NeaIEIias
•
• Miscellaneous Folds - I
Neal Elias's Miscellaneous Folds I Edited by Dave Venables
Copyright 1990 Nea...
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NeaIEIias
•
• Miscellaneous Folds - I
Neal Elias's Miscellaneous Folds I Edited by Dave Venables
Copyright 1990 Neal Elias and Dave Venables
First Published by The British Origami Society September 1990 BOS Booklet 34
• Dedicated to Hichelle and Nicole Grandchildren of Neal and Betty Elias for the joy they have so freely given
With thanks to
~Iax
Hulme and Pete Ford for their help .
• No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by means, electronic, mechanicul. photocopying. recording or otherwbe without prior written permission of the British Origami Society and the copyright holders.
Contents
--_._-----Introduction . . . . . . . . • . . . . . . . . . . . _ . . . . . . . . . i Explanatory notes . . . . . . . . . . . . . . . . . . . . . . ii t.
George Rhoads Base . • . • • . . . . . . . . . . . . . . . . . . . 1 Baboon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Scottie . . . . . . . . . . . . . . . . . . . . . . . . . . '. . . . . . . . . . George Washington . . . . . . . . . . . . . . . . . . . . . . . .
2 3
Aunt Jemima
8 9
4 Adolfo Cerceda's Bear Base . . . . . . . . • . . • . . . . 5 Tiger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 I
•
................................ .
...................
The British are Coming! :I:
Santa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Angel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Sleeping it Off . . . . . . . • . • . . . . . . . . • . . . . . . . 12 Sleeping it Off 2 . . . . . . . . . . . . . . " . . . . . . . . 13 Elephant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 15 Buddha . . . . . . . • . Mary and Child - 2 . . . . . . . . . . . . . . . . . . . . . . . 16 17 Grand Pi ana . . . . . . . . . ,. 19 Beethoven Plays Beethoven ..... ---- - - .... . Beethoven Plays Beethoven 2 . . . . . . . . . . . . . . 20 22 Upright Piano . . . . . . . . . . . . . . . . . . . . . . 24 Love Seat . . . . . . . . . . . . . . . . . . . . . Rodins Thinker 2 . . . . . . . . . . . . . . . . . . . . . . . . . 26 27 Horse . . . . . . . . . • . • • . . • . . . . . . . . . . . . . . . • • . Dromedary . . . . . . . • . . . . . - .... - - . . . . . . . . . . . . 28 Mag i . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 I
••
,
•
I
I
•••••••••••••••••••
I
,
•••••••••••••••••
I
I
•••••
••••••••••
I
I
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Elephant Rev ised . . . . • . . . . . . . . . . . . . . . . . . . . 33 Be ar . . . . . . . . . . . . . . . . . . . . . • . . . . . . . . . . . . . . . 35 L ion . . . . . . . . . . • • . . . . . . . . . . . . . . . . • . . . . . . . • 36 Giraffe
Lady Godiva . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 37 Alligator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
38
. . . . . . . . . . 40
Bird man (Babylonian Mythology) J.C.Superstar
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Mare and Col t
. . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Horse 3
..................................
46
Horse . . . . . . . . . . . . . . . . . . . . . . . . . . . . • . . . . . . . 47
......................................
Index BOS Publications
......................... *
by
49 50
Fred Rohm
Introduction
This booklel is the first of three selections taken from the Neal Elias.
•
•
complete works of
I would strongly advise that for the advanced models you use a large piece of paper and pre-erease into squares as indicated in the top right of the diagram. Odd shaped rectangles are best formed by creasing into squares then removing rows of squares to give the final dimensions e.g. for a rectangle requiring a 8 x 18 precreased grid you should start with a 3 x 1 rectang1", divide into eighths along its width and 24 (3 x 8) along its length. Finally remove 6 columns of creased squares to finish with the desired rectangle . Paper laminated foil is the material favoured by Neal and for some models is almost essential. I obtain my stocks either through the BOS Supplies or in rolls sold as gift wrap. I have found Christmas to be the best time for obtaining rolls with large card shops being the most likely source but bewar., some papers marked as being foil may turn out to be lacquered paper or even worse thin illuminised plastic. Neither of these papers are suitable for the work here and with the plastic it is even difficult to wrap a gift due to its spring! Neal's diagrams are recorded in simple notebooks and were only ever intended as a personal record and not for publication. I think you'll agree however that the diag,·aming standard is excellent and, rarely inaccurate. A sort of diagraming shorthand is employed condensing the steps down to a minimum, often cross referencing and even showing several stages in one drawing. In the later models Neal abandons the traditional valley and mountain symbols in preference for dots to represent valley and dashes for mountain folds, the notation otherwise is fairly standard. All this may take a little getting used to but be assured that the necessary information is there. Consider it a challenge and you'll find the deciphering to be as much fun as the folding. NeaJ still retains an interest in Origami although his creative talents have been turned towards computers (Sinclair and l.B.M.). He is still waiting for that 'spark' which will inspire him. Dave Brill came close with his two piece ship in a bottle and Neal visualised a goldfish in a bowl, a ship in a bottle, a bird in a cage - all folded from a single piece made up from acetate attached to foil. This led to a few experiments but, alas, was not quite enough to get him started again. I am already working on a facsimile of the complete works of Neal Elias to be published by the British Origami Society in 1991/92. It will contain over 600 models, span a massive 700+ pages and will include a full biography and SOUrce refe.·ence. Contained in three hardback volumes the work will be a numbered limited edition signed by Neal himself. A treat is in store.
Dave Vensbles July 1990
Explanatory Notes
.............................. = Valley =
fold in later models fold in later models
~lountain
Dollar Bill = Rectangle proportioned 3 x 7
Title a.nd initials.
•
Grand Piano NE 12/67 = Grand Piano by Neal Elias - Created December 1967
Initials found at the bottom corner of many of the diagrams indicate to whom models were sent.
AC AG Dr B DV E'l F~1cN
FR HI;' Ill'
IN JS
•
,TS
LM LO MK NI.
Adolfo Cerceda . . . . Alice Gray . . . . . . . unknown Dave Venables Emanuel Nooser Francis McNaul Fred Rohm ... Harry Weiss Iris Walker John Nordquist Jessie Seto . . . . John S.Smith Ligia Nontoya Lillian Oppenheimer . . . . . . . . . . . . . unknown .. Nathen Lissak ... ~ocl Stanton
NS PR RH RNcL .. . RT . . . . . SR
H1
. . . . . . ..
.
unknown
Robert Harbin Ra:,mond NcLa i n f{ i c ha rd T rewe ,. S'lmuel Randlett . . . . Thelma Mason .
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47
Index
Adolfo Cerceda's Bear Base .•••.•••...•.... 5 Alligator. '" . • . • . . . . . '" . . . . • . • . • . . . • . . . 38 Angel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Aunt .lemima . . . . . • . . • . . . • . . . • . . . • . • . . . . . . . • 8 Baboon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Bear . • . . . . . • . • . • . . . • . . . . . . . . • • . • • • • . • • . . . 35 Beethoven Plays Beethoven •••••••••.•••.. , 19 Beethoven Plays Beethoven 2 .•••••••••..•• 20 Bird man (Babylonian Mythology) ••••••...• 40 Buddha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Dromedary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Elephant • . . . . . . • . . • • . . . . . . . • • • • . • • • • • • . • . 14 Elephant Revised . . . . . . . . . . . . . . . . . . . . . . . . . 33 George Rhoads Base . . . . . . • . • • . • • . • . . • • . • • . . 1 George Washington . . . . . . . . . . . . . . . . . . . . . . . . . 4 Giraffe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Grand Piano ..•••..•...••••..•••••..•..•.. 17 Horse 27 Horse 47 Horse 3 . . . . . • . . . . . . . . • . . . . . . . • . • . • • • . • . . . 46 J .C.Superstar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Lady Godiva . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Lion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Love Seat • . • . . . . • . . . • . . • . . . • . . . • • • • • • . . • . 24 Magi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Mare and Col t . . • . . • • . . . . • . • • . . • . • • • . • . . . . 44 Mary and Child - 2 ••...••••...•••.•••.••. 16 Rodins Thinker 2 . . . . . . . . . . . . . . . . . . . . ~ .. .. 26 Santa . . • • • . . . . . . • , . . . . • • . . . • • . . • • " ••. ,. 10 Scottie . . . . . . 3 Sleeping it Ofr . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Sleeping it Off 2 . . . . . . . . . . . . . . . . . . . . . . . . 13 The British are Coming! . . . . . . . . . . . . . . . . . . . 9 Tiger . . . . • . . . . . . • . . . . . . . . . . • . . . • . . • . • • . . . • 6 Upright Piano . • . • . . • • . . . . . . • . . . • . . • . . . . . • 22 I
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by Fred Rohm
