs ']Eqr lcal 3qJ ourg io polrad AuoI € roJ pa^I^$s arBq s!q} se sauos tEIEale qms -,{.rtuno) aql ra^o IIlr .rr:Fdocl(rai ^\o( s! orn}roj.rd oloruEunx ul ^lmoC tunx Jo lred snoulelunou aql ul auns ^l.I.urol sI^! qirq,'r l]lnsu Jo,{q'rlln'I
)F.l ? g 9.+YEt{r 49 c.Y c- *(DY trFl?
(],1EW @Y 1.: ?.\egts 90.lHR
9.4.{:ig
Fl.:l?41+!(9-?"+
f !.r)814
9.e.t.J-v rd+?"r +{16fi
'sua^eaq uoJt u/!\oP auo) AeLulale^A aq] aq lll/r^sla/\^ol+ :serllauref, 'sra/ ol+ ra,,o,{eu ,(q.lassed,{rar3 'apls-PeorAq aL! ^rnq 'arP Plnoqs | ,l 'atu sunq se '1ll l,uoP 'lalsls 'o lt :^ro ll,ralsrsaq] tnq 'sePef,lllou 'oN 'lltq aL,.
) r$,.4*fi fl{*o€ q 0q )
r'18.u# l,u,a:1i4.1;.1
J' I 6 1 JIMI*
ry4CE
1q4.tx)!9 q.4r
:49 "7'%
* , ! , rf. 4 * , 1 . 4 t
*1:l?o?E
i6.(r
GtsT+tYDrtlt@ g!44f "?,+
uo saurclaql Euouj, Euls sePell) Aluo zau.rro]t oaal Plno/v\oq^A 'aur rol sV 'a,p Plnoqs| ,r 'uo ouorul>lIlpoo8 pus rqo llpoo8 q]1,44 'aldoad^lpoo8 are aldoad nol e a) Il tood rlj,l : )eBBaq')e33aq {
'lauoos aq+ araq a^eal | 'lalliea sauol uo8 )|l gYfd +ti ) f6:49 :a^eali!! a)et ll,l teq+ra]+v (-\!ts) "197-c+ +€ * !.49 :uo€ uoB lrlun iels I q .t € q .i ry (r)r,i) f -.+ "?
y€ #+o* E
t{nql
{o ,(q3lln1
@">
3 g'f
HIE- POUNDINGSONGS (Hie Tsuki Btshi )
88
-9
68 'rappoJ pasn qtlq$ art sc 'nJF irrrlrt salqluDsr.r ,711 pillo'u st qr s.\oJ5 u.lJo ! iL{i 1I lo spass rql 't1l6l uI t)nr3ld!uo, oq aDursrar']r! u {uls rlorlrnrFuor.ql IFr\ puD uo ;o1o; uaaq sl:q utNp :r.\!od t ]o'tqllqs 01 pautlsap ^!ou sr 'Irols s]r{l ro lD.s iql lEllsq reindod slq} uI Suns 'srapJo uof]]rru .Ll1 qrr.\! lPd 01 plq I'rIJgo ql \ l)trLrptol u.o(L sLrqrrors i-lll-L 'rara-\\oq 'rqJPqle( ruolnrnsJ peuEu uaplEu D qll^\ arol q lIaJ t)alsnrtua aureiL jatlq oql ariqi\ 'lrqllqs or p!3rs srli uI lLirEqrPq riqlorq su lr13s aq ' st'{\ orj sr tnq 'lu3ru{ra\oE rtliio nqr .iq urlop luaql lunq o} r€pro u'r ua^rE sE'll ns':N EJn'ou{n:q 1! slr]N(l rql ul uEIt llu€c aql Iq }P3Fp aql ra}JEoanJar punoJ rqrlot r3rnlraJerd DIezeIt!{ q eqllqs lo aBEII!^ rrot,riliar.r rqt Jo slletrIa.I sluos .raq^\ snoulEtunoru .ql punoru pur ur Suns dlleurBlro saa AuoS Sulpunod 'zE
T T
1++:r
->
+t
-?
r.lr IOH
y+
++
-ir *rot
-
\a;T
{
$$'
!.s;
Hie-PoundingSong On to the wild ash tree
Foltu,,,a*
I w i l l p u t a b e l l ,y o h o i ;
lB.5$ii)irz 60ll85 }:r
When il iingles.you comc out, yo.
gi
i+2
3 - + -.1 Su l,'li.pfrr. -
When it iingles,jingles, For what excuseshall I come, yo hoi? For watering the horse, !'ll come our, yo.
s b o c g t6: f
Poundas I may, The hulls nevercome.off, yo hoi; In what depthsof a ware house,has it come, yo?
7j /r,tft6r.r 6 aol+2lJh a -^4 t L0)t''Mo'1ffi/)h' a -
You have descended Fromthe Heike clan of peerage, yo hoi; l'm offshoot of the Nasu, the chastisers,yo.
%'J.P+'*q)
Daihachiof Nasu had to part With Tsurutomithe maid, yo hoi, l n t h e v i l l a g eo f S h i i b a ; His eyes were bathed in tcars, yo.
flaa)
tJ,4,Lt.i{El* L,} - i.-.t " . E i r r ' ,(Jh . I I ' j z S l 1 , " r-
iot$r;p;1r. , - *-r *,-f i ig;jo
ffi+.ntl3+
#[aa*3
"
-
- +-l Fl:F3-
90
16
'a4rd BUFUI^\ aql sB aauq paure] eql uoa. aq liE4goEesEn,(q Frosuods qrlEul nuqp € uI puB t€Elqsn{n { pro'I or lgas se/[ '( fllYif:8l ) EoI{ laqBl upom)I Jo rault}ar v :apos]ds rrE uoq sEot seq Suos 3q1q Jo surEl lsa8Slq aql {ulip oJ" "soda\N _ ?apacrxa aq lqtlur se a:qlP|lcar pue ^€g ele pE8ala qgnoll} s8uos aql lPrnEes ,{q Suns rCIl€ulSFo (&Ic e>lon)lnd) 4EIeH sauos €saqr Jo aulos are lqsng Epornx a.ra {.{arD sv 'uo au!3luar ?rl4qp aqi uI suPlr 3I{1 Auou€ Suns ala,{ qc!q.{ sSuos pp aql se a ^op auor 3^Eq sapolsur r{al € loN uorJ rsauos pazlurapour ro'onrul
raq ro] Irr ueaqaql 'qv iPa^olaq slq BurlleH :sualsrlrapuaq] 'Paa+s g+i+ * gs, \u .T11[€EJ-qri g l€t6 .LEC)&(DY 9tj+:I .4W{,t .4'\ 7 qo$
iolo) +o llsnLu aql ro 'saarl aurd aq] Fuoulg Pul/v\ e lO )ead aq+ ra^o Pur/v\e l! sl
'ePorn)
2 +SEHO ? f ,Z,r.r " .TtI &"1]9:t.?EI9 i q)g 4s..o2 @-*AE Fig lrtil€
@!B(4)gFtW
L
,o uel) aq] ]o
lernluesanrl aq+s! teL{r : lle sasuelto lsarre, sr9-lullv\ 5lulrP noi ra^a { +ng ',{eu.rno,{ >1u;rp'a1es1urjq (rqsn8ePorn)) EPOrn)fo stuos
gEfr
Effi
FPt
OF KURODA GS (K uloda Bushi)
a:76
l. a Sa
I{t
'--.tJ
-t)
ke
Lt{a
a b No- ne
D-
t b-t, n' A - ra shi ka
a b No-ne
a No,
* I'I.
tu_
, tsu
/.-tJ-
rd'
Na
ra
ha
Ka -
ze
ka
,' - -rt'-
,,
92
f rqs -t
nJnosrtet - t : + 9 rs n)r ep ' or - . . . , . 5_ -, : l _ ? >
q
.€r
3r.ol !q. -eI :l 1t T-? -nu -oN
eq -t'| rq
"r-Etr
*-4
-(t.
1
6N-q-a-7
E{ .tt o
ou
- 4 o! _(t
401 o{ ?_.
'f -
3
+
o@ .t+
ot I
eI :l
oP
Itr )
.4
)
ol -oI '.
-
?
lH
-?
Et
t6
o)I
n-
+
I1 nr
oq
-?--
oJ7-tt
EE _o>
+
:
l@_oN Q
nz_El - 9 " I _ n t tr , . + 'l ou ou'IH 'rl @ $
!H i I '1
-a
a
+-
_
-o' o l .r ? otr qt q
sl-ou_o)I
Ir
or
-?
MHH
*€tLbffi
OHARA SONGSOF KAGOSHIMA (Kagoshima Ohara Busmr
Modelato;:90
l.d
a
2. :j, ,Mi- e
:<-jj Ko.ku :.L cn- shi _
t' ld O.ha 3. il O-La
b ra b ra
it va tta
i Ki 4 Mi
-
bu K ri
6. ha d la
tL ri-shi 2, /. e-ra
* m .t yo
-
B'b
< x t - te Mo.e i6ECttaal) Ma' ft ni
-a S! -15 Eo
b.L
b A
b:a ga ru
JyD
no - ji
*.
94
\
s6 EutqsoSPn lo sSuos asaql uoiq lurragrp ar€ pB3p aql lo s,{ep IE^trs3J aq1 aulrnp auns are qrllllr srnFaJard €ul'r.{oJ,Io rqsng ?rPqo 3q1?Bqt @1ou 3q 01sl1I -puq aql lnoqanorql -sEuos Funs rcl ot sB rElndod os eupraq ^aq} '( 9Z6I) ?^!oqs Jo srua.{ dlrro q 'ItoJ se eu4qsoSEx Jo sqrnqns oql ut Er?qqlqsl u! pslEurAlro s8uos asaql
'r!e] uaPleu aq+ ueH-o I .4.4::tE G .- a -- t: ); ( ? fl -qt+ 'i :1aI
9.(.4rqg it:ign
s8unq purLu^ur uodn : s 8 u n qt s l l u V erurl-ern)PSia O 'ereqrllr.lslle suaP!eu_r aql
(""a"*) > t@ r &21
(a4'ClW&
-
e g i t ( E + € :JA! 1+l(oN
HR ( -.'< " g) V/s4.rP q€!:tt{€
lrlneaq Jo, rale,^ aqr la^ll etnutos aq] ppnlu saLuotraq 'surel uler ou qBnoqf
'JeaP)aA? ernles +o alsr ?t1l uo 'saurdqreaq aq] qSnorq+sazaarqlaalr^S :su]eaiPALUu! aul llsl^ Ja^a lll/v\ll 'iel'\e re+ auo8 aq ^eur q8noql I
9 .1+-'l+@ "
'ssorr Palf,rtruaue q+lAA palreui dlqs aql jo lles aq1
:I'lv*\tu G.. a'. Y) @+@+)v :t.i B jyv+' f : l z g ' : 1 ? g
1iaro1aurd aq+q8norql uaassr]. 'uaasslf,
'ern)es alsl aql a^oqv 'o rrrolSera,raa)olus,PUY
q R ( - - . 1 . . Y ) E t s t t Er Z W
'nqn>jo) ]e of,teqoj 'eurlqsrJ!) ]e sla,Moll
vEFl?xl:l'ggFl?l
(lqsng ereqo euqqso8e;;1 erulqsoEe;tr ,o stuos Errqo
@9flelEffg
/5 FT!CE ASADOYA YUNTA OF OKINAVA Moilerato
Sa
z. +
Sa
!4 Ki-ni alL
!'tdt@tf I-bA-ra
B:ln'L
a
?
U-ki-na
,'ir!li Yo-
i
no
th
Ha
Sa
i. o
-
ta
S6
\5
lr
llr-
t:
L\
3
€
lL
itt"
t
*
ltrD
L})
Yo-i
96
ro pe[Eq E slre3u t]url pnrluuoJ o] se parrP^ p
eL+12.{
1.X/. +
e . g : l @ { le : r
t
L6 '$^ntu aql io ;€'rn8uel €ql uI Suos'8uls 'fpnls E uedEl u! u,!\ou{ llaa ,{llPlrads. sI euo s]ql ea€lDio Jo s8uos riloJ q8noqllY
(-..:17
i? ) .+l-{-lw
'a|.uro)! se uo,sseduor +o sProl uo lnd 'sa^aals]no^ >llnl 01 anlq aqf :+uaurreBSurPPa/v\
yEyE-+
4*.t,@EH$*r'1 ;{)8.}qffi
- +
ho^ ro, aip llr^ | .aq
+
e,+424
1A^
ll.araqlastaipoqou Puv
I pue no^ aq ll,aJaqlrol 'lqglu uooLullnjalll uo l! oc
Y(-'.1t
9 r,#gtr q :1'r
+ 9 Y)r:l9il'r,+ vEve-+
4H4rY+ 3&e?FE
'SutPaal"\ oP no^ ,,
-4
'qf,ear ,^ur a^oqe rel eL+^t:4
Y (\ -'.:lE
t,e^4
lrl atrq.Maq+ale no^
er!-rri €:)?El'r.l+I'r.E I)€
:o+ asu aArBrto^ aLuP,-lltue .roj
\aer.E-+
'l t!'l u q -4
rr!4*t],
'l Lllepaureqse{1lred pue pelB^lued u/\ opuns le auroq Surog
E.+^t4
E (-'.1I
1.&^+
'aur
9 Q lrIP:i?Il'r.t+ .€11-lgli.}1-f F a .\tt&\t
(/ i.
'o,{
rm rqs{u
.oa
trtt nu
'aso,l
- I
- L) 4 €) 4
,o Plorl e a)el no^
: p l a r la q l u r S u l u J o o l B
Ye YE-4
.!Wa{i
w
Plr/!\ aql are no^
olqi) - OIIIJ
I
lF
'ffi
lsl
HATOMA ISLE SONGS OF ( Hatoma Bushi)
Uelody i.anscfibed by Hattori
HR 2. l, Ka
|mu t:
! ri 4-
-
lli | Pa. ri 1.. b
ro r,i i
Ln sla
!-
-
trIu, .i-
t,---
chi
ji_
.r: btrku
il -ri ba-
-
7\ HaH!.
98
,j -tt
.r
'
..
'ot nt
66
lu tu
-
olu.eoI
El
nd
or
Iq6
I '- s,{-r -E-+t oI'-Er,L -E_+t-
e)
3P
a-Et
-+--t-t4
Songsof Hatoma lsle l H a t o m aB u s h i ) Climbthe hill on Hatoma And cast your eyes ove. there.
Fd
l6Ffi +# rJ ' A.$ , A + d r l .t . l J , a . $ , (lf{'L) ,..-r'r=-7 ti :/ | 1),
You will see the kuba trees, Crowing ever stately on the summit.
An Amefican acquaintance oi mtne said dispassionately art€r hearing a hau dozen Japanese folk songs, "They all have ih€ sanre so.rowful, mournfltl tune." The look on hrs fac-" shoved thal he waln t in the least inier' One month later vhen he Nas aboul to r€tu.n home afler faveling alon8 rarjous parts of Japan, this Amerlcan came io see me again. lvhen I mcr him, he began io sing the Kuroda Bushi (Imayo), an old Japanese lolk song, and 'ian.e wlth .ather uncertain steps Some years earlier, a large American publishing company sent me a letler asking fo. permission lo publlsh in some primary schooi books the "Yosakoi Bushi of Tosa" and thc "Coalminer's Song in the Joban Disidct, vhich I had edited in a Colleciion of Japanese Folk Songs. l'oreign€rs usually preler folk songs with a light, .hylhmical tune. The songs n'hrch ihe fofeign€rs kno1v, however, are only a small para of the great number ol Japanese folk songs songs which have rich variations of aun€, m.aning and ihythm. Folk sonss, lvhose o.igin! and authoG have long since been forgotten. have been handed dovn ihrough lhe ages f.om generation to generation. It is only natural that Japan, \h:, h a a lons 'ri"or), huuld be rirh in ForeigneE n'ho hear Japanese folk songs for ih€ fiNt time usually say they all sound thc same-sorrowrul and melanclroly-and they cannot ieli ihe difference one irom thc oih€r. lf lhey listen carefully, howeve., they will discover that there is a difference. Th€ folk songs of the Tohoku distict in north_ eastern .Iapan differ from ihose of the Kyushu dist.ict in souihern Japan.
nl ll
_>z
+ L t& , i:.
;+hffid<
i F 6 * r t ! l i::c
lF &ffi4
Japanesefolk songs differ vith each dlstrici, bui th€y alt have on€ common charact€ristiu. Thcy are all in double or quadruple iime, and Lhere isn't single one that has three beats. (Though the Lullaby of Itsuki is populariy sung in triple tim€, ils o.iginal music is den nitely in double time.) Thjs is in striking conlrast to the ltorean folk songs, lehich are Anyone vilh even a rudimentary knowledge of music ivill immediately recognize that Orip r!l nL.i. i 01 "o on r"p p n ator'' scale, But very few people know thai there js a difference in the pentatonic scale of Chinese music and ahat of Japanese music This shouid bc an inierestjng sulrject lor music students, but I wlll limit my ex a.alion to the follo{'ing: The melody of Chinese music is based on ih€ pentatonic scale-do re misofla, $'hile lhe Japan€semusic scale, \'ith' . . iorp pxipl I o-. : Jo.p Esol.lr. A-o i, noiable that the folk song of Ryukyu Islands is similar in iis mode to that of China No one knovs exacuy how many Japanese lolk songs there are, but there are over 200 p ! ' r F r . _ r .r', p r o . k " n a . j o t r h F v a " . o - l ' . ' 'Ihere are vork songs of fa.mers and iisher men, as well as songs for v€dding cerenonies and banquets, le.haps the nosr popular are the "Bon" lantern festival songs, 1vhich are sung on the Buddhist All Souls' DaY. The "Bon" leslival dances are hetd everv year on August 15{6 to mourn tha dead, but they are now devoid of all relisious signifi_ cance, and are suna by the people as popular sones. Every summer. a cenier stage rs nutlt in each iovn or villag€ in Japan and the neighbors galher in a circle around it to sing
100
