Ritual, Performance, and Politics in the Ancient Near East

RITUAL, PERFORMANCE, AND POLITICS IN THE ANCIENT NEAR EAST In this book, Lauren Ristvet rethinks narratives of state fo...

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RITUAL, PERFORMANCE, AND POLITICS IN THE ANCIENT NEAR EAST In this book, Lauren Ristvet rethinks narratives of state formation by investigating the interconnections among ritual, performance, and politics in the ancient Near East. She draws on a wide range of archaeological, iconographic, and cuneiform sources to show how ritual performance was not set apart from the real practice of politics; it was politics. Rituals provided an opportunity for elites and ordinary people to negotiate political authority. Descriptions of rituals from three periods explore the networks of signiﬁcation that informed different societies. From circa 2600 to 2200 BC, pilgrimages made kingdoms out of previously isolated villages. Similarly, from circa 1900 to 1700 BC, commemorative ceremonies legitimated new political dynasties by connecting them to a shared past. Finally, in the Hellenistic period, the traditional Babylonian Akitu festival was an occasion for Greek-speaking kings to show that they were Babylonian and for Babylonian priests to gain signiﬁcant power. Lauren Ristvet is Assistant Professor of Anthropology at the University of Pennsylvania and Robert H. Dyson, Jr., Assistant Curator of Near Eastern Archaeology at the Penn Museum. She has directed archaeological surveys and excavations at major Bronze Age and classical period sites in Syria (Tell Leilan), Azerbaijan (O g˘ lanqala), and Iraq (Satu Qala). She is the author of In the Beginning: World History from Human Evolution to the First States (2007), and her articles have been published in journals including Antiquity, the American Journal of Archaeology, BASOR (the Bulletin of the American Schools of Oriental Research), and World Archaeology.

RITUAL, PERFORMANCE, AND POLITICS IN THE ANCIENT NEAR EAST LAUREN RISTVET University of Pennsylvania

32 Avenue of the Americas, New York, NY 10013-2473, USA Cambridge University Press is part of the University of Cambridge. It furthers the University’s mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence. www.cambridge.org Information on this title: www.cambridge.org/9781107065215 © Lauren Ristvet 2015 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2015 Printed in the United Kingdom by Clays, St Ives plc A catalog record for this publication is available from the British Library. ISBN 978-1-107-06521-5 Hardback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party Internet Web sites referred to in this publication and does not guarantee that any content on such Web sites is, or will remain, accurate or appropriate.

Contents

List of ﬁgures Acknowledgments List of abbreviations 1

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page viii xi xiv 1

Politics and ritual in the past and present The 2,500-year celebration at Persepolis The French Revolution Royal processions in Majapahit The Fiesta de Santa Fe Maya ancestors and patron deities Ritual, religion, and practice Performative traces Movement, history, and tradition

3 4 8 11 14 18 25 32 35

Movement

40

An event that models: the Ebla coronation ritual Movement and perception Kingdoms, cities, artisans, and ofﬁcials Borders, city walls, and open spaces Limiting access Inclusive spaces Beyond the city Collective representations: pilgrimages and political power Pilgrimages and sacred journeys at Ebla The archaeology of pilgrimage at Ebla The Syrian ritual Materialized symbols: cult centers in the countryside Gre Virike Hazna Jebelet al-Beda Tell Banat

40 42 47 54 54 61 66 67 68 69 71 74 74 76 77 79

v

Contents

vi

3

4

Actors, audience, and mise-en-scène: pilgrimage centers Constructing kingdoms Death, ancestors, and power Conclusion: urban spaces, pilgrimage networks, and the rise of political complexity

81 82 87

Memory

92

89

An event that presents: the Feast of Ištar and the kispum ritual Memory, mourning, and legitimacy Political instability Old Babylonian kingdoms Tribal politics The dynamics of resettlement History and the politics of emplacement Middle Bronze Age economics Collective representations: the past in the past Literature, history, and the ancestors Divine will and divination Materialized symbols: death, ritual, and the authority of the past in daily life The archaeology of death and ritual Ancestors, monuments, and politics The past, heirlooms, and legitimacy Actors, audience, and mise-en-scène: ancestors, tribes, and politics Kings and the politics of commemoration Tribes, towns, councils, and ancestors Conclusion: mourning and memory

92 94 99 99 101 104 108 110 112 112 117

Tradition

153

An event that re-presents: the Akı¯tu festival Invented traditions Hellenistic Babylonia The city and countryside Settlement, irrigation, and trade Seleucid urbanism Domestic practices Consuming empire? Pottery and foodways Figurines and domestic life Coins, debt, and payment Collective representations: scholarly texts, history, and the transmission of knowledge Preserving scholarly knowledge Astrology, astronomy, and history Materialized symbols: temples and tradition Rebuilding the temple The temple, the assembly, and civil authority Archives, administration, and community

153 155 158 159 160 163 168 168 174 179

120 120 128 135 142 142 146 149

181 182 185 194 194 201 203

Contents

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Actors, audience, and mise-en-scène: kings, priests, and festivals Conclusion: performing tradition

205 209

Community

211

Performance and public events in the ancient Near East Performing community States and instability Political strategies Continuity

211 213 217 224 227

Notes

229

Works cited

245

Index

307

Figures

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17

18 19 20 21 22 23

viii

Actors portraying Achaemenid soldiers with a wheeled tower in the Persepolis parade, October 1971 page 6 The execution of Louis XVI, January 21, 1793 9 Brahu temple, Trowulan, Majapahit period 14 Volunteers portraying Don Diego de Vargas and Conquistadors during the Santa Fe Fiesta 15 Map of K’axob 19 K’axob, operation 1: phase 9 21 K’axob, burials 1–1 and 1–2 21 Panel 1, La Corona, dedication of patron deity temple 24 Map of northern Mesopotamia 2600–2300 BC 43 Tell Leilan (ancient Šehna) 56 “Main Street” in Beydar (ancient Nabada) 58 The palace in area F, “The Ofﬁcial Block,” of Tell Beydar. (A) phase 1, (B) phase 2, (C) phase 3a, (D) phase 3b 59 Spatial graph of Beydar, area F, palace. (A) phase 1, (B) phase 2 60 Chuera (ancient Abarsal?) citadel plan with the main ceremonial street marked 63 Axonometric reconstruction of the plaza and palace G 64 Ritual journeys in the kingdom of Ebla, ca. 2350 BC 70 Wagon sealings from northern Mesopotamia: (A) Beydar seal 4, (B) Išqi-Mari royal seal 1, and (C) Išqi-Mari royal seal 2 73 Tombs and offering chambers at Gre Virike, period IIa 75 Ritual buildings at Hazna 77 (A) Statue from Jebelet al-Beda and (B) stela from Jebelet al-Beda 78 Plan of Bazi/Banat (ancient Armanum?) 80 Possible pilgrimage networks on the upper Euphrates 83 Intervisibility and viewshed analysis at Gre Virike 84

List of ﬁgures

24 25

26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52

Mesopotamia, from 1900–1500 BC Survey areas in the Habur Plains, Syria. Areas of decreasing population are in dark gray, and areas of increasing population are in white Tell Leilan/Šubat-Enlil, 1900–1700 BC AO19833, obverse and reverse, historical liver omen from Mari that mentions Sargon Kahat, stratum 31B (A) Middle Bronze Age ceramic ﬁgurine from Tepe Gawra and (B) stone ﬁgurine from Billa Wadi Hedaja 1: general view of BC-10 Umm el-Marra, monument 1, from north Area A, ‘Usiyeh Ninevite 5 ware from the Tell Leilan acropolis temple, room 19 Tell Leilan acropolis northeast temple, isometric plan Seleucid Babylonia and Syria Seleucid-Parthian period sites and canals from the Heartland of Cities survey Seleucid-Parthian period sites and canals from the Diyala survey Seleucia-on-the-Tigris Uruk during the Seleucid-Parthian period Babylon city plan Serving wares from Seleucid-Parthian Uruk (“Greek-inspired” shapes on left; “Babylonian” shapes on right) “Hellenistic” cooking ware from Seleucid-Parthian Uruk (left) and Athens (right) Seleucid terracotta ﬁgurine U-V 17–19, level II, Ekur-Za¯kir family house The Nabû temple, Borsippa Antiochus cylinder, BM 36277 Bit Re¯š temple Ešgal temple Brick stamped with Adad-Nadin-Ahhe’s name in ˘˘ Greek, palace of Girsu Archives building, Seleucid, isometric drawing Akı¯tu temple, Uruk Reconstructed territory of Apum and Kahat, ca. 1730 BC

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105 109 119 123 124 127 129 132 138 150 156 160 161 163 165 167 170 171 176 183 195 196 198 199 200 205 209 220

Acknowledgments

I would like to express my gratitude to everyone who helped me during the years this book was in preparation. I hope that those of you whose names I fail to mention will forgive me. This book had its genesis in discussions about ritual and politics in Mesopotamia that took place during the summer of 2008 under the grape arbor at the Tell Leilan dig house in Qahtaniya, Syria. Without the generosity of Harvey Weiss, who invited me to participate in the Tell Leilan project when I was still an undergraduate at Yale, I never would have become an archaeologist (although Harvey is clearly not responsible for my postmodern turn!). I also owe a great deal to the other members of the Leilan project from 1999 to 2008, especially Zainab Bahrani, Francesca DeLillis, Ulla Kasten, Andrew McCarthy, Richard Meadow, Lucia Mori, Cristian Putzolu, Philippe Quenet, and Eric Vandenbrink. My largest debt, however, is to the people in Syria who made this work possible, including the Directorate of Antiquities, our redoubtable Syrian workers, and many friends from Qahtaniya, Tell Leilan, Tell Barham, and Qamishli. My thoughts are with them during this troubled time, and I hope that it will be possible someday to repay them for their kindness and hospitality. Many thanks to all of those who agreed (sometimes under duress) to read and comment on chapters of the manuscript, particularly Andrew Drabkin, Brian Hughes, Kevin Reilly, and Jill Weber. Joanne Baron, Paul Kosmin, and Glenn Schwartz were kind enough to share their manuscripts with me, and Irene Winter and Piotr Michalowski helped me think through some of the complexities of Seleucid Babylonia when I presented some of this in Copenhagen in 2012. I am also grateful to Lev Feigin, who helped me to reconceptualize ritual and religion as I revised

xi

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Acknowledgments

this manuscript. Let me also express gratitude to Robert McC. Adams, Joanne Baron, Dominique Beyer, Joachim Bretschneider, Robert H. Dyson Jr., Sumio Fuji, Robert Hanelt, Antonio Invernizzi, Marc Lebeau, Paolo Matthiae, Patricia McAnanay, Jan-Waalke Meyer, Rauf Munchaev, Hiromichi Oguchi, Tuba Ökse, Ann Porter, Julian Reade, Glenn Schwartz, Harvey Weiss, Stefano Valentini, and Tian Yake for allowing me to use their photographs, plans, and other illustrations. The American School of Classical Studies at Athens, the British Academy, the British Museum, the Centro Scavi Torino, the Deutsche Archäologische Institut, the Louvre, the Max Freiherr von Oppenheim Stiftung, and the Penn Museum were similarly generous. Additionally, I would like to thank Kelsey Cloonan, Lara Fabian, and Monica Fenton for their help preparing the images – particularly Lara, who devoted two very hot days to this task during Ramadan in Erbil. I also owe a considerable debt to the anonymous reviewers for their constructive criticism. Working with Beatrice Rehl, Asya Graf, and Isabella Viti at Cambridge University Press was lovely – and made producing this book nearly pain free. Some of the ideas presented in this book have been previously published elsewhere. An abbreviated version of Chapter 2 appeared in Bulletin of the American Schools of Oriental Research [vol. 361 (2011): 1–31]; I thank them for allowing me to publish it here as well. My colleagues at Penn have all been extraordinarily encouraging, particularly Asif Agha, Salam al Kuntar, Harold Dibble, Clark Erickson, Grant Frame, Phillip Jones, Ann Kuttner, Yoko Nishimura, Jamie Novotny, Holly Pittman, Bob Preucel, Tad Schurr, Bob Schuyler, Julian Siggers, Deborah Thomas, and Steve Tinney. The students in my courses on the Achaemenid Empire and Its Hellenistic Aftermath; Performance, Ritual, Space, and Politics; and the Archaeology of Syria were instrumental in shaping many of the ideas expressed here. And my friends in Philadelphia reminded me that there was more to life than Mesopotamian archaeology. I would also like to thank the many people who put up with me while I was devoting most of my attention to this manuscript. Safar Ashurov, Veli Bakhshaliyev, Hilary Gopnik, Emily Hammer, and all of the members of the Naxcivan Archaeological Project rarely complained, even when the writing of this book made ﬁeldwork at Og˘ lanqala difﬁcult. My family – especially Bethany Ayers, Matthew Ristvet, Mary Ann Duco, and Linda

Acknowledgments

and Byron Ristvet – were supportive and bore my many absences with good cheer. I owe my parents in particular an enormous amount for their unstinting encouragement, even when I chose to do seemingly crazy things, like excavating in Syria, Azerbaijan, and Iraq. I dedicate this book to them.

xiii

Abbreviations

AKL ARET ARM CAD CANE FM FGRH GHD MDOG NABU OECT RIMA RIME SKL UET YOS

xiv

Assyrian King List Archive Reali di Ebla, testi Archives royales de Mari Chicago Assyriological Dictionary Civilizations of the Ancient Near East Florilegium Marianum Fragmente der Griechischen Historiker Genealogy of the Hammurabi Dynasty Mitteilungen der Deutschen Orient-Gesellschaft Nouvelles Assyriologiques Brèves et Utilitaires Oxford Editions of Cuneiform Texts Royal Inscriptions of Mesopotamia, Assyrian Period Royal Inscriptions of Mesopotamia, Early Periods Sumerian King List Ur excavations, texts Yale Oriental Series

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Beginning around 3500 BC, cities, writing, and monumental architecture emerged almost simultaneously in Mesopotamia – a watershed in the development of social complexity that has attracted scholarly attention for nearly a century. The primacy of Mesopotamia – its cities are the earliest known in the world, its scribes developed writing centuries before it emerged elsewhere – has led historians and archaeologists worldwide to use it as the paradigmatic case of state formation.1 Until the 1980s, Near Eastern archaeologists interested in the rise of political complexity investigated the growth of cities and changing settlement systems in the third and fourth millennia BC in the irrigated river valleys of southern Iraq and Iran, recognizing, as the title of a popular account has it, that History Begins at Sumer (Kramer 1981).2 Over the last thirty years, the focus of research has shifted north and west as archaeologists have analyzed how Sumer’s neighbors formed their own polities in response to this “urban revolution” (Weiss 1986; Ur et al. 2007; Ur 2010a; Porter 2012). The time frame under consideration has also broadened, with some scholars now focusing on later second-millennium polities as well (Yoffee 2005; Schwartz and Nichols 2006; Laneri et al. 2012). Researchers have analyzed social complexity – usually deﬁned as economic and political differentiation and stratiﬁcation (Renfrew and Bahn 2005) – by examining changes in site size, settlement patterns, longdistance trade, household organization, craft production, and the establishment of administrative hierarchies. But for the most part, the literature has glossed over the cultural and ideological changes that accompanied the rise of Mesopotamian polities.3 As a broad array of anthropologists, sociologists, historians, and political scientists have recognized, however,

1

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Ritual, Performance, and Politics in the Ancient Near East

“state formation is itself a cultural revolution” (Corrigan and Sayer 1985: 3; Krohn-Hansen and Nustad 2005; Joseph and Nugent 1994). I will argue that the inhabitants of Mesopotamian polities – including villages, city-states, kingdoms, and empires – created a sense of political belonging through ritual and daily practice. Most historians and anthropologists agree with Benedict Anderson that “all communities . . . are imagined,” since most of their members will never meet face-to-face, but nonetheless share a strong sense of belonging (Anderson 2006: 1). But there has been little attention to the processes that gave rise to this imagining in ancient contexts in general and in the Near East in particular. How did the inhabitants of different Near Eastern village and urban communities with distinctive identities, histories, and expectations come to share a new idea of the polity and their places within it? How did these polities operate and how, after the death of their ﬁrst charismatic founders, did they survive? In the ancient Near East, ritual performance was not set apart from the real practice of politics; it was politics. Ritual provided a space and means for sovereignty to be both created and debated. Priests, kings, and ordinary citizens used festivals to negotiate, establish, and contest political power. Indeed, ritual was one of the main techniques that individuals used to create political communities and establish a framework for belonging. The performance of rituals allowed both elites and nonelites to negotiate the long-standing tensions that allowed for and simultaneously threatened early polities. Daily practices – walking through the city, making pottery, composing administrative texts – cemented the political and social realities of these societies. I consider the performance of politics – the intersection of ritual and practice – through three speciﬁc case studies from different periods and places: northern Mesopotamia in the mid–third millennium BC, the middle Euphrates in the early second millennium BC, and Seleucid Babylonia in the late–ﬁrst millennium BC. Each case study analyzes how speciﬁc rituals engaged with concepts – movement, memory, and tradition – that were essential to the construction of authority and grounded multiple political approaches. These analyses are not wholly distinct; each considers Mesopotamian polities during a period of crisis and transformation. As a result, an investigation of the (re)constitution of political authority – during the emergence of the ﬁrst states, as part of resettlement following a period of collapse, and as a response to conquest and the loss

Performing Politics

of cultural autonomy – lies at the heart of each chapter. Similarly, each study draws upon landscape archaeology and excavated remains, including cuneiform texts, to trace these processes.

Politics and ritual in the past and present We do not often reﬂect on how political life is performed. Ritual tends to be dismissed as arcane and exotic, at best a colorful mask for the real process of politics. Most political analysis ignores the symbolic and the ritual as something entirely apart from the more respectable analytical spheres of economy and society. Nonetheless, even in contemporary politics, rituals – political conventions, protest marches, stump speeches, and the pledge of allegiance – create a powerful political reality, a process that a growing number of political scientists and cultural sociologists now investigate (Kertzer 1988; Alexander 2011; Alexander et al. 2006; Wedeen 1999, 2008). Expressed through a variety of symbols, performance helps to communicate speciﬁc values that can both create and afﬁrm a community. Rituals can function as a mechanism to resolve conﬂict and/or reafﬁrm communality in contrast to the competition inherent in social life. By employing the creative power of liminality, these events can integrate opposing cultural or social systems, and can facilitate transitions between separate social orders.4 At the same time, rituals may provide a vocabulary for dissent and even revolt (Kertzer 1988; Ozouf 1976). In short, performance is an essential aspect of both ancient and modern politics. As Ronald Reagan once replied when asked how an actor could become president, “how can a president not be an actor?”5 Analyzing how politicians stage political acts – paying attention to the choice of setting, costume, and props – can provide insight into how political decisions are made. Even if historians are willing to concede the importance of ritual and religion, most archaeologists ignore them due to a pervasive belief that these processes have no material signature and hence are not susceptible to archaeological investigation. But ritual and politics are realized through the physical world, making an analysis of material culture necessary to understanding their operation. As Clifford Geertz notes, “ideas are not, and have not been for some time, unobservable mental stuff,” rather they are “envehicled meanings” that may include “melodies, formulas, maps, pictures . . . rituals, palaces, technologies and social formations” (Geertz

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1980: 135). Social and political life is constituted by the daily decisions and actions of people, and these actions take place within a world of things.6 People build houses, pave streets, sew clothes, and fashion saucepans. But once created, these objects both allow for and limit later activities. Society is not produced only through our interactions with other people, but within and through “mutually created relationships between humans and things” (Pauketat and Alt 2005: 214). This is obviously true of relationships characterized by persistent inequality. If these were only established through social skills – through conversation, negotiation, and persuasion – they would be very transient. Indeed, the sheer physicality of our world is precisely what lends social interactions their “steely” quality (Latour 2005: 67). It is this materiality, the connections between people and things, which Ian Hodder terms “entanglement,” that is fundamental to social and cultural transformation (Hodder 2012). But it can be difﬁcult to understand how we might engage in an archaeology of performance by talking about it in the abstract. Before turning to Mesopotamia, let us consider ﬁve vignettes about the performance of politics in other times and places. These stories illustrate different ways that ritual performance can either establish or destabilize speciﬁc political orders, and how rituals intersect with the practice of daily life. The stories illuminate how the three concepts that I will consider later – movement, memory, and tradition – have been important in the negotiation of political identity. Although only two of these narratives are archaeological sensu stricto, they all indicate the importance of materiality. They illustrate that despite their seeming evanescence, political performances are only effective when expressed through things. These tales will set the stage, so to speak, for a more in-depth exploration of performance and politics in Mesopotamia. THE 2,500-YEAR CELEBRATION AT PERSEPOLIS

The imposing ruins of Persepolis, once the capital of the Achaemenid Persian Empire, have been a contested space in modern Iran for more than forty years. This complex of palaces and tombs was the setting of “the greatest show the world had ever seen”: Mohammed Reza Shah Pahlavi’s celebration of 2,500 years of Persian civilization in October 1971 (Mohammed Reza Shah quoted in Grigor 2005: 23). Every head of state was invited to the ceremony, which was celebrated at the archaeological sites of Pasargadae and Persepolis near Shiraz. In preparation for the event,

Performing Politics

engineers worked overtime to renovate the Shiraz airport and pave the road to Persepolis, while the Hessarek Institute launched a campaign to kill all the snakes and scorpions found within 30 km of the ruins so that the eminent guests would be in no danger. The visitors stayed in a sumptuous “tent city,” actually prefabricated luxury apartments covered in canvas and designed by a noted Parisian interior decorator.7 The festival opened at dawn on October 12, 1971, when Mohammed Reza Shah went to the tomb of Cyrus at Pasargadae to address the ﬁrst Persian king, using terminology adapted from inscriptions found in excavation: To you Cyrus, Great King, King of Kings, from Myself, Shahanshah of Iran, and from my people, Hail! We are here at the moment when Iran renews its pledge to History to bear witness to immense gratitude of an entire people to you, immortal Hero of History, founder of world’s [sic] oldest empire, great liberator of all time, worthy son of mankind. Cyrus [,] . . . Sleep in peace forever, for we are awake and we remain to watch over your glorious heritage.” (quoted in Abdi 2001: 69)

Events over the next three days portrayed Iran as a progressive, modern nation with an illustrious past. A performance of Iannis Xenakis’ electronic music piece “Persepolis” with a special sound and light show demonstrated the Shah’s appreciation of the avant-garde. On successive nights, guests enjoyed both the ﬁnest French cuisine (Maxim’s of Paris catered the event and prepared such dishes as foie gras–stuffed peacocks and quail eggs with caviar) and an Oriental feast served on low cushions and divans. But the central importance of the pre-Islamic past was never forgotten. In addition to the setting amidst the ruins, actors recreated the rituals of the Achaemenid court for the ediﬁcation of foreign dignitaries. On the ﬁnal day of the celebrations, more than 6,000 people took part in a grand parade of Persian history, with soldiers dressed to resemble their historical counterparts (Fig. 1; Grigor 2005: 26–7). Like much of the celebration, the parade was televised and broadcast to the world. The festivities ofﬁcially celebrated the antiquity of the Persian monarchy, the shah’s enlightened reign, and Iranian modernity before audience. Many Iranians, however, contested the shah’s portrayal of both Iran’s past and present. Clerics, revolutionaries, and many ordinary citizens viewed the spectacle at Persepolis – and indeed the shah’s interest in the premodern past – as a sign of his corruption, obsession

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1 Actors portraying Achaemenid soldiers with a wheeled tower in the Persepolis parade, October 1971 (Photograph courtesy of Bob Dyson)

with the West, and distance from both the poverty of most of the nation and its Islamic values. The Ayatollah Khomeini issued a statement from exile decrying the ceremony for its excesses and absurdity, asking, “[A]re the people of Iran to have a festival for those whose behavior has been a scandal throughout history and who are a cause of crime and oppression, of abomination and corruption, in the present age?” (quoted in Abdi 2001: 69). Indeed, the celebrations became a potent symbol for the opposition, leading the ayatollah to assert later that “to participate [in the festival] is to participate in the murder of the oppressed people in Iran” (quoted in Holliday 2011: 68). Clearly Khomeini interpreted history rather differently than the shah. This did not mean that he eschewed the past categorically; rather, he rejected Iran’s pre-Islamic, monarchical past and chose instead to ground his vision of politics in an understanding of the history of Islam in Iran (Hoveyda 2003: 29). Within this alternative political vision, an Islamic past provided an ideal setting for rituals of resistance. Khomeini and other clerics equated modern revolutionaries’ struggle against the shah with the battle of Karbala, one of the foundational events of Shi’a Islam, commemorated each year on Ashura (Holliday 2011: 67). During the revolution, various parties recalled the excesses of the Persepolis celebrations as signs of the shah’s decadence, while in the early 1980s, state television occasionally broadcast reruns of the festivities

Performing Politics

“to remind the people of the despotism they had overthrown” (Abdi 2001: 69). In the early 2000s, these ruins again became a contested space when Marjane Satrapi published the ﬁrst volume of her autobiography, aptly titled Persepolis (Satrapi 2003). Satrapi’s graphic novel is critical of both the shah and the revolution, adding yet another twist to modern Iranian appropriations of an Achaemenid past. The conﬂict over the Persepolis celebration, however, did not just play out in public rituals of political speeches and broadcast commentary, nor even in the space of resistance and criticism that art opens up. People debated the meaning of the past in several areas of life, perhaps most ﬁercely in education. At the height of Mohammed Reza Shah’s reign, the history curriculum emphasized the same nationalist narrative encapsulated in the Persepolis festival, tracing the nation of Iran back to Aryan migrations at the turn of the ﬁrst millennium BC. Textbooks dated the origins of the Persian monarchy to the Median period (678–550 BC), but represented Cyrus the Great, the founder of the Persian Empire, as its true ancestor. They described how Iran took “gigantic steps in the way of culture and civilization, attaining towering levels of progress” under the Achaemenid kings in the sixth century BC (Ta’rikh-e Lebas 1974, quoted in Ram 2000: 72). This narrative of the nation continued to frame the history of the Islamic period, which stressed the unique contributions that Iranians had made to Islam. In the immediate aftermath of the revolution, the republican government quickly commissioned new books so that schools could transform children into model citizens of the Islamic republic. Unsurprisingly, in light of Khomeini’s own vision of the past, schools at ﬁrst simply ignored ancient history. In the early 1980s, textbooks were purged of references to Iran’s dynastic antiquity and the new, statemandated curriculum portrayed the centuries before Mohammed’s birth as a time of darkness and barbarism (Ram 2000). Hostility to Iran’s preIslamic past was also responsible for the closure of the Department of Archaeology at Tehran University from 1979 to 1982 and the cessation of the Institute of Archaeology’s activities at the same university until 1990. Although the archaeological service remained active, no scholarly ﬁeld research was undertaken during the 1980s. Many in the government viewed archaeology as “nothing more than a pseudoscience,” one that the royal court had used “to glorify despotism and justify royal oppression of the masses,” and were consequently loath to support it (Abdi 2001: 70).

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Despite such beliefs, during the last twenty years, the Achaemenids have crept back into Iranian national life. They once again occupy a prominent place in schoolbooks, children’s imaginations, and the activities of the Iranian Cultural Heritage Organization (ICHO), responsible for archaeology in Iran since 1988. A recent study of middle school history education in Iran found that not only were both the Aryan migration and the Achaemenid empire included in the curriculum, but most pupils saw the latter period as “the pinnacle of Iranian history” (Soltan Zadeh 2012: 147). Similarly, from 1999 to 2005, there were excavations at twenty-six Iron Age and Achaemenid period sites (Azarnoush and Helwing 2005: 215–31). The various interpretations of history in Iran, and the ways that the state has mobilized these narratives, are complicated. The return of the Achaemenids to classrooms and archaeological research agenda has been part of a transformation of Iranian political and national identity that developed in the Islamic Republic subsequent to the rejection of these themes in the 1980s. How individuals understand and manipulate history is never monolithic, and it is possible to infuse ancient history with a number of separate and incompatible meanings, as the case of contemporary Iran demonstrates. THE FRENCH REVOLUTION

Like Khomeini’s followers in the early 1980s, revolutionaries in France sought to remake the world according to a new logic through the invention of symbols, myths, and rituals. Insisting on a complete break with the past, they rejected the centuries of political and religious symbolism that underlay the ancien régime. For many, a new French nation required the creation of a new citizen with appropriate loyalties, beliefs, and customs (Hunt 1984: 56). In the initial absence of political parties, slogans, or even a coherent movement, competing factions established innovative rituals (and anti-rituals) and changed even the most routine experiences of daily life. The execution of Louis XVI, a grand and unrepeatable act that was central to expressions of French politics and identity for at least a century, is perhaps the starkest example of this (Fig. 2). In January 1793, King Louis XVI was paraded through the streets of Paris, alongside drummers, soldiers, and prison guards. As he reached the guillotine in the Place de la Révolution, he protested his innocence and forgave his executioners, consciously echoing the actions of Christ at Calvary (Kertzer 1988: 159).

Performing Politics

2 The execution of Louis XVI, January 21, 1793 (Courtesy of the British Library)

Before a silent crowd of perhaps 100,000, he was decapitated; his severed head was displayed to the populace and his body was summarily removed. The only state funeral held that day was not for Louis, but for LouisMichel Le Peletier, a national deputy, who had cast the deciding vote for the king’s execution. Le Peletier had been assassinated the night before by a former member of the king’s Garde du Corps. The public nature of this beheading, its formal setting, and especially its massive audience made it a very particular type of ceremony, one that was foundational for the new republic (Dunn 1994: 2). Louis XVI was not the only victim that January day. Rather, the architects of the ceremony aimed to destroy the institution of kingship, to revoke the dynastic principle. The beheading of the king was an anti-ritual, one that attempted to undo publicly and deﬁnitively the coronation. By putting Louis XVI to death in front of vast numbers of Parisians, his executioners sought to sever his “two bodies,” and slay both the man and the king (Connerton 1989: 8–9; Kantorowicz 1957; Walzer 1992: 18). The ﬁrst anniversary of this event witnessed spontaneous acts of commemoration, and two years later it became a public holiday (Ozouf 1975). The execution reverberated beyond Paris and was revisited continuously during the nineteenth century by people from across the political spectrum (Dunn 1994: 67). Moreover, the conditions for this sort of event became routine; in 1793 and 1794,

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2,639 heads rolled in Paris and perhaps 40,000 people died throughout France. Clearly, the very public and ritualized nature of the executions had a different effect than executions in the privacy of a jail cell. Beheadings became a way for the Jacobins to deﬁne their enemies and themselves (Kertzer 1988: 159). Public execution was not the only new ritual developed as part of this effort to remake the world in a new political image. The state sponsored a variety of different festivities, and competing political groups staged public rites in towns and villages throughout France that sought to establish new loyalties and understandings of the body politic. Events such as the ﬁrst anniversary of Bastille Day, the federation festival of 1790, the liberty festival of 1792, and the festival of Simmonneau of 1792 were not meaningless celebrations; they employed potent symbols that helped to constitute a new class of political citizen and create different, competing ideas of what the republic should be (Ozouf 1975, 1976). These rituals existed alongside a series of wide-reaching interventions in state institutions, the organization of time, and the presentation of self. The critical changes in a variety of legal institutions are well known, but changes in the understanding of time and personal appearance were just as consequential.8 In October 1793, a new calendar was adopted with a retroactive start date of September 1792 to commemorate the founding of the ﬁrst republic (Shaw 2011). Twelve months were divided into three ten-day weeks, called decades; the tenth day, décadi, replaced Sunday as a new day of rest and celebration. The months and days received new names and were associated with animals, tools, plants, and minerals, rather than with saints and Christian holidays. Five extra days were added to the end of the year as national holidays – celebrations of virtue, talent, labor, convictions, and honor, and during leap years, revolution. Each day was divided into ten hours, and each hour into 100 decimal minutes, which were in turn divided into decimal seconds. Although decimal time proved to be the element of the calendar system that was suspended earliest, ofﬁcially ending by April 1795, this was a fundamental shift that affected the ordering of every part of daily life in order to reinforce the ideology of the revolution (Hunt 2008). Changes in self-presentation were also critical to the instantiation of the new society following the French Revolution. Certain costumes came to represent political positions, and “a color, the wearing of a certain length of trousers, certain shoe styles, or the wrong hat might touch

Performing Politics

off a quarrel, a ﬁstﬁght, or a general street brawl” (Hunt 1984: 53). Revolutionary fashions represented a break with the previously established order. The adoption of new fashions was part of an attempt to change acceptable social and bodily practices (Connerton 1989: 10). The attention to dress was not haphazard, since in the ancien régime, different orders and professions were identiﬁed by costume. For the revolutionaries, dress “was not so much the measure as the maker of man” (Hunt 1984: 83). As a result, the uniform became the ideal garment for many Parisians, and simplicity in hair and dress became a virtue, a way to emphasize, and indeed, create, equality among citizens. By wearing red togas, for example, legislators sought to appropriate the virtues of the Roman republic. Although togas did not long survive Napoleon (the long trousers of the sans culottes did, however, remain popular) and the French revolutionary clock proved short-lived, other revolutionary schemes to systematize daily life or to introduce new political symbols endured, including the metric system, the revolutionary ﬂag, the “Marseillaise,” the division of the political spectrum into left and right, and of course, a particular understanding of citizenship. The experiences of the French Revolution illustrate the importance of both public events and practical actions in times of change and their signiﬁcance to the establishment of hegemony. ROYAL PROCESSIONS IN MAJAPAHIT

Public events can be as important for long-lived regimes undergoing slow change as for societies caught up in revolution. Fourteenth-century Majapahit, one of the great, premodern kingdoms of Island Southeast Asia, has been famously portrayed as a theater-state, where “the motor . . . was state ceremony” (Geertz 1980: 129; see also Geertz 1983 and Wolters 1999). Clifford Geertz claimed that the Majapahit state or “Negara” was enacted through a series of rituals in temples throughout Eastern Java (Geertz 1985), including month-long courtly processions, and gifts of “pigs, sheep, buffaloes, cattle, fowls, dogs, crowded with cloths” (Pigeaud and Prapantja 1960: canto 28, stanza 2). This analysis has been criticized for portraying nineteenth-century Bali as a closed system, one in which the meaning of symbols was already conﬁgured. Such an account may be “blind to the processes by which ongoing practices and systems of meaning change, are sites of political struggle, and generate multiple signiﬁcations within social groups” (Wedeen

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Ritual, Performance, and Politics in the Ancient Near East

2002: 716; see also Wedeen 1999: 13–4, Roseberry 1982, Hobart 1983). Using recent archaeological work, I want to analyze Majapahit not as an ideal type, where the process of signiﬁcation is frozen, but as a polity where speciﬁc ideas were established and contested through state ritual and daily practice. The Negara-Kertagama, the great fourteenth-century poem whose title may be translated “manual for the cosmic ordering of the state,” encapsulates this understanding of politics as procession (Geertz 1983). The poem describes three discrete, but interconnected, ideas and practices of statecraft: 1) the cosmic ordering of the royal family and the kingdom (mapping people onto places), 2) the royal progress, and 3) court ceremonial. As at once a blueprint for and a description of a certain type of polity, the normative descriptions in the Negara-Kertagama helped to constitute the theater-state. The poem begins by describing the king, his family, his palace, his capital, and his client states. This last category includes not just actual districts that may have accepted Hayam Wuruk’s suzerainty, but most of the world, concluding with the passage: “then surely, the other lands, anywhere . . . are executing any orders of the honoured Prince” (Pigeaud and Prapantja 1960: canto 16, stanza 5: 1–2). The territory that Hayam Wuruk effectively controlled was smaller than the grandiose realm described in the poem, although larger and more urbanized than any earlier polity in Island Southeast Asia. In much of this area, surviving inscriptions indicate that local elites had considerable autonomy, although they often invoked the name of the Majapahit king (Hall 2011: 279). Descriptions of royal progresses in 1359, 1360, 1361, and 1363 follow and make up the bulk of the poem. During these four years, the king and his entire court spent months touring the kingdom, visiting hundreds of villages, towns, and temples. The royal highway was “crammed with carts,” swarming with men on foot, elephants, horses, and camels, “the whole lurching along like some archaic trafﬁc jam a mile or two an hour over the narrow and rutted roads lined with crowds of astonished peasants” (Geertz 1983: 132). At each location, Hayam Wuruk received and redistributed gifts – particularly animals and textiles. He performed ceremonies in Buddhist and Sivaite temples and sacred spaces and received people – princes, mandarins, priests, anchorites, but also “all (the men of) those (dependencies)” (Pigeaud and Prapantja 1960: canto 26, stanza 1).

Performing Politics

As the poem demonstrates Majapahit sovereignty was predicated on economic and ritual ties, rather than military supremacy. Recent archaeological research in Java illustrates the magnitude of Majapahit’s economic dominance, clearly indicating that this was more than empty symbolism. Indeed, it seems likely that the poem focuses attention on goods precisely because changes in the global economy had just begun to transform daily life. In the fourteenth century, prospects for trade and revenue generation in Southeast Asia increased exponentially. Long-distance trade, particularly with China, as well as local trade in subsistence commodities such as rice became increasingly important. Indeed, Majapahit began to employ Chinese coins as currency. Historical and archaeological research indicates that rice production also intensiﬁed, and Java’s coastal ports grew in population and inﬂuence during this period (Hall 2011: 278). Recent mapping work around Trowulan, long thought to be Majapahit’s capital, has indicated that the capital district was much larger than previously believed, with dense occupation spread over 100 km2, with evidence of “intensive long distance trade” and “specialized manufacturing” over much of this area (Fig. 3; Miksic 2000: 115). Majapahit was both a ceremonial center – with the king’s palace lying in the middle of this megapolis and occupying an area of half a square kilometer – and a populous, commercial city, funded by fabulously productive rice paddies (Gomperts et al. 2010, 2012). The spread of rice cultivation and monetization have both been tied elsewhere to increasing economic inequality and social stress (Morrison 1997, 2001). It seems that amid this restructuring of Java’s economy and society, the Majapahit kings turned to ritual to unite a multiethnic and multi-confessional populace. During his progress, Hayam Wuruk honored deiﬁed ancestors, mountain gods, and other indigenous forces. He created a uniﬁed kingdom by actively participating in rites from different traditions throughout the territory. This ritual network was materialized in inscriptions, iconography, and temple construction. The widespread distribution of a particular vessel, the “sacred water beaker,” indexes this strategy. These beakers, which have been found throughout Eastern Java, formed part of the court ceremonial that was celebrated across the island during Majapahit progresses. Their integration into local practice entails “the recognition of the court as the source of ritual validation among the disparate populations of its hinterland” (Hall 1996: 112). But despite the syncretistic nature of this devotion, these rituals could also be exclusive. They validated the power of priests and the provincial elite, while denying that of traditional shamans.

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Ritual, Performance, and Politics in the Ancient Near East

3 Brahu temple, Trowulan, Majapahit period (Photograph courtesy of Tian Yake)

In Majapahit Java, the royal progress performed a particular, static view of the universe, depicting a perfect ritual center that imitated the cosmos. But Majapahit’s kings, priests, and populace enacted these unifying, ahistoric, and syncretistic rituals precisely because this stasis was absent in the emerging commercial cities. The sense of unity conceals, no doubt, other tensions, subverting and muting the inﬂuence of shamans in the countryside and further marginalizing those dispossessed by intensifying rice cultivation and increasing monetization. Rather than accepting the timeless nature of the Negara, new archaeological and historical work allows us to understand the contingency of this strategy, and the way ritual may work in a time of economic and political change. THE FIESTA DE SANTA FE

Like the Majapahit progress, the Fiesta de Santa Fe performs an alternative image of political and social reality. On the ﬁrst Friday of every September,

Performing Politics

4 Volunteers portraying Don Diego de Vargas and Conquistadors during the Santa Fe Fiesta (Photograph courtesy of Robert Hanelt)

a small group of people dressed in seventeenth-century costumes gather to celebrate mass at sunrise at the Loretto chapel on the northern outskirts of Santa Fe, New Mexico. La Conquistadora, a wooden statue of the Virgin Mary, initially brought to New Mexico in 1625, presides over the service. As the mass ends, a young man dressed as Don Diego de Vargas kneels before the statue and prays for peace. Hours later, still in costume, these Santa Feans march through the plaza in a public performance and commemoration of De Vargas’s 1692 “bloodless” reconquest of New Mexico (Fig. 4). Members of the procession bear aloft La Conquistadora, commemorating her rescue from a burning church during the Pueblo Revolt of 1680 and her return to New Mexico twelve years later. The high point of this procession, the Entrada, is the recreation of the meeting between De Vargas and the Tesuque chief Domingo Naranjo, in which they negotiated the return of the Spanish to New Mexico. This performance portrays Christianity as unifying the Pueblo Indians and the Spaniards, as exempliﬁed by its ﬁnal event, when a Spanish friar baptizes a small child dressed as a Pueblo Indian. As drums beat in the background, the ceremony ends with De Vargas claiming possession of the city for the Spanish crown and the Catholic Church. Unlike the intimate ceremony in the chapel at dawn, the Entrada unfolds in the crowded plaza, before Santa Feans and tourists alike (Grimes 1976; Horton 2010).

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Like many ceremonies, the Fiesta de Santa Fe is a complex service that has grown over the years to include several different events (Grimes 1976). The inaugural event of the ﬁesta is itself contested. For the Hispanic families who serve as the ﬁesta organizers and stress the Catholic content of the festival and the roles that their families played in the resettlement, the festival begins with Don Diego de Vargas’s vigil at the Loretto chapel. But for many Anglos and tourists, the ﬁesta starts the night before, with the burning of Zozobra, a wooden puppet that stands 51 feet tall and whose name means “anxiety” in Spanish. Stuffed inside the puppet are police reports, divorce papers, and other documents that people have sent to the city’s main newspaper, the Santa Fe New Mexican. When Zozobra goes up in ﬂames, so do the troubles and worries of Santa Fe. Despite Zozobra’s Spanish appellation, this event has no link to either Spanish or Pueblo traditions. Instead, the artist Will Shuster invented the ceremony in 1924 (Shuster 1964). For many of the old Hispanic families, who have been displaced by gentriﬁcation, Zozobra represents an unwelcome, “neo-pagan” sensibility, disrupting the festival’s message of unifying Catholicism (Horton 2010: 35–6). As a central event in the civic calendar, the Fiesta de Santa Fe has become a space for Santa Feans to enact different ethnic and political identities. Like many festivals, it is to a large extent an invented tradition. Although a 1712 proclamation ordered that the 1692 reconquest of New Mexico be celebrated with “vespers, mass, sermon, and a procession through the main plaza,” and there have been nearly annual religious observances since then, the ﬁesta itself was launched in 1919 by the Museum of New Mexico (Horton 2010: 40). The ﬁrst ﬁestas included a parade in honor of Stephen Kearny, the American general who received the territory from Mexico following the Mexican-American War, in addition to the festivities celebrating the 1692 resettlement. The ﬁrst burning of Zozobra was the art community’s attempt to challenge the patriotic and militaristic message of these festivals, which promoted economic development in this new state (Horton 2010: 41). In the 1950s, the Hispanic community took charge of the ﬁesta and added the De Vargas mass to emphasize Catholicism as part of Hispanic cultural preservation. In a sense, the ﬁesta has been an event that has staged different Santa Fes, including the quaint, but American city, open to Anglo immigration of the 1910s, the “city different” of the art colony, and the Catholic city of the leading Hispanic families.

Performing Politics

The ﬁesta has also been a site of protest and resistance, particularly for the Pueblo Indians whose story it also dramatizes. The script of the Hispanic-controlled Entrada and De Vargas mass celebrates the 1692 conquest “not as a feat of conquistador bravado but as a historic moment of reconciliation,” and indeed as the beginning of the state’s unique tricultural legacy – its Native American, Spanish, and Anglo history (Horton 2010: 159). Of course, despite the rhetoric, the resettlement was not peaceful, but resulted in the deaths of 70 pueblo men and the enslavement of about 400 women and children (Horton 2010: 3). The ﬁesta does not just celebrate, but also reenacts that moment, and organizers try, whenever possible, to recruit Pueblo Indians to play the roles of their ancestors. For the last thirty-ﬁve years, however, the All Indian Pueblo Council has boycotted the event, following demands from the festival organizers that Pueblo vendors vacate the plaza during the festival. Along with the boycott, some Pueblo ofﬁcials have responded to the festival with their own commemorative ceremonies, celebrating the Pueblo revolt against Spanish rule. Symbolic tensions have ﬂared between these two groups in other commemorative practices as well, particularly during the celebration in 1998 of the four-hundredth anniversary of the Spanish foundation of the colony of New Mexico. The founding of this colony was partially realized through the Acoma massacre, when in retaliation for the deaths of twelve Spanish soldiers, Don Juan de Oñate led a punitive expedition against Acoma that resulted in the killing of approximately 800 people. Once Oñate had captured the pueblo, he ordered the amputation of the right foot of every man over the age of twenty-ﬁve as well as their enslavement for twenty years (Knaut 1995). In 1998, Native Americans severed the right foot of a statue of Oñate in symbolic retaliation for the men he maimed, as a protest to the 400-year celebrations (Brooke 1998). In response to these tensions, Santa Fe festival organizers for the past twenty years have sought to include the Pueblo and to change the symbolism of the festivities. De Vargas now carries a cruciﬁx rather than a sword during the Entrada, while La Conquistadora has received a new name, “Nuestra Señora de la Paz,” or “Our Lady of Peace” (Horton 2010: 176). The staging of New Mexican history in the Fiesta de Santa Fe is tied up with the expression of ethnic identity within the city and state as a whole. Unlike many Latin American countries, which celebrate their shared Mestizo identity, people in New Mexico generally identify themselves as

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belonging to one of three separate groups: Native American, Spanish, or Anglo (Horton 2010). The notion of three discrete ethnic identities is codiﬁed in New Mexican middle school history textbooks (Roberts and Roberts 2010), and in the way individuals identify themselves in other contexts, despite the reality of intermarriage among all three communities. At the same time, the ﬁesta allows people to expound a counterhegemonic narrative. The birth of the festival as a celebration of Hispanic heritage came at a time when the Hispanic community in Santa Fe was being displaced by increasing house prices and was experiencing signiﬁcant out-migration from the state. The festival’s more recent transformation, particularly its attempt to include Native Americans in a less demeaning fashion, has occurred during a period when all three communities have been redeﬁning themselves in light of changes in the ethnic composition of the United States as a whole, the growing importance of Hispanics as a voting bloc, and the emergence of a new national discourse of multiculturalism (Guthrie 2010). MAYA ANCESTORS AND PATRON DEITIES

As the Santa Fe ﬁesta demonstrates, rituals and their signiﬁcance can change over time in response to political and economic conditions. Two Mayan settlements in the forests of Central America preserve similar archaeological evidence for how ritual practice is implicated in political change. At K’axob, Belize, the creation and veneration of ancestors helped to underwrite lineage-based rights to land and other resources. Participation in funerary and commemoration rituals was thus essential to economic and political concerns. This ancestor ideology dominated both ritual and political practice from the Middle Formative (900–400 BC) until the beginning of the Early Classic (250–400 AD). In contrast, at La Corona, Guatemala, this older practice of ancestor veneration was supplanted by patron deity worship as part of a dynastic struggle. Mayan kingship during the Classic period must be seen against this backdrop, as kings sought to employ, negotiate, contest, supplant, and resist earlier understandings of authority. Maya cities and buildings have long lives. This is true of both monumental temples and palaces and of smaller residences, which may be rebuilt multiple times. These renovations are as ritual as they are practical. People commemorate reconstructions by burying precious or symbolic materials, or the dead, in a building’s foundations. At K’axob, excavations of the

Performing Politics

19

83 96 54 53 57 56

87

40 41

42

38

55 88 89

58 39 37 44

45 46

103 64

63 62 61

60 80

59 9084 51 85 47 50 48 49

65 68 67 71

69 66

70

76

11

10

77

3 2 9 4 5 13 8 91 14 92 6 7 12 52

SACBE

73 74 81

86

1

7

75

PLAZA A

SACBE 29

OPERATION 12 OPERATION 13 30 26

OPERATION 11 27

28

31 OPERATION 1

93 82

19 AGUADA

18 24

21 22 15

23 17

16

OPERATION 10 35

OPERATION 7

36

34

94

98

99 100 101

PLAZA B

32

33

OPERATION 8 102

0

100 m

5 Map of K’axob (After McAnany et al. 2004, ﬁg. 2.1)

second largest pyramid plaza document continuous use of this area from the ﬁrst settlement of this village at ca. 800 BC to the construction of a pyramid (structure 18) in the Early Classic (ca. 250–600 AD), coincident with the establishment of royal political power in the Maya lowlands (Fig. 5). It is thus

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Ritual, Performance, and Politics in the Ancient Near East

possible to trace how people lived with their ancestors and how an emerging political elite co-opted the power of the dead and made it their own. The constant use and remodeling of this space emphasizes the importance of continuity and tradition, as well as how speciﬁc practices were rethought over time. Each rebuilding respected earlier practices, but also transformed the meaning of the space as a whole. Under the ﬁrst house at K’axob, a simple hut, a middle-aged woman was buried with a single shell bead, while a high status young man in a beaded robe, adorned with bracelets and armbands, was interred nearby (Storey 2004: 112). This general pattern of a house surrounded with graves persisted until the creation of the Early Classic pyramid. The family members buried beneath the newly completed house may have provided residents with a tangible connection to the family as a “trans-generational reality” (McAnany et al. 1999: 131). In the Late Formative period (400 BC–250 AD), the number of burials increased, while mortuary rituals, which were geared toward the creation of a speciﬁc class of ancestors, became more elaborate. Indeed the position of burials, the frequency of secondary interments, and the types of objects that accompanied the dead all changed. These changes index transformations in the role of death among the living and document how ancestor veneration could ameliorate conﬂicts over access to land and political inﬂuence (McAnany et al. 1999: 129–30). By the end of the Formative period, some burials were marked, becoming more elaborate than others. Certain individuals were buried in a seated position; a posture later associated with nobility. Their heads were covered by a shallow bowl with a cross motif, which probably signiﬁed the universe and attests to their relationship to the sacred (Headrick 2004: 371). The ﬁnal burials of people and ritual objects prior to the construction of the pyramid exemplify these transformations and underline an emerging system of status and sacriﬁce. By this period, this plaza had probably ceased to be a typical domestic area (Fig. 6; McAnany 2004a: 56). Here, a deep oblong grave (B1–2) was cut into the ﬂoor of the plaza, ending only at the soft limestone bedrock (Fig. 7). The trench was the site of funerary and commemorative rituals over a period of time; it was clearly opened and resealed several times. The ﬁrst burial belonged to a middle-aged man buried in a seated posture. A layer of clay separated him from the later burials, all of which were bundles of disarticulated bones belonging to adults and one child. Offerings accompanied some of the burials, while

Performing Politics

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Operation 1: Phase 9

Z15 B1-1a, 1-1b, 1-1c, 1-1d, 1-1e, 1-1f, 1-1g Z23

Z18 B1-2a, 1-2b, 1-2c, 1-2d, 1-2e, 1-2f, 1-2g, 1-2h, 1-2i Z24 Structure 1a Z236 B1-45

Z25 Z22

Z73

Z30/30a B1-3 Z13 Cap

Z81 B1-15a, 1-15b

Z10

Z41

Z81a B1-16 Z42 B1-6a,1-6b, 1-6c, 1-6d

Z17

0

1m

6 K’axob, operation 1: phase 9 (After McAnany et al. 2004, ﬁg. 2.10)

7 K’axob, burials 1–1 and 1–2 (After McAnany et al. 2004, ﬁg. 6.8 and 6.9) Burials 1-2 and 1-45

Burial 1-1

Vessel 031 Burial 1-1b Burials 1-2a, 1-2b, 1-2c, and 1-2d

Vessel 021

Vessel 034 Burial 1-1a

Vessel 033 Burial 1-2e

Burial 1-2f

Vessel 023

Burial 1-1c Burial 1-1d

Burial 1-2l Burial 1-1g

Vessel 022

Burial 1-1e

Burial 1-1f Burial 1-45 0

40 cm

Burial 1-2g

Vessel 038 (fragmentary) Vessel 057

Vessel 037

Vessel 036

Vessel 056

Burial 1-2h (scattered throughout)

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Ritual, Performance, and Politics in the Ancient Near East

other burials were sprinkled with hematite. Near the center of the pit, another bundle of bones was buried underneath a bowl marked with two crosses. Two other special purpose vessels were placed nearby. Shells and beads were found scattered throughout the pit; they were probably deposited during the ceremony when the ancestral bundles were laid to rest, or as part of later commemorative practices. After the tomb was sealed for the ﬁnal time, a low platform was built to cover it, creating “the ﬁrst formalized ancestor shrine at K’axob” (McAnany 1995: 57). Partly cut into the ﬁll of this burial was another tomb, a circular pit in which seven other people were buried. A young or middle-aged man, again buried sitting up, with a cross-motif bowl covering his head, was the central ﬁgure here. Ribs and vertebrae belonging to a young woman and an adolescent were strewn over and around this man. Patricia McAnany, the excavator, speculates that these scattered bones represent individuals sacriﬁced when the seated man was interred (McAnany 1995; Storey 2004: 126–32). Discrete bundles of ancestral bones also surrounded this individual. At the end of this period, this shrine complex was covered over and a “triadic” cache of three pots ringed by limestone spheres was buried, perhaps as part of a ceremony to decommission this space. The lowest pot contained ﬁgurines, beads, disks, and unworked shells categorized according to color and the number three. A hole piercing the chest of the central ﬁgurine may have been an allusion to sacriﬁce. The bottom course of stones of pyramid 18 was laid immediately above where the ancestor shrine had once been (McAnany 1995). The construction of a pyramid sealed this area. In many Classic Maya centers, temple pyramids are also royal mortuary shrines. Here, previously domestic rituals were reconﬁgured as civic ceremonies that differed in terms of potential audience. The placement of pyramid 18 on the western side of plaza B emphasizes the open area of the plaza. Unlike the smaller family rituals that marked the interment of ancestors and the dedication of new houses, this vast space allowed somewhere between 900 and 7,000 people to attend a royal funeral, probably a substantial percentage of the population of this city.9 Although Maya ceremonies emphasized difference, clearly marking commoners and royalty as separate categories, these rituals may only have been meaningful according to the degree to which they cited understandings of death, ancestors, and personhood that were more widely shared (Gillespie 2001). The burials at K’axob document an ongoing process of ancestor creation. Burial was not a one-time process;

Performing Politics

instead, tombs were opened repeatedly and human remains were treated, saved, and later reburied. All of these events were no doubt deeply meaningful for families, households, and even city-states. Such ceremonies could symbolically unite a polity or single out speciﬁc royal ancestors for commemoration. But they were not the only ways that the Maya used ritual performance to construct political authority. At the Classic Maya site of La Corona, members of two rival dynasties manipulated Mayan understandings of death, legitimacy, and community differently (Baron n.d., 2013). Excavations at four patron deity temples reveal their initial use as funerary shrines. Here the material and textual remains combine to tell a complicated story of how two families struggled for legitimacy over more than three centuries through both political and ritual means. Temples that incorporated burials were probably dedicated to royal ancestors, rather like more elaborate versions of the Late Formative example at K’axob. These burials belonged to high status members of the community, probably early kings of the city, and can be dated to the city’s foundation in the fourth century AD (Baron 2013: 325–6, 350). When a probable descendant of these kings, K’uk’ Ajaw, died “at the edge of a stone” in 658 AD, the new ruler, Chakaw Nahb Chan, a member of a rival dynasty, sought to shore up his legitimacy by laying claim to these sacred places. The ﬁrst recorded act of his reign, which took place just thirty-ﬁve days after his accession, was to dedicate three patron deity temples, the same temples that housed the remains of these early kings (Baron 2013: 346). In so doing, Chakaw Nahb Chan transformed the ancestor shrines of his political rivals into temples that belonged to the entire community. This was only the ﬁrst step in a program that led to important changes in understandings of religion, politics, and community at La Corona. Almost twenty years later, Chakaw Nahb Chan’s son, K’inich [?] Yook, rededicated one of these temples to the “Six Nothing Place God.” The inscription he commissioned to commemorate the event acknowledges how Tahn K’inich Lajua, a member of the rival dynasty, came to the city in the fourth century AD (Fig. 8). Yet the inscription does not grant this early king the status of city father. Instead it describes how the true founder came to La Corona from “Six Nothing Place” four thousand years earlier, in 3805 BC. By rededicating this funerary shrine to the “Six Nothing Place God,” K’inich [?] Yook sought to rewrite the city’s history and appropriate the authority of antiquity for his dynasty.

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Ritual, Performance, and Politics in the Ancient Near East

8 Panel 1, La Corona, dedication of patron deity temple (Photograph courtesy of Joanne Baron)

Ancestor veneration and patron deity worship are not identical; the former is exclusive, glorifying a particular lineage, whereas the latter is inclusive. Patron deities belong to and protect the entire community. Hence, constructing a patron deity temple could have uniﬁed La Corona during a period of political transition and perhaps chaos. At the same time, by establishing his family’s ancient connection to La Corona through the mythical founder from Six Nothing Place, K’inich [?] Yook clearly demonstrated his own special relationship with this deity. Middens found near the patron deity shrines indicate that both La Corona’s elite and the larger community took part in feasts at the temple and in the nearby plaza (Baron 2013: 356–9). The plaza here is large enough to have accommodated between 1,200 and 10,000 people during such ceremonies.10 Feasting in honor of patron saints remains a common practice in Maya communities to this day. Moreover, the middens and evidence for the careful refurbishing of these temples indicate that they continued in use as patron deity temples until the city was abandoned. Although K’inich [?] Yook’s descendants ceded control of the city to a rival dynasty (perhaps Tahn K’inich Lajua’s descendants), the city’s rulers continued to patronize these shrines (Baron 2013: 360). Hence, excavations and monumental texts indicate the complex ways that politics, performance, and community came together in this Maya center. Along with K’axob, La Corona demonstrates how an archaeological approach can unpack ancient ritual performance.

Performing Politics

Ritual, religion, and practice These vignettes depict the intersection of ritual, politics, and religion on two levels. First, they consider speciﬁc performances of the type often termed “public events” – large-scale rituals, ceremonies, pilgrimages, festivals, and celebrations that work to fuse a speciﬁc ethos and worldview (Handelman 1990). Second, they place those rituals within the daily practices of different people – including rice cultivation, dress, education, and house building – in order to see how the world actualized in ritual impinges on the world of common sense. The ﬁve case studies illuminate a number of different aspects of this relationship. Taken together, they provide a model for investigating performance through archaeology. There is more detail available for the three modern narratives – the Persepolis celebration, the French Revolution, and the Fiesta de Santa Fe – but the inclusion of two archaeological case studies – Majapahit and the Maya – illustrate that many of the same factors were true in other times and places and each of them can be investigated through archaeological and epigraphic remains. We cannot know the same details of the varied reactions to festivals in Mesopotamia that we can in contemporary Iran or New Mexico, but these examples remind us that there would have been a plurality of competing interpretations. Let us begin by focusing on public events. Public events or spectacles are “large-scale performances involving a substantial number of participants,” including ceremonies like the Persepolis celebration, the federation festival, the royal progress of 1359, the Fiesta de Santa Fe, and funerals at K’axob (Inomata 2006: 807). Such festivals do not arise randomly. In general, rituals conform to rules and have speciﬁc formal qualities that give them meaning within their cultural context. These qualities – which can include the use of formality, invariance, and repetition in ways that are meaningful for the participants – separate rituals from ordinary activities (Bell 1992: 106–17, 1997: 138–70). Such events unfold in a time apart; their actions do not exist within everyday life, but rather alongside it (Eliade 1961). These ceremonies invest objects and places with a meaning and value that is greater than what they would have apart from these events, as we can see if we consider the uproar over the Persepolis festival and subsequent rejection of the pre-Islamic past in revolutionary Iran or the signiﬁcance of severing Oñate’s foot for the Acoma in New Mexico.

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Public events tend to take one of three forms, each of which was represented in the narratives and will be explored in the later chapters.11 First, public events can actually effect change themselves; they can model a new reality. These performances – which Don Handelman terms “events that model” – are causative by nature, such as the death of Louis XVI that ﬁnally and deﬁnitively executed both the king and the monarchy or K’inich [?] Yook’s rededication of an ancestral temple to a patron deity. Second, events can be mimetic and display one vision of the political order, like the Negara-Kertagama and the royal progress it describes, where the king’s court represented the cosmos to the populace. These mimetic performances – “events that present” – stand apart from daily life. They are “a means of performing the way things ought to be in conscious tension to the way things are” (Smith 1987: 109). Finally, public events can provide occasions to critique and even to transform the status quo; these spectacles are sometimes called “events that re-present” (Bell 1992: 81). Such rituals may allow for the dissolution and recreation of social order, its inversion and subsequent reestablishment. This is one way to interpret the Fiesta of Santa Fe, in which the city’s Hispanic families assert their traditional Catholic religious authority against the secular, artistic power that prevails in this increasingly Anglo city. At the same time, the Fiesta de Santa Fe may contribute to the very discourse of power that it attempts to resist by further reifying the myth of the “city different.” But what is the role of religion in these rituals? Although nearly everyone would agree that some of these case studies – such as the patron deity temples at La Corona, the royal processions at Majapahit, and the De Vargas mass in the ﬁesta – are religious, others, particularly the ceremonies of the French Revolution or the Persepolis festival, might seem divorced from what we would call religion in the contemporary world. But this depends entirely on how one deﬁnes religion. Certainly, Émile Durkheim, in one of the most inﬂuential accounts of religion in the twentieth century, noted that there is no “essential difference . . . between an assembly of Christians commemorating the principal moments of the life of Christ, or Jews celebrating either the exodus from Egypt or the giving of the ten commandments, and a meeting of citizens commemorating the instruction of a new moral charter or some great event in national life” (Durkheim 2001 [1912]: 322). For Durkheim, religion was not, at heart, about ways to explain unexplainable natural phenomena, or the worship of gods or spiritual beings, but about the categorization of life into the

Performing Politics

sacred and the profane as a way to create a moral community. In this book, I will follow Durkheim in conceiving of religion as a social and cultural system. As a result, I will, of course, occasionally refer to various gods, myths, and speciﬁc practices, but the book does not set out to provide a comprehensive catalogue of “ancient Near Eastern” religious systems. Instead, I am interested in the way systems of meaning work and how they are implicated in these early complex societies. As a result, I will adopt Geertz’s deﬁnition of religion as a system of symbols used to formulate conceptions that appear to access a deeper reality, producing certain “moods and motivations,” which appear uniquely real (Geertz 1973: 90). This system of symbols works both as a model of and as a model for reality; it provides both an interpretation of and a blueprint for life (Geertz 1973: 93–4). Religion may be realized through ritual, but it tends only to be meaningful to the extent that it is implicated in wider social processes, becoming the basis of a commonsense understanding of reality. Hence, understanding performance requires investigating how aspects of a ceremony, ritual, or other spectacle both draw upon and shape other social and/or economic practices. This understanding of performance closely resembles elements of “practice theory,” particularly structuration (Giddens 1984; Bourdieu 1977, 1990). As Anthony Giddens has emphasized, the actions of individuals drawing upon rules and resources produce and reproduce those same rules and hence social systems. Structures do not exist apart from agents, but are instead “instantiated in social practice” (Giddens 1984: 25). In the examples just presented, none of the ceremonies would have mattered without these larger connections. The deputies’ scarlet togas, for example, cited both a historical precedent well known to educated French citizens and drew upon a widely shared understanding that costume signaled class and occupation. Ancestor rituals performed in plaza B at K’axob existed within a framework that included proper building practices, ideas about kinship, and speciﬁc conceptions of status. In fact, in situations where a public event is at odds with these vernacular understandings, that event will fail to have the desired effect. Performances succeed, are “felicitous,” when they are understood to be authentic, when actors and audiences are fused, when the performance “[creates] the conditions for projecting cultural meaning from performance to audience” (Alexander 2011: 53). This provides a rubric to interpret the catastrophic consequences of the Persepolis celebration for the shah’s regime.

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Although the festival planners had hoped that the ceremony would be mimetic, celebrating a particular image of Iran’s past and present, its distance from the daily life of Iranian citizens made it fail, turning it into an opportunity to critique the existing social order. The fact that rituals can fail, that there is often a gap between the religious world and the commonsense world (Hüsken 2007; Grimes 1990; Bell 1992), is a problem that is underanalyzed in much of Durkheim’s and Geertz’s work on religion.12 By assuming that such representations are always collective (society writ large) and that religions always work as models of and models for, both theorists ignore the role of reception and construct artiﬁcially static and uniﬁed societies (Wedeen 1999). It can be extremely hard to investigate the discrepancies that arise between representations and their interpretations, particularly in archaeological situations. I will argue that one way to do so is to adopt a performance perspective – one that bridges both the formal world of ritual and the informal one of daily life, and pays particular attention to reception (Bell 1992). The verb “to perform” has at least three distinct meanings in common use in English: to play or give a performance, “to carry out an action,” and “to cause, to bring about” (OED “perform, v.” 2005). In other words, performance has three aspects – theatricality, the practice of everyday life, and performativity – all of which have been investigated as part of the “performance turn” in the humanities and social sciences (Schechner 2003: 7). Much of this analysis has investigated performance as a category that vacillates between theater and ritual, between entertainment and a need to make things happen. Anthropological work on ritual and drama and its intersection with social life during the 1960s has been particularly inﬂuential.13 Other studies use a performance paradigm to study the presentation of self in everyday life (as Goffman put it) considering how individuals learn to play speciﬁc social and political roles. This can illuminate how people self-consciously employ a range of symbols in their enactment of a wider reality (Goffman 1959). A ﬁnal important strand in performance studies is performativity, namely that the act of performing a role is what renders it real. In this sense, few identities are given; instead they are actualized through practice (Butler 1990, 1993). Performativity provides us with a way to understand how performance actually does things, how it can cause change. Like performatives – statements that do not just express reality but bring it into being (Austin 1975; Searle 1969) – rituals can create a new reality (Tambiah 1979).

Performing Politics

Each of these levels of performance was clearly visible in the vignettes: from the theatricality of the Persepolis pageant, to the economic practices of the Majapahit royal progress, to the performative nature of K’axob funerary practices that converted the dead into powerful ancestors. I will consider the ﬁrst two aspects of performance – theatricality and practice – throughout this book, using the framework of public events and daily practice that has already been established. This will allow me to investigate (for example) the queen of Ebla’s role in the coronation ritual, or how members of Uruk’s citizenry served the Seleucid crown, in order to analyze how the performance of rituals and the practice of daily life were political. At the same time, I will be sensitive to the third sense of creative performance; how such activities helped to bring a polity into being, how they were performative (Austin 1975). Adopting this broad understanding of performance provides a focus on how a range of individual acts, imprinted in both texts and material culture, constituted different polities. Every ritual performance is composed of certain elements, including a system of collective representations (scripts and the cultural understandings that inform them), materialized symbols (sets, props, and costumes), actor(s), mise-en-scène, social power, and audiences (Alexander 2011; Alexander et al. 2006). These aspects of performance may manifest differently, depending on the situation. The ﬁrst category, for instance, is conceptual, but it contains both the formal scripts that sometime structure events (as in the Fiesta de Santa Fe, or indeed, most Mesopotamian rituals), as well as the broader system of symbols that improvisational ceremonies employ. Actors bring life to these scripts and participate in these public events. In Mesopotamia, for the rituals we will examine, they usually include priests and kings, but can also include other people, such as ofﬁcials, artisans, and relatives of the dead. Of course, actors do not bring a script to life through words alone; instead they rely upon places and things – materialized symbols – to do much of the work for them, making performance spaces and props essential (Inomata 2006; Inomata and Coben 2006). Similarly, a performance must be directed; the words of the script, gestures of the actor, and various objects combine to create something new. Social power profoundly affects the process of performance and indeed the choice of director and actor (Mann 1986). Only certain people will have the social, political, and economic capital to stage a particular act. Moreover, power shapes the composition of an audience and the interpretive process. And ﬁnally, and perhaps most

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importantly, a performance has an audience, which is not, in Richard Schechner’s words, “an either/or stagnant lump” (Schechner 2003: 219). Instead, how an audience receives a performance, whether its members adopt dominant, negotiated, or oppositional interpretations, is essential to its success or failure. As we have already seen, we cannot assume that merely because a ritual was staged with all due pomp and circumstance that it was received as unquestioning truth by all participants and observers. Certainly in some cases, audiences do identify with a particular message and accept the dominant or hegemonic reading. But in many other cases, viewers might agree with some aspects of a performance, but still not be willing to act in ways that conform to it. And of course, in still other cases, viewers may understand a speciﬁc message, but reject it totally, reading it in an entirely oppositional way (Hall 1980). But what do ritual or religion have to do with the domain of politics? Politics resembles performance in that it is both polysemous and expressed through the physical world. It may be understood both broadly and narrowly – in the speciﬁc sense of state power and in the more general sense of any relationship of command and obedience (Geuss 2001; Weber 1980; Osiander 2007). Hence, politics encompasses more than the apparatus of government, and political actors are not just politicians. In the modern state, politics includes elections and congressional speeches, but also directives about when children should learn to read, where roads may be built, and how much employers must pay their workers (Smith 2003: 88). In our ﬁve vignettes, politics consisted of negotiations over the curriculum in Iran and New Mexico and calendrical systems in revolutionary France. In the ancient Near East, individual and institutional political actors were composed of kings and administrators, priests and generals, tribal ofﬁcials and city councils (Postgate 1994a), but also cloistered women who guarded their family wealth (Harris 1975) and pastoral groups who moved with their ﬂocks between different kingdoms and maintained shifting relationships with a range of authorities (Durand 2004). These different actors were responsible for organizing the harvest, regulating time, setting prices, standardizing measurements, and managing the sale of real estate. The administration – and often the king himself – strove to monitor many of these activities. Although there are no known Akkadian or Sumerian terms equivalent to our term “politics,” given the wide range of activities reported in ofﬁcial correspondence, it is hardly a stretch to assert that these activities were understood as political (Richardson 2012).

Performing Politics

Recent work in political science indicates some of the ways we can examine the connections between symbolic systems, performance, and politics. In two ethnographies of the Arab world, Lisa Wedeen considers how spectacle and (performative) daily practice are political. In her examination of the cult of Hafez Assad, she studies how spectacles glorifying the Syrian president and his family provided a speciﬁc sort of public discourse, one that established a framework for the operation of politics (including opposition to the regime), despite the cynicism of the citizen audience (Wedeen 1999). Alternatively, when considering how a Yemeni national consciousness was produced despite the lack of effective state institutions and a history of unity, Wedeen examines how feelings of national identiﬁcation arose in response to the widely publicized trial of a serial killer during preparations for the ten-year anniversary of Yemen’s uniﬁcation (Wedeen 2008: 88–98). In both cases, Wedeen emphasizes the necessity of spectacle and performativity to the operation of politics and the creation of viable polities. Public events do not necessarily generate agreement from their audience, but they establish a speciﬁc symbolic discourse that is essential to the practice of politics. Similarly, people construct their political identities through “iterative performances” of particular acts, as part of “everyday enactments” of citizenship. For Wedeen, both politics and ideology are thus essentially material, that is, constituted through practices, not ideas or beliefs.14 Importantly, Wedeen allows for cynicism, the possibility of negotiated or oppositional readings of spectacles. In this, she draws on postwar analysis of ideology that has emphasized, contra Marx (1970 [1932]), that ideology is not always a lie experienced as truth, but can be a lie experienced as a lie (Adorno 1972; Žižek 1989, 1994; Sloterdijk 1987), or even a truth experienced as a truth (Žižek 1994). Modern Syria and Yemen are, of course, temporally distinct from the case studies I will consider here, but Wedeen’s use of spectacle and performativity strikes a chord with how politics are described within the cuneiform record. An examination of Mesopotamian political texts – of treaties, royal inscriptions, royal correspondence, and chronicles – reveals a paucity of terms that correspond to state or polity. The indigenous term for country or land is ma ¯tum and can be applied to a territorial unit, to land generically, or to a group of people (including pastoralists). The term ¯ alum (Akk., Sum. uru) refers to another important political reality, the city (sometimes including its surrounding countryside). Other territorial terms include those sometimes translated as village (kaprum, dimtum,

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dunnum); many of these words are used only for short periods or in certain dialects and represent speciﬁc settlement types.15 Similarly, no Mesopotamian terms correspond to abstract nouns for government, administration, or bureaucracy despite the large numbers of extant administrative texts. When it comes to ideas of rulership, dominion, and the practice thereof, however, we are on ﬁrmer ground. The most common Akkadian phrases are šarru ¯tam epe¯šum, be¯lu ¯tam epe¯šum, and bêlum, literally, to do (or perform) kingship, to do (or perform) rulership, and to rule.16 The active sense that is contained in these verbal constructs is critical to understanding indigenous perceptions of politics and reinvigorating what has been an often static, typological discussion of state formation (Smith 2003). Zainab Bahrani has eloquently argued that in the ancient Near East, ideology worked ﬁrst as performance (Bahrani 2008: 69–70).17 Mesopotamian scholarly thought depended on an understanding of the performativity of words, images, and practices (Bahrani 2008: 51–2, 2003: 200). Hence, the basic notion that material objects and performative practices helped to underwrite reality had a long intellectual history in the ancient Near East. Given my interest in active performance (politics) rather than in static form (the state), my fundamental concern is how politics was actually practiced in the ancient Near East. How and why did people create and maintain polities? How were individuals constituted as subjects? How and why did certain people, and more importantly institutions, gain and maintain authority (Weber 1978; Bourdieu 1991)?

Performative traces These questions lie at the heart of any study of ancient or modern politics and are notoriously difﬁcult for archaeologists to investigate using the sources at our disposal. Recognizing the essentially material nature of ritual and politics, however, does provide us with a means of addressing them. Authority, deﬁned as the power to “command not just the attention but the conﬁdence, respect, and trust of [an audience]” is not constructed through words alone, but employs the “whole theatrical array of gestures, demeanors, costumes, props and stage devices through which one may impress or bamboozle an audience” (Lincoln 1994: 4, 7). Our vignettes have similarly illustrated that power exists only so far as people have the ability to realize material change, to construct a palace at Trowulan, or to

Performing Politics

impose the metric system by designing new thermometers, rulers, and scales. All of the rituals that we have considered have worked through things – such as ancestral bundles at K’axob, conquistador costumes in Santa Fe, or the television broadcasts of the Persepolis festival. The complex relationship between people, things, and institutions that these vignettes highlight hints at how we may use material remains to address the performance of political life. Archaeologists and ancient historians have interrogated ritual performance in four basic ways. First, Assyriologists have considered ritual texts and the actual performance of ritual as documented in administrative texts.18 Second, art historians have focused on monumental art, particularly sculptures or stelae, depicting performances or ritual acts.19 Third, some landscape archaeologists have investigated the spatial processes of performance, including how landscapes, cities, plazas, monumental gateways, and other places have shaped speciﬁc ceremonies.20 Finally, other archaeologists have analyzed the detritus of performance, archaeological depositions that result from the accumulation of ritual actions.21 This study will employ a heuristic that crosscuts all of these approaches and elides the distinctions that are often drawn between textual, iconographic, architectural, and archaeological records. In what follows, I will analyze traces, depositional events that occur at speciﬁc moments of time (although these discrete events may be repeated). This is a broad category that represents the marks that people have made in the past, the vestiges left by the passage of time (Ricœur 1990: 119–22). It can include events such as plastering walls, constructing ﬂoors, ﬁlling pits, discarding rubbish, sealing tags and doors, writing (and destroying) texts, among other practices. Some traces persist – such as the built environment, monuments, landscapes, and the Mesopotamian scholarly tradition – and can continue to shape and be shaped by later events (Alcock 2002: 28–32). Archaeologists tend to approach this material in the ﬁrst instance through the analysis of stratigraphy (McAnany and Hodder 2009) and depositions (Thomas 1999; Berggren and Stutz 2010; Joyce 2008; Pollard 2008; Garrow 2012), as well as through the study of objects and their associations. In the vignettes already presented, traces included clothing from the 1790s, stones and shells scattered in graves at K’axob, the gifts exchanged during Hayam Wuruk’s progress, and the statue of La Conquistadora. Many other things could be included in this category as well, including the Negara-Kertagama, French revolutionary clocks, and the tent city

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built next to the ruins at Persepolis. These materials were critical to the performance of these ceremonies and to their effectiveness. Given the mediating roles they play in human action, traces may have additional, unintended consequences. Regular monthly and annual cycles of wall plaster at Neolithic Çatalhöyük, Turkey, along with occasional periods of brick making led to the creation of deep clay pits and the proliferation of phragmites, an aggressive reed that provided new materials for rooﬁng, but which also depleted the water table (Hodder 2012: 64–8). Similarly, in Cahokia, Illinois, during the tenth and eleventh centuries AD, people regularly deposited layers of sediment; activities that over decades created imposing mounds. Once shaped, the mounds acquired cultural signiﬁcance. This punctuated construction history, in which the mounds were not built at one time, emphasizes that we have to understand these monuments as processes – and not begin with a teleological view of their presence in the landscape (Alt and Pauketat 2003: 164–6). These examples illustrate some of the ways that traces may endure. It is necessary to interpret the Cahokia mounds, for example, both as constructions made by different people with contrasting ideas of what they might mean, but also in their ﬁnal form, as monuments that continued to affect human action long after their builders had died (Alt and Pauketat 2003). In Mesopotamia, we see this most profoundly in the long-lived urban spaces, where the placement of streets, the construction of temples, and the delineation of urban lots constrained the physical layout of a neighborhood and affected house construction for centuries (Stone 1987). Additionally, although the Negara-Kertagama may have initially been written as part of an argument about fourteenth-century Majapahit kingship, its survival and widespread citation means that it continues to shape notions of Indonesian identity today. Nineteenth-century Javanese war leaders invoked Majapahit’s imperial past as an alternative to the Dutchgoverned East Indies, and twentieth-century politicians portrayed it as a forerunner to a modern, uniﬁed Indonesia (Gomperts et al. 2010). Within the ancient Near East, several different tales or textual traditions operated similarly, especially the legends of the kings of Akkad, which were rewritten for political audiences down the ages and integrated into different understandings of the past and present (see Chapter 3; Westenholz 1997). The chapters that follow consider ritual, performance, and politics by devoting careful attention to their traces, as props that actors deployed and as the physical settings in which ceremonies were staged (and which

Performing Politics

constrained and enabled different performances and catered to various audiences). Given the multiplicity of actors, the ambivalence of the performance space, and the limited details we have on the scripts they followed, it can be difﬁcult to analyze these processes. Simply emphasizing the materiality of life does not magically make this an easy task, but the concept of the trace does give us a means to interrogate the processes of the past.

Movement, history, and tradition Chapters 2 to 4 examine how politics were negotiated through public events and daily practice in the ancient Near East. Each chapter begins with a particular ritual and then analyzes these performances with regards to social and political transformation. These rituals provide a conceptual space in which to consider how the three different types of public events – events that model, events that present, and events that re-present – to use Handelman’s typology, were political in the ancient Near East. Each chapter focuses on a place and time for which a wide range of archaeological sources are available, including settlement data from regional surveys, the results of excavations of towns and sanctuaries, cuneiform texts, mortuary studies, and art historical analyses. In general, each chapter seeks to provide a thick description of a certain ritual, exploring networks of signiﬁcation that extend far beyond the domain of religion, and hence inform a particular society (Geertz 1973: 27–8). Given the contrasting temporal dimensions of much of the archaeological and historical material, each case study operates on a timescale of centuries. The processes highlighted in the chapters are important more generally, as the three abstractions considered – movement, memory, and tradition – have to do with basic understandings of space, time, and society. In order to comprehend how these concepts operated as part of religious systems, I will employ the notion of hegemonic articulation, the idea that ﬁxed meaning does not inhere in ideological elements as such. Rather meaning is partially ﬁxed by the operation of certain “nodal points” or “privileged signiﬁers,” concepts that in and of themselves are meaningless but give meaning to a chain of discursive elements, the way that the last word in a sentence suddenly makes the rest of the articulation sensible (Laclau and Mouffe 2001: 112–3). In the three case studies, movement, memory, and tradition serve as nodal points for different Mesopotamian hegemonic

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articulations; these are materialized notions and associated practices that helped to make sense of and for speciﬁc polities.22 An investigation of changing regional landscapes and the built environment elucidates the relationship between movement and political authority in early complex societies in northern Mesopotamia in Chapter 2, “Movement.” The appearance of urban centers and kingdoms that sought, however ineffectively, to maintain control over a speciﬁc territory, transformed how people understood and experienced space. Although cuneiform maps existed in Mesopotamia from the late–third millennium BC, mapping was not the dominant way that people understood and perceived territory. Instead, individuals comprehended the territorial expression of sovereignty through travel, an experience that was ritualized at Ebla. That kingdom’s complex coronation ritual – an example of an event that models – illustrates the dynamic relationship among pilgrimage, territorial deﬁnition, and political power. In order to ascend Ebla’s throne, the king, queen, and their divine counterparts undertook a pilgrimage around the kingdom, ending with a long ceremony at the royal mausoleum, in which they were remade in the image of their ancestors. The creation of this ritual landscape accompanied and legitimated a new organization of political and religious space in mid-third-millennium northern Mesopotamia. Beyond this royal journey, political elites transformed sacred and political space both within the nascent city – by erecting tombs, palaces, temples, and cultic platforms – and beyond the city – by laying claim to funerary and religious monuments that served as pilgrimage centers. These archaeologically attested rituals provide insight into the different identities and political processes of various kingdoms. Pilgrimage routes often coincided with networks of economic exchange that also helped to deﬁne early states. Journeys through the landscape of newly constituted polities – in order to visit summer or winter pastures, deliver taxes in kind, or participate in military campaigns – also acknowledged inchoate political geographies. Chapter 3, “Memory,” moves away from this focus on space and territory to consider the relationship that different political communities had with time, particularly how commemorative practices were embedded in the reestablishment of political authority. The chapter opens with a discussion of the Feast of the Land, a yearly religious event that united all of the constituent members of the Mari kingdom and culminated in the celebration of a kispum ceremony, a ritual that honored royal and tribal

Performing Politics

ancestors, and an example of an event that presents. The notion of the past as the domain of the ancestors was critical to the establishment of a number of small kingdoms. In the nineteenth century BC, following two to three centuries of abandonment, many villages were founded across the fertile plains of northern Mesopotamia, and complex political communities began to coalesce around them. Survey data show that increasingly mobile pastoralism and shifting cultivation transformed settlement systems, while analysis of treaties and other diplomatic texts from Mari and Tell Leilan demonstrate that these kingdoms deﬁned themselves through their inhabitants – kings, administrators, settled farmers, and mobile pastoralists – rather than through their territorial possessions. In the wake of this experience of dislocation, people used the past to cement a sense of place. Ofﬁcial rituals created a divine past through historical narratives, ﬁctive genealogies, and divination practices. At the same time, individuals called upon and constructed the past as an authoritative sphere by burying heirlooms in foundation deposits; emulating third-millennium pottery, seals, and statuary; and founding new villages on top of prehistoric mounds. The most salient way that both states and individuals negotiated their own pasts was in the elaboration of burial traditions and commemorative rituals. Tombs and other monuments to the ancestors were places of ritual and diplomatic practice where collective entities such as tribes and city councils reafﬁrmed their commitment to a certain political order through a discourse of kinship, belonging, and the past. Whereas Chapter 3 is concerned with memory, particularly the way political actors employed events, ideas, people, and objects linked to speciﬁc historical moments, Chapter 4, “Tradition,” examines the related, but distinct, realm of tradition – repetitive practices that are linked to a more general sense of “what has always been.” The chapter begins by investigating how the New Year’s or Akı¯tu festival was celebrated in the last centuries before the common era, following Alexander’s conquest of Babylonia. An example of an “event that re-presents” during the Seleucid period, the Akı¯tu provides an opportunity to consider how rituals can critique established political practice and how different actors may use performance to establish alternative political visions. As either an innovative act of resistance by the Babylonian elite or the appropriation of an ancient rite by the Seleucid kings, this ritual highlights the different ways in which employment of Mesopotamian traditions in this period must be considered within the historical context of colonialism. Although many

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historians and archaeologists working with both Greek and cuneiform sources have assumed that the “survival” of cuneiform culture is part of a wider cultural continuity and hence unproblematic, this chapter reviews evidence for Babylonian customs and traditions and shows that this is not the case. Settlement patterns, household practices, and economic structures all changed greatly during the second half of the ﬁrst millennium BC, suggesting that daily life was the locus of marked transformation. In contrast, “Mesopotamian” traditions survived in a speciﬁc elite sphere, particularly in temples, civic government, and scholarship. The association among Babylonian traditions, antiquity, knowledge, and the divine meant that both the elite citizenry and priesthood of Babylonian cities and the Seleucid court sought to align themselves with vis-à-vis domains within the complex cultural situation of colonial contact. Finally, Chapter 5, “Community,” reﬂects on what the performance of politics tells us about the longue durée of Mesopotamian history and politics more generally. It begins with a ﬁnal discussion of performance and considers what this framework reveals about the nature of politics in the ancient Near East. Then it addresses the archaeology of communities and considers how Mesopotamian cities and kingdoms ﬁt into this broader literature. The sense of distinctiveness and belonging that Mesopotamian polities created was quite different from that promoted by nationalism. Alternate identities, particularly urban, tribal, and supra-regional afﬁliations, were often as powerful, or more powerful, than ties to a particular polity. The strategies that political actors employed in their negotiation of political community similarly differed from the disciplinary and securitybased approaches of modern states. As the earlier chapters argue, bodily practices, commemorative ceremonies, and the transmission of tradition were some of the key tactics used to create a uniﬁed culture and to generate dissent. The relative weakness of these strategies helped contribute to pervasive political instability, particularly in the third and second millennia. The book concludes by considering continuity and cultural transmission during the three millennia of cuneiform culture, and more recently, by analyzing how modern historians and archaeologists have constructed Mesopotamia as a new civilizational myth. Scholars have traditionally used Mesopotamia as a model for all archaic polities. A number of recent works have discredited this practice, however, and archaeologists working in Mesopotamia as well as outside it have made an effort to rethink social evolution and engage critically with the idea of

Performing Politics

the state (Porter 2012; Smith 2003; Yoffee 2005). This analysis of how ritual performance and daily practice created Mesopotamian states further broadens this debate on complex societies by incorporating cultural, religious, and nonelite perspectives. By integrating data from excavations, surveys, and a wide range of texts, and asking broad questions about the intersection of ritual and politics, this study speaks not just to the archaeology of Mesopotamia, but also to the wider anthropological debate about the multilinear development of social complexity.

39

2

Movement

An event that models: the Ebla coronation ritual1 The day before her wedding to her cousin Iš’ar-Damu, Tabur-Damu, the queen-elect, spent the night camping outside of Ebla’s fortiﬁcations (Biga 1998: 83–4). Early the following morning, she dressed according to precise instructions and donated a sheep for sacriﬁce to the sun goddess. With these preparations out of the way, a priest ceremonially anointed Tabur-Damu’s head with oil. This was one of the fundamental ritual acts at Ebla, performed at weddings, funerals, and other ceremonies. It was performative, enacting a change of state (Viganò 2000). Here it was probably the ﬁrst step of the transformation of Tabur-Damu into the maliktum or queen, the title that she will bear instead of her personal name in later Ebla texts. Following this act, she took part in another puriﬁcation ritual, the ni-gu ceremony, before entering one of the city’s many gates. Once in Ebla’s lower town, she proceeded to the ma-ra-sum where she was clothed in new, royal garments (Fronzaroli 1993: 23) and then entered the Kura temple, where she dedicated sheep for sacriﬁce to several of the gods of Ebla. In addition, she gave Kura and Barama, the gods of royalty, delicate jewelry to adorn their statues, and rare boxwood and silver vases to ornament their temples. The royal wedding was a lavish occasion, celebrated by the entire Eblaite court. Scribes recorded the vast quantities of precious metals and luxurious fabrics that were taken from the treasury for the affair and given to members of Ebla’s court, the city’s client kings, and their allies.2 The bride’s literal passage into Ebla echoes the rite de passage at the heart of this text, her transformation from a young girl, chosen on the basis of a favorable omen (Biga 1999: 104, TM.75.G.2417 rev. VIII: 6–18), into Ebla’s rightful queen. The extensive ruins from the early second millennium

40

Movement

BC at Ebla have prevented the recovery of much of the city’s third millennium ground-plan, except in a few limited areas (Matthiae 2008: ﬁg. 2.5). Nonetheless, it is possible roughly to reconstruct the queen’s journey from the city wall to Kura’s temple. It is likely that she entered the city through the southeastern gate, perhaps the gate of Kura mentioned in the ritual (Matthiae 2008: 35, 2007, 2009). Her next stop may have been an open space around the “Temple of the Rock,” possibly the ma-ra-sum of the ritual (Matthiae 2006b: 490–2; 2007: 522; 2009). Alternatively, the temple of Kura where the ritual ends may have been located in the city’s public district, the SA.ZAki, palace G on the acropolis (Porter 2012: 206; Matthiae 2006b: 489–90).3 In this case, the bride would have crossed the Lower Town in order to reach the porticoed entrance of the SA.ZAki, and would then have climbed the monumental stairs to the audience hall, traversing the ritual space of the plaza. The royal bride’s procession through the city provided the populace with a chance to see their new queen. Traveling this highly controlled path and performing rituals in the city’s plaza imparted valuable lessons about the nature of political power as expressed through architecture. Moreover, this journey from the city walls to the palace via the plaza reverses the ritual procession she will perform later as queen; when she will leave the palace for the plaza in order to supervise rituals such as the feeding of the gods (Porter 2012: 203–6; see section 4 of this chapter). Following the wedding, Išar-Damu, Tabur-Damu, several high ofﬁcials, and the statues of the city’s chief gods, Kura and Barama, left Ebla for the cult center of Binaš.4 Servants oversaw the preparations, outﬁtting the wagons that carried the gods, packing the offerings and other supplies necessary for the journey, and arranging the elaborate garments of the king and the queen. They traveled for four days, stopping at six towns where they offered sacriﬁces to different gods and many of the dead kings of Ebla.5 When the travelers reached Binaš, the king, queen, and the divine statues entered the é ma-dim, the house of the dead or the royal mausoleum. The two full ritual texts, ARET XI 1 and 2, provide nearly identical accounts of what the royal couple did when they arrived there: The king and the queen enter the house of the dead . . . The divine couple, Kura and Barama, comes to the house of the dead and enters the chamber. And they remain there. And the king enters his chamber.

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Ritual, Performance, and Politics in the Ancient Near East

And then the queen enters her chamber. After the king and the queen arrive, Amazu offers one ancestor bull, two sheep, and one silver bird, to the deiﬁed Ibbini-Li’m; two sheep, one silver bird to the deiﬁed Šagiš; two sheep, one silver bird to the deiﬁed Išrut-Damu.6 When those of the cloth arise, the king and the queen depart and sit on the thrones of their fathers. And await the presence of the sun god. When the sun (god) rises, the invocation priests invoke and the lamentation priests intone the laments of when the birth goddess Nintu was angered. And those that it illuminates ask to be illuminated. And the birth goddess Nintu illuminates the new Kura, the new Barama, the new king, and the new queen.7

This sojourn in the é ma-dim transformed both the human royal couple and the divine royal couple. The texts describe three, seven-day ritual periods following this initial rite, during which the king and queen held vigil in the mausoleum at night, and returned to their thrones during the day to perform sacriﬁces and offer libations to the gods and the dead kings. Only after this month, when they were ritually remade in the image of their ancestors, could Iš’ar-Damu and Tabur-Damu truly ascend to power (Fronzaroli 1992: 184). On their return to Ebla, they entered the temple of Kura in the palace district and enjoyed a royal banquet, consuming gifts of food and drink that had been provided for their ﬁrst celebration of one of the major rituals of the Ebla court (ARET XI, 2 V XVIII 15–21). They had thus ofﬁcially become the rulers, the en and maliktum.

Movement and perception The rise of political complexity in northern Mesopotamia, from 2600 to 2300 BC, encompassed changing relationships between power and place on many scales, from the rise of palaces and temples, to the development of cities and the creation of a new political landscape in the countryside (Fig. 9). Each of these changes had social consequences, including the institution of a hierarchical administrative system based on writing that sought to oversee agricultural labor and the production of goods, the transformation of social interaction as populations grew and cities ceased to be face-to-face communities, and the emergence of new economic opportunities. The cultural consequences of these changes were profound and included the appearance of a new symbolic system expressed in ritual, art, architecture, and the landscape itself. Here we will examine that

Movement

43

Ha bu r

Oron

tes

Bali h

Titri Urkiš Šehna Gre Virike Kazane NabadaNagar M. Diyab Hawa Carchemish Chuera Mabtuh Armi/Armanum Khazna Hamoukar Nineveh ab Melebiya rZ Halab Sweyhat Jebelet pe al-BedaMuezzar Bderi Khoshi p Ebla Emar U Haddu Tuttul ab rZ Rawda we Lo

is Tigr

Mari

Di

Eu

ph

la ya

Ešnunna

rat e

s

Kiš Nippur

Uruk

Umma

Susa

Larsa Lagaš Ur

0

100

200

300

400

500 km

9 Map of northern Mesopotamia 2600–2300 BC (Base map by author, using ESRI Topographic Data [Creative Commons]: World Shaded Relief, World Linear Water, and World Countries)

transformation through the lens of space, focusing particularly on how movement through a series of landscapes naturalized these innovations. In northern Mesopotamia, controlling movement was one method used to display power and unite the countryside. In this schema, the journey served as a ritual act, political metaphor, and everyday experience. Movement through newly created political landscapes was thus critical to the development of a cognitive schema that made sense of these polities, and indeed helped to constitute them from discrete villages and towns with their own complicated histories. All social processes have an important spatial component. People create particular spaces by acting and moving in them, thinking about them, and connecting them to symbols and their daily lives. The unique space of each society is produced through a combination of daily routine, concepts held by ofﬁcials, and religious or cosmological understandings (Lefebvre 1991: 191). For geographers and historians, movement or control thereof is critical to the creation of spatial regimes. Henri Lefebvre writes that the production of space begins with action; Yi-Fu Tuan suggests that human understandings of space develop out of movement (Tuan 1977: 35); Michel de Certeau describes walking as one of the everyday practices

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Ritual, Performance, and Politics in the Ancient Near East

that creates the lived space of the city (Certeau 1984: 98). Similarly, philosophers have celebrated walking – Thoreau strolling through the Massachusetts countryside; Heidegger rambling down a country path near Messkirch; Benjamin and Baudelaire playing the ﬂaneur in the Parisian arcades – as a process that provides unique insights (Macauley 2000). This interest has emerged as a response to a modernity in which walking is no longer the default means of locomotion. In third-millennium Mesopotamia, despite the recent domestication of draft animals including donkeys, horses, and even donkey-onager hybrids (the famous kunga, Weber 2008), walking remained the way most people experienced space, how they apprehended their surroundings and understood their place in the world. Walking in a city involves different constraints than travel in the open countryside or in an unplanned village. This would have been particularly noticeable in the Early Bronze Age in a world where cities, monumental architecture, and narrow streets were all rare. For those who ruled early cities, channeling or limiting movement was a clear way to demonstrate, and indeed create, political authority (Dovey 2008; Dovey and Dovey 2010). The construction of walls, gates, streets, and monumental buildings not only expressed a regime’s political power, but as architecture became part of the urban fabric, it continued to affect each citizen “in an unconscious, habitual, corporeal way” (Hastorf 2009: 53), naturalizing a particular form of political authority. Movement beyond the city can also be connected to delineating territory. Cross-culturally, travel and the acquisition of exotic knowledge are often politically valuable (Helms 1988) and have been linked to the rise of political complexity (Mann 1986). The embodied nature of ritual and practical travel makes this method of establishing authority particularly effective (Connerton 1989; Bourdieu 1990, 1977). Territorial expressions of sovereignty have an obvious materiality that can be investigated archaeologically. Indeed, archaeology with its emphasis on small-scale excavation and extensive survey may be the discipline best suited to engage with such questions (Smith 2003: 21–2). As Matthew Johnson has recently noted, sensory issues, including movement, are far more readily accessible to archaeologists than processes such as social stratiﬁcation (Johnson 2012). In Mesopotamia – as elsewhere – the relationship between space and power on a regional scale has been most often addressed through the lens of landscape archaeology. Since Robert Adams’

Movement

pioneering surveys beginning in the 1950s (Adams 1966, 1981; Adams and Nissen 1972), scholars have explored the rise of political complexity by analyzing regional dynamics, especially connections between settlements in probable state systems (Wilkinson et al. 2007; Ur 2010b). These studies have grown more numerous as new information such as satellite imagery has allowed the reconstruction of ancient landscapes even in areas off-limits to most archaeologists, such as southern Iraq (Hritz 2010; Hritz and Wilkinson 2006; Pournelle 2007). Approaches have focused on ancient agriculture, the establishment of administrative hierarchies, the layout of urban centers, and more recently roads (Raccidi 2012; Ur 2003, 2009, 2010b). In general, there has been much less attention to questions of perception or ideology in Mesopotamia, with some notable exceptions (Harmansah 2007, 2013; McCorriston 2011).8 Here, I will develop a methodology that supplements mainstream ecological and economic approaches to ancient landscape by considering the perception of built and natural landscapes and its connection to political change. Symbolic studies of ancient landscapes have often relied upon a loose understanding of phenomenology, grounded in Heidegger’s work on dwelling (Heidegger 1971: 150–1). These analyses usually focus on the bodily experience of a particular space and how that process generates a certain set of meanings. As Christopher Tilley explains, “[A]t their simplest and most abstract conceptualization, human, and humanized, landscapes consist of two elements; place and their properties and paths or routes of movement between these places and their properties . . . The concern is with both stasis and movement” (Tilley 2012: 27). Phenomenological approaches to landscape have examined the relationship between different places and these places and the natural landscape by looking at intervisibility, location, and access (Bender et al. 2007; Tilley 1994, 2010; Tilley and Bennett 2008; Llobera 2007). Recent criticisms of phenomenological landscape approaches have emphasized their ambiguity and lack of repeatability, problematic elision between modern and ancient experiences and understandings (Barrett and Ko 2009: 279), and lack of attention to power relations and social domains besides the symbolic (Fleming 2006: 278). The main problem with phenomenological approaches in such cases remains the difﬁculties of “decoding” emic perceptions of landscape and understanding their connection to power relations, particularly in the absence of texts, iconography, and indeed (for the most part) settlements.

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Ritual, Performance, and Politics in the Ancient Near East

The rich textual, iconographic, and archaeological record of northern Mesopotamia in the mid-third millennium, however, provides a speciﬁc context in which to study the symbolic aspect of a range of landscapes and analyze how they intersected with power dynamics. Archives from Ebla and Beydar dating to the twenty-fourth century BC contain somewhere between 2,000 and 7,000 documents.9 The majority of the texts are administrative records, especially accounts of textiles and metals, although there are also literary, pedagogic, diplomatic, and ritual texts (Pettinato and Alberti 1979; Ismail et al. 1996). Contemporary with these documents is a rich iconographic tradition, particularly expressed in varied glyptic styles attested across northern Mesopotamia, from Nineveh to the Mediterranean (Marchetti 1998; Matthews 1997; McCarthy 2011), as well as in elite statuary and clay ﬁgurines (Pruss 2011; Marchesi et al. 2011). Finally, thirty years of intense archaeological investigation in and around a number of third-millennium sites in Syria has produced extensive information on these settlements and the changes they experienced coincident with urbanism. This material will allow me to develop a hermeneutic approach to investigate the traces of movement writ broadly (Ricœur 1987, 1990, 2004), rather than relying on the ahistoric, phenomenological approach that has characterized so much work on landscape. By this, I mean that I will consider movement in northern Mesopotamia, not simply from the perspective of the body, but as part of a broader cultural system of meaning, a web of symbols (Geertz 1973: 5). The ﬁrst section of this chapter outlines evidence for the rise of political complexity in the mid–third millennium BC, as seen in urbanization, economic specialization, and the appearance of administrative hierarchies. The second section focuses speciﬁcally on how the transformation of space within the city and countryside was both part of and underlay many of these other processes. It considers how building programs in northern Mesopotamia created speciﬁc political spaces that both expressed and established domination and alternatively allowed for the exercise of authority by many actors. This section also addresses how urbanism created new economic and administrative ties between communities that were actualized through the movement of people and goods. The third section moves away from everyday movement in the city and countryside to investigate the collective representations of ritual and travel that the Ebla coronation drew upon. The next section analyzes speciﬁc performances, investigating how actors manipulated materialized symbols and how

Movement

audiences may have responded, through the analysis of material from several cultic sites. The ﬁnal section reconsiders the rise of complexity in northern Mesopotamia in light of this discussion.

Kingdoms, cities, artisans, and ofﬁcials Following the collapse of a handful of powerful centers – most notably Tell Brak, Hamoukar, and Nineveh – and the abandonment of the southern Mesopotamian Uruk colonies at the end of the fourth millennium, northern Mesopotamia experienced a period of regionalization and ruralization, out of which developed a new urban society.10 From ca. 2700 to 2300 BC, cities and kingdoms were established across the region. These early complex societies had a number of structural properties that have been correlated with the emergence of economic and political hierarchies and differentiation. First, several cities between 40 and 100 ha in size – including Nineveh, Hawa, Khoshi, Hamoukar, Mohammed Diyab, Leilan (ancient Šehna), Farfara, Brak (ancient Nagar), Mozan (ancient Urkiš), ˘ Chuera (ancient Abarsal?), Banat-Bazi, Kazane, Titris¸, and Ebla – appeared across the North Mesopotamian plains (Meyer 2011). Unlike the smaller centers that they replaced, these cities were characterized by ofﬁcial buildings – palaces, council houses, temples, and granaries – arranged in administrative quarters, as well as neighborhoods of houses and workshops (Pfälzner 2011). Although smaller than contemporary urban centers in southern Mesopotamia (Stone 2007), such a concentration of large settlements had never before existed in this area.11 These cities were located within a landscape that had previously been dominated by smaller centers, about 15 to 20 ha. Their rise entailed the transformation of a settlement system that had been divided into villages and towns and now contained a number of settlements distinguished by size and possibly function (Akkermans and Schwartz 2003; cf. Stone 1991). Hence, changes in urban and rural landscapes were critical and interconnected phenomena during this period. The largest cities in northern Mesopotamia probably had a maximum population somewhere between 6,000 and 25,000 people.12 Most northern Mesopotamian cities consisted of a single high mound, surrounded by a lower town that was separated from the surrounding countryside by a city wall with multiple gates. Although some cities, such as Mari and Rawda, were new foundations, many others, including Leilan, Hamoukar, Titris¸,

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Ritual, Performance, and Politics in the Ancient Near East

Kazane, and Mozan, grew to urban size when a lower town was built around an older high mound (Meyer 2011). These cities usually had administrative quarters located on their central mounds, with neighborhoods, open spaces, and sometimes, special purpose buildings within their lower towns. These formal quarters housed monumental buildings, especially palaces and sometimes associated temples. Small soundings under the later-thirdmillennium palaces at Ebla and Leilan have revealed earlier administrative buildings dating to between 2600 and 2500 BC. At Ebla, excavations beneath palace G have exposed its mid-third-millennium predecessor, building G2, a storage facility (Dolce 2010: 246–7), perhaps linked to temple D (Porter 2012: 206). At Tell Leilan, excavations on the acropolis northwest have revealed a series of storage rooms, covering at least 300 m2, which are associated with a 150 m2 platform dating to 2600 BC (Calderone and Weiss 2003; Ristvet and Weiss 2012: 230). These two activity areas probably comprised the southwestern quarter of an early palace-temple complex, an antecedent of the later Akkadian administrative building (Weiss et al. 2012). In both of these cities, the ﬁrst palaces have an essentially ritual component. This pattern accords nicely with the nature of public architecture during the ﬁrst quarter of the third millennium BC, when the only public buildings were probably temples and possibly storehouses (Matthews 2002; Ristvet 2005; Porter 2012: 178–88). These earlier towns, however, did not possess extensive administrative quarters; rather temples and storehouses were located in domestic neighborhoods. By 2500–2300 BC, there is evidence for palaces that combined several elements found in earlier “public architecture” according to a semistandardized ground plan (Bretschneider and Jans 1997). Palaces at Beydar, Chuera, Bi’a, Mozan, Leilan, Ebla, and Mari included storerooms, reception suites, and cultic areas (Pfälzner 2011: 170–6). At both Mozan and Leilan, for example, palaces abut platforms containing burnt altars, with associated mortuary structures and water installations. At Mozan, a stone platform was constructed along with a keyhole-shaped structure that enclosed a deep shaft where offerings had been deposited. Marilyn KellyBuccellati interprets this construction as an abi, a Hurrian “passage to the netherworld” (Kelly-Buccellati 2002). At Leilan, an ossuary is located in a similar position southeast of a mudbrick platform (Weiss 1997b). The Palais Présargonique at Mari also includes cultic installations south of the palace (Margueron 2004: 197–204). Freestanding temples of this period

Movement

have also been excavated at Mari, Beydar, Brak, Chuera, and Mozan. They are usually located on the high mound alongside the palaces and may have comprised one public district (Pfälzner 2011). The relationship between temples and palaces in the mid–third millennium in northern Mesopotamia thus differs from that in southern Mesopotamia, where they were spatially segregated (Postgate 1994a: 137–41). Beyond these administrative quarters, third-millennium cities had dense neighborhoods of houses and manufacturing areas. Urban housing from 2600 to 2400 BC was generally constructed on regular plots, with the frontages of most houses falling into standard dimensions, based on the Sumerian nindan measurement (equivalent to about 5 m or 16.4 feet). Houses with frontages of 1, 1.25, 2, and 3 nindan have been identiﬁed at Chuera, Bderi, Abu Hafur, Melebiya, and Leilan (Pfälzner 2001b, 1997: 249, abb. 8). At Titris¸, houses were also built on regular-sized plots, either 7 × 12 m or 11 × 11 m (Matney 2000: 27). The standardization of houses and their incorporation of innovative building techniques such as arches and platforms may attest to the increasing professionalization of construction and perhaps the presence of master builders (Kolinski 1996). By contrast, houses from 3000 to 2600 BC tended to have only one or two rooms and were usually arranged haphazardly, with few clear signs of planned roads, as excavation has shown at Mohammed Arab and Kutan (Pfälzner 2011: 145–52; Roaf 2003: 318–20). Workshops in urban neighborhoods provide evidence of increasingly specialized craft production, and houses and administrative buildings have yielded grain and animal bones attesting to changes in agricultural practices. Typological examination of pottery at Leilan has documented increasing standardization, as well as the development of more efﬁcient techniques, perhaps resulting from expanding production to meet growing demand (Senior 1998). Analysis of the production process shows that despite their uniform appearance, many ceramics were made in different workshops at Tell Leilan and at surrounding sites (Blackman et al. 1993). Metals, lithics, and cylinder seals also show evidence for specialized production.13 Excavations at Ebla and Brak have yielded ﬁnely carved statuary, often decorated with gold and semiprecious stones, the products of elite workshops (Matthiae 2009; Matthiae and Marchetti 2013). Some workshops specializing in luxury goods were attached to third-millennium palaces. The discovery of more than 40 kg of lapis lazuli in the administrative quarter of palace G at Ebla demonstrates the presence of

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stoneworking here (Pinnock 1986; Matthiae 2008), while the evidence for metal production in the palace in ﬁeld P at Beydar also indicates administrative control over artisans (Pruss 2012: 125–7). Other manufactories, such as building P4 at Ebla, were located in these city’s lower towns. This building included a goldsmith’s workshop, but was otherwise devoted to storing food, grinding grain, butchering meat, and preserving produce (Marchetti and Nigro 1995: 19–20). Moreover, administrative dockets from Ebla and Beydar list rations for a wide variety of professionals, including cartwrights, fullers, millers, shepherds, basket weavers, domestics, scribes, messengers, and overseers, testifying to growing economic differentiation (Sallaberger 1996: 95–8; Milano 1987, 1990, 1995). The evidence for increasing craft specialization mirrors the traces left in the faunal and archaeobotanical records for the intensiﬁcation of agricultural and pastoral production. Settlements in northern Mesopotamia extensiﬁed their agricultural base, incorporating more land into subsistence strategies. Archaeobotanical analysis indicates that cities expanded their ﬁelds into the previously unexploited steppe as a method of increasing production. At Leilan and Brak, a dramatic fall in the ratio of moist to dry indicator weeds occurred as people moved into the more arid parts of the plain (Wetterstrom 2003: 391–2; Colledge 2003: 411). Agriculture during this period focused increasingly on barley cultivation, much of which may have served as animal fodder. Barley is also more drought tolerant and could have been grown in areas not suited to wheat cultivation (Deckers and Riehl 2008). Urbanization implies ruralization, and the appearance of cities and settlement hierarchies changed the nature of smaller settlements as much as it did larger ones (Schwartz and Falconer 1994). Unlike in southern Mesopotamia during the fourth millennium, the urbanization of cities did not mean the decimation of the countryside. Instead, population increased overall. From 2650 to 2300 BC, between 58 percent and 68 percent of people in the Leilan survey area lived in towns or cities larger than 10 ha (Ristvet 2005: ﬁg. 6.9). A well-developed network of cities, towns, and villages probably reduced transport costs and streamlined the administration of agricultural production. Other surveys in the East Jezirah indicate similar trajectories of population growth as well as the centralization of the population in towns and cities. To the south, west of the middle Habur, settlement expanded into the steppe (Hole 2002–2003). Along the middle Euphrates, the foundation of several settlements and cemeteries in the

Movement

steppe accompanied the urbanization of Mari. Finally, in western Syria and along the upper Euphrates, there are similar patterns of escalating site numbers and increasingly larger sites throughout the third millennium, although the timing of these events differed across the region (Cooper 2006). These changes would have had important implications for pastoralism as well. An analysis of available forage in the 12 km around ancient Nabada indicates that expanding ﬁelds would have limited the amount of locally available pasture. The area’s residents would not have been able to rely on local grasses alone for their herd animals. Instead, it is likely that villages and towns turned increasingly to mobility, by either taking village herds to distant pastures or relying on nomadic pastoralists to supply them with sheep and goats and these animals’ products (Lau 2010). People probably kept very few animals within the village, perhaps only ﬁve or six sheep or goats per household. Other archaeological data also document changes in pastoralist practices. In drier areas, faunal analysis shows a new emphasis on the exploitation of domestic animals and the evolution of specialized sheep and goat pastoralism (Zeder 1994, 1995, 1998). Percentages of wild animals dropped precipitously in faunal assemblages across northern Mesopotamia, while ratios of sheep and goats grew. The increasing importance of mobile pastoralism is nicely demonstrated by the fact that the capitals of ﬁve kingdoms of the mid– to late–third millennium in northern Mesopotamia in the Ebla texts – Ebla (Mardikh), Mari (Hariri), Nagar (Brak), Abarsal (Chuera), and Hadda (Tell Malhat ed-Deru) (Archi and Biga 2003: 14, fn. 44) – were all gateway cities, located in areas marginal for agriculture, where pastoral resources were critical. Moreover, there is increasing differential access to animal species within cities. In neighborhoods at Brak and Leilan, people kept pigsties in their courtyards, slaughtering the pigs when young to maximize meat production (Weiss et al. 1993: fn. 30). People consuming meat at ofﬁcial quarters in these cities, however, eschewed pork and ate mutton and goat instead, suggesting that these animals were associated with special occasions or limited to the elite (Ristvet 2012a: 253). The increasing importance of pastoralism in the mid–third millennium does not necessarily entail the emergence of tribes as political actors, nor does it necessarily mean that all pastoralists were as mobile as later groups. It is important to recognize that nomadic pastoralism does not comprise an

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ahistorical category or an ideal form that exists apart, and is unaffected by, social and political transformations.14 The excavation of small village communities along the middle Habur and urban settlements (Kranzhügeln) in the steppe indicates a different relationship between pastoralism and settlement in the Early Bronze Age in this region than in later periods. In the third millennium, the remains of substantial mudbrick architecture indicate that these pastoral communities were probably less nomadic than later communities who left no evidence of architecture (Ristvet 2012b: 33; Kouchoukos 1998). Administrative texts from Beydar indicate that some shepherds were subservient to urban authorities (Sallaberger and Ur 2004) – peasant pastoralists (Salzman 2004) – rather than independent tribesmen. And of course urban and sedentary populations were also involved in herd management (Archi 2006). The archaeological evidence indicates that pastoralists were increasingly important across northern Mesopotamia, but we have no evidence for their social organization and no reason to believe that pastoralists comprised politically powerful tribes similar to those known in later periods.15 Within Ebla itself, the political correspondence and treaties provide little evidence of a speciﬁc tribal identity; nor is there any clear sign of the sort of tribal confederacies that will later span Greater Mesopotamia (Ristvet 2012b: 43–4; see Chapter 3). In the Ebla and Beydar archives, tribes simply do not seem to have the same function that they later acquire, despite the fact that pastoral production (and the resulting textile industry) are important economic activities in both cities (Gelb 1986; Ismail et al. 1996). I have suggested elsewhere that the transformation of egalitarian earlythird-millennium societies into increasingly urbanized, hierarchical, and specialized societies may have occurred as part of the development of competitive feasting economies (Ristvet n.d.-a). In this scenario, kings or groups of “elders” may have initially harnessed labor and wealth by mobilizing resources for feasting associated with funerals and religious institutions. The gathering of foodstuffs and the mobilization of personnel for feasts in the early– to mid–third millennium probably was later transformed into institutionalized staple collection and redistribution. As we have already seen, these feasting economies emerged during a period when pastoral mobility was increasing and both the pastoral and agricultural segments of the population were becoming more interdependent. The preferential consumption of sheep and goats in religious/administrative districts in early cities may have been one way of ritually uniting

Movement

these groups, which had to increasingly contend with the effects of distanciation.16 The growing wealth of the region probably encouraged greater competition and external aggression. Three inscriptions of Eannatum (ca. 2450–2425 BC) mention the armies of Lagash battling those of Mari and Subartu, an area located somewhere in northern or northeastern Mesopotamia.17 We know that Mari campaigned across northern Mesopotamia in the twenty-fourth century; it seems likely that this city was also active earlier. Glyptic designs, sculpture, and city planning also provide indirect evidence of increased conﬂict. Combat scenes and other warlike imagery are popular in the early seals from Brak, Chuera, Mari, and Leilan, perhaps because of the increasing importance of warfare to these new polities (Matthews 1997; Ristvet 2007). At Ebla, the “Victory Standard” probably dates to around 2500 BC and illustrates triumphant soldiers humiliating defeated or dead enemies and presenting spoils of war to the king (Matthiae 2010). For about forty years, during the twenty-fourth century BC, the Ebla archives provide information about the political geography of northern Mesopotamia. Nagar, Ebla, Mari, Abarsal, and Kish constituted an international sphere, marked by warfare, diplomatic alliances, and a shared written language. Cities from Adab to Ebla (a distance of more than 900 km) worshipped many of the same gods and shared a writing system, calendar, and measurements (Gelb 1992). Ebla’s political inﬂuence extended east to the upper Euphrates and west to the Orontes Valley, although the limits of this kingdom shifted constantly. At various periods, this city also controlled villages and farmland located further east, between the Euphrates and the Balikh. Mari ruled over much of the middle and perhaps upper Euphrates; Abarsal probably dominated the Balikh and western Jezirah; Nagar held sway over much of the Habur Plains; and Hadda controlled the steppe between the middle Habur and the Euphrates.18 Initially, Mari was the most powerful kingdom in northern Mesopotamia. A famous letter from a king of Mari, Enna-Dagan, to an unknown king at Ebla lists Mari’s conquests, describing how conquered cities became heaps of corpses. During Enna-Dagan’s reign, Ebla paid huge quantities of tribute in gold and silver (more than 500 kg of silver and more than 40 kg of gold) to Mari, but later, Ebla became Mari’s equal and no longer contributed to its coffers. The two city-states continued to

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compete, however, particularly for access to the upper Euphrates and areas further north and east. Although Ebla won an important victory over Mari, the tables turned dramatically just three years later. Sometime shortly before 2300 BC, the imposing palace G on Ebla’s citadel was burned, preserving the city’s archives, and much of the acropolis was abandoned. The attackers probably came from Mari, and this catastrophe, which destroyed Ebla’s preeminence in northern Syria, was simply the ﬁnal stage in a longer military contest between the two cities (Archi and Biga 2003). A few years later, Sargon of Akkad arrived in Mari and began the slow process of conquering this territory and incorporating it into his empire (Ristvet 2012a).

Borders, city walls, and open spaces Increasing warfare and military aggression between mid-third-millennium kingdoms provides one context for the anxiety over the control of movement that emerges from the historical and archaeological record. Increasing mobility among pastoralists may have provided another. In northern Mesopotamia, controlling movement became an important political goal for several polities. Treaties from Ebla indicate that authorities were eager to limit passage through their territory and sought to regulate the activities of merchants, messengers, and other visitors. Similarly, archaeological evidence for ancient roads emphasizes that there was no free movement through the countryside. Instead, passage was constrained by the presence of a dense social network. Within newly founded cities, multiple fortiﬁcation walls channeled people through gates and checkpoints, limiting access to political districts like palaces and underscoring their authority. At the same time, certain urban plans emphasized free access to open spaces, such as town squares that may have been meeting places for assemblies. These different spatial strategies of control probably both reﬂected and allowed for political negotiation among city councils, kings, and other political actors in these emergent polities. LIMITING ACCESS

A nearly complete treaty found at Ebla, ARET XIII 5, contracted between that kingdom and Abarsal, documents Ebla’s interest in controlling its borders.19 There are explicit rules about how caravans, messengers, cattle herders, and other travelers should conduct themselves outside of their

Movement

home territory, as well as discussions of extradition, legal domain over foreign citizens, and property rights. Indeed, only one statute in the entire treaty is not concerned with travel and its consequences. Section 37 succinctly expresses the treaty’s main theme: “without my permission, no one can travel through my country, if you travel, you will not fulﬁll your oath, only when I say so, may they travel,” (ARET XIII, 5, section 37). The Ebla and Abarsal treaty is not alone in its focus on borders and movement; a fragmentary treaty between Ebla and Burman is also concerned with regulating caravans (ARET XIII 5: III, 10 –30 ). The diplomatic insistence on strong borders probably did not correspond to reality. Most premodern states had permeable frontiers; outside the conﬁnes of the city and a small hinterland, political control may have meant little (Scott 2009: 7). Polities such as Ebla have always had to contend with unwelcome visitors and loss of population, with the ease that people could enter and leave a territory, like the later h abı¯ru and h abba ¯tu ¯, “brigands,” who refused to accept urban ˘ 20 ˘ authority. Moreover, premodern polities, unlike their modern counterparts, were often noncontiguous, and rarely overlapped completely with a given territory (Ristvet 2008). But the insistence in Ebla’s treaty on maintaining absolute control over territory, despite its practical impossibilities, highlights an important emic political understanding. The Abarsal treaty equates sovereignty – the exercise of effective political power – with territorial control over a kingdom and its subjects.21 Data from excavations within third-millennium cities have revealed a similar emphasis on obstruction and highly controlled access to certain political districts within the city. Evidence for this can be seen in the construction of walled cities, perhaps the deﬁning archaeological site– type of this period (Fig. 10). The Kranzhügeln in the arid southern Jezirah are even named after their distinctive double walls. During the course of the third millennium BC, fortiﬁcations were constructed – often coincident with urbanism – at nearly every site in the region, including Mari (Margueron 2004: 85–8), Beydar (Bluard et al. 1997), Mozan (Buccellati and Kelly-Buccellati 1988), Arbid (Bielínski 1997), Leilan (Ristvet 2007), Hamoukar (Clemens Reichel, personal communication), Nineveh (Stronach 1994: 93), Taya (Reade 1973), Chuera (Novak 1995), Bderi (Pfälzner 1988), Titris¸ (Matney and Algaze 1995: 42–3), Kazane (Gates 1996: 292), Banat/Bazi (Otto 2006: 11–13), Sweyhat (Zettler 1997: 48–50), and Ebla (Matthiae 1998).22 These fortiﬁcation systems were complex and could include an outer city wall, often with a moat, and a

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Ritual, Performance, and Politics in the Ancient Near East

10 Tell Leilan (ancient Šehna), the modern road runs through the ruins of the northern city gate in the outer city wall; the walled acropolis is visible in the background. (Photograph by author)

separate inner city wall. Both outer and inner city walls were built of mudbrick, sometimes above stone foundations. Many of these walls were connected to earthen ramparts or glacis and could also be fortiﬁed with towers (Cooper 2006: 70). At several sites, including Mari, Leilan, and Beydar, the inner and outer fortiﬁcation walls date to the same period and may have been built at the same time, perhaps attesting to a holistic plan to limit movement within the city. At others, such as Chuera, the two sets of fortiﬁcations were not used contemporaneously (Meyer 2007: 137). The elaboration of excavated city gates at Bazi and Beydar, and the associated seal impressions at Leilan, indicate the importance of controlling movement into the city and between the inner and outer cities (Ristvet 2007: 203). Within the city, the inner wall enclosed the citadel, usually comprising the palace and associated public areas. Often the height of the tell itself was incorporated into these fortiﬁcations. In some cases, such as building 2 at Bazi, a monumental gate complex, and the Leilan Akkadian administrative building, these fortiﬁcations were the administrative area (Otto 2006: 11; Weiss et al. 2012). Even if the upper city was not fortiﬁed, the only ingress was via narrow staircases, further limiting access to these public quarters.23 At Taya, where the foundations of mid-third-millennium structures are visible on the surface, survey has revealed noncontiguous walls that blocked the roads in the suburban area outside the fortiﬁcation walls,

Movement

indicating that even beyond the city proper control of access was of concern (Reade 1973: 158). City walls mark the separation between city and countryside. In Mesopotamia as elsewhere they were part of the very deﬁnition of a city (Parker Pearson and Richards 1994: 24; Van de Mieroop 1999: 73). These walls served to keep citizens in as much as they kept invaders out (Burke 2008; Ristvet 2007; Weiss et al. 1993). Moreover, gates not only controlled access to the city and the countryside, they also deﬁned the populace in other ways. In the Ebla and Beydar texts, some citizens were divided into work teams depending on their KÁ, a Sumerian term that literally meant city gate, although it also designated the neighborhood under that gate’s surveillance (Ismail et al. 1996: texts 28–9). Thus the signiﬁcance of the city wall and gate depended on the audience. Magnetometry survey, traditional survey, and limited excavations at Mozan, Chuera, Taya, Kazane, and Leilan have illustrated that the main urban roads radiated from the citadel to the city gates and were probably planned before the lower towns in these cities were built (Creekmore 2008; Meyer 2007; Pfälzner and Wissing 2004; Weiss 1990b). At Leilan, Kazane, Titris¸, and Chuera large sections of these roads were separated from urban quarters by blank walls (Nishimura 2008: 143). Access to most domestic structures was from narrow alleyways, although entrances could also be directly from the road (Reade 1973: 160; Matney 2000: 25). In general, the streets channeled trafﬁc to the citadel, connecting the two administrative spaces of the gate and the palace. The extensive excavations at Beydar provide an example of how the gates and straight radial streets created a speciﬁc sort of passage into the city and the palace, one that emphasized political control (Fig. 11).24 Such a journey could have begun at the circular city’s southern gate, one of seven such gates. A traveler would have followed the straight course of “Main Street,” which probably traversed the outer city, and then passed through another elaborate gate in the interior city wall, before coming to the south gate of the upper city. Beydar’s upper city was set on a series of stepped platforms, creating a discontinuous monumental stairway that led to the palace. Temples lined this processional space, channeling visitors into the political heart of the city. As a visitor traveled across the upper city from the south gate to the main palace entrance, he or she had to cross four checkpoints, corresponding to each terrace and the palace itself. At one of these checkpoints, located just east of Main Street

57

Ritual, Performance, and Politics in the Ancient Near East

Palace Temple A Storerooms

Mai n St reet

58

Temple C Temple D

Buildings Roads Checkpoints Contour Interval 1 m

0

50 m

11 “Main Street,” the main entryway to the palace at Beydar (ancient Nabada) is visible on the southeast side of the citadel. Each checkpoint where access can be controlled is marked. (After Lebeau and Suleiman 2006, courtesy Marc Lebeau)

and north of temple D, a massive square tower was excavated. The tower clearly controlled access to the ofﬁcial block – the city’s palace – and contained a small upper room, perhaps for a guard. The road narrowed before approaching each checkpoint, only widening slightly just before the visitor reached the palace. An analysis of the ground plan of the Beydar palace in area F provides evidence of a growing concern to regulate access to spaces within the palace (Fig. 12). Spatial syntax analysis provides one way to investigate these processes by evaluating changes in the distribution and symmetry of this space. Distribution is a measure of how many paths lead to a speciﬁc space, while symmetry measures depth, how many spaces one must traverse to reach a certain room.25 The more distributed and asymmetric a building is, the easier it is to limit access to certain areas and control movement through the building. Analysis of the Beydar palace indicates that it became more asymmetric and more distributed over time. In

Movement

59

6984

6445

6988 6983

6412 6786

4

6249

5

677

6418

644

6888

6886 3

6249

678

6248

6984 6732

6732

6762

6233 6729

6005

6762

6233

6130

6729

6733 6742

6111

6742

6332

6114

6332 6335

6335 6165

A) Phase 1

6954

6968

6445

6145

B) Phase 2

6954

6969

6968

6445

6412

6969

6412

6418

64

6006

6248

6984

6686

44

6418

64

6249

6610 6712

6006

6686

44

6326

6712

6233 6130

6111

6709

6331

6233 6130

6331

6332

6114 6335

6332

C) Phase 3a

D) Phase 3b

0

6111 6114

6335

6143

6005

6131

6518

09

67

6006 6248

6326

6005

6131

6518

6249

6610

6248

20 m

12 The palace in area F, “The Ofﬁcial Block,” of Tell Beydar. (After Bretschneider 2003: plan 1, courtesy Marc Lebeau)

phase 1, the palace was quite integrated, with multiple entryways linking most rooms in a distributed pattern (Fig. 13a). Only two spaces were clearly separate and inaccessible, rooms 6762 and 6775, resulting in low asymmetry. In the following phase, both of these characteristics changed (Fig. 13b). Doorways in the main part of the palace were blocked, limiting access between different room blocks, and three new sets of rooms were constructed, all separated from the main building and with entrances that could be easily controlled. These may have been living quarters or other ofﬁces (Pfälzner 2011). Comparing the real relative asymmetry of these two phases, a value that evaluates the actual depth of the building against its possible depth, illustrates this point clearly. The value nearly doubled from 0.627 in phase 1 to 1.126 in phase 2, as an integrated space gives way to a more controlled one.26 In phases 3 and 4, a renovation did not change the overall arrangement of space in this building, which remained distributed and asymmetrical. This emphasis on limiting access

6143

60

Ritual, Performance, and Politics in the Ancient Near East

VI

V

V

IV

IV

III

III

II

II

I

I

0

0

A) Phase 1

B) Phase 2

13 Spatial graph of Beydar, area F, palace.

was probably typical of administrative buildings in northern Mesopotamia. Indeed, the contemporary palace F at Tell Chuera has a real relative asymmetry that is twice that of the Beydar palace, attesting to complicated circulation patterns and stringent control.27 Beydar’s narrow streets, the high walls of its temples and palaces, and its numerous checkpoints may have been designed to produce a sense of claustrophobia and powerlessness in visitors. The architecture emphasized the authority of those who monitored these spaces, the king or council. This urban plan projected messages of domination, messages that were naturalized by the enduring nature of the architecture. The limited visibility in most areas, where houses were hidden behind blank walls, contrasted with the high visibility of the administrative area on top of the acropolis, which towered over the city. Its highly noticeable and yet inaccessible nature may have reinforced its message of power (Dovey 2008: 10). The palace was a difﬁcult place to enter and to escape, both literally and metaphorically. As a Sumerian proverb preserved in several copies from the early–second millennium BC has it, “the palace is a slippery place, where one slips. Watch your step when you decide to go home!” (Alster 1997: ETCSL 6, 25–6; Richardson 2012: 25–6).

Movement

The emphasis on controlling access within the urban plan and built environment echoes attempts to establish control in other domains, such as administration. The proliferation of door sealings and the complex circulation patterns within palaces mirror similar concerns with regulating the admission of people to particular spaces. In the Beydar palace, a limited number of cylinder seals were used to secure doors, indicating that these rooms were under the control of speciﬁc administrators (Jans and Bretschneider 2011: 151 and pl. 200). The administrative system in Ebla, which sought to record the entry and disbursement of a wide range of goods, represents another attempt by these emergent kingdoms to demonstrate control over people and things (Archi 2003: 21). The elaboration of this system attests to an increasing concern with regulation. This is particularly true of the documentation of annual accounts of metals and monthly accounts of textiles that Eblaite ofﬁcials probably developed after the adoption of writing (Archi 2003, 2006; Biga 2003). There is little evidence that these documents were ever consulted after they were written; simply drawing them up may have been an end in itself (Archi 2003: 32, fn. 17). This provides a neat parallel to the emphasis on monitoring borders in the Ebla treaty, despite the impossibility of this endeavor. Even if such control was rarely established in practice, its performance, documented in these dockets with their attention to minutiae, was critical to the cultural construction of this kingdom. INCLUSIVE SPACES

Yet curtailing admittance to palaces, cities, and states is only part of the story. These barriers existed alongside a focus on free entry to large communal areas, often located near the palace. Such open spaces, particularly when linked to city gates or temples, may have been loci for civic institutions. Recently both historians and archaeologists have emphasized the heterarchical nature of Mesopotamian political power, with actors including elders, witnesses, “the city,” tribal leaders, and individual citizens.28 Texts from Beydar and Ebla attest to the operation of collective authority during this period. At Beydar, for instance, a council of elders (U K K E N E N E N ) probably governed the town, under the aegis of the king of Nagar (Ismail et al. 1996: Beydar 86, 106). At Ebla, the ﬁrst entries in the palace ration lists alternate between provisions for the king and for the king and the elders (ABXÁŠ), perhaps indicating the collective nature of kingship in this city (Milano 1987: 522; Porter 2012). These texts also testify to the presence of other

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political institutions in northern Mesopotamia. A group of elders ruled the kingdom of Lu’atum, situated somewhere along the upper Euphrates, before it was incorporated into Ebla (Milano and Rova 2000: 722–3). Badalum ofﬁcials governed another group of city-states located in the Balikh valley and the foothills of the Taurus (Milano and Rova 2000: 731; Archi 2011: 6), while a plurality of kings presided over the important cities of Armi, Azu, Ibal, and Manuwat (Archi 1987: 42). Below the level of the executive in these and other cities, there were probably councils, elders, and other civic authorities who regulated much of daily life. Except for a few references to city gates and perhaps squares, Mesopotamian texts provide few topographical references to places where communal or civil authority – as opposed to religious and royal – was enacted. The city gate and attached squares were probably the primary site of exchange and the meeting place for citizen councils, rather like the Greek agora (Stone 2007: 227). Such a town square in front of a city gate has been identiﬁed through magnetometry survey and excavation at Titris¸ (Nishimura 2008: 151), and the excavations at the city gate at Leilan have possibly uncovered a similar space (Ristvet 2007). Temple courtyards may have also served as gathering places, providing a place for courts to assemble to judge cases brought by ordinary citizens (Postgate 1994a: 277, fn. 79), and possible archaeological examples of these may exist at Leilan and Chuera. Finally, although the evidence is mixed, rebı¯tu ¯, “town squares” or “wide streets,” may have been other loci for trade and civic affairs. Such public spaces are so intertwined with civic identity that in the Old Babylonian Gilgamesh epic, rebı¯tum serves as an epithet for the city as a whole (George 1999).29 What all of these spaces have in common is their inclusiveness. Unlike the temple or the palace, many – perhaps most – citizens could enter and participate in affairs at the gate, temple courtyard, or town square. At Chuera, where decades of excavation and a complete magnetometry survey have revealed the ground plan of much of this ancient city, large open expanses are present in several places (Fig. 14).30 As at Beydar, the main access road from ca. 2500 to 2300 BC would have begun at a gate in the outer city wall and led straight to the upper city. Once it crossed into the upper city, it passed along the temenos wall of a large temple district. Monumental gates controlled entry into this space. The road then led into the Anton-Moortgat Platz, the central square where all the streets of the city met. A temple was located on the eastern side of the square, enclosed by another temenos wall. To the west of the central place, the road

W ad i

Movement

63

Checkpoint Anton-Moortgat-Square Palace Temple District Steinbau 3 Monumental Gate Checkpoint

Public Districts Roads Checkpoints

Contour Interval 1 m

0

500 m

14 Chuera (ancient Abarsal?) citadel plan with the main ceremonial street marked (After Meyer 2007: ﬁg. 2 and ﬁg. 9)

continued to the northeast, leading to another open square in front of the palace (Meyer 2007: 137–9). Although there are still walls and checkpoints at Chuera, they are much less frequent than at Beydar. Additionally, the physical separation of the public buildings and the many large open plazas bordering each district create a very different public space than at Beydar. Most cities probably possessed town squares, large open areas located at the center of the site. Magnetometry indicates as much at Mozan, while excavation shows the same pattern at Leilan (Dohmann-Pfälzner and Pfälzner 1999; Weiss 1997a). The relationship between the temple and the open space at Mozan suggests that this plaza was a focal point for the settlement, despite (or rather, because of) its lack of architecture (Dohmann-Pfälzner and Pfälzner 1999: 39). Perhaps the most famous of these open spaces is the city square immediately in front of palace G at Ebla (Fig. 15). This area, originally called the Court of Audience, is at least 60 m long and 42 m wide (Matthiae and

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Ritual, Performance, and Politics in the Ancient Near East

0

5m

15 Axonometric reconstruction of the plaza and palace G (After Matthiae 1981, Fig. 12)

Marchetti 2013: 51). The monumental façade of palace G formed the north and west limits of this plaza, and houses in the lower city lay to its south and east. Palace G itself was built on a series of terraces on the ﬂanks of the acropolis (Matthiae 2008: 34–5). Hence, the plaza is situated as a meeting place between the town and the palace, a critical liminal zone for political performance. Anne Porter has proposed that the plaza was the location of the regular ritual of providing food to the gods. The water features in the plaza may have been used for ceremonial lustration, while the kitchen quarters of the palace are situated conveniently nearby and could have supplied sacramental meals (Porter 2012: 204–6). The recovery of a stone headdress that originally belonged to a cultic statue may indicate that a statue of an Eblaite god stood on a dais here, while large limestone eyes found scattered in the ruins of the plaza suggest that other cultic statues may have lined the eastern portico (Porter 2012: 212). Alternatively, Paolo Matthiae, Ebla’s excavator, has proposed that the dais may have held a throne (Matthiae 1981: 69). In either scenario, the plaza was a critical ceremonial space for both the palace and the city as a whole. Performances on the plaza may have united the palace and city, perhaps by honoring gods who were “intimately connected not only to the en’s incumbency but also the identity of the polity” (Porter 2012: 206).

Movement

These town squares could have accommodated large numbers of people. The Anton-Moortgat Platz at Chuera occupied an area of at least 5,000 m2, a ﬁgure that has been estimated based on the site’s topography and evidence from a machine-dug trench through this central place (Hempelmann 2010: 36). The plaza at Ebla is smaller, but comprises at least 2,520 m2. Both open spaces could have held large numbers of people – more than 5,000 people could have stood in the Court of Audiences and 12,000 people could have gathered in the Anton-Moortgat Platz. In both cases, this probably represented a substantial percentage of the population of both cities. Somewhere between 3,360 and 20,000 people probably lived within the city walls at Ebla, whereas Chuera may have had a slightly larger population, corresponding to its larger size.31 In any case, these plazas represented spaces that were clearly distinct from the tightly controlled areas within third-millennium administrative complexes. Of course, it is too simplistic to associate all highly regulated spaces with exclusive political authorities such as kings and all inclusive spaces with civic forms of government. Not all plazas are agorai. In Mayan archaeology, plazas are almost never interpreted in this way, but are instead seen as stages for ceremonies that reinforced elite dominance (Inomata and Coben 2006). It is certainly possible to understand northern Mesopotamian spaces similarly. The presence of middens at Leilan and Brak could indicate that feasting took place here (Ristvet n.d.-a). Such ceremonies can be used to emphasize or to erase differences between participants (Dietler and Hayden 2001). The same caveats hold for exclusive space. A one-room structure uncovered at Tell es-Sweyhat, with wide, buttressed walls decorated with paintings, has been identiﬁed by the excavators as a possible meeting place for the city’s elders (Danti and Zettler 2007: 179–80). At Beydar, the complicated relationship between architecture and political change shows how one space could house both inclusive and exclusive political authorities. Although this city was governed by a king and then probably by a council of elders, the changes made to palace architecture over these two centuries were minimal. When the palace was constructed, a podium was built in a central room, perhaps making this space into a throne room. When this area was rebuilt, however, no new podium was erected. The lack of a proper throne room in the ﬁnal phase at Beydar is the only archaeological attestation that this building now served a council rather than a king (Sallaberger 2004: 66). Recent excavations at

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Ritual, Performance, and Politics in the Ancient Near East

Beydar have uncovered another palace in the city’s lower town (the “palais oriental” in ﬁeld P) with a similar reception suite, and probably throne room (Pruss 2007, 2012). Material within this palace suggests that it was occupied simultaneously with the acropolis palace, providing further evidence for divided authority (Pruss 2012: 119–20). The coexistence of these administrative spaces may result from Nabada’s incorporation into the kingdom of Nagar, or it may represent a type of heterarchy, characterized by the contemporaneous presence of multiple political authorities (Lebeau and Suleiman 2011). Such examples should remind us that architecture and urban plans are long-lived, and their signiﬁcance can change over time. What is important at Beydar is the coexistence of inclusive and exclusive forms of authority and space throughout this period and their continued manipulation by a range of actors. BEYOND THE CITY

Beyond the city wall, cultivated ﬁelds surrounded ancient cities, constraining movement. The hollow ways that radiate from many thirdmillennium sites have been interpreted as the remains of Early Bronze Age routes formed by animals leaving settlements (Wilkinson 1993), although the identiﬁcation of these features as roads and their date is contested (McClellan et al. 2000; Weiss 1997a; Casana 2013).32 More than 6,000 km of hollow ways have been mapped from Corona satellite imagery in northern Mesopotamia. They range in length from a few hundred meters to more than 5 km (Ur 2009: 192). Unlike the streets in cities, which were intentionally constructed, they were formed through decades or centuries of use and represent the trodden paths of messengers, merchants, farmers, pastoralists, and livestock traveling to other cities, ﬁelds, and pasture (Ur 2012). Although most trafﬁc would have been on foot, the increasing number of cart models in settlements, the popularity of carts and equids in iconography, the appearance of elaborate equid graves, and the presence of cartwrights in the Ebla and Beydar texts indicate the growing importance of wheeled transport (Ur 2009: 193; Raccidi 2012; Weber 2012). Even if hollow ways do not represent ancient roads, it is clear that patterns of land tenure would have constrained movement through the immediate countryside (Wilkinson 1994). Indeed, patterns of land use and settlement longevity would have combined to restrict movement more intensively than during earlier or later periods when there is less

Movement

settlement continuity and more evidence for shifting cultivation. The large average size of settlements and the high degree of centralization both suggest that most farmers had noncontiguous ﬁelds. Settlement continuity would also have encouraged the formation of a strong corporate identity. Administrative records from Ebla that document land tenure show that the holdings of large property owners were fragmented and could be distributed across the kingdom (Archi 1986b; Lafont 1998; Milano 1996; Renger 1987). The texts suggest that land holdings were probably also discontinuous within villages, with some land belonging to palace or absentee owners and the rest divided among villagers (Milano 1996: 142; cf. Porter 2012: 234). The dense landscape of villages, towns, and cities in most third-millennium polities would also have acted to control movement, as the Ebla-Abarsal treaty indicates (Wattenmaker 2009: 118–22). Beyond this zone, the intensiﬁcation of pastoralism, and perhaps of mobility, may have led to clear demarcations of pasture associated with different herding units, cities, or kingdoms. Social and political landscapes were thus sources of friction. Well beyond the built environment of the city, the political and social relationships that made up these polities limited free movement.

Collective representations: pilgrimages and political power The construction of new urban spaces and concomitant changes in the economic and political landscape did not just transform quotidian journeys. The rise of political complexity coincided with the creation of an intricate religious landscape, where multiple pilgrimage routes arose that probably corresponded to and sometimes crosscut the territories of speciﬁc polities. At Ebla, we have textual evidence indicating that elites participated in these pilgrimages and used them to gain and maintain inﬂuence. Seal impressions from ofﬁcial contexts across northern Mesopotamia suggest that this was a widespread elite practice. Archaeological evidence from several sites that were probably part of such pilgrimage networks may document nonelite participation in these ceremonies as well. As a result, pilgrimages and the sacred landscape they enacted would have provided a powerful symbolic space in which to afﬁrm or to question the larger polity. These practices also provide a new context for the Ebla coronation ritual.

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PILGRIMAGES AND SACRED JOURNEYS AT EBLA

Combining the textual and archaeological evidence from Ebla allows us to reconstruct a series of pilgrimage routes and analyze how they intersected with political and economic circuits. As we have seen, the Ebla coronation ritual included ceremonies performed within the city of Ebla and a pilgrimage to cult centers in the countryside upon the occasion of the king’s marriage. This pilgrimage was one means to unite the palace district (SA.ZAki), the city of Ebla, and the area beyond the city (uru.bar) through ritual. This pilgrimage may have cemented the identity of Ebla’s kingdom as a whole, in the same way that the daily ceremonies in Ebla’s plaza sought to unify different parts of the city. Ritual journeys are potent reminders of the power of a ruler (McCorriston 2011: 22; Geertz 1985; Morinis 1992; Kertzer 1988). Cross-culturally, kings have resorted to such royal processions particularly at times of transition or in states with weak political infrastructures. In late Medieval and early Modern France, the rite of royal entry was often part of the coronation ceremony in the capital and replaced it in provincial cities. These performances were a chance for the monarch to display his or her power and for various groups within the city – particularly guilds – to illustrate (and gain) inﬂuence (Giesey 1985: 53–5). Similarly, in Majapahit Java, royal entry was a major ceremony that symbolized the power and stability of the realm (see Chapter 1). In eighteenth- and nineteenthcentury Morocco, where kingship was based on baraka – god-given power to rule – the processions of warrior monarchs through their fragile kingdoms could last half the year, “demonstrating sovereignty to skeptics” (Geertz 1985: 25). Similarly, at Ebla, the royal procession to cult centers in the countryside was part of the construction of a new form of political landscape, one of kingdoms, not isolated villages. The Ebla coronation ceremony was a once-in-a-lifetime event, but other ritual journeys occurred more often. Ebla’s kings made regular offerings to their ancestors in different cities of the kingdom, including Darib and Ebla itself (Archi 1986a, 1988: ARET VII 150, ARET III 178). A woman from Binaš took part in one of these ceremonies – linking these regular offerings to the ritual texts ARET XI (Fronzaroli, 1988). Other offerings to these deceased monarchs were probably made in most of the small towns and villages near Ebla. Recent analysis suggests that the Eblaite phrase AN.EN.KI, usually interpreted as the god Enki (Archi 2010), probably

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designates ancestor veneration practices instead (Biga 2012: 12–14; Pasquali 2009). Like the coronation ceremony, offerings to the divinities of the dead kings would have made kingship visible to people in the Ebla countryside. Religious celebrations in honor of the god ‘Adabal also took the form of a pilgrimage through the Ebla countryside. ‘Adabal was a storm god who was widely venerated in the countryside around Ebla, especially in the Orontes valley (Archi 2005: 98). In this, he differs from Kura and Barama, the gods who are celebrated in the coronation ritual, but rarely attested outside of Ebla. Unlike those deities, ‘Adabal’s main cult center was not Ebla, but the three cities of Arugadu, Amadu, and Luban. Two itineraries document an annual cultic journey in his honor that visited sacred places throughout Ebla’s kingdom.33 Each year, between ﬁve and fourteen members of a religious confraternity, the šeš-Il-ib, which was centered on the Ebla palace and often included the king, began their pilgrimage at Luban and visited Ebla and thirty-ﬁve other towns. In some years, other members of this confraternity also participated in a pilgrimage to ‘Adabal’s secondary center of Arugadu (Archi 2002: 29). Like the coronation ceremony, these yearly pilgrimages served to knit the land together, underscoring the shared religious experience of diverse places. The major political ﬁgures of the kingdom including the king, queen, and chief minister celebrated another ceremony, ‘Adabal’s opening festival, simultaneously in Arugadu and at the palace. Like the regular pilgrimage, the synchronous enactment of these ceremonies across western Syria also connected Ebla with its larger countryside, underscoring the important relationship between the palace, the city of Ebla, and the larger polity (Archi 2002). THE ARCHAEOLOGY OF PILGRIMAGE AT EBLA

In the absence of intensive archaeological survey and more excavation of third-millennium sites, reconstructing the historical geography of the kingdom of Ebla is difﬁcult. A new archaeological survey, the Ebla Chora Project, has assembled information from several preliminary surveys and remote sensing data, but has been unable to ground truth most of these sites.34 Nevertheless, it is possible to compare the coronation journey with ‘Adabal’s cultic circuit and to consider how these pilgrimages may have intersected with Eblaite politics (Fig. 16). First, there is no overlap in the destinations of the two pilgrimages; only Darib and Ebla are associated with both the rituals of kingship and ‘Adabal’s cult. Second,

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Ritual, Performance, and Politics in the Ancient Near East

Halab

Turkey

Eu es

t ra

ph

Darib Binish

Orontes

Ebla

Hama

Syria

Lebanon

0

Copyright:© 2013 Esri

30

60

90 km

16 Ritual journeys in the kingdom of Ebla, ca. 2350 BC

the two circuits cover different total territories. The destination of the coronation journey, Binash, has been identiﬁed with the modern village of Binish, ca. 20 km northwest of Ebla (Bonechi 1993: 78; Archi et al. 1993: 179). If this identiﬁcation is correct, then it is likely that the other places mentioned in the coronation ritual also lie between Binish and Ebla.35 Other places associated with the cult of the dead kings are also located nearby, such as Darib, which has been identiﬁed with modern Atarib, about 30 km to the north, or places where offerings are made for the AN.EN.KI such as Harzanu and Amisadu, probably small villages close to Ebla (Biga 2012: 13). This suggests that the rituals of kingship took place in Ebla’s immediate vicinity. In contrast, the pilgrimage in honor of ‘Adabal visited a number of cities that were located along the Orontes, perhaps as far south as Hama (ancient ‘Amadu, one of ‘Adabal’s main cult centers) and as far north as the plain of Antioch, where Arugadu was probably located. The Orontes is 40 km from Ebla, the plain of Antioch is 60 km, and Hama is 75 km, indicating that this journey covered a wider territory, well beyond Ebla’s hinterland. The two journeys worked to construct political authority in the kingdom of Ebla differently. The rituals of kingship – the coronation ceremony

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and the offerings to the dead kings – clearly demonstrated the power of the king and the dynasty to the city and the countryside immediately around it. ‘Adabal’s cultic journey, on the other hand, allowed Ebla’s political elites to introduce themselves into a preexisting ritual, to legitimize the city’s control over this more distant area. The differences between these rituals reﬂect a critical aspect of third-millennium kingdoms: the difﬁculty of establishing and maintaining direct control in areas beyond a few days’ journey from a city. Within a radius of one or two days’ travel – corresponding to the area deﬁned by the coronation journey and the cult of the dead kings – frequent royal visits and state ceremonial reinforced a sense of belonging. This probably coincided with real economic and other ties between these settlements and Ebla, since this is also the area in which it is proﬁtable to deliver agricultural products using animal transport (Wilkinson 1994: 502; Chisholm 1962: 80–3). Beyond this radius, links to Ebla were more tenuous, reﬂected in the higher degree of independence and different ritual systems, one in which the Ebla contingent did not have a leading role. THE SYRIAN RITUAL

The Ebla texts provide unique insight into political ritual in western Syria. Although no other religious texts are known from northern Mesopotamia, iconography and archaeological remains attest to a more extensive political use of ritual journeys. A cylinder seal motif, referred to as “the Syrian ritual,” appears to illustrate cultic processions and link them in multiple ways to the construction of political authority. This scene portrays a religious procession, depicting devotees lifting one or both arms in praise of a deity. This god faces front, unlike the other ﬁgures who are rendered in proﬁle (Amiet 1980: 167–8; Matthews 1997: 113–14). Most impressions identiﬁed as Syrian ritual scenes bring together supplicants, towers (presumably temples), and wagons, perhaps emphasizing the importance of travel to the ritual. Although we have many fewer examples of the Syrian ritual scene than of banquet or contest scenes, which are the most common imagery from this period, their proveniences and patterns of use attest to their importance in Syrian and North Mesopotamian courts. At Tell Beydar, for example, the best attested sealing is a variation on this theme. The Beydar Master Seal is in two registers, although the scenes are not easy to separate and tend to overlap. At the center of the lower register stands a high tower, made of two almost man-sized rectangles,

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each bearing a quadripartite motif. Three ﬁgures with one or both arms raised emerge from this structure. One individual kneels before the left side of this tower with his arm raised in greeting. Other people, also depicted with raised arms, approach the tower from both sides. Some of them walk, while others ride in two different types of carts. The upper register depicts a man driving an equid-drawn cart into battle. The people before him include foot soldiers wielding weapons or shields, and a fallen man. A robed ﬁgure walks behind his cart. Each of the three carts is distinct and rendered with attention to detail, unlike the individual ﬁgures, all of whom seem to be wearing the same, possibly ﬂounced, skirts (Fig. 17a).36 This tower may resemble both the actual sanctuaries on high terraces known from excavations at Hazna from the ﬁrst half of the third millennium and perhaps Gre Virike, and a model, three-storied tower found at Brak that was decorated with goat heads and small birds (Emberling 2003: ﬁg. 52–3). Approximately ﬁfty impressions of this scene have been recovered from Beydar. They all come from the large public complex in the center of Beydar’s acropolis (Rova and Devecchi 2008: 64). Several of these impressions are door sealings, indicating that this seal was wielded by a high ofﬁcial at Nabada who had authority over goods within this monumental building. It seems likely that the iconography of the scene was also important to this ofﬁcial’s exercise of authority. At least one other scene from Beydar (Rova and Devecchi 2008: type 2, 65–6) illustrates a similar ritual; it depicts a two-storied wheeled tower, wagon and driver, and possible worshippers. Two door sealings bearing this scene were recovered from the courtyard in front of temple B. Once again, the fact that the seal’s owner was responsible for goods stored in this temple indicates that he was an ofﬁcial associated with Beydar’s Ofﬁcial Block.37 Outside of Beydar, other imagery connected to the Syrian ritual scene comes from Mari, while related iconography is known from seals or sealings found at Ebla, Brak, and in unprovenanced collections.38 Two recently published Mari royal sealings are the most elaborate known renditions of this scene (Fig. 17b and c). The owner of these seals is identiﬁed as IšqiMari, king of Mari, in inscriptions (Beyer 2007: ﬁg. 17–8, 249; Beyer and Lecompte 2014). Both of these scenes combine Syrian and southern Mesopotamian motifs, including the master of animals, a presentation scene, and a battle scene. The scenes have two registers, which as in the Beydar seal, tend to overlap. The top register shows the master of animals in full face, like the Syrian god. He stands behind the king, who is seated in a chair and holding a mace. In front of the king are two animals, perhaps a

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A

B

C 17 Wagon sealings from northern Mesopotamia: A) Beydar seal 4 (scene 60; Jans and Bretschneider 2011: 76–82), B) Išqi-Mari royal seal 1 (after Beyer and Lecompte 2014: ﬁg. 3b), C) Išqi-Mari royal seal 2 (after Beyer 2007: ﬁg. 18)

deer and a lion. The bottom register illustrates a battle scene of soldiers stabbing enemies with knives and spears. Equid-drawn chariots, which resemble those depicted on the standard of Ur, trample fallen bodies. In scene B, vultures peck at the heads of two of the corpses. The fact that these

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wagon scenes are royal seals emphasizes the connection between religion and political power. In a recent analysis of the Beydar and Mari scenes, Joachim Bretschneider and colleagues have drawn attention to the juxtaposition of the battle and ritual scenes on each seal. The Mari seal features a banquet scene, perhaps depicting ritual offerings following victory. The Beydar seal, in contrast, portrays a ritual procession, possibly another scene of thanksgiving. The ﬁgure in the wagon could be a king or important political ﬁgure, or it may be the statue of a god or goddess on a journey like the one described in the Ebla rituals (Bretschneider et al. 2009: 12). Other seals at Beydar depict boats, probably illustrating yet another ritual journey, of a type that is well known from this period in southern Mesopotamia, and is often referred to as the boat god motif (Jans and Bretschneider 2011: 42–6). The imagery on the seals exempliﬁes the two sources of political power and sovereignty in northern Mesopotamia: military conquest and religious rituals. Their combination on royal seals shows the importance of both sources of authority in these early kingdoms. These large seals illustrate, in an abbreviated form, the ideological underpinnings of these polities.

Materialized symbols: cult centers in the countryside Ritual texts and the iconography of the Syrian ritual scene provide a new context for unusual third-millennium cultic/funerary monuments. Certain sites with a religious function may be understood as pilgrimage centers, the equivalent of places such as Binash that would have served the larger community of the polity. Archaeological data from four of these sites – Gre Virike, Hazna, Jebelet al-Beda, and Banat – allow us to reconstruct how different polities may have used religious journeys to construct different political identities in the middle of the third millennium BC. GRE VIRIKE

Gre Virike, a religious and mortuary center on the banks of the Euphrates, lies 10 km north of the major center of Carchemish. Sometime near the beginning of the third millennium BC, a 50 × 35 m mudbrick platform was built on top of a natural pebble hill here (Fig. 18). The ﬁrst structures constructed on this platform (phase I, early third millennium) were ritual installations, including stone-lined pits, plaster-lined pools, a small clay platform, and a basalt stairway leading to an underground spring (Ökse

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a b g

c

h d

f

Tombs Chambers Other Structures Mudbrick Platform

Contour Interval 1 m

p j

r

35

e

0

o i

s

t k

340

0

10 m

18 Tombs and offering chambers at Gre Virike, period IIa (After Ökse 2005: ﬁg. 3)

2006b: 1–5). During the following phase (IIa, mid-third millennium), a series of limestone chamber tombs were placed on the summit of the mound along with offering chambers (Ökse 2005: 21–7). Satellite graves from this phase and the following one (IIb, late third millennium) were dug into the platform, clustered around the initial chamber tombs (Ökse 2006a: 4–20). During each phase, there is archaeological evidence for offerings of agricultural goods and ﬁgurines. Offering pits and chambers contained

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Ritual, Performance, and Politics in the Ancient Near East

barley with a few grains of bread/macaroni wheat (Dönmez 2006), animal bones, unbaked clay animal ﬁgurines, and the remains of vessels. Initially, the association of these materials with the underground spring implies that they were donated to deities associated with water, fertility, or the underworld, whereas later offerings may have been part of funerary and postfunerary feasts or sacriﬁces (Ökse 2004, 2007). In addition to these pits, kitchen installations were present on the site during the phases associated with the graves, perhaps for the preparation of food offerings. The ritual and mortuary installations of Gre Virike are associated with no domestic architecture on the site itself. Throughout the third millennium, architecture only occupied about one-third of the 1,800 m2 platform (Peltenbug 2007–2008: 221–2). The remainder of the space could have accommodated an audience of anywhere between 500 and 4,000 people.39 HAZNA

In the Habur triangle, another small site, Hazna, located 14 km west of modern Tell Brak (ancient Nagar), may have served as a place of pilgrimage in the very early days of this kingdom, although there is evidence that, like Gre Virike, it was a cultic place long before we have texts documenting politics at Nagar.40 Hazna provides intriguing evidence for control of access to ritual space and for popular participation at a possible pilgrimage site from ca. 3000 to 2500 BC.41 The excavators suggest that during the mid–third millennium BC, Hazna was a temple complex that included multilevel platforms, towers, and attached rooms (Fig. 19; Munchaev et al. 2004: 477). These rooms were arrayed on three or possibly four terraces, each of which was connected to an enclosure wall. In the center of this settlement was an 8 m high tower with its own fortiﬁcation. Although it is possible to interpret Tell Hazna as a densely occupied village site, and its cultic towers as storage facilities (Pfälzner 2002, 2011), the unusual nature of the deposits here, the buttressing on these towers, and the site’s later use as a cemetery supports the excavators’ interpretation. The circular construction of this site may resemble temple ovals discovered at Tell Ubaid and Khafaje in Iraq (Delougaz 1940; Hall and Woolley 1927). Excavations in room 37 within the main tower have unearthed striated ash layers containing grain, animal bones, and clay animal ﬁgurines, which the excavators have interpreted as offerings (Amirov 2006; Munchaev et al. 2004: 25–6). In addition, seventeen unused sickle blades were placed in a niche in the tower along with a stamp seal (Merpert and

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136 37

110 149

Temple Oval/Towers Other Structures

0

10 m

19 Ritual buildings at Hazna (after Munchaev, Merpert, and Amirov 2004: tabl. 3)

Munchaev 1999: 121). Another cultic tower (room 110) was located on a different level of the site. In a room (149) adjoining this tower, the excavators found a cache of beads made of crystal, carnelian, jet, turquoise, bone, and shell, as well as silver pendants (Munchaev et al. 2004: 23). Some of the rooms in the complex connected to this tower were ﬁlled with large quantities of animal bones, while two small chambers contained a cache of more than forty clay animal ﬁgurines (Munchaev and Merpert 1994: ﬁg. 31). Other cultic chambers, another tower, and industrial installations occupied Hazna’s other terraces. As at Gre Virike, following its use as a temple, Hazna was converted into a necropolis, with twenty-ﬁve individual graves placed in different rooms of the compound (Munchaev et al. 2001: 483). JEBELET AL-BEDA

Southwest of Hazna, in the Syrian desert, at the western edge of the Jebel Abd-’al-Aziz mountain range, lies another unusual cultic site. The site consists of a 20 × 15 m platform of limestone blocks at the highest point

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Ritual, Performance, and Politics in the Ancient Near East

A

B

20 A) Statue from Jebelet al-Beda (Oppenheim 1933, pl. 62a) and B) stela from Jebelet al-Beda (Oppenheim 1933, pl. 63a) (Both photographs courtesy Hausarchiv Sal. Oppenheim, Cologne, Max Freiherr von Oppenheim-Stiftung).

of a hill called Ras et-Tell (Moortgat-Correns 1972: 54). In the western half of this platform, eight square trenches were cut into the bedrock in a cruciform pattern. Four of these trenches were widened to create graves, although skeletons were only found in the two graves in the middle of the platform. Very little material was recorded from the graves, trenches, or platform, with the exception of rough, handmade pottery sherds and basalt fragments. Lying on the slopes of the hill were the remains of at least three basalt sculptures (Moortgat-Correns 1972: 53–4), which the excavator hypothesized were originally erected on the platform (Oppenheim 1933: 226–30). The best-preserved sculptures are a stela and a statue in the round. The statue, which may have originally been 2.5 to 3 m high, depicts a bearded man wearing a ﬂounced skirt and holding a mace (Fig. 20a). The doublesided stela has the same image on both sides and may portray the same bearded man (Fig. 20b). On the stela, he stands atop a litter borne by two smaller men, who appear to be running, a motif also found on the

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Ur-Nanše plaque from Telloh (Moortgat-Correns 1972: 15). The statue can be linked stylistically to the ﬁgure of Išqi-Mari, known from the Mari royal sealings and a statuette found at Mari (Parrot 1953: 8–9). This probably indicates that the ﬁgure depicted was a northern Mesopotamian monarch. Joachim Bretschneider and colleagues suggest that the tableau formed by the man with the mace facing the stela is related to the scene on the lower register of the Beydar master sealing (Bretschneider et al. 2009: 17). The seal and the sculpture may both illustrate aspects of the Syrian ritual. Memorializing this ceremony through monumental architecture transformed this desolate hill into an everlasting reminder of this ceremony. Additionally, the use of this imagery on seals incorporated this ritual into quotidian administration. Hence, this ritual worked both as spectacle and as daily practice, amplifying the effective inﬂuence of this symbolism. South and west of Ras et-Tell lie two other hills where Oppenheim excavated Early Bronze Age cist graves, including one with an enclosure wall (Oppenheim 1933: 229–30; Moortgat-Correns 1972: 55). In total, Ursula Moortgat-Correns estimates that twenty graves can be found in the hills near Ras et-Tell (Moortgat-Correns 1972: 56). Although these burials are difﬁcult to date, they may be related to the tableau of the statue and the stelae. Certainly, they would have provided this ritual of kingship with a timeless audience. TELL BANAT

Unlike the other cultic sites considered thus far, which are small and isolated, the site of Tell Banat, together with neighboring Tell Bazi, may have constituted the city of Armi/Armanum (Fig. 21; Otto 2006; cf. Porter 2012: 237, fn. 73), although it is possible that this city lay further north, at Samsat (Archi 2011). Myriad different monuments are attested at Banat and may have provided the settings for ceremonies like the Ebla coronation ritual. The 20 m high White Monument at Banat (Tell Banat North), located 200 m north of the main settlement, was a complex burial mound used for at least half a millennium (from ca. 2800 to 2300 BC). Anne Porter and Thomas McClellan, Banat’s excavators, believe that the White Monument was a giant ossuary, the ﬁnal resting place for certain ancestral remains, interred there following their deﬂeshing (Porter 2002: 21; McClellan 1998). Although excavations never penetrated to the heart of this mound, they did reveal three construction stages for the

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Tell Saghir

The White Monument

Tell Kabir

Wadi

Tell Mresh

M R o ode a d rn

Tell Banat

Inner Fortification Wall

0

400 m

Contour intervals are 2 m

Bazi/Banat Complex

Jebel Bazi Gate Building

21 Plan of Bazi/Banat (ancient Armanum?) with the location of the fortiﬁed gate building on Jebel Bazi and the lower citadel wall (After Porter 2002: ﬁg. 2, courtesy of A. Porter)

monument. The ﬁrst version of the structure (White Monument C, ca. 2600 BC) was a white pyramid built of gravel that incorporated human bone and fragments of pottery, including the possible ritual deposition of a deliberately broken vessel (Porter 2002: 14). Stone tumuli and earthen cairns containing a few disarticulated human bones and whole vessels were cut into this mound. Skeletal material and pots had also been scattered around the tumuli (Porter 2002: 15). During the second construction phase (2550–2400 BC), a single large mound, White Monument B, was built to incorporate these disparate mounds. In the ﬁnal construction phase (2400–2300 BC), this mound was enlarged to create White Monument A. Unlike the previous mortuary monuments, White Monument A was built at one time, as a single construction event. It was made in even horizontal layers, each of which contained discrete deposits of the disarticulated remains of two or more individuals, equid bones, ceramics, and small offerings such as beads and clay balls (Porter 2002: 16). The excavators note the careful patterning of this mound; human bones were not placed randomly, and the gravel and white gypsum used in

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the construction were deliberately chosen and brought some kilometers (Porter 2007–2008: 202). The White Monument is not the only locus for mortuary rituals at Banat. Indeed, the oldest structure at the site – mortuary mound II – is also a conical mound built of layers of gravel and white pisé that may have enclosed a stone cairn (Porter 2002: 16). A 2 m tall gravel platform overlay this burial mound. The monumental building 7, probably either a palace or temple and a contemporary to White Monument B, was built atop this platform. Another monumental building, building 6, replaced it and was still standing when White Monument A was built. The buildings may have been placed in this area to erase the previous mortuary monument or to appropriate its authority (Peltenburg 2007–2008: 228). Just south of building 7 lay a series of burials, including tomb 7, a ﬁvechambered tomb made of carefully dressed stone and used during the life spans of the public buildings 6 and 7. The tomb’s stone architecture and baked brick and bitumen ﬂoor parallel the architecture of the public buildings. When the buildings were in use, the stone roof of this tomb would have been visible and accessible, located in a courtyard connected to them. Tomb 7 contained a wealthy primary burial; an articulated skeleton was found in the remains of a wooden cofﬁn, with nearly 1,000 gold beads, alabaster vessels, and objects with lapis lazuli inlay. The impressions of objects that had been removed from the tomb in antiquity could still be seen in its bitumen-coated ﬂoor. Clearly, this tomb was entered multiple times, probably as part of complex mortuary and post-mortuary rituals. Two other articulated skeletons lay above tomb 7, while a third articulated skeleton was found near its entrance shaft, directly on top of the tomb’s stone roof (Porter 2002: 18–21). Three other burials – tombs 4, 5, and 6 – were also located in this courtyard and contained the fragmentary remains of multiple individuals. They are probably equivalent to the ancillary burials found within the White Monument (Porter 2002: 17–18).

Actors, audience, and mise-en-scène: pilgrimage centers Architectural analysis of Gre Virike, Hazna, Jebelet al-Beda, and Tell Banat provides information on the setting for rituals, while depositions from these sites illustrate the nature of these activities. These locales also provide an opportunity for us to reﬂect upon the actors, audiences, and mise-en-scène

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of these particular ceremonies, as well as the different ways they were embedded into political negotiation. Despite the unique nature of each of these places, these four ritual locales share many similarities. Each monument uses height and monumentality, often incorporating a mound or a hill into its construction. Gre Virike, Hazna, and Jebelet al-Beda also used platforms to segregate cultic installations, in the process perhaps creating stages for the performance of special rites. The presence of funerary monuments is also common to all of these sites. None of them seems to have been inhabited; even Banat has no clear evidence of a domestic population. But they did not exist in a vacuum. In order to understand the various roles they could have played, it is necessary to look beyond the individual places and consider their wider landscape. The Ebla tablets indicate that in the twenty-fourth century BC, northern Mesopotamia was divided into a large number of small kingdoms or city-states – at least twenty such polities are known. The cultic sites probably belonged to three or four different polities. Gre Virike may have been located in the kingdom of Carchemish; Hazna was probably part of Nagar; Jebelet al-Beda may have been part of Hadda or Abaarsal; and Banat was probably the capital of Armi/Armanum. CONSTRUCTING KINGDOMS

Gre Virike belongs to the badalum-cities region, an area along the upper Euphrates and Balikh where the main political authorities were badalum ofﬁcials, not kings. The lack of domestic settlement here suggests that the site was a place of pilgrimage that was incorporated into a larger cultural landscape along the Euphrates (Fig. 22). Survey evidence from the area within a day’s walk of Gre Virike indicates that other sites along the river, with the possible exception of Carchemish, were small villages with a population of perhaps 4,000 during the life span of this cultic center (Ökse 2007).42 Rather ﬁttingly, 4,000 is also the upper limit for the number of people who could attend ceremonies at this center, based on analysis of the open space surrounding the funerary installations.43 Since other cultic sites are located 15–30 km apart on the Euphrates, Gre Virike was probably only used by people living within this radius, including the local elites at Carchemish. This would have made the Gre Virike pilgrimage circuit similar in size to the Ebla kingship ritual circuit. Unlike some of the other cultic sites, Gre Virike was not placed behind a wall, nor was it located on a particularly high terrace, perhaps emphasizing its connection

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# Birecik Dam Cemetery

Gre Virike

#

Jerablus Tahtani

Tell Ahmar

# Banat

Tuttul Legend # Cultic Place ! Town Cultic Journeys Rivers Borders Lakes Elevation < 300 m 301 - 350 m

351 - 400 m 401 - 450 m 451 - 500 m 501-550 m 551 - 600 m 601 - 650 m 651 - 700 m 701 - 1,000 m 1,001 - 1,500 m > 1,501 m

0

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30 km

22 Possible pilgrimage networks on the upper Euphrates

to its wider community. Yet Gre Virike’s position along the river means that its visibility is limited. The site can be seen from very few of the contemporary third millennium settlements that have been identiﬁed from survey in this region (ﬁg. 23).44 This hidden aspect of Gre Virike may have contributed to a sense of exclusivity; this cultic place could be used only by those in the know. The kitchens and other installations around its burial chambers attest to repeated ceremonies, perhaps ancestor rituals performed for an audience in the lower viewing area (Peltenburg

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23 Intervisibility and viewshed analysis at Gre Virike

2007–2008: 222–3). Gre Virike’s lack of monumentality and the dearth of high status objects in these chamber graves may correspond to the political situation of Carchemish, where there are no attested kings during this period. Perhaps political power in the Carchemish region was founded on inclusive policies or ritual authority – and not on the display of wealth or an architecture of domination. The situation at Nagar is quite different. As we have seen, this kingdom with its eponymous capital at Brak was equal in status to Ebla, Mari, and Kish during the 24th century BC. We know that Nagar’s king traveled between the centers under his control in a royal progress that may have contributed to his authority.45 Although we have no record for a speciﬁcally ritual journey like the Ebla coronation ceremony, the evidence from the Beydar seals and the tower model from Brak provide indirect evidence for such activities. The early- to mid-third-millennium tower temples excavated at Hazna, located 15 km from Brak and 20 km from Beydar,

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resemble the ritual structures depicted on the later Beydar seals, despite the approximately 150-year gap between the two. Architectural elements at Hazna call to mind exclusive political strategies, limiting access to this sacred district to all but a chosen few. This emphasis on multiple fortiﬁcation walls controlling access to the cultic spaces at Hazna distinguishes it from Gre Virike. Such evidence parallels the presence of extensive fortiﬁcation walls and control points at the city of Beydar, indicating the importance of controlling territory for Nagar’s king. Similarly, the presence of separate locations for elite and nonelite offerings at Hazna may have constituted a part of Nagar’s different hegemonic strategy. At Hazna, everyday objects – probably brought as offerings – such as grain, animals, agricultural implements, and animal ﬁgurines, were segregated from unusual, high-status donations such as the semiprecious beads in room 149. Moreover, there is no obvious space for an audience to watch the ritual performances, indicating that the relationship between actor and audience was different here. It is likely that all visitors to the complex were understood as participants, perhaps stressing the egalitarian nature of many of these rites. However, although most of the evidence at the site results from similar ritual offerings, perhaps made by a wide spectrum of the populace, the use of at least part of the site may have been co-opted by an elite that emphasized exclusion, not inclusion. Once again, its position with respect to Nagar may indicate that most of its pilgrims only traveled a day or so to reach this sanctuary. Jebelet al-Beda also attests to the ritual establishment of a political strategy. These unusual ruins have been interpreted as a site of worship, a victory monument, or a place of ancestor veneration (Oppenheim 1933; Meyer 1997; Moortgat-Correns 1972; Pfälzner 2001a). It seems most likely that this site was built and used by the inhabitants of the Kranzhügeln, the majority of which lie between the Jebel ‘abd-al-Aziz and the Habur river. The 33 ha site of Tell Mabtuh lies only about 10 km northeast of this monument and is the closest third-millennium settlement. Jebelet al-Beda may have been part of a pilgrimage network belonging to the kingdom of Abarsal, centered on Chuera, ca. 55 km northwest, or to the kingdom of Haddu, an important center that bordered Mari on the west and whose capital has been identiﬁed as Tell Malhat ed-Deru, ca. 55 km southeast.46 The monument at Jebelet al-Beda seems to have more in common with Gre Virike than Hazna. Unlike the latter site, the use of circumvallation is limited to one of the “Grave Hills.” Moreover, the

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simple cist graves set on a platform, built on a natural hill, recall the emplacement of platforms along the Euphrates. But the stelae and statue of Jebelet al-Beda appear more overtly political than the other monuments discussed so far. And although the platform provides a space for ritual; it is much smaller than the one at Gre Virike and could have accommodated at most perhaps 500 people, perhaps limiting attendance to a certain segment of society.47 Although it is possible that the preserved stela and the statue depict a god, it is more likely that this ﬁgure was a man, perhaps a king (Moortgat-Correns 1972: 21–2). The “king’s” power may have been grounded in the relationship of this image to the dead, its connection to the bodies of his followers, enemies, and/or ancestors who were interred in the surrounding graves, and perhaps its signiﬁcance for the living who witnessed this monumentalized ceremony. The construction of the monument in the barren hills also expressed royal power, demonstrating this nameless king’s ability to monopolize skilled and unskilled labor. Finally, evidence from Banat, possibly Armi/Armanum, indicates another set of political strategies. Unlike the other places discussed, Banat was a major center; at 40 ha, this complex may have been the largest city on the upper Euphrates, perhaps larger than Carchemish. In the Ebla documentation, Armi/Armanum is a city-state ruled by an en and his elders (Fronzaroli 2003: texts 16 and 17; Otto 2006: 18). The importance of both an exclusive leader and a corporate entity here, as at Ebla, corresponds nicely to the complex ritual installations. For centuries tomb 7 and the White Monument stood together, representing two political strategies, usually understood to be in conﬂict, but here coexisting. White Monuments A and B were probably both built and used at the same time as tomb 7 and the associated public building in area C, but the different monuments may have represented different forms of political authority. Located outside of the settlement complex at Banat, across the modern wadi from the main site, the White Monument may be approached from any direction. Excavation and geophysical surveys revealed no enclosure walls, nor are any visible in the topographic plan. Instead, there seems to have been entirely open access to this place. The inclusive nature of this access parallels the inclusive nature of the monument itself. Even if there is an undiscovered elite burial within the heart of this mound, the many other discrete deposits of human bone, animal bone, and other ritual materials (such as beads and clay balls) from each stage of its construction emphasize

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its communal nature. Prior to the emergence of craft-production areas and public buildings at Bazi-Banat, the site was probably characterized by a ﬁeld of such tumuli – as resistivity survey has located other likely burial mounds in the area. Most scholars have assumed that these mounds were the burial places of a probably generally mobile population (Peltenburg 2007–2008; Porter 2002). The White Monument may have served as a testament to these nameless dead, maintaining a vital link between farmers, pastoralists, city dwellers, and their ancestors. Its size and setting meant that it was visible for a long way, particularly for travelers coming from the north and west, broadcasting a powerful argument about political authority to the other populations that comprised this polity (Porter 2007: 203).48 Unlike the White Monument, the later tomb 7 was built in a large public area. Although initially access to this area was unrestricted, the construction of a thick perimeter wall that enclosed building 6 transformed its relationship with the community, isolating it from the rest of the site (Porter 2002: 27). The tomb itself, of course, is a semi-subterranean structure that is largely hidden from view, while its small size limits the number of people who could participate in rituals (Porter 2007: 208). The courtyard surrounding the buried tomb 7, however, could have held more spectators.49 The luxurious contents of the tomb and the small numbers of people buried here and in surrounding graves emphasize another type of exclusivity. Tomb 7 may well have been the actual location for the celebration of exclusive rituals like the Ebla coronation ceremony (Porter 2007: 205–7). The arcane nature of such ceremonies would also have been powerful, both for their immediate participants and for others in the community. In the ﬁnal analysis, both monuments and their associated rituals emphasize the construction of a shared community. Like the performances in the Mesoamerican cities of K’axob and La Corona that brought into being ancestors and patron deities, these rituals were performative, creating an entirely new political system. DEATH, ANCESTORS, AND POWER

Beyond these four “pilgrimage sites,” the mid–third millennium witnessed the emergence of complex ritual and mortuary practices inscribed on the landscape, cities, and palaces, providing another context for these four centers.50 The aboveground tombs at Gre Virike, the stelae and statues at Jebelet al-Beda, and the White Monument at Banat ﬁnd parallels in

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the construction of other hypogea in cities such as Umm el-Marra in the Jabbul Plain, Bi’a, where the Balikh meets the Euphrates, and Jerablus Tahtani, just south of Carchemish. An elaborate mortuary complex, dating from between 2550 and 2200 BC, crowns the acropolis of the site of Umm el-Marra, perhaps ancient Dub/Tuba. This complex consists of ten elite human tombs, and ten installations devoted to equid burials that were at least partially aboveground, and hence visible to residents and visitors to the city (Schwartz 2007a, 2012, 2014; Schwartz et al. 2003; Schwartz et al. 2000b; Schwartz et al. 2006, 2012). The tombs were built with a limestone substructure and a brick superstructure and usually had one or two rooms. Within these chambers, human bodies lay in cofﬁns, accompanied by jewelry, weaponry, pottery, and cuts of meat. Each tomb yielded between one and eight individuals, including men, women, children, and infants. A line of subterranean “installations” containing the articulated skeletons of more than thirty equids bisected the center of the complex. Jill Weber, the project zooarchaeologist, argues on the basis of morphological considerations that these skeletons are the remains of the kunga, an onager-donkey hybrid that was associated with royalty in the Ebla texts (Weber 2008, 2012). Only adult-male kunga were found, animals that could have been harnessed to “cultic and war vehicles that conveyed kings and gods” (Weber 2012: 169). Some of the kunga died naturally, while others were sacriﬁced, perhaps to display the power of the city’s rulers over the lives of these valuable animals. Moreover, these animals also received offerings; human infants, puppies, and pottery were placed alongside them in these installations. At Umm el-Marra, the association between processional animals, royal tombs, and spatially constructed authority provides additional insights into the Syrian ritual. Other aboveground mortuary complexes that have been excavated at Bi’a (ancient Tuttul) and Jerablus Tahtani illustrate similar relationships. Six tripartite structures containing several interments were built near the center of Tuttul in the mid–third millennium. These structures were much larger than the Umm el-Marra tombs and were entirely aboveground (Strommenger and Kohlmeyer 1998, 2000). Their placement, communal character, and wealth testify to a similar focus on visibility and the construction of status. Moreover, like mortuary monument II at Banat, which was incorporated into the possibly palatial building 7, the late-thirdmillennium palace B lies atop this complex, perhaps appropriating its

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authority. At Jerablus Tahtani, T. 302, a corbel, two-chambered, aboveground burial mound was placed adjacent to the road between the city gate and the fort on the upper terrace. The tomb contained between twenty and thirty people and was accessible through a doorway from the road, integrating it “into a passage suitable for processions,” again attesting to the ideological importance of such rituals within third-millennium cities (Peltenburg 2007–2008: 230).

Conclusion: urban spaces, pilgrimage networks, and the rise of political complexity How should we understand the appearance of cities and territorial kingdoms throughout northern Mesopotamia, ca. 2600 BC? I have argued that the rise of political complexity in northern Mesopotamia entailed the refashioning of a familiar landscape. Not only did the growth of cities and the emergence of administrative elites who sought to establish oversight over a larger populace transform the economic relationship between agriculturalists, pastoralists, and artisans, it also transformed how they understood the world and their place within it. This latter step was crucial to the success of these early polities. If northern Mesopotamian pilgrimage routes were intimately connected with other networks – such as tribute or gift circulation, as seems likely given the archaeological and epigraphic data – they would have provided important justiﬁcation for such economic processes. Analysis of the textual, iconographic, and settlement evidence from around Ebla suggests that at least two pilgrimage networks operated here. The ﬁrst, documented in the coronation rituals and the texts of offerings to dead kings appears to have been conﬁned to Ebla’s immediate hinterland, an area within a few days’ travel of the capital. Most likely the places that made up such routes were located up to 40 km from the city. The rituals that took place within this circuit emphasized the power and legitimacy of the kings of Ebla. The “natural links” between Ebla’s kings and its hinterland would have been strengthened by the presence of royal funerary monuments outside of the city, at places like Darib, Binash, and the other centers where AN.EN.KI offerings were made. This network probably coincided with an area that had intensive economic contact with Ebla, where many of the ﬁelds belonging to its dependents were located, which supplied much of the city’s grain (Matthiae and Marchetti

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2013).51 In contrast, the second network embraced a larger geographical area including much of the Orontes valley. The rituals that were performed here, in honor of ‘Adabal, the region’s god, probably sought to insert Ebla and its elite into a preexisting ritual system. The different nature of these ceremonies – where royal power was underplayed rather than overstated – might well correspond to the different nature of political and economic contacts in this larger region. Although Ebla texts document the exchange of livestock, textiles, and metal objects, this is probably part of a lessintensive prestige goods system. In this scenario, the pilgrimage circuits at Ebla used different strategies to integrate various regions into the kingdom with respect to their divergent political statuses. Archaeological and iconographic evidence from other sites in Syria indicate that Ebla was not alone in employing such strategies. Gre Virike may have been part of a local pilgrimage network – within a day’s journey from Carchemish, while Hazna may have played a similar role for Nagar. Banat and Jebelet alBeda probably maintained local signiﬁcance, resisting incorporation into more expansive networks, such as Ebla’s ‘Adabal pilgrimage route. The Ebla texts also help us connect urban topography with these ritual journeys. The royal bride’s slow procession to the palace is central to her ritual transformation into Ebla’s queen, as the royal couple’s pilgrimage is to political transition within the kingdom as a whole. The coronation ritual is an event that models and as such serves as a metaphor for the transformation of political systems across northern Mesopotamia. Similarly, the highly controlled passages to and in northern Mesopotamian cities may have instructed the populace in proper urban behavior and attitudes toward authority, creating a new type of citizen. Ritual and habitual movement through these newly created landscapes – from multi-day pilgrimage routes to the construction of walls and urban grids – was thus critical to the establishment of these traditions. Social transformation often works through ritual and changing bodily practices, which have the power to naturalize a certain way of being (Connerton 1989; Bourdieu 1977, 1990). These two processes are rarely separate. Rituals do not exist as words alone. It is the bodies performing them that give them their meaning and power. Posture, dress, and repetitive action literally incorporate social norms; they take advantage of habitual memory and construct new identities. As we saw in the example of the French Revolution, moments of rupture or social transformation justify themselves by changing both commemorative ceremonies and

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bodily practices, initiating new styles of dress, calendars, and festivals to instantiate this change.52 The establishment of new ritual circuits that coincided with other changes in landscapes of movement, including the construction of city walls and urban grids, inaugurated new ways of being in northern Mesopotamia. A similar process may have taken place several hundred years later on Crete, when a ritual landscape marked by peak sanctuaries (resembling sites like Gre Virike) was appropriated by a nascent elite.53 The reconstruction of these North Mesopotamian ritual systems has relied heavily upon analysis of the Ebla ritual texts and sealings produced and used only in elite contexts, clearly skewing our understanding of ritual life and political negotiation among all members of the community. When it comes to understanding possible pilgrimage sites, however, the archaeological ﬁnds at Hazna, Gre Virike, and Banat’s White Monument suggest that these religious landscapes were not entirely under elite control. Ethnographers and historians have long recognized the ambiguous quality of rituals, which can serve the interests of both authority and resistance (Kertzer 1988; Mather 2003). This can be particularly true of pilgrimage (McCorriston 2011: 27–8; cf. Turner 1979). The celebration of ofﬁcial rituals in newly built, asymmetric palaces or temples may have enacted one particular vision of the way things should be, while the more popular rituals that were performed at Banat’s White Monument or the meager offerings left at Gre Virike may have enacted another. In the end, each polity was the site of constant political struggle between a range of actors. Political authority was not set in stone at the moment that the city was built, but was instead continuously negotiated, through ritual as well as more quotidian means.

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Memory

An event that presents: the Feast of Ištar and the kispum ritual Once a year, the statue of the goddess Ištar traveled to the city of Mari on the middle Euphrates as part of a grand religious celebration. Ofﬁciates brought sheep, goats, ﬂour, and bread for Ištar’s sacred meal to commemorate ritual events, including her departure from the temple at Dêr, her journey to Mari, and her installation in that city’s temple. Unlike other religious occasions which usually involved small numbers of participants, this festival brought together the entire political community of the kingdom, a role that one of its alternate names, “the Feast of the Land,” explicitly recognized.1 It did so not only by honoring Ištar, a goddess linked to victory, kingship, and various tribal confederacies, but also through a series of rituals that created blood obligations and established a larger community of the living and the dead. Indeed, the ancestor ceremonies that were attached to this celebration were central to politics, ritual, and community identity at Mari. People from neighboring kingdoms held similar ceremonies. To the east, in the IdaMaras· , Apum, and south of the Sinjar mountains, the elunnum rite played this role, while to the northwest in Aleppo, the hi’ârum festival – named after the sacriﬁce of a donkey – served the same purpose. Like the Mari celebration, these other festivals connected the ascent of Ištar, ancestor commemoration, animal sacriﬁce, and diplomacy (Durand and Guichard 1997: 38–9; Eidem 2011: texts 5 and 79). The ritual cycle of the Feast of Ištar included sacriﬁces outside of Mari, the major ceremony when the goddess entered the city, the feast of the ra ¯mum (a burial cairn), the pagra’um offering of animal corpses to Dagan, and of course, the kispum ritual for the ancestors (Jacquet 2011: 21–4 and 52–5).2 The feast of the ra ¯mum was celebrated at a stone tomb, probably located in the countryside, although such tombs could also be 92

Memory

erected in cities. The kispum ritual included sacriﬁces within the palace in the “room of thrones,” where donations were given to the lamassatu statues of the Akkadian kings Sargon and Naram-Sin. Other kispum offerings took place in the city’s temples, and in the countryside, at the kisikkum, probably a cairn that marked burials. Finally, on the day of the full moon, priests laid out circular tent foundations to create a ritual place for the sacriﬁce of a donkey. Like the kisikkum, tent footings are generally stone circles, similar to the cairns and tumuli in Middle Bronze Age cemeteries. Here, the ritual explicitly connected these simple nomad dwellings and the domain of the dead. The sacriﬁce of a donkey emphasizes the dual political and religious nature of this ritual. In the diplomatic correspondence, this sacriﬁce was performative and enacted a treaty between two polities (Charpin 1990, 1992; Tadmor 1985). Along with the ritual gesture of “touching one’s throat,” a donkey sacriﬁce consecrated the solemn oath that the treaty represented (Durand 2008: 578; Munn-Rankin 1956: 89–91). The donkey’s blood served as a metaphor for the blood of the rulers, and by spilling and mixing it, they became brothers. Indeed, a later king of the city of Eluh ut described an alliance as “the sharing of blood” (Eidem 2011: text ˘ 89, p. 315).3 The presence of this sacriﬁcial rite does not just call attention to the treaty ritual; it actually is the setting for this staging of brotherhood. Letters describe treaty conventions that took place at ra ¯mu ¯, stone cairns, just like in these ceremonies (ARM 23 319: 7). After the sacriﬁce established their brotherhood, these new “brothers” or “sons” were required to participate in the kispum ritual for the kingdom to honor the dead of their new family.4 Indeed, one of the most famous letters from Mari, which describes the relative power of the great kings during Zimri-Lim’s reign, does so in this context: Concerning the message that my lord sent to the kings, which said, “Come to the sacriﬁce of Ištar.” I had them assemble at Šarmaneh and I addressed them as follows, saying “There is no king who on his own is the strongest. Ten or ﬁfteen kings follow Hammurabi of Babylon, the same number follow Rim-Sin of Larsa, the same number follow Ibal-pî-El of Ešnunna, the same number follow Amût-pî-el of Qatanum, twenty kings follow Yarim-Lim of Yamh ad. (Dossin 1938: 118–19, ˘ A.482: 22–7)

A king’s subordinates, or “sons,” and his allies, or “brothers,” were required to attend this ritual cycle every year in order to establish, renew, and strengthen their connection to the kingdom’s present and past. This was the occasion when

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the king designated ofﬁcials and acknowledged client kings, when accounts were settled and taxes paid. Participants in the kispum ceremony were not just dignitaries like the royal family, ambassadors, and priests. Other celebrants included the muške¯nu ¯ (Akk. sg. muške¯num), the citizens of Mari who were separate from the palace establishment (Durand 1991: 21, n. 18; Charpin 1988: 19; Schloen 2001: 285–7). Indeed, the celebration of this kispum as a state ritual cited a ceremony that took place in private houses and cemeteries as part of regular obligations to the ancestors. In the palace, administrative dockets record fortnightly offerings of bread and grain for the kispum ceremonies that were celebrated during different phases of the moon (Jacquet 2002; Jacquet 2011: 43–6). Families and households held similar rites in houses or at family tombs, leaving bread, meat, and beer to feed the dead (Bayliss 1973: 115–22; Tsukimoto 1985; Van der Toorn 1996). As a family ritual writ large, the Feast of Ištar created new ties, establishing a new type of community. The ceremony thus united all of the constituencies of the kingdom through a celebration of a common past.

Memory, mourning, and legitimacy The Feast of Ištar afﬁrmed the ancestor as a potent symbol in the early second millennium BC, and honoring the dead as a powerful political and religious practice. Unlike the Ebla coronation ritual, this ceremony does not seek to transform a political situation but to perform an image of an ideal polity. As an event that presents, this ritual holds up a sort of funhouse mirror to existing political relationships, one that makes them look both natural and durable. In this chapter, we will examine how this ritual works and particularly how the past gains authority. Why is memory such a salient concept at this time and place? The answer may be found in the particular political and social context of this period. Cross-culturally, the commemoration of the past occurs most often during periods of rapid transformation, when previous social patterns are disrupted (Connerton 2011; Ricœur 2004; Hobsbawm 1983). As Karl Marx famously described the establishment of the Second Republic and the subsequent ascent of Napoleon III: The tradition of all the dead generations weighs like a nightmare on the brain of the living. And just when they seem engaged in revolutionizing themselves and

Memory

things, in creating something that has never yet existed, precisely in such periods of revolutionary crisis they anxiously conjure up the spirits of the past to their service, and borrow from them names, battle-cries, and costumes in order to present the new scene of world history in this time-honored disguise and this borrowed language. (Marx 1994 [1869]: 189)

Rather like the late-eighteenth and nineteenth centuries in France, the early second millennium BC was a period of instability and social change, which witnessed the creation of myriad polities following nearly three centuries of settlement abandonment (Fig. 24). The political landscape of this “recovery” was highly fragmented, and competition between small kingdoms from Iran to the northern Levant was omnipresent. But a unitary cultural landscape emerged that transcended the region’s linguistic and ethnic diversity, despite the enduring political divisions and the transience of individual kingdoms. The performance of elite rituals and daily practices that depicted a shared past – grounded in an understanding of 24 Mesopotamia, from 1900–1500 BC (Base map by author, using ESRI topographic data [Creative Commons]: world shaded relief, world linear water, and world countries)

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death, ancestors, and belonging – created a common framework for activities in the Old Babylonian present. A growing recognition of the use, appropriation, and “invention” of the past has been a potent theoretical force in the humanities and social sciences.5 This fascination with cultural memory, heritage, and the relationship between modernity and forgetting has only become more pertinent in the last decades as communication technologies have increased life’s tempo. There is a growing tension between the desire to memorialize recent events – perhaps most pointedly September 11, 2001 – and the way that information overload and consumer culture both conspire to reduce the temporality of lived memory and to consign even signiﬁcant moments to oblivion after only a few months or years (Connerton 2009). During the last decade, archaeologists have explored how memory and the past are implicated in landscapes, rock art, and scholarly practices in places as diverse as neolithic Britain, the American Southwest, and ancient Greece.6 This interest in memory has coincided with a time when archaeologists have become more aware of the political consequences of how they retrieve, curate, and interpret the past. Since the 1980s, archaeological heritage has become increasingly politicized in many countries, and the number of stakeholders and interested parties has grown exponentially (Vitelli and Colwell-Chanthaphonh 2006). The enactment of NAGPRA legislation in the United States and the Aboriginal and Torres Strait Islander Heritage Act in Australia have initiated new discussions about heritage that explicitly include indigenous and descent groups and have changed normative practices of archaeology (Phillips et al. 2010). Several national and ethnic groups have employed archaeology to buttress their claims to speciﬁc territories, in processes as disparate as the Martu’s successful legal case to gain native title to a 130,000 km2 tract in western Australia based partially on the presence of rock art in the region to the employment of archaeological data in the argument for a Greater Israel (Codding 2012; Abu El-Haj 2001). Although this process has roots in the nineteenth century, it has become increasingly pertinent in the last few decades, particularly in places undergoing state formation such as the former Soviet Union (Kohl et al. 2007; Kohl and Tsetskhladze 1995; Shnirel’man 2001, 1996). At the same time, several nation-states, especially areas that were formally colonized, have laid claim to material excavated from their territories and held in museums in the United States and

Memory

Europe (Edgeworth 2006; Mashberg 2013). The resulting debates over the status of these objects have helped crystallize competing understandings of who owns the past (Meskell 2007). In the Middle East, the conﬂicts and revolutions of the last two decades have resulted in widespread looting of museums and the destruction of archaeological sites, focusing attention upon the role of the past in the present. In 2000, global organizations widely decried the dynamiting of the Bamiyan Buddhas in the name of Islam by the Taliban in Afghanistan (Meskell 2002). Two years later, the international community similarly censured the U.S. government for not preventing the looting of the Iraq Museum in Baghdad in the chaos that followed the American invasion (Pollock 2003b; Rothﬁeld 2009). The disappearance of iconic objects such as the Warka vase – televised to worldwide audiences – raised questions about who is responsible for the past (Pollock and Bernbeck 2005). Reports of looting and destruction in Syria, Egypt, and Iraq during 2010–2014 have ignited similar discussions about heritage, its political association, and its connections to people outside of national communities (Gerstenblith 2012). In Egypt particularly, much of this debate has raised issues that resonate with many of the positions that emerged during the conﬂict over the Persepolis festival (see Chapter 1). But these concerns are hardly new. In most places and periods, the present has been “among, other things, a battleground about the interpretation of the events and meaning of the past” (Yoffee 2007: 1). The past, memory, and history, all controversial now, were no less contested in the past. Earlier states also harnessed history to justify territorial gains. Aššur-Dan (935–912 BC), king of Assyria, for example, describes his conquest of the Jezirah as “[bringing] back the exhausted [people] of Assyria [who] had abandoned [their cities (and) houses in the face of] want, hunger, (and) famine (and) [had gone up] to other lands” (Grayson 1991: RIMA II A.0.98.1, 60–7). The people Aššur-Dan “brought back” had probably not lived in this territory for at least a century, probably more. Similarly, modern looting, the transfer of particularly culturally signiﬁcant items from the defeated to the conquerors, recalls ancient practices of appropriating the past. The Code of Hammurabi and the Victory Stela of Naram-Sin were both found in Susa, not Babylon or Akkad where they were initially erected. Elamite soldiers looted these objects, already antiques, from Babylonia in the late second millennium BC (Bahrani 2008: 51,

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114, n. 20). The antiquarian interests of political leaders such as Saddam Hussein echoe similar interests of Mesopotamian kings and ofﬁcials, including Nabonidus, who sent workers armed with picks and baskets to excavate Akkad (Winter 2000), and the scribe Nabû-zuqup-ke¯nu, who copied archaic texts from Babylon for the royal Assyrian library (Garrison 2012: 30–1; Frahm 1999). As the ancient evidence for looting and excavation in the Near East makes clear, heirlooms, ruins, and history were particularly salient categories in Mesopotamia. People could appropriate history in different ways, sometimes to establish a shared past, but also to deny one to others. In this chapter, I will investigate “memory work” in a way that acknowledges both the contingent way in which every present constructs its past and the multiplicity of pasts produced within this framework (Mills and Walker 2008). Memory work invokes a speciﬁc, appropriate past through citation, references to past words, things, or practices that give an object or ceremony an archaic ﬂavor even when it is an innovation (Jones 2007: 55). I will begin by outlining the complicated political history of the early second millennium BC. Second, I will consider the archaeological and textual evidence for collapse and the rupture of settlement systems, economic strategies, and social practices from ca. 2150–1800 BC as this provides a necessary background for the renegotiation of political authority in the eighteenth century BC. Finally, I will turn my attention to how and why people drew upon ancestors and the past in their performance of speciﬁc social and political identities. After considering the part the past played in collective representations during the Old Babylonian period, I will analyze mortuary landscapes, monuments, and the use of antiques and archaizing objects by kings, priests, artisans, pastoralists, and villagers as settings and props for rituals. Memory, the past, and the ancestors were widely salient categories – undergirding resettlement and establishing a symbolic system that could unite the disparate groups of the early second millennium BC. The ﬂexibility of these categories, realized in ritual, allowed for the construction and legitimation of households, tribes, and polities. But the past, mourning, and ancestor veneration could also challenge political authority. Indeed, the political instability of the period cautions us against assuming that a discourse of antiquity provides a successful hegemonic strategy.

Memory

Political instability The last few centuries of the third millennium BC saw the disappearance of the urban system that was sketched in the last chapter. The incursion of the Akkadian kings into northern Mesopotamia and the subsequent collapse of that empire in the wake of a brutal drought led to a political and social reorientation (Ristvet 2012b; Sallaberger 2007; Weiss 2012). Following the withdrawal of the Akkadian empire from the north, probably during the reign of Šar-kali-šarri (2175–2150 BC7), this area was reorganized into a series of small kingdoms or city-states. At Mari, the descendants of Akkadian governors formed a dynasty that retained the old title Šakkanakku, but became independent rulers for 350 years (Durand 1985a). Urkiš moved to ﬁll the population and political vacuum in the Habur Plains, establishing the kingdom of Urkiš and Nawar, probably centered in an area along the modern Turkish/Syrian border, between Urkiš and Nabula (perhaps ancient Nawar), or along the Jaghjagh between Urkiš and Nagar (Weiss 2012). Similarly, both Aššur and Nineveh presumably remained political and religious centers on the Tigris (Michalowski 2009; Sallaberger 2007). Given our limited archaeological and textual information for the period 2150–1900 BC, it is difﬁcult to delineate the forms that these polities took or the strategies that they employed. We know the most about Mari, the kingdom of Urkiš and Nawar, and Aššur, but in this case, “the most” means a handful of inscriptions (three in the case of Urkiš), occasional references in Ur III administrative texts about deliveries of animals from these cities to Puzriš-Dagan, and the excavation of singular buildings on a few sites – including Mari, Nagar, Urkiš, Kahat (Tell Barri), and Arbid ˘ (Weiss 2012b; Sallaberger 2011, 2007). Unfortunately, while Mari and Aššur do appear occasionally in Ur III documentation, and Aššur may have been either a province, or more likely, an independent kingdom whose kings recognized the rulers of Ur as their overlords (Michalowski 2009), there is very little information about any political centers in the Jezirah. We know nothing about the geographical extent of these polities, nor how that changed over time. There are similar gaps in our knowledge of the political organization of other areas in northern Mesopotamia. OLD BABYLONIAN KINGDOMS

Just after 1900 BC, the political situation and the nature of our documentation change dramatically. Instead of an unpopulated backwater, the

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Jezirah, the ma ¯tum elı¯tum, became a prized territory, contested by every major power in the area for over a century (Lafont 2001). This area’s potential agricultural wealth, lush pasture, and position astride the AššurAnatolia trade routes combined to make it appealing to neighboring kingdoms. The kings of Ešnunna, Mari, Ekalla¯tum, Susa, Babylon, and Aleppo jockeyed to establish control.8 The frontiers of individual kingdoms ﬂuctuated due to the machinations of the great powers, warfare with neighboring polities, and the constant threat of raids from a variety of urban and non-urban actors. During the late nineteenth century, Naram-Sin of Ešnunna, Yahdun˘ Lim of Mari, and Samsi-Addu of Ekalla¯tum all established a ﬂeeting supremacy over part of the territory.9 Kinglets in the western Jezirah from the Balikh to the Jaghjagh accepted Yahdun-Lim’s hegemony in ˘ this region (Charpin and Ziegler 2003: 38). Across the Jaghjagh, the land controlled by Samsi-Addu, the kingdom of Apum began. Then after several years of warfare between Mari and Ekalla¯tum, Samsi-Addu conquered all of Mari’s former clients in northern Mesopotamia and Mari itself (Charpin and Ziegler 2003: 48). During the ﬁnal ten years of his reign, Samsi-Addu organized his conquests, creating a tripartite administration for his kingdom. He placed his eldest son, Išme-Dagan, on the throne of Ekalla¯tum, the principal eastern city (Charpin 1997a: 371–2), and his younger son, Yasmah˘ Addu, on the throne of Mari, the principal western city. Samsi-Addu created a new capital for himself at Šubat-Enlil/Šehna, in the center of ˘ his kingdom. In the eleventh or twelfth month of 1776 BC, according to the Middle Chronology, after a short illness, Samsi-Addu died (Charpin and Ziegler 2003: 137).10 His kingdom did not long survive him (Charpin and Ziegler 2003: 162–8; Whiting 1990). Išme-Dagan managed to hold onto Ekalla¯tum and the districts along the Tigris, but at Mari, Yasmah-Addu’s realm collapsed almost immediately. A coalition of local ˘ powers – including Sim’alite nomads and petty kings deprived of their thrones – rebelled against Yasmah-Addu and secured Mari and the Banks˘ of-the-Euphrates for Zimri-Lim, who promptly established hegemony over the petty rulers of the Ida-maras· (Charpin and Durand 1985; Charpin and Ziegler 2003: 144). Zimri-Lim ruled northern Mesopotamia for just twelve years, until Hammurabi of Babylon defeated him and destroyed Mari. For the rest of the eighteenth century, Babylon and Aleppo vied for control over the region.

Memory

This whirlwind survey of the political history of northern Mesopotamia in the early second millennium BC emphasizes the political instability of the period. Clearly dynastic succession did not operate to ensure continuity or stable transitions. The nearly continuous warfare, constantly shifting alliances, and incessant jockeying for hegemony of an ever-changing group of major players suggest that the international system, such as it was, provided little stability (Guichard 1999: 29). TRIBAL POLITICS

This historical survey probably overemphasizes the importance of urban politics in the period, identifying kings only with their capital city. The voluminous Mari correspondence indicates that tribal allegiance was just as important. I use the term “tribe” to designate a political group deﬁned by an accepted mechanism for resolving conﬂicts, which often bases membership on constructed kinship (Tapper 1990: 51; Khoury and Kostiner 1990). Such groups might divide into subsections at different levels and coalesce to form tribal confederacies that can include tens or hundreds of thousands of members across ethnic and linguistic divisions (Tapper 1997). I am not using tribe to denote an evolutionary stage or a social group, nor as shorthand for “pastoral nomads.” Instead, politics is central to this deﬁnition of the tribe. As a result, tribes are not always easy to separate from other polities and often share a complex relationship with them.11 These complexities are one of the most distinctive aspects of the textual record of this period. In a letter found at Mari, Hammurabi of Babylon called Zimri-Lim “the king of the Sim’alites,” emphasizing his tribal afﬁliation, rather than his urban identity (ARM 26 385: 6; Fleming 2004a: 160). Hammurabi’s choice of phrase indicates the importance of this connection to the personal authority of this monarch. Similarly, the titles of kings in treaties and on ofﬁcial seals call attention to their position as rulers over both sedentary and semisedentary peoples. In the best preserved treaty from Šehna, LT-3, concluded between Til-Abnû of ˘ Apum and Yams·i-Hatnû of Kahat, for example, Til-Abnû and his kingdom ˘ ˘ are described as “[the] son of Dari-Epuh, king of Apum, his servants, his ˘ elders, their sons and the whole of the land of the Hana” (Eidem 2011: ˘ LT-3). The phrase “king of the land of Hana” parallels the legal descrip˘ tion of Zimri-Lim in the treaty between Mari and Babylon, where he is called “son of Yahdun-Lim, king of Mari and the land of the Hana” ˘ ˘ (Durand 1986: M.6435+M.8987: 25–6; Fleming 2004a: 148–50). In

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both of these cases, Hana probably represents the pastoral component of a ˘ speciﬁc tribal afﬁliation. The four major tribal confederacies during this period in northern Mesopotamia were the Sim’alites, Yaminites, Numhâ, and Yamutbal, each ˘ of which consisted of several smaller tribes (Fleming 2004a, 2004b). We know the most about Zimri-Lim’s tribe, the Sim’alites, who were at home in the Ida-Maras·, and are often just called “Hana” or nomads in the Mari ˘ documentation, and almost as much about the Yaminites, the main confederacy along the Euphrates and to the west, to which most of the villages near Mari belonged (Durand 2004). Ben-Sim’alite, the name for a member of the confederacy, means son of the right, and Ben-Yaminite, son of the left. The designations indicate that members of the two confederacies considered themselves related, while the terms have been usually interpreted as geographic, either referring to north and south (Heimpel 2003: 15–17; Charpin 1986: 155), or perhaps to the right and left banks of the Euphrates. The Numhâ, the third confederacy, may have been Til-abnû of ˘ Apum’s tribe. Towns and cities with this afﬁliation are generally found in the hilly arc of northern Mesopotamia, in the piedmont and around the Jebel Sinjar, probably along the Tigris (Heimpel 2003: 17–18), and possibly in the kingdom of Apum and the eastern Jezirah (Ristvet 2012b). The Yamutbal lived just south of the Numhâ, in the area between the hilly belt and the ˘ desert. They also lived along the Tigris from Maškan-Šapir to Larsa in southern Mesopotamia. These territories, however, are only approximate. The Mari letters provide intricate detail about the different status of villages, while members of different confederacies grazed their sheep on pastures in widely distant areas of northern Mesopotamia. Indeed, assuming that it is possible to easily map tribal status onto the landscape misunderstands the ﬂuid nature of both settlement and identity politics during this period. Tribal afﬁliation structured land ownership, rights to pasture, and military organization. A letter written to Zimri-Lim about a dispute between the rulers of two small kingdoms in the Ida-Maras·, Šuna and Kiduh, provides useful insight into the authoritative nature of tribal afﬁli˘ ation. The rulers of both cities, who claim the same village, agree to abide by the judgment of the local river god. Two men and two women from each kingdom must take a handful of earth and plunge into the river, as they shout, “I swear that this town is my town.” The people from Šuna will claim it as the share of the Yabasum, while those from Kiduh (in the land of ˘ Apum) will assert that it was given to the Hana of old.12 The phrase “of ˘

Memory

old” is clearly important in this context as it cites the past as a source of authority at a time when political upheaval and agricultural expansion may have threatened access to ﬁelds and pasture. There is a certain sleight of hand performed by the reiteration of these tribal names and their claims to authority, one rather similar to our attempts to draw distinct borders around tribal territories. Within the documentation, citations of tribal status work as appeals to tradition, making these identities immutable facts on the ground and giving them an authoritative history, as the land dispute between Šunâ and Kiduh ˘ demonstrates (Kupper 1998: ARM 28 95).13 Perhaps as a result, several scholars have assumed that such tribal structures were the normal organizing principles from a very early period in Mesopotamia.14 But the deep history that we grant to these individual tribes or practices was manufactured. There is no clear textual evidence for these tribes as political actors before the third dynasty of Ur. Indeed, the importance of tribes in the early second millennium BC was historically contingent, a response to the politics of the Ur III dynasty and the changing environmental and social milieu in northern Mesopotamia (Michalowski 2011; Porter 2012; Ristvet 2012b; Ristvet and Weiss 2014). Tribal afﬁliation was neither immutable nor necessarily assigned at birth. Instead, it could be actively constructed, like ethnic identity (Barth 1969; Metcalf 2009). A letter found in the Mari archives documents a situation in which one group sought to change their afﬁliation from the Yaminite to the Sim’alite confederation. Although native to the Yahruru, since they possessed no hibrum or kadum, Yaminite terms that probably referred to a transhumant group and an anointed chief respectively, Uranum and the elders of the town of Dabiš asked to enter the Sim’alites as part of the Nihadum tribe (A. 981, discussed in Wossink 2009: 133; Fleming 2004a; Durand 1992; Sasson 1998; Fleming 2004b). In order to do this, it was necessary to “slay the treaty donkey,” tying tribal afﬁliation into the ritual system of alliance, ancestor veneration, and political belonging. Clearly, shared tribal identities could reﬂect political contingency, rather than long-lived tradition. It is difﬁcult for us to disentangle what the common “tribal” designation that both Larsa (Emutbal) and Andarig (Yamutbal) use might mean, but it is not necessary to assume either the migration of tribes south to Larsa or north to Andarig as has been done previously (Michalowski 2011; Porter 2012). Instead, we must explicitly recognize the ﬂexibility of this tribal system, the ways that different actors

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modiﬁed it in response to new opportunities and challenges. Tribes in northern Mesopotamia formed a political system, one that was neither separate nor distinct from urban politics.

The dynamics of resettlement More than sixty paleoclimate proxies from the Mediterranean, western Asia, and adjacent areas indicate that from ca. 2200–1900 BC much of Mesopotamia experienced a decrease in overall precipitation and an increase in climatic instability.15 This was part of a widespread global phenomenon – reﬂected in additional climate records from North America, China, and parts of Africa, South America, and Antarctica – that divides the middle from the late Holocene in one schema (Walker et al. 2012). People living in large permanent river valleys such as the Euphrates, Tigris, and their major tributaries and in paludal and karstspring-fed areas were able to weather these changes (Roberts et al. 2011; Weiss 2013), and some of these areas were either unaffected or saw a population increase (Kuzucuog˘ lu 2007; Schwartz 2007b). But as Harvey Weiss has shown, settled agriculturalists in the plains of northern Mesopotamia were hard hit by the drop in rainfall, which decimated crop yields and made earlier agricultural systems untenable (Weiss 2012a; Ristvet and Weiss 2014). Recent excavations and archaeological surveys in northern Mesopotamia provide a precise chronology for this transformation of settlement and economic systems in light of sustained drought and political collapse ca. 2200 BC, complementing the historical and paleoclimatic records. They reveal a general pattern of abandonment, followed by a resettlement that employed new agricultural and pastoral strategies and established new trading systems (Fig. 25; Weiss 2012b). From 2200 to 2100 BC, sparse permanent settlement characterized much of the plain. This pattern is particularly well documented in the Habur triangle. In the Tell Leilan region, for example, eighteen sites show evidence of occupation during this century, but more than half of these may have been temporary or small-scale settlements (Arrivabeni 2012: 268). This is a dramatic decrease from the ﬁfty-ﬁve sites during the previous century, all of which showed evidence of long-term settlement (Ristvet 2012a: 249). Surveys around Tell Brak show an even more pronounced pattern of disruption, with just three settlements dating to this century (Colantoni 2012: 48). This general trend is conﬁrmed in the

Memory

25 Survey areas in the Habur Plains, Syria. Areas of decreasing population are in dark gray, and areas of increasing population are in white (Base map by author, using ESRI topographic data [Creative Commons]: world shaded relief, world linear water, and world countries)

more extensive survey of the entire eastern Habur basin, where Meijer noted a drop in the number of Early Bronze IV sites (Meijer 1986). In the marginal areas of the Jebel ‘Abd-el-Aziz, the western Habur Plains, and the middle Habur, sedentary settlement either wholly disappeared or decreased substantially. Similar changes in the overall number of settlements and population occurred in northwestern Syria and along the big bend of the Euphrates, where the evidence reﬂects an urban decline, although fewer sites were abandoned (Cooper 1997, 2006). Cities such as Hadidi, Sweyhat, Titris¸, Kurban, and Banat contracted in size and lost urban institutions, becoming small, undifferentiated village communities (Cooper 1999: 323; Meyer 1996: 138; Peltenberg 2000: 184). To the west, much of the Jabbul plain was abandoned at the end of the third millennium BC, with clear evidence of occupation present at four villages (Schwartz et al. 2000a: 451). A survey of the arid high-plateau east of Sweyhat found

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no evidence for settlement (Danti 1997). The only areas where life went on as usual, or where new settlements were founded, were along the largest, permanent rivers, including the middle Euphrates, Turkish Euphrates, and upper Tigris (Algaze 1989; Algaze et al. 2012). Even in these river valleys there were changes in political organization, with the disappearance of cities and increasing numbers of small, rural settlements (Erarslan 2009). Excavations at individual sites indicate that political decline accompanied the abandonment of much of this area. Akkadian style seals may have continued in use in some places, but no new seals were manufactured for more than a century, nor do any tablets date to this period (McCarthy 2011, 2012). Although Urkiš and Nagar were probably occupied continuously (Weiss 2012a), at Urkiš, the palace was abandoned around 2100 BC (Pf älzner 2012; Dohmann-Pfälzner and Pf älzner 2001, 2002). Similar continuity may be seen at Kahat, and perhaps at Arbid, but these ˘ show little evidence for complexity (Orsi 2012; Kolinski 2012). In general, however, there are few data for settlement during the Early Jezirah 5 (2100–2000 BC) and Old Jezirah 1 (2000–1850 BC) periods (Kolinski 2007). Indeed, the only material from the OJZ1 period that has so far been published comes from one building at Tell Leilan and a few houses at Mozan, providing evidence of the beginning of a change in the area’s fortunes (Weiss et al. 2012: ﬁg. 16; Bianchi 2012: 15). Between 1900 and 1850 BC, settlement in much of northern Mesopotamia rebounded. In the eastern Habur Plains, the Tell Leilan survey documents this shift best. In this area, probably coinciding with the kingdom of Apum, the number of settlements around Leilan rose twenty-fold from the post-Akkadian period, corresponding to a population boom, while the nature of settlement changed dramatically (Ristvet 2012b). Unlike the large, long-lived settlements of the Early and Late Bronze Age, these Middle Bronze Age settlements tended to be small and short-lived. Cities, which probably had few residents outside of administrative complexes, usually had a large number of satellite villages, highlighting a different relationship between rural and urban centers during this period (Ristvet and Weiss 2014). Leilan, Hawa, Rimah, and Mari exemplify this model of “hollow cities.” Other surveys undertaken in the Syrian and north-Iraqi Jezirah reveal a similar dynamic. The area surrounding Hamoukar, for instance, had eight small to medium sites for this period (Ur 2010b). In Iraq, the North Jezirah survey also shows the proliferation

Memory

of small sites around Tell al-Hawa, now reduced in size from its third millennium extent (Wilkinson and Tucker 1995: 53–4). In the Brak survey area, the early second millennium BC sees a settlement recovery and an increase in site numbers from 3 to 113 (Colantoni 2012). Additionally in some cases, new ecological zones were colonized, probably by pastoralists. At Leilan, the early second millennium sees the ﬁrst extensive settlement – much of it temporary – around the wadi ar-Radd marsh – while in North Jezirah the dry, southwestern region was ﬁrst occupied by small, perhaps transient, villages (Wilkinson and Tucker 1995: ﬁg. 37). In the western half of the Habur triangle, roughly corresponding to the Ida-Maras·, settlements show robust nucleation in the Middle Bronze Age, without the settlement rebound seen further to the east. Populations were concentrated in towns such as Chagar Bazar, Arbid, and Mozan, while their hinterlands tended to be dominated by pastoralists, not farmers. The scant Habur ware recovered from the large tells in the west Habur may be pastoral campsite residue (Lyonnet 1996, 1997, 1998, 2009). In the 12 km around Beydar, only two sites had major early–second millennium BC occupations and two additional sites had possible occupations (Wilkinson 2000). The area south of the Habur triangle, along the lower and middle Habur and in the western steppe, was almost entirely uninhabited during the early second millennium BC (Wilkinson 2002; Hole 2002–2003). Taban may have been the only settlement along the middle Habur, a region that was dominated by pastoralists according to evidence from both surveys and texts (Durand 2009; Ohnuma and Numoto 2001). Finally, settlement numbers continued to increase or remain constant along the middle and upper Euphrates and upper Tigris, in the same areas that had experienced settlement continuity or population growth previously. Along the middle Euphrates, at least twenty-seven sites belonged to the Middle Bronze Age, more than double the number recorded during the late third millennium (Geyer 2003: 113). Further north, along the Syrian upper Euphrates there are thirty-six sites for this period, the second largest peak in settlement for the region (Conteson 1985: 111–12). The resettlement of the dry-farming plains near the Euphrates followed the same pattern. Northeast of Sweyhat, Berthold Einwag noted that Middle Bronze Age sites are numerous, while in the better watered western half of the Jabbul plain survey area, settlement rebounded (Einwag 1993: 37; Schwartz et al. 2000a).

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HISTORY AND THE POLITICS OF EMPLACEMENT

We can see both the signiﬁcance of this rupture and the importance of the past to people caught up in the resettlement by examining where new settlements were founded. When establishing new villages, creating political capitals, and constructing cemeteries, people connected these new places to earlier settlements, despite the absence of settlement continuity. The vast majority of villages were founded on prehistoric mounds; in fact, only 13 out of 157 (8 percent) of early–second millennium BC sites in the Leilan survey do not have evidence for earlier periods of occupation. Ten of these sites were probably short-lived pastoralist occupations, meaning that only three settlement sites were founded ex novo. A similar trend can be observed in the North Jezirah survey, where only ﬁve of forty-three sites (9 percent) are new foundations (Wilkinson and Tucker 1995). Around Tell Brak, the initial survey by Eidem and Warburton found previous settlement at all early–second millennium BC sites (Eidem and Warburton 1996), although it is not clear if this pattern holds for the Brak Sustaining Area Survey, which located many more sites, but has not yet been fully published. This general trend may also be observed in western Syria. North of the Jabbul Lake, twenty-two Middle Bronze Age settlements were established on top of earlier tells (Schwartz et al. 2000a: 451). Similarly, isolated graves and cemeteries could be placed on abandoned mounds, as at Tell Ghanem al-Ali, indicating the continued importance of these abandoned settlements (al-Maqdissi 2010).16 Ancient cities had a particular resonance within this resettlement. When Samsi-Addu needed a capital, he chose Šehna, a major third millennium ˘ city, which had been resettled perhaps a century earlier (Fig. 26). Before Samsi-Addu made Šehna his capital, occupation here was likely limited to a ˘ small group of houses near the city wall and a single building on the acropolis (Weiss 1990a; Monchambert 1984; Weiss et al. 2012). The imposing ruins of the mound, however, and its towering third millennium city walls created a focal place in the landscape. Šehna is not the only city ˘ with evidence for earliest settlement; indeed all major second millennium BC sites had been previously important, depite evidence for settlement discontinuity. This preference for founding towns on archaeological sites is not normative. In the ﬁrst quarter of the third millennium BC (2800–2600 BC), in the Leilan survey, nine out of thirty-two sites (28 percent) were new

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Tell Leilan Excavaons 1979-2008

382 380

388

Op. 8

Qarni-Lim’s Palace

Op. 4 Houses 5 38

Op. CG

385

Op. 2 Acrop NW Admin Bldg

Acrop NE Temple

Shamshi Adad’s Palace

399 0

100 200 300 400 500 m

380

378

26 Tell Leilan/Šubat-Enlil, 1900–1700 BC

establishments. Similarly, the later second millennium BC saw people move off tells and onto the plains, setting up several settlements in previously uninhabited locations. And in the early ﬁrst millennium BC, during a similar period of settlement recovery, few villages were founded on archaeological sites (Wilkinson and Barbanes 2000; Wilkinson 2003; Wilkinson et al. 2004).17 There are probably many factors that accounted for the decision to build on ancient tells. The mounds may have provided a focus in this ﬂat landscape, or their height may have been useful for defensive purposes. But these sites may also have been landmarks in a mythological or ancestral landscape. Their ancient remains could have been part of a matrix of meaning that resonated beyond the elite circle of the texts (Steadman

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2005). Settlement choices are important precisely because they indicate a general interest in or respect for the past, and not one that is limited to the royal court, or even the elite as a whole. While the foundation of settlements on ancient mounds was one strategy of creating ties between individual villages and cities and local history, people also commemorated earlier religious and royal histories when afﬁrming larger political territories, such as kingdoms and regional confederacies. Contemporary texts emphasize that people conceived of the landscape as both historical and mythical. A treaty between Šehna and ˘ Kahat describes Kahat’s territory, west of Šehna, as “from Nawar to ˘ ˘ ˘ Nawar,” a phrase that probably cites both the journey of the goddess Nawar to mark boundaries and this region’s illustrious past (Eidem 2011; Guichard 1997; Eidem 1991c, 1991b). An annual cultic journey undertaken by Dagan between Terqa, Tuttul, and Mari probably played a similar role in the constitution of that kingdom (Pappi 2012). Here, the texts emphasize the long history and the religious signiﬁcance of these ancient cities, which were all important in the third millennium BC, explicitly linking this past glory to contemporary political processes (Ristvet 2008). MIDDLE BRONZE AGE ECONOMICS

The signiﬁcant shifts in the number and nature of settlements probably index changes in agricultural and pastoral production strategies, land tenure, and trade relationships. Several areas that had seen agricultural exploitation and permanent settlement during the mid-third millennium BC became pastureland by the end of that millennium and remained so during the Middle Bronze Age, including the middle and lower Habur, the western Jezirah, and the Jebel ‘Abd-el-Aziz. All of these regions corresponded to important areas of pasture in the Mari letters for seasonal herding groups belonging to several different tribes (Yamada and Ziegler 2011; Durand 2004; Ziegler 2011). Seeds found in animal manure indicate that many settlements increasingly relied on pasturing rather than foddering animals (Colledge 2003). At Brak and Leilan, there is evidence for more crop diversity and greater dependence on sheep and goat pastoralism (Colledge 2003; Smith 2012; Meadows, personal communication; Weber 2001). In western Syria, the early second millennium BC saw the introduction of a different pattern, with a new focus on hunting onagers in the steppe surrounding the site

Memory

(Schwartz et al. 2000: 435; Nichols and Weber 2006). Similarly, archaeobotanical evidence indicates that there was a general diversiﬁcation of cropping, unlike the barley monoculture seen in the mid to late third millennium BC (Smith and Munro 2009). The proliferation of small, short-lived village sites is probably related to changing conceptions of ownership. The Mari documentation suggests that land ownership was organized by tribal afﬁliation for both sedentary and semisedentary units (Charpin 2010b), as the dispute between Šuna and Kiduh already demonstrated. Administrative texts from Mari regularly ˘ list villages within the provinces of Terqa, Saggaratum, and Mari according to tribal afﬁliation.18 These census or te¯bibtum documents, probably related to occasional redistributions of land, record populations of between 35 and 700 people in each settlement (Villard 2001; Kupper 1950; Kellenberger 2000). It is likely that these settlements included temporary camps as well as villages, since we have many more toponyms than archaeological sites. A ﬂexible land tenure system may have enabled villagers to relocate when water or soil became exhausted and is well-adapted to the drier conditions during this period (Ristvet 2012b). The shift of settlement during the late third millennium to the Turkish Tigris and Euphrates heralded a change in trading networks across this area (Ristvet n.d.-a). This probably began during the third dynasty of Ur, in the twenty-ﬁrst century BC, when we have evidence for the presence of a rich merchant named Puššam at Urkiš. Puššam’s house was equivalent in size to some Mesopotamian palaces and contained more than 250 sealings attesting to his commercial dealings. His name is Hurrian, like many of the names at Urkiš, but the house’s style and its contents both resemble material from the Diyala. This building has been described as a trading depot, as well as a residence, since it is well-equipped with storerooms (Dohmann-Pf älzner and Pfälzner 2001). By around 1900 BC, evidence from Kaneš indicates that a complicated network of local and long-distance traders had grown up in northern Mesopotamia and southern Anatolia (Barjamovic 2011). Several cities in northern Mesopotamia served as stages in the journey from Aššur to Kaneš, including Šehna, where the ˘ discovery of an Old Assyrian treaty provides evidence for the operation of a trading colony (Veenhof et al. 2008; Eidem 1991a). Shifts in land tenure and the institution of new networks of merchants were thus implicated in the settlement transformation during this period and created unique challenges to the negotiation of political power.

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Collective representations: the past in the past The reestablishment of political authority in northern Mesopotamia took place as part of this resettlement. These polities established themselves as the heirs of both the few surviving cities of the third millennium BC and of the pastoralist groups who achieved new prominence during the same period. Ancestry and continuity with a certain past probably sanctioned an ideology of inheritance, cloaking new political and economic forms in the reassuring mantle of antiquity. But why was the past authoritative during this period? How did people in northern Mesopotamia conceive of history? How did the kispum ceremony become an event that symbolized the composition of different polities? Before I discuss the archaeological evidence for death, ancestor rituals, and the material engagement with the past – the materialized symbols that gave the kispum its force – it is necessary to consider the role of the past and to delve into emic conceptions of time and history. LITERATURE, HISTORY, AND THE ANCESTORS

In the Old Babylonian period, history and literature did not exist as standalone categories; rather, what we call historical and literary texts were part of the ritual apparatus of ancestor traditions. Scholars rarely highlight the connections among history, literature, and ritual during this period. Few discussions speciﬁcally distinguish between the textual records of North and South Mesopotamia, particularly since they both employ the same dialect. As a result, it is often assumed that literature played the same role in the north as it did in the much better attested south, where it has been interpreted as the source of an invented tradition that created an esprit de corps among the scribal elite (Veldhuis 2011, 2004).19 But the limited numbers of historiographic and literary texts found in northern Mesopotamia, as well as their distinctive archaeological contexts, make this assumption untenable. An examination of archiving practices in northern Mesopotamia illustrates the differences between the two areas. The approximately 50,000 cuneiform tablets from the late nineteenth and early eighteenth centuries BC found at Mari, Leilan, Rimah, Chagar Bazar, and Kültepe consist almost entirely of administrative documents and letters. Only a handful of literary texts (fewer than twenty), and a smaller number with “historical” information, have been found at Mari, Leilan, and Kültepe, in contrast to the well-known scribal schools in the Babylonian cities of Nippur, Ur, and

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Sippar, which contained hundreds or thousands of copies of such works (Delnero 2012). Moreover, tablets in the north, particularly nonadministrative texts, come from different contexts than in the south, testifying to different rates of literacy and a distinct milieu for scribal production. In general, tablets are found in many more contexts in southern than in northern cities, suggesting that writing was more widespread. The majority of excavated houses in Nippur and Isin, for instance, contained tablets (Charpin 2004; Wilcke 2000; Veldhuis 2011), whereas in northern Mesopotamia, the only private archives that have been found come from two houses at Mari and the archives of Assyrian traders at Kaneš (Charpin 2011; Cavigneaux 2009).20 Outside of Kaneš, there are very few contracts or other private documents in the north. This has important implications for literary texts in particular. At Nippur and Ur, the two Old Babylonian sites with the largest number of literary tablets, most of these were found in private houses, often interpreted as scribal schools (Delnero 2012; Tinney 1999; Veldhuis 2004), unlike in northern sites. The northern Mesopotamian school texts that we have actually reﬂect a different approach to education, with little evidence for learning the royal praise songs, hymns, myths, epics, and debates that are so prominent in the south (Hecker 1993; Cavigneaux 2009). Instead, north of Babylonia, writing was limited to an institutional context, and non-administrative texts – ritual texts, incantations, historiographic compositions, omen compendia, and epics – to a ritual one. The historiographic texts from the north include two from the Mari palace archives – the Mari Eponym Chronicles and the Revolt against Naram Sin – and two texts from a recently excavated schoolhouse, called Chantier K – Šulgi B and the Epic of Lugalbanda (Cavigneaux 2009: 52; Weiss et al. 2012). Outside of Mari, the archives of the Eastern Lower Town Palace at Leilan contained a copy of the Sumerian King List (Vincente 1995), and houses of Assyrian traders at Kaneš yielded ﬁve eponym lists, a Sargon legend, and copies of inscriptions of the Assyrian King Erišum (Veenhof, Eidem, and Wäﬂer 2008: 44–5). The ﬁnd spots of historical texts in northern Mesopotamia underline their ritual context. Room 108 in the palace of Zimri Lim of Mari, located to the west of the main reception suite, yielded most of the “literary” texts found at the site, including the legends, ritual texts, incantations, and Hurrian language compositions (Kupper 1978; Salvini 2000: ﬁg. 5). This room thus housed a ritual archive of texts related to religious

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ceremonies that were conducted in the adjacent ceremonial spaces. This reception suite, which included the court of the palms (room 106), decorated with the painting of the “investiture of Zimri-Lim” and the entrance halls 64 and 65, served as the location for the king’s meal and the fortnightly kispum meals, the main political rituals within the court.21 At Šehna, the Sumerian King List was found in room 22, as part of a dossier ˘ related to treaty negotiations, an enterprise that was as ritual as it was political, and which was connected to the elunnum, a rite that paralleled the Feast of Ištar.22 Finally, the historiographic texts from Kaneš provide an interesting counterpoint to the royal archives of Šehna and Mari. Unlike ˘ material found at those cities, the Kaneš texts were written in a different dialect, Assyrian, and by a very different group – private merchants who conducted trade in wool and tin between Aššur and Anatolia (Veenhof et al. 2008; Ristvet and Weiss 2011). The resemblance of these texts to other historical texts from the north, however, suggests that they were also part of the apparatus of ritual. The contents of these texts explicitly link them to the kispum ritual. The Mari kispum text lists the Akkadian kings Sargon (2334–2279 BC) and Naram-Sin (2254–2218 BC) and the Yaradum and Numhâ tribes, as ˘ recipients of kispum offerings (Durand and Guichard 1997). In its citation of these names, the kispum ritual echoes contemporary king lists – namely the Sumerian King List (SKL), the Assyrian King List (AKL), and the Genealogy of the Hammurabi Dynasty (GHD), probably another kispum document.23 The GHD, a text that was probably composed at Sippar, represents an understanding of contemporary history and geography that grows out of and informs ancestor veneration practices. Lines 11–28 of the composition record the names of the direct ancestors of King Ammis·aduqa of Babylon. This provides a key to understanding the ﬁrst ten lines, which contain names of tribes belonging to the great confederacies of Mesopotamia, who were probably also imagined as eponymous ancestors, as was probably the case for the tribal names mentioned in the Mari kispum text. Since tribal designations also crystallized a primary sense of political identiﬁcation for villages, towns, and pastoralists, their invocation here also has geographic implications. The GHD ends with an invitation to named and unnamed ancestors to come and partake in the feast of the dead. It does so in a way that emphasizes this inclusive geography:

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The palû of the Amorites, the palû of the Haneans, the palû of Gutium, the palû not recorded on this tablet, and the soldier(s) who fell while on perilous campaigns for their (lit: “his”) lord, princes, princesses, (36–38) all persons from East to West who have no one to tend or care for them, come ye, eat this, drink this, (and) bless Ammis·aduqa, the son of Ammiditana, the king of Babylon. (GHD lines 29–43)24

Here, commemoration becomes a way of creating a shared polity, one that ties together kings, tribes, and soldiers, both living and dead. The list of the four palû, usually translated as dynasty, in lines 29–32, may be understood in terms of both time and space. The three named dynasties could describe the entities who exercised political authority from the fall of the Akkadian empire to the rise of Babylon, with the ﬁnal palû, “the one not recorded on this tablet,” designating primordial events (Finkelstein 1966: 97–9). At the same time, these palû correspond to major geographical divisions, the territories of Syria to the west (the Amorite palû), the Jezirah to the north (the Hanean palû), and the Zagros to the east (the Gutian palû) (Jacquet 2002: 59–60). The genealogical lists of previous kings, tribal names, and palû construct a speciﬁc Babylonian history, geography, and politics based on an understanding of the foundational importance of ancestors. They ascribe an antiquity to contemporary territorial and political divisions, while claiming this entire territory as Ammis·aduqa’s inheritance. The GHD and the Mari kispum ritual both record religious events in which citations of history and genealogy work to produce a uniﬁed political order, one that transcends the social fragmentation of a world divided among tribes, languages, and subsistence strategies. These texts provide a very speciﬁc framework for understanding the other scattered literary works from this period, which tend either to contain “genealogical” information or to refer to the glorious deeds of past kings. The AKL, although redacted much later, includes a list of twentyseven kings reputed to be Samsi-Addu’s ancestors, divided into the seventeen kings “who lived in tents” and the ten kings “whose ancestors are known.”25 Eleven of the names in the GHD and AKL are variants of the same tribal designations (Finkelstein 1966). Moreover, the period between the historically documented Akkadian dynasty and the reigns of Samsi-Addu and Hammurabi in these genealogies is nearly identical, spanning twenty-seven and twenty-six kings respectively. It is difﬁcult to know precisely when the Samsi-Addu section of the AKL was ﬁrst composed, but given the similarities with the GHD, it is likely that this section

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of the list was originally another kispum text (Finkelstein 1966; Yamada 1994: n. 22). We should probably understand the sole redaction of the SKL known from northern Mesopotamia, the Leilan recension, as another document linked to the kispum in the north (Durand 2008: 333–4), although probably not in the south (Michalowski 1983; Marchesi 2010; Von Dassow 2012). The list of bala (the Sumerian term for palû) may have provided additional, symbolic ancestors for Samsi-Addu and the later kings of Šehna. Samsi-Addu probably used the SKL to assert his position in the ˘ long political history of Mesopotamia. Moreover, the geographic expansiveness of the text provided an ideological justiﬁcation for Samsi-Addu’s own empire building. This desire to connect contemporary political expansion to glorious historical empires probably explains the presence in palace archives of the other historical texts from this period: legends, chronicles, and inscriptions of past kings. Jean-Marie Durand has argued that the “Revolt against Naram-Sin” may also have formed part of the kispum ceremony; its recitation would have honored this king who was so signiﬁcant to Samsi-Addu (Durand 2008: 333–4). Similarly, the Mari Eponym Chronicle, a list of momentous events from Samsi-Addu’s reign, may have been compiled for Samsi-Addu’s funeral and commemoration rites at Šubat-Enlil (Durand 2008: 334).26 Recording Samsi-Addu’s accomplishments was one way to transform him into a glorious king, to make him into an ancestor like those he celebrated in the kispum. Similarly, the epic of Zimri-Lim may also have been written to commemorate this king in preparation for his eventual death (Durand and Guichard 1997: 42). The historiographic texts from Kaneš probably played a similar role, despite the city’s cultural differences. A previously unknown legend of Sargon of Akkad found in an Assyrian merchant’s house has been variously described as a straightforward historical narrative (Hecker 2001), an erudite scribal parody (Foster 2005: 71; Van de Mieroop 2000), and an improvisational tale based on historical sources (Cavigneaux 2005). The most likely interpretation, however, argues that this tablet, with its repeated praise of Adad and Ištar, was part of a series of ancestor rituals (Dercksen 2005: 121–3; Alster and Oshima 2007: 5). Although the kispum is not attested at Kaneš, evidence of ancestor rituals comes from references to the et·¯mmu e or “ancestral spirit” in Old Assyrian letters and a month name, ab šarra ¯ni (father of the kings), that may refer to an ofﬁcial cult for royal ancestors (Dercksen 2005: 122). The inscription of Erišum at the site, and perhaps even the eponym lists,

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may have been used in similar rituals, although the latter were probably also kept for practical reasons (Veenhof 2003). The presence of these texts in private houses may indicate broader participation in ancestor rituals in northern Mesopotamia and an appreciation for legendary history beyond the palace.27 DIVINE WILL AND DIVINATION

In historical texts from northern Mesopotamia, the past emerges not only as the domain of the ancestors, but also as a reﬂection of the gods’ plans for humanity. In the SKL, the concept of bala or palû, which as we have already seen refers to a division of time, often a dynasty, or the length of a reign, is understood as divinely ordained. In this schema, kingship descends from heaven and the gods grant each city a short time of supremacy, before kingship devolves to another place (Michalowski 1983; Von Dassow 2012: 118–20). This view clearly informs the GHD, and helps explains why Ammis·aduqa situates himself as the heir to all of these palû. This view of history as a manifestation of divine will permeates Old Babylonian sources, indicating that it was widely held in scholarly and perhaps other circles. A letter from Mari is perhaps the best example of this belief. Speaking through his priest, the god Addu explains the salient events of the nineteenth and eighteenth centuries to Zimri-Lim in the following terms: I have given the entire land to Yahdun-Lim, and thanks to my weapons, he had ˘ no rival. He abandoned me and that which I had given to him; I gave to SamsiAddu . . . I have given to you the throne of your father, I have given to you the weapons that I used to ﬁght the Sea . . . I have anointed you with the oil of my invincibility, so that no one can face you. Listen to my only command. When someone has a lawsuit and calls to you saying, “someone has wronged me,” give him justice. Respond to him correctly. That is what I desire from you. When you embark on a campaign, do not embark upon it without taking oracles. When I am favorable in one of my oracles, then you may embark upon a campaign. If I do not answer favorably, then do not leave. (Durand 2002: 39 [A. 1968])

This is an extraordinary passage in which Addu, city god of Aleppo, but a deity important across northern Mesopotamia, asserts responsibility for the operation of history. Rather than portraying recent history from the viewpoint of Aleppo, or even of Mari, Addu claims universal authority and grants Zimri-Lim supremacy as long as he acts virtuously. Moreover, this is

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not a unique document. Rather, references in letters from Zimri-Lim, Yasmah-Addu, and Yarim-Lim of Aleppo indicate that this theological ˘ understanding of history was widely shared (Charpin 1998: 84–7). Outside of the letters, this notion of theological time is most visible in divination, a practice that is hardly attested in the third millennium but is increasingly prominent in the early second millennium (Richardson 2010). The ﬁrst lines of this letter explain that the document itself is an interpretation of an omen, while the closing lines emphasize the importance of divination for the operation of kingship. Like history, divination was a domain in which the actions of humans, gods, and ancestors in the past, present, and future were intertwined (Bahrani 2008: 65). Divination comprises a semiotic system in which various signs in the natural world were understood to reﬂect the will of the gods and presage future outcomes (Annus 2010; Bahrani 2008: 60–5). These signs could be mutable; indeed, they emerged from a dialogue between the diviner and the god and could be averted through ritual action. Hence, divination practices constructed an authoritative past, establishing an understanding of past, present, and future as a reﬂection of the will of the gods. At the same time, this notion of time allowed diviners to look to history to avert future tragedy. The authority that diviners thus granted to the past is exempliﬁed by the thirty-two annotated liver omens found alongside the ritual texts in room 108 at Mari (Rutten 1938). These unusual texts are among the ﬁrst examples of divination literature known from Mesopotamia. They were written in the šakkanakku script, with some deliberately archaic signs, unlike most of the other texts in the palace (Richardson 2010; Gelb 1956). Moreover, several of the liver omens referred to historical ﬁgures, including kings of Akkad, the third dynasty of Ur, Isin, and perhaps an earlier governor of Mari (Fig. 27). The Mari liver omens are part of a system of divination that understood past political history as a reﬂection of a complicated relationship between kings and gods. But these objects are recursive, relying upon their own supposed antiquity to construct the authority of antiquity. Although some Assyriologists believe that these omen texts comprise observed divination practices in the late third millennium (Goetze 1947: 264–5; Starr 1991, 1983), their sign forms make it far more probable that they were written in the early second millennium and made to look antique (Gelb 1956: 7; Richardson 2010: 240–1). Rather than ancient historical documents, the liver omens were imitations that drew upon a broader, ritual interest in a

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27 AO19833, obverse and reverse, historical liver omen from Mari that mentions Sargon (© RMN-Grand Palais / Art Resource, NY).

political past, one exempliﬁed by the kispum text that formed part of the same archive (Richardson 2010: 234–5). Indeed, divination as a whole was not entirely divorced from the larger conception of the past as the domain of the ancestors. As the kispum text tells us, divination was an essential part of this ritual and many other political and religious activities (Durand and Guichard 1997: text 4: i: 13–5). The presence of the liver omens in ZimriLim and Yasmah-Addu’s palace was performative, demonstrating both ˘ their divine right to rule and constructing historical continuity between these reigning kings and earlier dynasties at both Mari and in Mesopotamia generally. Seth Richardson has recently argued that the political role of divination was transformed during the nearly half a millennium of the Old Babylonian period (Richardson 2010). The political instability that is such a striking feature of this period, the complex dynamics of resettlement, and the appearance of new social forms all required the adaptation of new political strategies, such as divination, and new ways of understanding a world that was both divided and united in novel ways. The liver omens with their archaizing script and historical information underwrote the ambitions of both kings and diviners. While these omens connected contemporary kings to a series of far-ﬂung ancestors, this innovative technique also provided divination priests with access to enormous inﬂuence, an authority that “paralleled the military power of generals and the political power of viziers” (Richardson 2010: 255). Rather like the ritual system that comprised the Feast of Ištar and the kispum ceremony that allowed for such novel ﬂexibility in creating “families” and constructing powerful ancestors,

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divination used antiquity to underwrite a political system that gave new actors access to power.

Materialized symbols: death, ritual, and the authority of the past in daily life The conception of history as a domain that belonged to the ancestors and reﬂected providence provides a framework for understanding how the past became meaningful as part of resettlement and political transformation. Perhaps the most signiﬁcant way that both states and individuals negotiated their own pasts was through the elaboration of burial traditions and commemorative rituals. Tombs and houses were the site of commemorative practices that helped to create new ideas of kinship and belonging. Stone circles and ancient graves became settings for ofﬁcial ritual, like the Feast of Ištar, where collective entities such as tribes and city councils reafﬁrmed their commitment to a certain political order through a discourse of family and history. These monuments and practices gained importance through their resonance with domestic practices. Beyond the domain of the dead, individuals constructed the past as an authoritative sphere by burying heirlooms in foundation deposits in temples and emulating third millennium pottery, seals, and statuary. THE ARCHAEOLOGY OF DEATH AND RITUAL

In order to evaluate the political signiﬁcance of memory, we need to investigate not just the intellectual apparatus of ancestor ceremonies or divination practices, but also the traces left by actual rituals. Although the period sees a range of tomb types and burial locations – in houses, intramural cemeteries, and necropoles in the steppe – funerary rituals and understandings of death were probably similar across most of Mesopotamia, whether the graves belonged to city-dwellers, villagers, or pastoralists. The materials that accompanied the dead tended to be uniform, regardless of the form of the grave (which ranged from a simple pit to an elaborate vaulted tomb) and included jewelry and other items of personal adornment, beer-drinking sets, and occasionally cuts of meat (Galli and Valentini 2006: 60). The contents of a grave rarely indicated the wealth or the importance of the deceased, as funerary rituals do not seem to have been occasions when people reﬂected upon social status, unlike in the preceding millennium. The placement of people within a burial plot probably had

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more signiﬁcance; burials in houses and cemeteries clustered in discrete groups, presumably related to households, families, or clans.28 Usually, each tomb group had a central grave, which was a mound, stone circle, or vaulted mudbrick structure visible above the ground. Commemoration ceremonies or other post-mortuary rituals were most often performed at these central sepulchers and not at the subsidiary tombs. There are two Akkadian words for tomb that were in use at Mari, qubu ¯rum (Akk. pl. qubu ¯ru ¯) and kimah h um (Akk. pl. kimah h u ¯), and it is ˘˘ ˘˘ unclear precisely how they differ. Steven Lundström has argued, on the basis of the grave inscription from the tomb of Yaba, the wife of TiglathPileser III (745–727 BC), that kimah h um designates a built tomb, usually ˘˘ a vaulted mudbrick structure that can be entered after death (Lundström 2000: 9–12). Although this reference comes from more than a millennium later, kimah h um also seems to designate a built space where offerings ˘˘ could be made in the Mari texts (Jacquet 2012: 124–5). Since this description corresponds nicely with the archaeological evidence for central tombs, I will refer to them as kimah h u ¯. ˘˘ Some of these tombs contained more than one interment, including people who were clearly buried at different times.29 Within houses, kimah h u ¯ could be placed either within courtyards or beneath the ﬂoors of ˘˘ special rooms. Their construction was undertaken at the same time that the house was built and was an essential part of it, emphasizing their importance to the household as a whole (Valentini 2002; McMahon et al. 2009: 122–3; Valentini 2003). Kimah h u ¯ have been found in towns across Greater ˘˘ Mesopotamia, including Arbid, Aššur, Kahat, Chagar Bazar, Mohammed ˘ Diyab, and Urkiš in the north, and Isin, Uruk, Larsa, Sippar, Ur, and Susa in the south and east (Galli and Valentini 2006: 58; Wygnanska 2011 [2008]). Some of the excavated examples were either empty (tomb 18, Chagar Bazar), or contained few human remains (graves 593 and 840, Kahat; also Aššur and Susa). In certain cases, this was probably because ˘ the tomb was never used (McMahon et al. 2009: 122) or its contents were later removed. If the inhabitants of a tomb were honored ancestors, who had to be fed and cared for, then it is possible that when it came time to abandon the family house, the residents brought the bones of their ancestors to their new abode (Bottéro 1980: 28; Valentini 2003: n. 50).30 Kimah h u ¯ were at the center of ancestor devotion in many households ˘˘ and settlements, and several excavated examples show evidence of continued care long after death. The best evidence for this comes from Ur, where

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twenty houses yielded evidence of vaulted tombs built of baked bricks. In general, these family tombs were placed under the ﬂoor of the back room and were often associated with an altar and sometimes a hearth in a “domestic chapel” (Galli and Valentini 2006; Brusasco 1999–2000). In northern Mesopotamia, there is also evidence of later ritual practice. At Kahat, vessels ˘ were found in the shaft leading to vaulted tombs (Valentini 2003: 284). They were probably offerings made either immediately after the tomb was sealed or as part of later commemorative ceremonies. Kispum texts from Mari document donations of various types of oil and bread, and occasionally honey, sesame, gruel, or alappa ¯num sauce as part of a fortnightly ceremony, although these practices usually took place in the palace and not at the royal graves (Jacquet 2012: 129–30).31 Vessels found at different levels within the entrance shafts at Arbid, for instance, are probably the remains of multiple oblations of bread and oil made over several years or decades (Wygnanska 2011 (2008): 610; Bielínski 2005: 486). Other material found on house ﬂoors, above the openings of tombs, has also been interpreted as the remains of commemoration rituals. On the ﬂoor of room 583, above tomb 570 at Kahat, a large quantity of smashed bowls, cups, colanders, and pots was ˘ found, possibly the remains of a funeral feast. Similarly, animal ﬁgurines found discarded on the ﬂoors of houses above vaulted tombs at Kahat may ˘ represent animals presented to the dead (Valentini 2003: 285; Fig. 28). There is also evidence of animal sacriﬁce at some kimah h u ¯. A puppy and ˘˘ a complete, but unarticulated, equid skeleton, probably belonging to an onager, were buried in the entrance to a kimah h um at Arbid. They may ˘˘ represent the remains of animals that were killed as part of a commemoration ritual. An equid skull was found on top of another vaulted tomb at the site, while another puppy was buried in front of a third tomb (Wygnanska 2011 [2008]: 610). Similarly, at Mozan, a donkey was interred in front of the chamber of tomb 37 (Dohmann-Pfälzner and Pfälzner 2001: 129–33). The presence of these equid burials calls to mind the donkey sacriﬁce during the kispum ritual that takes place as part of the Feast of Ištar. Several letters from Ibal-Addu, the king of Ašlakkâ, a kingdom located in the Ida-maras·, probably not far from Tell Arbid, describe a treaty alliance between the cities of this region and the Sim’alites (ARM 2 37; Finet 1993: A.1056, A.2226; Malamat 1995: 226–7). In these letters, the Mari representative insists that a donkey foal be sacriﬁced for the treaty ritual, rather than the puppy, kid, or calf that the Sim’alites offer. Clearly, however, other young animals could take the

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28 Kahat, stratum 31B (After Valentini 2003, ﬁg. 3)

place of the sacriﬁcial ass in this sacriﬁce and ceremony, particularly from the standpoint of the Sim’alites. Other objects that may be connected to ancestor practices are rough basalt ﬁgures, sometimes called “stone spirits” (Fig. 29). These sculptures, which range in size from just 9 cm high to 1.45 m have been found across northern Mesopotamia during the entire Bronze Age.32 Unlike many

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29 A) Middle Bronze Age ceramic ﬁgurine from Tepe Gawra (32–21–544), and B) stone ﬁgurine from Billa (92–4-1) (Courtesy of Penn Museum, photograph by author)

Mesopotamian statues, they tend to be only vaguely anthropomorphic, with the head, nose, waist, and arms usually only roughly marked (Carter 1970). In many cases, the sculptor used the uneven exterior of the stone to suggest a human ﬁgure emerging from its surface. At Kahat, a stone ﬁgure was ˘ excavated from the same stratum as the kimah h um, tomb 570, while ˘˘ another ﬁgure was found incorporated into a neo-Assyrian level. Contemporary Sumerian ritual texts from southern Mesopotamia indicate that ﬁgurines, like the lamassatu in the Mari kispum texts, could represent the dead in ancestor rituals (Katz 1999: 109). The Kahat statues may have ˘ represented ancestors – perhaps lamassatu of ordinary people – used in ancestor rituals within these private houses (Valentini 2003: 284–5). Another stone spirit – a male ﬁgure carved from white limestone – stood in the Old Babylonian (level 8) shrine at Tell Brak, surrounded by bowls and grain measures (Oates et al. 1997: 33–5, ﬁg. 229: 95). This vaulted shrine closely resembles a kimah h um in construction method and may ˘˘ have been linked to a cult of the dead. It is possible that these stone ﬁgures were related to the sikkana ¯tum (Akk. sg. sikkanum) or bethels documented in the Mari texts. Sikkana ¯tum were standing stones connected to certain deities, particularly Ištar of Dêr, who was honored in the Feast of the Land during Zimri-Lim’s reign, and played a role in the cult of the dead (Durand 2005: text 12; 1985b). Outside of settlements, there were vast cemeteries of burial mounds located in the steppe, crowning hills, and lining the Euphrates escarpment,

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which were probably constructed by semi-pastoralists. Middle Bronze Age cemeteries have been excavated along the middle Euphrates at Baghouz, ‘Usiyeh, and Shuweimiyeh and in the Jebel Bishri. These burial mounds are unusual in a Mesopotamian context – indeed ‘Usiyeh and Shuweimiyeh are the only two such cemeteries that have been recovered in Iraq – although they are reminiscent of tombs found in Arabia and the Southern Levant. Recent survey of the middle Euphrates has located seven other possible cemeteries near Mari (Geyer et al. 2003: ﬁg. 10). Around Dura Europos, for example, there are at least 1,000 tumuli that range in date from the Early Bronze Age to the ﬁrst centuries AD (Kepinski 2008: 166). Burial mounds are also attested in the Tabqa dam area and in the desert west of the Euphrates (Kepinski 2008: 167). The materials used to make these large graves varied. At ‘Usiyeh and Shuweimiyeh, for instance, tombs were built of vaulted mudbricks and covered with mounds, and were probably kimahh u ¯ like those found within ˘˘ settlements of the same period (Kepinski 2007, 2008). At Baghouz, these central tombs were cist graves built of stone, sometimes covered by a mound, although erosion had removed this structure in many cases (Du Mesnil du Buisson 1948). The gravel mounds that covered tombs may have imitated tells, explaining why graves were sometimes placed on abandoned mounds (Abdul-Amir 1988: 309; Killick and Black 1985). The tombs themselves were often square, but they were surrounded by circular enclosure walls. Other features could be built alongside the grave, including platforms or stone benches (Abdul-Amir 1988: 186 and 309; Killick and Black 1985: 226). Additionally, some circular enclosures contained more than one grave or no grave. This suggests the symbolic importance of these architectural elements, which resemble the tent footings that were laid as part of the kispum ceremony. As is the case with house tombs, graves in these cemeteries usually have a single interment, although some of the larger graves at ‘Usiyeh were collective (Numoto and Okada 1987). In many ways, the cemeteries at Baghouz, ‘Usiyeh, and Shuweimiyeh mirror the arrangement of burials in urban sites, such as Kahat and Arbid. ˘ Once again, there is great variation in the grave form, which may include jar burials, simple pits, and built tombs, and much less variation in grave goods, attesting to standardized ritual practices. Indeed, the grave goods accompanying the dead here are usually identical to the items found in graves within settlements. Generally, a few personal items such as jewelry,

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or occasionally weapons, were placed alongside the deceased, who were sometime laid to rest on beds (Du Mesnil du Buisson 1948; Kepinski 2008). Otherwise, the only grave goods tend to be dishes for the funerary feast, sometimes set out on tables and including large jars, smaller jars or cups, and smaller bowls. Beer drinking was probably the most important part of this feast since large jars and often strainers are found in almost every grave, whereas smaller bowls were not always part of the assemblage (Du Mesnil du Buisson 1948: 36–51).33 Several of the graves contained pottery that was either imported or imitated traditions found outside of the middle Euphrates valley, including Isin-Larsa jars from southern Mesopotamia, Habur ware from the Jezirah, and pottery from western Syria and the upper Euphrates (Kepinski 2007: 127; Abdul-Amir 1988: 185; Oguchi 2006). Further to the west, along the Jebel Bishri, survey and excavation have revealed part of a vast Middle Bronze Age cemetery complex on the western and northern ﬂanks of these mountains. Survey in the north documented at least 25 cairn ﬁelds and 398 individual cairns, while another survey found an additional 50 cairns in the west, although most of the area remains unexplored.34 This mountain has long been associated with pastoral nomads, both because of its climatic marginality – it lies between the 100 and 200 mm isohyets, and is too arid for rain-fed agriculture, but has rich pastoral resources – and because of references in inscriptions beginning in the third millennium BC.35 Bishri has provided some of the earliest evidence for the development of burial practices in this period, which saw a move from graves within or near settlements to the creation of cemeteries in areas of pasture, perhaps part of a larger shift in the construction of identity.36 The cairn ﬁelds on the Jebel Bishri tend to follow the general topography of the hills and are located either on the edge of mesas or on ridgelines, but not on ﬂuvial plains. Clearly, this emphasizes their visibility, while the ridges provided limestone for construction materials. Most cairns are located about 100 m apart, forming rows that average 1–2 km in length, but may span 8 km. Evidence from both survey and excavation suggests that they were constructed over a short period of time (Fujii and Adachi 2010). Radiocarbon determinations from the Tor-Rahum 1 cairns all date to between ca. 1900 and 1600 BC (Nakamura 2010: table 2). Excavations at eight cairn ﬁelds have revealed similar grave goods, probably indicating that they are all contemporary. Generally, the largest cairns

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30 Wadi Hedaja 1: general view of BC-10 (Fuji and Adachi 2010, ﬁg. 5, courtesy of S. Fuji)

were ﬁrst built in the north, and smaller cairns were then placed to the south. Although many cairns were looted, grave goods and skeletal remains were located in each ﬁeld (Fuji and Adachi 2010: 66). The bioarchaeologists interpret the disarticulated skeletal remains in this grave as secondary burials, rather than the result of disturbance (Nakano and Ishida 2010: 105; Nakano 2009). These cairns may have been family tombs, as they contain skeletal remains from individuals of different ages, who were probably interred at different times (Fig. 30). The excavators suggest that they are primarily the graves of semi-nomadic people, given their location in the steppe. These stone cairns connected the domains of death, memory, and territory. The excavated remains from the Jebel Bishri reveal some of the ways that these tombs were incorporated into social practices. The cairns were not built and then forgotten; rather, they remained memorial places, clearly visible on the larger landscape. The secondary burials within the cairns show that they were implicated within a long chain of death, burial practices, and commemoration ceremonies. The numerous stone features associated with many of these cairns probably date to different periods, and also attest to the long life histories of these monuments (Fuji and Adachi 2010). These cairns did not serve simply to commemorate an individual. Instead, the multiple burials within each grave group probably represented

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households, pastoral groups, or lineages. Hence, their placement mirrors the topography of cemeteries within settlements (Kepinski 2007: 127, 2008: 169, 2006: 111). The arrangement of these graves is part of the same process of ancestor creation as the donkey sacriﬁce, creating alliances and afﬁrming power relations. Moreover, the presence of both cairns in the steppe and graves in the settlements indicate that this ritual was not limited to urban rulers, but could be performed by pastoralists, villagers, and citydwellers, all of whom shared a uniﬁed symbolic system. ANCESTORS, MONUMENTS, AND POLITICS

Stone and earthen cairns were designated by at least two terms in the Mari texts: humu ¯sum (Akk. pl. humu ¯su ¯), a pile of stones, and ra ¯mum (Akk. pl. ra ¯mu ¯), a burial cairn (Durand 2005). The role of cairns as commemorative monuments within the landscape, which often, but not always mark burials, may help to explain why only some cairns on Mount Bishri and in the cemeteries along the Euphrates are associated with human remains (Nakano and Ishida 2010; Nakano 2010). These emic categories also provide a way to think about other enigmatic monuments from this period. In the Mari texts, humu ¯su ¯ can be made for several reasons: to commemorate a particular victory, to create a place for a treaty negotiation, or to mark the death of a speciﬁc person (Durand 2008: 352; 2005: FM 8 33: 18–25). Both humu ¯su ¯ and ramu ¯ are powerful places for religious and political ceremonies. They are not only important at the moment of interment, but remain focal points long afterward. The humu ¯sum constructed to mark the treaty alliance with Šuda, for example, was supposed to last forever, and be the site of repeated offerings (Jacquet 2011: 75; Durand 2005: 33: 24–5, ARM 23 319: 7). Similarly, a Mari letter shows that people associated a given cairn with an individual or event and honored it long after the funeral had ended. Indeed, destroying a humu ¯sum may provide an excuse for war (Charpin 2010a: 245; Durand 2008: 326; 2005: no. 30, p. 97). Continuous veneration practices provide a new way to interpret the scattered animal bones found associated with several cairns at Bishri, which could be the result of repetitive ritual activity (Nakano 2010; Nakano and Ishida 2010). The Mari texts also remind us that commemorative ceremonies did not only take place at the graves, but also in other places where burials were not present. The role of the humu ¯sum in commemorative practices provides a context for unusual ritual constructions in Umm el-Marra (probably ancient Tuba), Ebla, and at the ‘Usiyeh cemetery. Although in the Mari

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31 Umm el-Marra, monument 1, from north (Schwartz et al. 2012: ﬁg. 19; photograph by James van Rensselaer IV, courtesy of G. Schwartz)

documentation, humu ¯su ¯ are usually located in the countryside, like the ‘Usiyeh example, there is at least one reference to a monument of this kind inside a city (ARM 26 218: 7; Durand 2005). The different settings for these ritual installations – on a hill overlooking the Euphrates far from contemporary settlement and within settlements – may reveal another way that ritual practices transcended the urban-rural divide. At the summit of Umm el-Marra’s acropolis, monument 1, a circular stone platform with a diameter of 37 m, was built above a series of elite third millennium graves (see Chapter 2; Fig. 31).37 Fill within the platform incorporated late–third millennium pottery sherds, perhaps another way to connect this new construction to the past (Schwartz 2014). This platform resembles the cairns and mounds found in the pastoralist cemeteries at ‘Usiyeh, Shuweimiyeh, and Bishri. Moreover, the position of the monument draws attention to the earlier graves. Umm el-Marra experienced at least a century of abandonment prior to the construction of this feature. Monument 1 could have provided a way for the site’s new rulers to annex its past, and perhaps to claim its dead as their own ancestors. Alternatively, the monument may have denied access to that past, performing a type of compulsory amnesia (Schwartz et al. 2012: 53). The best evidence we have for the rituals that may have occurred here comes from a series of installations excavated nearby. On the north side of

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this feature, the excavators identiﬁed six pits, containing fragments of pottery, animal bones, terracotta animal ﬁgurines, and one human ﬁgurine made of bitumen. An unusual, deep shaft, with a diameter of about 1 m and a depth of more than 6 m, pierced this monument, cutting through the tell and into the bedrock below. Near the bottom of the shaft lay thirteen people who had been killed with a blow to their head (Schwartz 2012, 2013). They had been interred alongside a dog, while small birds had been placed in niches around them. The shaft contained ten levels of animal skeletal material that had been deposited on top of these human remains. Each level was separated from the next by layers of homogeneous clay soil and included the remains of donkeys, other equids, sheep, dogs, and birds. Layers 2 and 8 included only the rear half of equids. Several complete fetal animals were buried here and fetal bones of most of these species were found in nearly every level. The careful interment of the animals and the diversity of species indicate that this was a ritual installation, rather than a trash pit (Schwartz et al. 2012: 178). Similar ritual pits have been found in sacred contexts at Middle Bronze Age Ebla, where they are associated with a square platform, monument P3, which was dedicated to Ištar.38 Despite its different shape, it provides a close parallel to Umm el-Marra’s monument 1. Within this square, a series of different ritual installations were excavated. These include smaller pits (about 1 m deep), termed bothroi, that contained a variety of materials, including carinated bowls with food offerings, two dog-and-bird burials, a sheep burial, and a human and sheep skull, together with other animal bones and a small pottery assemblage (Nigro 1998). In addition, two 11 m-deep cisterns, termed favissae, contained hundreds of pots with food offerings, ﬁgurines, metal cultic objects, and large quantities of sheep bones (Marchetti and Nigro 2000, 1997). The most common type of carinated pot held the bones of goats and doves mixed with charcoal. Depositions within this pit were separated by layers of clean clay or limestone, reﬂecting the ritual nature of their deposition (Marchetti and Nigro 1997: 4–7).39 The two different features at Umm el-Marra and Ebla, the pits versus the deep shaft, may contain the remains of the major types of offerings that were made in political and ritual contexts at Mari, the naptanum, a sacred meal, and the niqûm, usually an animal sacriﬁce (Jacquet 2011: 20). At Umm el-Marra, the trash pits probably contained the remains of sacred meals, which could have accompanied the niqûm sacriﬁce, while the deep

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shaft encompassed years of niqûm offerings. The situation may have been reversed at Ebla, where the favissae consisted of the remains of sacred meals, while evidence of the niqûm is preserved in the bothroi. We know that these offerings could be made for humu ¯sum monuments from the Mari administrative texts, which document the sacriﬁce of a sheep to this monument (Jacquet 2011: 75, ARM 23 319: 7). Moreover, we know that some of the rituals associated with the Feast of Ištar were performed at stone circles like humu ¯su ¯ and ra ¯mu ¯, including the ceremony named “the feast of the ra ¯mum” (Jacquet 2011: 21–4). I suspect that monument 1 and monument P3 were both humu ¯su ¯, stone monuments where rituals were performed on a monumental stage before the populace. Many of the animals found in cultic contexts at Umm el-Marra and at Ebla represent species that are illustrated on the stela of Ištar, found in a contemporary shrine on Ebla’s acropolis. One side of the stela depicts a priest with a hare, dove, and ram, while elsewhere a priestess prepares to sacriﬁce a goat (Marchetti and Nigro 1997: 32; Matthiae 1987). The equid remains found in the Umm el-Marra deep shaft, however, could also result from rituals of alliance. In the famous letters from Ibal-Addu of Ašlakkâ, discussed earlier, what unites the different animals – calves, donkey foals, kids, and puppies – that the Sim’alites bring for sacriﬁce as part of the treaty festival is their youth, nicely echoing the presence of infant and fetal remains in the shaft (Malamat 1995: 229). In West Semitic sources, other young animals are sacriﬁced in covenant ceremonies; a lamb is offered as part of the treaty enacted at Seﬁreh in the ﬁrst millennium BC (Lemaire and Durand 1984). Similarly, for the covenant between Abraham and Yahweh, Yahweh ordered Abraham to bring a young heifer, nanny goat, ram, turtle dove, and pigeon, “all of which he cut in half and laid against each other, except for the birds” (Gen. 15:9–10). This biblical emphasis on cutting animals in half, or otherwise manipulating their remains, mirrors the deposition of some of the animals in the shaft, such as the rear halves of the two equids.40 This evidence for animal sacriﬁce recalls the connection between humu ¯su ¯ and diplomatic practices in the Mari documentation. Hence, monument 1 may have been a locus connected to the ancient royal ancestors of the city, where alliances could be concluded and the political unity of a potentially fractious region could be performed. Alternatively, in light of the human sacriﬁces found at the bottom of the well, it may be better interpreted as a monument to victory, a commemoration of conquest, and a violent erasure of an earlier status quo.

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Circular Building Area P2a

F2 P2b

P3

D2 F3

E D3

F1b Underground Structure

D

F1a

C

Building Area

D1

P1 B

XI

XII

0

XIII

5m

32 Area A, ‘Usiyeh (After Oguchi and Oguchi 2005, ﬁg. 2 and ﬁg. 3)

At ‘Usiyeh, salvage excavations in area A, which comprises a 100 × 100 m mound with a thin scattering of deposits, revealed an unusual set of ritual features that share some similarities with monument 1 or monument P3 (Fig. 32). The heart of this complex is an unusual,

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underground stone structure, covered by an 80 cm-high stone platform, associated with a gypsum-plastered ﬂoor (F2). To the east, stone steps led down to another gypsum surface associated with stonewalls and drains (F3). Two stone-lined pits were built on either side of this lower surface. Although this later platform had been greatly disturbed by erosion, it was probably originally a stone circle, like monument 1, but on a much smaller scale. Scattered within these constructions were other stones, associated with concentrations of artifacts. A 3 m-wide cobble wall, shaped like a horseshoe, surrounded the entire area, enclosing 25 × 34 m. Fragments of at least four life-sized terracotta lions found near the gypsum ﬂoor and stairway (F2) might have been apotropaic sculptures that protected the entrance to this shrine. Otherwise the main ﬁnds included anthropomorphic terracotta ﬁgurines, two masks, four stamp seals, thirteen cylinder seals, thousands of beads, Isin-Larsa pottery sherds, and large quantities of burned animal bones (Oguchi and Oguchi 2005; Fujii and Matsumoto 1987). Some of these objects were heirlooms, including all of the stamp seals, while others, such as the cylinder seals CS1, CS2, and CS3, were decorated with older Akkadian or Ur III motifs (Oguchi 2002: 29–34). Although all of the materials from area A were deposited during the early second millennium BC, the underground structure here is almost identical to a construction at the same site, dated to the mid–third millennium, and called the “ED III Grave,” although it contained no human remains. That structure had a shaft leading to two rooms that were ﬁlled with ED III pottery and animal bones, while an adjoining corridor was empty. In the open part of the shaft, skeletons of at least three equids were found, along with a copper rein ring decorated with a bird (Abdul-Amir 1988: 181; Roaf and Postgate 1981: 198). Given that these two structures are nearly identical in plan, construction technique, and size, they either date to the same period or the builders in area A consciously imitated the earlier tomb. The gypsum platform built above the area A tomb is presumably another example of a humu ¯sum, one that incorporated an earlier mid–third millennium burial into a Middle Bronze Age ritual platform. The lion statues may also indicate a connection to Ištar, as is the case at Ebla, and possibly at Umm el-Marra. Unfortunately, few details of the excavation of the “ED III Grave” at ‘Usiyeh have been published, and we do not know if this structure was also reused later. Certainly, the shaft leading into the heart of the monument, with successive equid burials, is

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reminiscent of the material from Umm el-Marra. It also recalls the connection among humu ¯sum, ra ¯mum, and donkey sacriﬁce in the Mari texts, although equid burials are quite common in third millennium mortuary contexts as well (Weber 2012; Chapter 2).41 ‘Usiyeh’s area A, Ebla’s monument P3, and Umm el-Marra’s monument 1 provided stages for open-air performances like the Feast of Ištar, alliance rituals, or kispum ceremonies. The variation in their locations indicates that such rituals occurred at different scales and in diverse places, among farmers and herders, who belonged to several tribal confederacies. As performance spaces, these platforms emphasized both inclusivity and exclusivity. Most people at Ebla, Umm el-Marra, or the countryside around ‘Usiyeh may have been able to see rituals performed on these high, open platforms from afar, but enclosure walls surrounding each monument indicate that attendance was limited to a smaller group. As Glenn Schwartz, the excavator of Umm el-Marra, has argued, the circularity and size of monument 1 means that there are “no bad seats, so to speak, implying a communal arrangement deemphasizing hierarchical distinctions among the onlookers” (Schwartz 2013: 509). At the same time, the Umm el-Marra acropolis wall enclosed monument 1, and its narrow gate meant that entrance to this space was highly regulated. Excavations indicate the presence of open space to the north of the monument, between the northern gate, where an audience for these rites may once have stood. It is difﬁcult to estimate the size of this space, given the limited exposure here, but if the entire area between the wall and the monument was free, the space could have held as many as 2,500 people, corresponding rather nicely with estimates for the population of the town.42 If the open space was this large, then the acropolis wall may have separated outsiders from insiders, the residents of the town from those in the surrounding countryside. Alternatively, if it were smaller, then only a segment of that population, perhaps the elite, could have attended the commemorative ceremonies that unfolded within these walls. At area P, in Ebla, the vast size of the space enclosed within the temenos walls would have allowed the entire population of this town, and perhaps even people from surrounding villages, to participate in rituals here.43 Similarly, given area A’s location on a mound atop a prominent plateau, rituals performed at ‘Usiyeh would have been visible from a distance, but the enclosure wall meant that actual attendance would have been limited, creating an intimate space.

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This may have allowed for the dissemination of different ideologies to the elite and the populace as a whole. Elizabeth Brumﬁel has analyzed a parallel case at the Aztec city of Tenochtitlan, where different levels of access to ceremonial space communicated different messages. Human sacriﬁce performed on top of the Templo Mayor, the main temple in the city, was announced by “the beat of drums and the blare of trumpets,” making it visible and audible to anyone in the city, and impressing them with the power and violence of the Aztec rulers (Brumﬁel 1998: 6–7). But the temple itself lay inside a walled precinct that was accessible to an elite few. As a result, only the elite could see the imagery on its façade, which connected the temple to the birth of the chief god Huitzilopochtli and provided a justiﬁcation for the Aztec empire’s war machine. At Umm el-Marra, ‘Usiyeh, and Ebla, the ideological messages were probably different. At Umm el-Marra and ‘Usiyeh, rituals within these spaces may have connected the elite to speciﬁc ancestors through practices including human and animal sacriﬁce, regular offerings, and the reuse of earlier monuments. The placement of monument 1 in the center of Umm el-Marra, and its construction as part of the resettlement of this town, makes a powerful case for the past as a source of legitimacy. Similarly, area A, built on the remains of a third millennium monument, may have linked intimate ceremonies at this temple to the region’s past, while providing a ritual space for the hundreds of graves that encircled it, and which were probably built by pastoralists. Celebrations of the Feast of Ištar probably made a similar distinction between the ceremony celebrated by the king and his allies, which united the land, and the private kispum rites observed by the populace. THE PAST, HEIRLOOMS, AND LEGITIMACY

The Mari liver omens, monument 1 at Umm el-Marra, and area A at ‘Usiyeh are just a few of the archaic (or archaizing) objects and ancient places that were central to political identity in the early second millennium BC. Within settlements that were often chosen for reasons of antiquity, there was also an effort to forge connections with the past by manipulating ancient objects or their imitations. Heirlooms and archaizing objects from this period were incorporated into various practices at temples, workshops, and households.44 Early–second millennium temples have yielded large numbers of heirlooms and archaizing objects. In northern Mesopotamia, Samsi-Addu and

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Yarim-Lim left foundation deposits that contained objects from the third millennium BC. In other northern Mesopotamian temples at Rimah and Leilan, heirlooms were also preserved, perhaps as a way to anchor temples that were new constructions in past religious practices.45 Such practices were meaningful because in many cities in Mesopotamia, temples were built in the same location over generations, sometimes even millennia. This was true in southern Mesopotamia at cities such as Ur and Uruk in the early second millennium BC, as well as in some cities in the north, such as Aššur, Mari, and possibly Nineveh (Von Dassow 2012; Ziegler 2004). But settlement abandonment and political transformation meant that in northern Mesopotamia, many second millennium temples were built anew. Given this dislocation, heirlooms and archaizing objects may have linked new temples and renovations of existing temples to an authoritative past. At Aššur, in the cult room of the temple of that city’s eponymous god, a copper hoard of objects from the third millennium, dating from both the Akkadian empire (2334–2193 BC) and the third dynasty of Ur (2110– 2004 BC), was buried under the ﬂoor. These pieces were probably placed in a ceramic container during Samsi-Addu’s reign and deposited as part of his renovation of the temple (Westenholz 2004: 12; Harper 1995: 37–8). Other archaic objects found in contemporary levels within the sacred precinct at Aššur include three diorite or basalt statue fragments that resemble the statuary of the Akkadian king Maništušu (Andrae 1938: 88). They may either be antiques from the third millennium or imitations of earlier sculptures. The latter seems more likely, since unlike Akkadian statues, incision rather than relief is used to render the details of the dress, while the depiction of the hair style and details of the fringes also suggest that they are second millennium copies. The statues may have functioned as lamassatu and received offerings during the kispum festival (Eppihimer 2009: 240).46 In this case, like the copper hoard, the statues would have participated in rituals that explicitly connected a royal present to an ancestral past. Similar objects were found near the Ištar temple at Nineveh, although the spotty excavation history of this site makes retrieving their actual context difﬁcult (Reade 2005a). In a provocative analysis of the archaeological data from the late third millennium BC, Joan Westenholz argued that all of the “Akkadian” artifacts found at Nineveh, including the famous head of Sargon, were either brought from Aššur or were second millennium copies of objects known from elsewhere (Westenholz 2004). The

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head of an Akkadian ruler and an Akkadian spearhead were placed in the foundations of the phase 7 construction of the Ištar temple, forming a neat parallel to the copper hoard in the Aššur temple. The objects were found alongside a large fragment of Samsi-Addu’s inscribed cylinder, detailing his building activities in Nineveh, and may have comprised a foundation deposit (Reade 2005: 361). These relics, and Samsi-Addu’s claims that he reconstructed the Emenue temple of Ištar of Ninet, ﬁrst built by the Akkadian king Maništušu, served to legitimize his conquest of Nineveh (Westenholz 2004: 11–6). Samsi-Addu’s cylinder both described the discovery of Maništušu’s earlier inscriptions and may have imitated certain features of this older foundation deposit (Reade 2000). Other objects from this religious district include a stone pedestal with relief decoration that was probably carved in the Old Babylonian period. Its style and imagery, however, which depicts ten scenes of either a bull-man or a hero defeating a lion, follow Akkadian conventions (Gut et al. 2001: 90–2). This object could have been made for the Ištar temple, perhaps as a material reinforcement of Samsi-Addu’s act of homage to Maništušu (Reade 2005: 362). In addition to these elite objects, more quotidian antiques were also curated and probably used in temple practices. These include third millennium pots, which were found in a room of the temple alongside Old Babylonian tablets (Reade 2005a: 367). The presence of ancient pots in the Old Babylonian Ištar temple at Nineveh echoes a similar practice at the Leilan acropolis temple (Weiss 1990a; Ristvet and Weiss 2012; Weiss 1985). Here, 160 Ninevite 5 incised sherds, dating to the mid-third millennium BC, were found on the building level II ﬂoors of the temple, representing nearly 5 percent of all pottery.47 Although it is possible that some of these sherds came from eroded bricks, many of them are large and ﬁnely decorated, unlike the scrappy fragments usually recovered from building materials (Fig. 33). Moreover, Ninevite 5 sherds cluster in certain rooms, and were not found spread out across the building. Instead, the majority of the examples come from the western half of the palace, particularly rooms 12 and 19. This suggests that at least some of these sherds were systematically collected and stored within the temple, perhaps as a way to link religious activity at this site to a local past. How precisely these heirlooms were integrated into temple practice remains unclear, but evidence from artisanal production may provide some insight. The type of pottery for this period in northern Mesopotamia is painted Habur ware. Although the Middle Bronze Age sees the

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33 Ninevite 5 ware from the Tell Leilan acropolis temple, room 19 (Photograph by author)

appearance of painted wares across the Near East, Habur ware was probably not derived from a neighboring tradition (Stein 1984). Rather, the continuity of production processes implies a local origin. As E. A. Speiser ﬁrst argued in the 1930s, on the basis of the pottery from Billa, Habur ware shares basic motifs with Ninevite 5 painted and incised pottery (Stein 1984; Speiser 1933; Oguchi 2001). Potters may have collected the Ninevite 5 sherds from the surface of the tell and used them for inspiration when painting designs on Habur ware. Antique pottery was also collected and stored in the second millennium temple at Rimah, along with a third millennium cylinder seal (Oates 1970: 18, 1968: 119), while the slightly later HH temple at Brak has an example of a third millennium pot stand, and a mid–second millennium reworking of it (Oates 1987: 196; Oguchi 2001: 84). People used pots painted with these ancient motifs in houses, temples, and other contexts, perhaps integrating a particular view of the past into the consumption of both sacred and mundane meals. Samsi-Addu was not the only Old Babylonian king who incorporated past objects into contemporary religious practice. As part of the renovation of the temple of Šamaš at Mari commissioned by Yahdun-Lim, ﬁfteen ˘ foundation deposits were placed in the inner cella (Margueron 2004). Nine of these were baked bricks inscribed with a 157-line text outlining

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Yahdun-Lim’s pilgrimage to the Mediterranean, his success in crushing the ˘ rebellions of both pastoralists and urban kings, and his construction of this magniﬁcent abode for the sun god, to whom Yahdun-Lim gave credit for ˘ his successful reign. The other six deposits, however, were all anepigraphic and consisted of heirlooms, presumably ancient foundation deposits encountered during the renovation of this temple and reburied alongside Yahdun-Lim’s inscriptions. Four of these deposits contained a copper nail ˘ piercing the center of a square plate and may be dated to the Ur III period. The other two deposits were pre-Sargonic and consisted of, respectively, a nail thrust through a copper ring and a copper sheet, a terracotta brick, and gold and carnelian beads (Parrot 1954: 161–2; Ellis 1968: 69–70). Yahdun-Lim’s reuse of these ancient foundation deposits is arresting in ˘ light of the design of the temple and the form of his own building inscriptions, which are conspicuously innovative, employing strategies never before seen at Mari. The temple – which included a massive brick platform within the temenos walls – resembles no earlier, local religious architecture, but may instead be a nod to southern Mesopotamian traditions (Margueron 2002, 2004). Perhaps in light of this innovation, also seen in Yahdun-Lim’s radical substitution of the southern Mesopotamian ˘ Old Babylonian script for the traditional Šakkanakku one (presumably in imitation of Naram-Sin of Ešnunna [Durand 1985a: 170–2]), this king, like Samsi-Addu in Aššur, found it necessary to display his close connections to Mari’s past rulers. Evidence of seal production and use indicates that antique motifs were popular with artisans and seal owners and that the engagement with antiquity displayed in temples echoed a more widespread reverence for the past in northern Mesopotamia. In Taya level II, a room adjoining a seal workshop yielded a black stone cylinder seal that depicted two scenes: one of a hero struggling against a lion and another of two people holding vases. Although the subject matter is Akkadian, certain details including the rendering of the lion’s mane, the hero’s cap, and the hair on the ﬁgures with the vase are Old Babylonian. This and the seal’s presence in an early– second millennium workshop make it likely that it was an Old Babylonian copy (Reade 1973: 171–2). Some merchants chose to use heirloom seals in daily business, displaying a reverence for the past in situations divorced from the temple. A late Old Assyrian economic tablet and its case were impressed by an Akkadian seal that names Naram-Sin of Akkad in its inscription (Gelb and Sollberger

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1957: 175). Another Akkadian heirloom seal belonged to an Assyrian named Abšalim at Kültepe-Kaneš (Leinwand 1992: 149), while Ur III seals were even more common at the site (Epihimer 2013: n. 36; Waetzoldt 1990). One seal used at Kaneš had belonged to an ofﬁcial serving the Ur III king Ibbi-Sin. Although its Old Assyrian owner had it recut, the new seal design preserved the names and titles of Ibbi-Sin, suggesting that the prestige of these kings was deliberately retained (Epihimer 2013: n. 60). Akkadian-inspired contest seals have also been found at Aššur (Moortgat 1988: no. 467 and p. 42), while at Nineveh, a series of seals portrayed a third millennium combat scene, depicted in an archaizing style. Similarly, Old Assyrian royal seals mimic Ur III presentation scenes. These are translated into an Assyrian context, transforming the seated ﬁgure from the king of Ur into the god Aššur and thus materializing Assyrian ideology, while continuing to draw upon archaic tradition (Eppihimer 2009: 180–3). The speciﬁc use of the presentation scene is probably related to Aššur’s particular relationship with the Ur III empire, as a client, not a province. There is little evidence for the use of Ur III seals during the height of this empire at Aššur, making the later adaptation of this iconography particularly interesting (Epihimer 2013). Other highlevel seals from this period also gesture to the past. Many seals at Ešnunna also incorporate both Ur III and Akkadian seal iconography, despite their employment of elements of Old Babylonian style (Reichel 2001; Eppihimer 2009). Elsewhere, high-ranking ofﬁcials over more than seventy years at Tell Leilan commissioned seals featuring the man with a mace, a ﬁgure that referenced Akkadian art (and who also appears in the Samsi-Addu stela) (Weiss 1990a; Parayre and Weiss 1991; Parayre 2004– 2005). Outside of Tell Leilan, this image appears on royal seals in Mari, Yamhad, and Qatna and probably created “a visual lingua franca in the ˘ administrative seals of the kingdoms of Syria,” one which employed an archaic image of kingship (Eppihimer 2009: 235). The clearest connection between death, ancestor creation, and antiquities can be found in heirlooms deposited in speciﬁc graves at Arbid, Rimah, and Aššur. Most of the antiques found in graves are personal items that may have protected the individual and linked him or her to the ancestors, perhaps indicating a vernacular understanding of the past and its qualities. At Tell Arbid, an infant jar burial found near some eroded walls, perhaps belonging to modest houses, contained two small pottery vessels, some

Memory

beads, and a lapis pendant depicting a human-faced bull in repose, one of the classic motifs of the late third millennium BC. This amulet is clearly Akkadian in style and is presumably either an heirloom or an imitation of an older object (Bielínski 2000: 320, ﬁg. 4). At Rimah, two burials were found associated with phase II of the vaulted building, which given the early Habur, Isin-Larsa, and Ur III pottery found here probably date to the very beginning of the second millennium BC. A complete Ninevite 5 vessel was found near the mouth of one of these skeletons (Oates 1970: 17–18). Although the excavator thought the pot was too unprepossessing to be a family heirloom, its deposition mirrors the curation of third millennium pots and sherds elsewhere, suggesting that its presence indicated a similar interest in the past. The most elaborate example of heirlooms as grave goods comes from the excavation of grave 20 at Aššur, which contained a rich assortment of jewelry and weapons (Calmeyer 1977; Harper 1995; Hockmann 2010). This tomb was excavated in September 1912 and although the excavator, Walter Andrae, kept exemplary records, it is difﬁcult to reconstruct certain aspects of the grave, since the human remains and the pottery vessels found here were discarded in the ﬁeld. Andrae indicates that the remains of four individuals were found in this pit (Andrae 1938: 79), a ﬁnding that has been disputed based on the modest skeletal remains in the sketch (Harper 1995: n. 2), but which is possible given our knowledge of contemporary burial practices. Four gold diadems were found near the skull, examples of funerary headbands found in Mesopotamia beginning in the Akkadian period. The largest diadem in grave 20 imitates earlier examples in shape, although the circle pattern probably dates it to the second millennium BC (Harper 1995: 48–9). The numerous beads found in the burial include some made of gold and lapis lazuli, probably from the mid to late third millennium BC in southern Mesopotamia (Harper 1995: 55–7), and carnelian beads probably manufactured in the Indus Valley in the late third millennium BC (Harper 1995: 31). The three lapis lazuli seals found in the grave show a similarly complex engagement with the past in both their materiality and iconography. The seals include one that dates to the Ur III period, one that was made in the Ur III period, but was recut in the early second millennium BC, and one that was carved during the Old Assyrian period, but was modeled after an Ur III presentation scene (Harper 1995: 60–2). Metal vessels in the grave were also probably either heirlooms or copies of older objects. The wealth and sheer quantity of

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heirlooms in grave 20 set it apart from other funerary contexts, but their presence is part of a more widespread practice of burying ancient objects with the dead. Across northern Mesopotamia, imitating the past in seal carving, statuary, and pottery was part of broader practices of historical commemoration that recalled the Early Dynastic period, the Akkadian empire, and the third dynasty of Ur. The presence of antique objects in graves, archaic decoration on pottery, and heirloom seals owned by private individuals indicates respect for the material remains of the past beyond the domain of ritual. It is within this larger context that various actors negotiated their political ambitions.

Actors, audience, and mise-en-scène: ancestors, tribes, and politics The political fragmentation of Old Babylonian northern Mesopotamia meant that ambitious kings needed to develop new paradigms for conceptualizing their kingdoms and their relationship to other polities. As we have seen, many of these newly founded kingdoms constructed a speciﬁc vision of a shared past – one that laid claim to appropriate ancestors through funerary and commemorative rites. This domain of the ancestors was ﬂuid and could be employed in many ways, depending on the concerns of the individuals involved. The textual record of the period allows us to discern different strategies employed by individual kings. Understanding the practices of non-royal actors within the sources is more difﬁcult; however, the rich archaeological and textual evidence provides some insight. Here, I will consider how different people – particularly Samsi-Addu, Zimri-Lim, and the anonymous members of the Sim’alite and Yaminite confederacies in ‘Usiyeh, Umm el-Marra, and ‘Arbid – negotiated the domain of the ancestors during this period of political recovery. KINGS AND THE POLITICS OF COMMEMORATION

Samsi-Addu, who brieﬂy united northern Mesopotamia from ca. 1808– 1776 BC, linked his reign to the local histories of individual city-states as well as to the third millennium Akkadian empire. At Aššur, Samsi-Addu styled himself as the prefect of the city god, following in the footsteps of earlier Assyrian kings (Kupper 1985). Similarly, at Mari he claimed that the city god Itûr-Mêr granted him power, like his predecessors from the Lim dynasty. Finally, at Tuttul, he thanked the local god Dagan for awarding

Memory

him the city, imitating Naram-Sin’s actions in his inscriptions. At the same time, Samsi-Addu titled himself “king of Akkad” in a votive dedication to Ištar at Mari (Kupper 1985: 148), and called himself šar kišša ¯tim, king of the universe, in emulation of those third millennium kings (Villard 2001: 13). But Samsi-Addu’s devotion to this earlier dynasty went beyond titulary. As we have seen, he boasted that he restored a temple ﬁrst constructed by the Akkadian king Maništušu at Nineveh (Grayson 1987: RIMA 1 A.0.39.2), and was probably responsible for burying copper objects from the Akkadian period in the foundations of temples at Nineveh and Aššur. Moreover, Samsi-Addu and his son, Yasmah-Addu, ˘ both traveled to Akkad, the ancient Akkadian capital, which may have belonged to the kingdom of Ešnunna (ARM 24 165; ARM 1 36). Akkad, a locale that was signiﬁcant both for Samsi-Addu and for the kings of Ešnunna, may have been the setting for diplomatic rituals between these great powers (Charpin and Ziegler 2003 90–1). He also portrayed these connections visually. In the Samsi-Addu stela, the costume of the main ﬁgure, who may be Samsi-Addu or a divine entity, echoes that of NaramSin on his Sippar stela (Eppihimer 2009: 228). This ﬁgure, a personiﬁcation of kingship, is also depicted on the seals of high ofﬁcials from the period. The manufacture of the stela, and of other Old Babylonian sculpture like the stela of Daduša of Ešnunna, is a ritual practice that grew out of a Mesopotamian understanding of inscription as performative rather than mimetic, the idea that writing or drawing could actually bring a certain reality into being (Bahrani 2008: 57, 146–7, 2003: 133–8). Some of these statues and stelae may also have participated directly in commemorative rituals as lamassatu (see earlier). In short, Samsi-Addu drew upon a heterogeneous past, referring both to speciﬁc urban histories, as well as pan-Mesopotamian traditions. This syncretistic strategy can be seen also in the celebration of the Feast of Ištar at Mari under Samsi-Addu’s son, Yasmah-Addu. The Ištar honored in this ˘ ceremony may have been Dêritum (Jacquet 2012), a goddess from a city upstream, but it could equally well have been Ištar of Irradân, a goddess from the area of Ekalla¯tum, particularly since a ritual text related to this goddess was found at Mari and may be part of the Feast of Ištar cycle (Durand 1985a: 161; Durand and Guichard 1997: 23; Durand 2008: 333–41). Ištar of Irradân’s sojourn at Mari could have dramatized the union of the Tigris and the Euphrates, acting to suture the geographic division of the kingdom. The naming in the kispum ritual of the two tribal

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groups, the Yaradum, perhaps the people of the middle Euphrates, and the Numhâ, Samsi-Addu’s tribe, whose basic territory was south of the Sinjar ˘ and along the Tigris, may have accomplished something similar (Durand and Guichard 1997: text 4: 20–1).48 Finally, offerings to Sargon and Naram-Sin could have provided a geographically neutral reference for the kingdom as a whole. It is possible, of course, that Samsi-Addu considered these kings his direct ancestors, and that he was actually from Akkad; however, this seems unlikely, given the general interest in the Akkadian kings during this period.49 The little that we know of the political history of northern Mesopotamia from the fall of the Akkadian empire to the rise of SamsiAddu suggests that the cities that continued to function during this period based their sovereignty at least partially on an earlier relationship with Akkad. This is true for the Šakkanakku dynasty at Mari, probably also in Aššur, and perhaps in Urkiš and Nawar as well (Sallaberger 2007). As a result, it seems likely that the Akkadian empire, and associated southern Mesopotamian iconography, served as a potent unifying symbol precisely because it did not belong to any particular tribe. Samsi-Addu was far from the only king who employed historical references as a legitimizing strategy during this period. Indeed, each Old Assyrian ruler in the nineteenth century bears the name of an earlier ruler, either an Akkadian king like Sargon and Naram-Sin, or an earlier Assyrian king, like Puzur-Aššur II and Erišum II (Eppihimer 2009: 191). At Ešnunna, Ipiq-Adad II and Naram-Sin drew upon a variety of sources in constructing their expanded titulary, including local practices and Akkadian and Ur III precedents. Like Samsi-Addu, Ipiq-Adad II adopted the Akkadian title “king of the world,” which he had inscribed on a stone cylinder dedicated to the god of Dur-Rimuš, a city named after the Akkadian king (Saporetti 1999), illustrating the complex ways that kings could reference the past textually and materially. Similarly, Naram-Sin of Ešnunna, whose name obviously echoes a historical ﬁgure, employed the same title in some of his year names (Eppihimer 2009: 195–6). It is also possible that the Ešnunnean kings, Ipiq-Adad II, Naram-Sin, and Daduša, adopted divine kingship in imitation of the Akkadian and Ur III kings. We have already seen how these kings displayed their links to the past artistically and perhaps ritually.50 The king we know the most about in this context, however, is ZimriLim, the last king of Mari. Zimri-Lim’s memory practices were designed to

Memory

emphasize his connections to Mari’s earlier rulers and to his Sim’alite ancestors, not to a more inclusive past (Charpin 1998: 99–101). Upon his ascension to the throne, for example, Zimri-Lim performed a sihirtum, a ritual circuit around Mari. This traditional act was also documented in texts from the late šakkanakku period (Durand 2008: 199–254; Dossin 1967; Durand 1980). This devotional journey, in which Zimri-Lim toured the city of Mari, donating sheep to the temples of the major deities of the city and kingdom, may have linked his reign to that of earlier kings of the “Lim dynasty” and rejected the spatial conﬁguration of the kingdom under his immediate predecessor, Yasmah-Addu. ˘ The celebration of this event was probably commemorated in the wall paintings that adorned the Mari palace. Both the “Investiture of ZimriLim” in courtyard 106 and the “Sacriﬁce of Water” in room 132 may depict ritual activities that took place in temples around the city of Mari during Zimri-Lim’s accession (Barrelet 1950: 33–35). It is possible to interpret the Mari wall paintings as a visual representation of both a speciﬁc historical moment, the investiture of a king and the ritual obligations he performed, and a timeless statement of the king’s relationship to the gods, their temples, the city, and the kingdom.51 Zimri-Lim’s coronation, which probably took place during another sihirtum in Terqa, soon after he came to power, took advantage of the particular resonance of this place, where earlier kings of Mari including Yahdun-Lim may have been buried and where special kispum rituals were ˘ celebrated (Pappi 2012: 584; Charpin and Ziegler 2003: 178–9). By including the arms of Addu, the ceremony also connected Zimri-Lim’s exploits to the god’s mythical battle against the sea, placing his actions in the framework of history as divine will. Like Yahdun-Lim, whom he ˘ designated his “father” in an act of constructed kinship, Zimri-Lim traveled to the Mediterranean in his ninth year to wash his weapons in the sea, a journey that also alluded to Addu’s victory. Zimri-Lim’s royal progress had important political and diplomatic implications for the kingdom of Mari as well. The journey afﬁrmed the close relationship between Mari and Yamhad, while performing rituals in both Sim’alite and Yaminite villages, ˘ symbolically uniting Mari’s often fractious kingdom (Durand 2002; Pappi 2012). Zimri-Lim’s celebration of the Feast of Ištar exempliﬁed many of these same strategies, by linking him to Yahdun-Lim, Yaggid-Lim, and a specif˘ ically Sim’alite past. The goddess who was honored in this festival was

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probably Ištar of Dêr or Dêritum (Jacquet 2011: 21–4). Durand interprets the place name Dêr as “nomadic camp” and has suggested that this city was represented in the festival because of its location at the boundary of the Jezirah and the middle Euphrates. These were the two main territories under Zimri-Lim’s control, identiﬁed with the Sim’alites and Yaminites respectively (Durand and Guichard 1997: 39–40).52 When Dêritum, goddess of the steppe, entered the capital of Mari, this served as a metaphor for the rule of the Sim’alite Lim dynasty, uniting the sedentary and nomadic elements of the kingdom. Ceremonial acts undertaken as part of the sacriﬁce of Ištar also stressed unity, particularly the blending of different types of ﬂour, and of course, the commingling of blood in the donkey sacriﬁce (Durand 2008). At the same time, the incorporation of commemorative rites honored the ancestors of the dynasty, the different tribal groups that made up the kingdom, and sometimes even neighboring kingdoms. TRIBES, TOWNS, COUNCILS, AND ANCESTORS

Samsi-Addu and Zimri-Lim’s celebration of the Feast of the Land expressed particular political strategies that strengthened their kingship; however, this festival and the related celebrations elsewhere in northern Mesopotamia and Syria also entailed broad political participation and may have articulated collective ideas of government (Fleming 2004a: 179). Other political actors – including town councils and pastoralist groups – could also manipulate the ﬂexible and inclusive ancestor ideology of the festival and associated ritual practice. As the most powerful center in the Habur Plains during the ﬁrst part of the Ur III dynasty, Urkiš had a long political history. By the eighteenth century BC, however, the town’s inﬂuence and population were on the wane, and it was dependent upon the neighboring city of Ašnakkum (Durand 1997: 50). This ancient town provides important evidence for an alternative political strategy, one that takes into account the city’s historical legacy. Although Zimri-Lim did appoint a man named Terru to rule Urkiš, this king held little political authority. Terru’s correspondence with Zimri-Lim makes it clear that the elders of Urkiš were the real political force in the town. Indeed, in the alliance between the Ida-Maras· and the Sim’alites, the elders and heads of Urkiš were the signatories, not the king (Fleming 2004a: 198). At Urkiš, as in at least two other ancient cities that survived the political instability of the late third millennium, Tuttul and Imar, a council of elders represented the town either in addition

Memory

to, or instead of, a king. Hence, in all three cities, authority was based on age and position within a family or household. Excavations at Urkiš demonstrate how burial rituals and household practices helped to articulate ideas of legitimacy based on kinship as an alternative to kingship. In the early second millennium BC, there is no evidence for a palace atop the third millennium abode of the Hurrian kings, nor is the house of Puššam, which is palatial in size, rebuilt. Instead, a neighborhood of simple houses grew up on top of the tell, in the ruins of the house of Puššam, some of which contained kimah h u ¯, with ˘˘ evidence of offerings. House 5, a small courtyard house, for example, contained two vaulted tombs in its courtyard, one of which was empty but may have served as a ritual space (Dohmann-Pfälzner and Pfälzner 2001: 29–31, abb. 23–4). A donkey was sacriﬁced in the entrance chamber of the other grave, whereas in the main chamber a person lay surrounded by containers of food (Dohmann-Pfälzner and Pfälzner 2001: abb. 25). The sacriﬁce of this animal in a family tomb recalls those performed during the kispum ceremony of the Feast of the Land, the animals killed to form or renew alliances, and other donkey burials from Arbid, ‘Usiyeh, and Umm el-Marra. Here at Urkiš, houses replaced palaces as kingship yielded to corporate power, a power that was grounded in an ideology of kinship and alliance. But despite the differences in scale, the same complex of symbols and rituals was used to construct authority. In the Mari documentation, councils of elders were important in towns such as Urkiš, but also among groups in the steppe, attesting again to shared “urban” and “nomadic” social institutions. The consent of tribal elders among the Nûmha, Yaminites, and Sim’alites was necessary to negotiate alliances (Fleming 2004a: 199–200). Remains from rituals at the cemetery of ‘Usiyeh, probably the burial place of Sim’alite semi-pastoralists who lived in the region of Suhûm, provide evidence for some of these strategies. Letters from Mari underline the importance of tribal institutions in the management of this district, which is administered differently from other regions of the kingdom of Mari. The person responsible for managing the province, Meptûm, bore the title of mer’ûm, or chief of pasture, and used local juridical and administrative institutions to resolve disputes (Lacambre 2006: 139). A tablet outlining a legal case found at Mari provides good evidence for the importance of communal leadership in Suhûm. The thirty-seven heads of Yumhammu represented the town of Sapiratum in a dispute between the king of Mari

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and a local landowner, both of whom claimed ownership of a plot of land (ARM 8 85+; Fleming 2004a: 201–2). The juridical importance of tribal ties at Sapiratum, probably only about 10 km from the cemetery of ‘Usiyeh, provides a context in which to interpret the graves and monuments located here (Charpin 1997b). Area B at ‘Usiyeh contains a mix of grave types, arranged in groups that constitute burial mounds, each of which may represent a societal unit, like that headed by the Yumhammu elders. Excavations in mound 1 revealed six graves. A central stone-built chamber grave that had been robbed in antiquity was surrounded by pit graves containing infants and adults and two mudbrick chamber graves, one of which contained multiple interments. A similar stone-built kimah h um was found at the center of ˘˘ mound 2. In both cases, the arrangement of the graves probably both reﬂected and helped constitute an understanding of a household or lineage (Oguchi and Oguchi 2005: 167–8). The occupant of the kimah h um may ˘˘ have been a paterfamilias, one of the heads of household that were called upon in the land dispute at Sapiratum. The ritual complex uncovered in area A (see this chapter, section 6), in contrast, may have corresponded to an inclusive ritual space, one that served a community that comprised many households. Here, the construction of a circular monument to cover the underground structure that either was, or closely resembles, an Early Dynastic tomb, illustrates how a mostly mobile community rooted this notion of collectivity in the materiality of the past. If Urkiš indicates how ancestor rituals helped construct corporate leadership in a city that survived from the third millennium BC, and ‘Usiyeh highlights the importance of the past for collective authority among semi-pastoralists, Umm el-Marra illustrates how people could manipulate the past in the face of abandonment and political transformation. The construction of monument 1 atop the free-standing graves that crowned the site in the mid to late third millennium BC created a new place of commemoration. No palace has been found at Umm el-Marra, nor is one attested textually. Instead, this city appears in the Mari documentation as the cult center of a manifestation of Ištar, a goddess to whom Zimri-Lim’s Yamhadian queen Šibtu was particularly devoted ˘ (Catagnoti 1992). It is possible that as in Urkiš or Sapiratum, collective governance was the main source of authority in Tuba. As a possible humu ¯sum, monument 1 dramatizes the creation of that collectivity. Moreover, excavation of the shaft in monument 1 documents the long duration of

Memory

these practices. At the bottom of this installation, the deposition of human remains beneath the layers of sacriﬁced animals may date to the founding of the Middle Bronze Age occupation here (Schwartz 2012). Like much of northern Mesopotamia, Umm el-Marra experienced at least a century of abandonment, perhaps more, based on the published radiocarbon dates (Schwartz et al. 2012: 174–5, table 1). The foundational act for the reoccupation of the site appears to have been the construction of monument 1, and the sacriﬁce of several people in the ruins of the monumental tombs of the third millennium BC (Schwartz 2013). The later animal oblations may recall the initial sacriﬁce in a treaty ceremony that employed the symbolism of blood, ancestors, and kinship to create new political realities.53 The burials of these sacriﬁced animals resonated with other ritual practices within the town. Equid bones were buried in house foundations, and a complete skeleton was interred in a doorway (Schwartz et al. 2003: 345–6). Such sacriﬁces within individual houses may have helped to construct families or households, whereas the sacriﬁces at monument 1 could have created a new sense of belonging for the entire community. Interrogating the formation of collectivities and how they operated is essential to understanding politics apart from kingship. The evidence from Urkiš, ‘Usiyeh, and Umm el-Marra illustrates how collectivities could employ some of the same ritual paraphernalia as the great kings. In each of these cases, the past, kinship, and ancestors were important in different ways. The particular historical role of Urkiš probably made it a ritual center for Ašnakkum, while donkey sacriﬁce at a family tomb indicates that the principles of alliance and the power of the ancestors operated on the level of the family as well as the polity. At ‘Usiyeh and Umm el-Marra, where there is not continuity between the third and second millennium BC, people reused ancient tombs, transforming them into new centers for commemoration. The rituals that were enacted in these two spaces were probably very different, given the evidence for bloody sacriﬁce at Umm el-Marra, versus feasting and perhaps the donation of valuable objects at ‘Usiyeh. But at both sites heads of households, elders, and other political actors used an ideology of ancestors and a reverence for the past to validate conditions in the present.

Conclusion: mourning and memory In the early second millennium BC, people used the past to make sense of the present during a period of social and political change and instability.

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34 Tell Leilan acropolis northeast temple, isometric plan (Weiss 1985: 8, photograph by H. Weiss, Yale University, courtesy of H. Weiss)

This engagement with the past emerges from death and commemorative rituals, such as kispum ceremonies, and from monumental construction, settlement choices, administration, and craft production. This wider engagement transcended individual kingdoms and created a symbolic vocabulary for religion, rulership, and diplomacy. This was materialized in pervasive architectural styles like the columned “Babylonian” temples, found across the Greater Near East (Fig. 34), in the adoption of the Old Babylonian dialect, and in the widespread employment of the motif of the man with the mace for political legitimation. This active engagement with history was not limited to northern Mesopotamia. Indeed, the Akkadian kings had served as model rulers for southern Mesopotamian kings beginning in the Ur III period, and history was an abiding concern of kings and scholars in both the late third and early second millennia BC (Michalowski 2003b; Veldhuis 2004). But this articulation of the past was important precisely because of the clear break between the Early and Middle Bronze Ages, the emergence of a new political geography.54 An engagement with ancestors and history established political legitimacy in

Memory

individual cities, created a shared Amorite koine, and grounded the practices of daily life in newly settled cities and villages.55 One of the contradictions inherent in commemoration is that the ritual observation of certain acts by deﬁnition occludes others (Ricœur 2004). We have seen this already at La Corona, where Chakaw Nahb Chan and K’inich [?] Yook’s celebration of a new series of patron deities promoted a particular history by appropriating the ancestral shrines of their rivals and erasing their authoritative claims in both the present and the past. And, of course, both the Fiesta de Santa Fe and the execution of Louis XVI espouse particular visions of history, while denying other interpretations. If all political communities are born from foundational acts of violence – the people murdered and then thrown into the Umm el-Marra monument 1 shaft, or the wars prosecuted by Yahdun-Lim and Samsi-Addu – then there ˘ are two sides to the legitimization of this state of affairs. Commemoration always emerges at moments when possible alternative claims may be made, although the paradox of this process is that commemoration itself denies those alternatives. What is remembered and what is forgotten are both crucial to the politics of commemoration. Ernest Renan famously deﬁned the nation in similar terms: Yet the essence of a nation is that all individuals have many things in common and also that they have all forgotten many things. No French citizen knows if he is a Burgundian, an Alan, a Taifale, or a Visigoth; all French citizens need to have forgotten the massacre of Saint Bartholomew, and the massacres that took place in the Midi in the thirteenth century.56

It is through forgetting – as well as remembering – that a community of citizens comes into being. In Renan’s list of historical atrocities, he elides the victims and aggressors until they become merely an undifferentiated mass of French citizens, perhaps even ancestors. As Homi Bhabha writes, “to be obliged to forget – in the construction of the national present – is not a question of historical memory; it is the construction of a discourse on society that performs the problem of totalizing the people and performing the national will” (Bhabha 1994: 230). The communities that arose in the eighteenth and nineteenth centuries BC were far from nations in a modern sense, but their citation of a uniﬁed past, one in which forgetting plays as much a part as remembering, was essential to their constitution as a body politic.

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But this political order was not stable. The Feast of Ištar sought to hold a mirror up to the political organization of Middle Bronze Age kingdoms, to recast political alliances as kinship, to naturalize an unstable, contingent political system, and to root contemporary politics in the distant past. But audiences do not always accept such idealized performances and may respond with cynicism. This is clearly the case for other “events that present,” like the Persepolis celebration. Indeed these rituals always leave open the possibility of inversion, that the audience will overturn the dominant reading and obliterate its pretensions to authority. Understanding reception in the ancient Near East nearly always relies upon a heavy dose of speculation, but the Mari letters imply that Zimri-Lim and Samsi-Addu’s clients did not ascribe the same importance to the Feast of Ištar that their overlords did. Although we have letters inviting allies to the Feast of Ištar (ARM 2 78; ARM 26 25; FM 2 122; FM 8 12), these invitations were often ignored (ARM 26 352). A letter from Yaqqim-Addu, the governor of Saggaratum, complains that he was unable to convince two out of three of his clients to travel to Mari for the Feast of Ištar, even though they offered no excuse (ARM 4 66). Such a situation hints at Zimri-Lim’s inability to compel attendance, to manufacture consent, or to make Mari’s political rhetoric acceptable to many of his allies and subordinates. Unlike the French nation in Renan’s example, these polities never succeeded in creating a stable and enduring political order, despite the attempts of political leaders to dramatize alliances, to ground political communities in a distant past, and to forget more recent political discontinuities.

4

Tradition

An event that re-presents: the Akı¯tu festival Twice a year, Babylonian and Assyrian cities celebrated the Akı¯tu festival to mark the spring and fall equinox. The festivities lasted several days during which gods (or their statues), priests, kings, and even a baker took part in puriﬁcation rites, processions, and public recitations. Perhaps the best-known example of the festival was the spring celebration in Babylon, which coincided with the beginning of the year.1 The šešgallu-priest opened the public part of the Akı¯tu on the equinox by reciting the Babylonian creation epic, Enu ¯ma eliš, to the statue of Marduk, the city god of Babylon. This event and the contents of this tale framed the rest of the ritual actions. Enu ¯ma eliš narrates the story of the birth of the gods, the creation of the world, and Marduk’s elevation to the head of the pantheon. The poem celebrates Marduk’s exploits in the heavens (particularly his role as the god who determines the fate of the world) and Babylon’s preeminence on earth. The recitation of the poem and the events of the festival served to remake and afﬁrm a speciﬁc series of relationships among the king, the priests, the citizens, and the gods of Babylon. In many ways the gods, particularly Marduk and his son Nabû, the god of wisdom, were the true protagonists of the ritual. Nabû traveled from his cult center of Borsippa to Babylon to participate in the festivities, while Marduk decreed the fates of the city and the country, afﬁrming their destiny for the coming year. The god then left Babylon and traveled to the Akı¯tu temple, located outside the city walls. Babylonians lined the processional way and the canals in order to see the gods’ voyage to the Akı¯tu, also called the house of offerings, and their return to Babylon. This event marked the only time when the populace was in the presence of the divine. The king had another critical role to play in order to maintain his divinely granted authority. On the day after the equinox, following the puriﬁcation 153

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and exorcism of Marduk and Nabû’s temples in Babylon, the king went to the canal to greet Nabû. Afterward, the priests escorted him to the Esagila, but before the king entered Marduk’s cella, the high priest stripped him of his royal insignia, slapped him, and dragged him into the sanctuary by his ears. Once they reached Marduk’s statue, the priest then forced the king to prostrate himself and swear the following: I have not sinned, Lord of all Lands! I have not neglected your divinity! I have not ruined Babylon! I have not ordered its dissolution! I have not made Esagila tremble, I have not forgotten its rituals! I have not struck the cheek of those under my protection! I have not humiliated them! I honored Babylon and I have not destroyed its walls! 2

Upon hearing the king’s protests, the high priest returned the scepter, loop, mace, and crown, and then struck his cheek for a second time. If the king wept, it meant that Marduk would favor him and the city for another year. This ritual humiliation thus afﬁrmed the relationship between the king and his god, as well as among the king, his city, and its citizens. The people of Babylon also participated in this ceremony in two ways. First, they provided an audience for this celebration of Marduk’s power and Babylon’s preeminent status, which was illustrated by the arrival of gods from across Babylonia. Second, the citizens also took part in a symbolic ritual humiliation. The day before the equinox, artisans including metalworkers and carpenters worked together to fashion two ﬁgurines from cedar wood (Black 1981). These small statues, seven ﬁngers high, were dressed in red and had their right hands raised in prayer to the god Nabû. They held a snake and a scorpion respectively in their left hands. Initially, these human efﬁgies stayed in the temple of the minor god Mada ¯nu, a building called the Erabiriri, or “the house of the shackle which holds in check,” a virtual prison.3 Later in the festival, two days after the equinox, a priest slapped the ﬁgures and threw them into the ﬁre to be puriﬁed, perhaps echoing the king’s ritual humiliation. This act probably puriﬁed the entire city, setting things in order for another year. Finally, the Babylonian priests acted in and directed the ritual. Indeed they supplied the script, were responsible for the mise-en-scène, and provided the authoritative interpretation. Within the ritual, the priests were responsible for the reestablishment of order, for Bel’s yearly triumph over chaos (Sommer 2000; Pongratz-Leisten 1994). As a result, they assumed an

Tradition

authority that rivaled and sometimes outranked the king’s. Hence, this festival served to both afﬁrm and construct their social power within Babylon.

Invented traditions The Akı¯tu festival ﬁrst appears in Early Dynastic calendars (Cohen 1993: 30; Sallaberger 1993), but information about the celebrations in Babylon comes from a text dated to the Seleucid period, just a few centuries before the cuneiform tradition died out completely.4 Analyses of the festival have been fundamental to reconstructions of Mesopotamian religion in particular and studies of the sacred in general. Mircea Eliade’s classic interpretation of this festival as an annual recreation of the world and a restoration of kingship highlights the recitation of Enu ¯ma eliš and emphasizes the timeless nature of this annual ritual (Eliade 1959). In another inﬂuential study, Jonathan Z. Smith has drawn attention to the king’s ritual humiliation, a part of the ritual that makes the best sense if the king making the confession was not a native Babylonian, but a foreigner, a reading that takes into account the text’s Seleucid date. Indeed, Smith sees the Seleucid Akı¯tu as a reinterpretation of a more archaic ritual, one that employs traditional religious practice and doctrine to try to inﬂuence events, to rectify the problem of the loss of native kingship (Smith 1982). Both interpretations of the festival highlight the importance of tradition in ﬁrst millennium Babylonia, albeit in diametrically opposed ways. In doing so, they provide a particularly good instance of a historiographic trend in treatments of Babylonia in the later ﬁrst millennium BC, particularly in the Seleucid era (Fig. 35). Over the last century, scholars have variously depicted Seleucid Babylonia as a case study of “Hellenization” (Tarn and Grifﬁth 1952; Rostovtzeff 1941), as a self-consciously traditional, impermeable society that rejected Hellenization (Walbank 1993; Oelsner 2002), and as a society where innovative Greek and “traditional” Babylonian material culture coexisted (Langin-Hooper 2007, 2011; Sherwin-White and Kuhrt 1993; Kuhrt and Sherwin-White 1987; Petrie 2002; Hannestad 2012). These interpretations are contradictory and depict very different societies, but they share an unlikely similarity, an uncritical use of the concept of “tradition.” While notions of foreign, Greek culture are often problematized, Mesopotamian elements are simply accepted as “local,” “traditional,” and hence normative (Yoffee

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35 Seleucid Babylonia and Syria (Base map by author, using ESRI topographic data [Creative Commons]: world shaded relief, world linear water, and world countries)

2005; Rempel and Yoffee 1999). But what does it mean to say that a certain practice, element of material culture, or text is “traditionally” Babylonian in the Hellenistic period, 250–500 years after the death of the last “native Babylonian” king? The idea of tradition in the Seleucid period is clearly itself problematic. Scholars of Hellenistic Babylonia are hardly alone in their refusal to query the category of tradition; there have been few attempts to theorize tradition in history or the social sciences (Connerton 2011; Shils 1981; Boyer 1990). One reason for this may be a lingering Orientalism, which brands tradition as the purview of backward, unchanging, or indeed “traditional” societies (Said 1978; Wolf 1997: 13), coupled with an enlightenment (and post-enlightenment) mindset that contrasts tradition and modernity to the discredit of the former (Giddens 2000; Beck et al. 1994). The great interest in categorizing and understanding modernity in the last two centuries has led scholars to see tradition merely as a “foil, a

Tradition

residual category . . . . a comparative point of reference for understanding the present” (Connerton 2011: 121). I will follow Eric Hosbawm in distinguishing between tradition and custom, deﬁning tradition as “a set of practices . . . of a ritual or symbolic nature, which seek to inculcate certain values and norms of behavior by repetition, which automatically implies continuity with the past” (Hobsbawm 1983: 1). Hence, tradition refers to events or practices that are repeated, that are understood to be inherited from an earlier period, and that are particularly signiﬁcant to their participants (Boyer 1990: 1–3). Traditions may be invented at particular moments for particular reasons – like the British coronation ceremony – and are almost always manipulated and redeﬁned by a range of interested actors (Hobsbawm and Ranger 1983; Giddens 2000). This process is not necessarily cynical; the dynamics of transmission involve innovation, what Paul Connerton terms “creative recovery,” since the “very act of restituting a presence to what was past produces something new” (Connerton 2011: 122).5 Custom, in contrast, refers to any activity, signiﬁcant or not, that is subject to precedence (Hobsbawm 1983: 2–3). Custom is often conservative, but rarely invariant. In this sense, custom regulates much of daily life, including agriculture, family affairs, and domestic practices, whereas tradition presides over special occasions or particular marked spheres, such as religion, politics, or scholarship. This chapter will investigate how both custom and tradition were employed in Hellenistic Mesopotamia by a range of different actors. First, I will outline a brief political history of the later ﬁrst millennium BC. Second, I will analyze archaeological evidence of settlement patterns, urban planning, domestic practices, and household production in order to examine whether and how customary practices may have changed during the Hellenistic period. Third, I will consider the collective representation of tradition, how Babylonian scholars articulated this notion, and why it became so important to politics. Fourth, I will analyze the materialized symbols through which these ideas were expressed, particularly the temples that provided the setting for political performances by the priesthood, citizenry, and Seleucid kings. Finally, I will discuss speciﬁc enactments of the Akı¯tu festival and how they were implicated in various political strategies.6 In many ways, the Akı¯tu festival nicely dramatizes the gap between invented traditions and customs in a colonial setting. The necessity of

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cultural translation in the Seleucid empire no doubt ensured that the “meaning and symbols of culture [had] no primordial unity or ﬁxity; that even the same signs [could] be appropriated, translated, rehistoricized, and read anew” (Bhabha 1994: 55). As an event that re-presents, that overturns a political and religious order in order to reafﬁrm it, the Akı¯tu festival opened up a different space for contestation than the other rites that we have considered up to this point. Events that re-present are notoriously unstable. As we saw in the Fiesta de Santa Fe, such rites can be recast by different publics to present very different arguments, including ones that are critical of the status quo. The manipulation of traditions in this ritual thus helped to establish a new system of meaning and practice for the diverse populations of Babylonia (Van der Spek 2009).

Hellenistic Babylonia One of the biggest political changes leading up to and during the Hellenistic period (330–100 BC) was the loss of Babylonian sovereignty to conquerors, who unlike their Amorite, Kassite, Chaldean, and even Achaemenid predecessors, did not adopt Akkadian as a primary administrative language, nor style themselves as Mesopotamian monarchs outside Babylonia. In 539 BC, the last Neo-Babylonian king, Nabonidus, surrendered to Cyrus. What had been an empire in its own right for almost a century became a province of Achaemenid Persia (Dusinberre 2013). The city of Babylon maintained its status as an imperial capital, although it was just one among many of the places where the peripatetic Achaemenid court could convene. Two hundred years later, in 331 BC, Alexander the Great defeated the last Achaemenid king, Darius III, at Gaugamela, near Arbela. He spent the next seven years marching east, completing his conquest of the Achaemenid empire by campaigning in Iran, the Caucasus, Central Asia, and the Indus. By 324 BC, Alexander had returned to Babylon, a city that he planned to make the capital of his vast empire. He died there a year later, in a palace ﬁrst built almost three centuries before during the height of the Neo-Babylonian empire. Over the next quarter century, nearly continuous warfare and diplomatic negotiations led to the fragmentation of Alexander’s conquests into smaller kingdoms. With the exception of a seven-year period (316–309 BC) when Antigonus laid claim to Babylonia and the east, the general Seleucus established an empire in Mesopotamia, Iran, and much of the central

Tradition

and eastern districts of the Persian Empire. Seleucus’ wife, Apame, was the daughter of the Persian satrap of Bactria, and their descendants ruled Syria, Babylonia, Iran, and parts of central Asia for more than 150 years. Around 300 BC, Seleucus established a new capital, 60 km north of Babylon on the Tigris river, which he named Seleucia. Its foundation echoed the establishment of similar eponymous cities by Alexander and the other successors in the old Persian Empire. Soon afterward, the Seleucid kings founded the Syrian Tetrapolis in the fertile Orontes valley near the Syrian coast; these included the other capital, Antioch, as well as the royal cities Apamea, Laodicea, and Seleucia Pieria (Sherwin-White and Kuhrt 1993; Grajetzki 2011). Babylon remained an important regional city, but seems to have gradually lost population and inﬂuence over the next few centuries. When the period in question ended is more difﬁcult to determine. In the mid-third century, the Seleucid kings began to lose control of their eastern and northern satrapies, including Parthia and Bactria as well as cities and districts in Anatolia. Yet, they continued to rule most of Syria, Mesopotamia, and western Iran until 141 BC, when the Parthian king Mithridates invaded Babylonia. Over the next decade, the Seleucid kings campaigned to reestablish their jurisdiction over this territory, but by 129 BC, they were forced to give up such pretentions. The Seleucid kings continued to govern Syria from Antioch until the Romans defeated them in 63 BC (Green 1990). Despite the loss of Seleucid sovereignty, the Parthian kings appear to have made few changes in Babylonia before the later part of the reign of Mithridates II (124–88 BC). As a result, I will follow many scholars and consider the entire period from 330–100 BC “Hellenistic.”

The city and countryside These two centuries witnessed economic and social changes that transformed the nature of settlement in Mesopotamia. For southern Mesopotamia, our best source of evidence remains Robert McCormick Adams’ extensive surveys from the 1950s to 1970s (Adams 1965, 1981; Adams and Nissen 1972). Although they covered much of the southern alluvium, producing general maps of a large region, their survey methodology meant that they under-reported small sites (Adams 2008: 6). More recently, the availability of high-quality satellite imagery has allowed for

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further analysis of urban layout (Stone 2009; Witsell 2009), as well as new work on canal systems and geoarchaeology (Hritz 2010; Hritz and Wilkinson 2006; Hritz 2005). Both lines of evidence indicate growth in the number of sites, with new interconnections and changes in the use of space in these cities and villages during this period. SETTLEMENT, IRRIGATION, AND TRADE

After more than a millennium of decreasing population and urbanism in Babylonia, the late ﬁrst millennium experienced a massive population increase. In the area between Uruk and Nippur, and the number and area of settlements nearly doubled from the Neo-Babylonian-Achaemenid period to the Seleucid-Parthian period, while the percentage of settled area occupied by urban centers increased from 36 percent to 55 percent in the Seleucid-Parthian period (Fig. 36; Adams 1981: ﬁg. 40). A majority of these cities were newly founded (twenty-eight out of ﬁfty-ﬁve), perhaps an indicator that “we are dealing with fairly abrupt, probably state-directed” settlement policies and urbanization (Adams 1981: 178). An even more extreme trend appears in the Diyala survey, where there

36 Seleucid-Parthian period sites and canals from the Heartland of Cities survey (After Adams 1981, ﬁg. 40)

Seleucia

Cutha Kish Babylon Borsippa Dilbat Marad

Nippur

Uruk 0

25 km

Larsa

Tradition

161

Seleucia

Ctesiphon

.01-4 ha 4.1-10 ha 10.1-20 ha 20.1-40 ha 40.1-200 ha 200+ ha

0

25 km

37 Seleucid-Parthian period sites and canals from the Diyala survey (After Adams 1982, ﬁg. 42)

was an increase from 81 Neo-Babylonian–Achaemenid sites, all rural, to 205 Seleucid-Parthian sites occupying 1,857 hectares, 69 percent of which is urban (Fig. 37). The striking urbanization of this area coincided with the construction of the great Seleucid and Parthian capitals, Seleucia and Ctesiphon, which converted this from a border district to the heartland of two empires (Adams 1965: 62–5; Adams 1981: 178–9, table 19). Similar changes occurred around Kish, where site numbers again nearly

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doubled from the Neo-Babylonian to the Achaemenid/Seleucid period, from twenty-nine to ﬁfty, reaching a new peak (Gibson 1972: table 3, ﬁg. 13). Much of this population increase was probably also a result of Seleucia’s foundation (Gibson 1972: 51), and is partially due to the resettlement of Aramean and Chaldean populations and immigration from Greece and other areas of the Achaemenid and Seleucid empires. The irrigation systems that served these sites were also transformed. During the second and early ﬁrst millennium BC, most settlements were arrayed along widely spaced, linear canals. Beginning in the mid and accelerating in the late ﬁrst millennium, canal construction created a lattice-work pattern that divided the alluvium into uniform polygons and allowed for the extension of agriculture (Adams 1981: 188). New land was brought into cultivation and a more integrated transportation network was established, factors that probably contributed to population growth. This new network had important implications for daily agricultural practices and lines of communication across Mesopotamia. Ofﬁcial irrigation projects targeted the Tigris beginning in the Neo-Babylonian period, a trend that continued with the foundation of Seleucia. This accompanied a larger shift in long-distance trade networks, since ocean-going boats could navigate the Tigris as opposed to the shallower Euphrates. Navigable canals connecting the Tigris and the Euphrates near the north edge of the alluvium tied this network into caravan trade routes across the Syrian desert (Adams 1981: 182). This realignment of trade also had implications for sites towns in the Gulf: particularly in Failaka and Bahrain. The two sites in Failaka (ancient Ikaros) and Bahrain (ancient Tylos) provide evidence for Seleucid interest in Indian Ocean and Arabian trading networks. Ikaros was a fortress, a Seleucid military installation, that gradually became home to a larger community that remained “dependant on Seleucid inﬂuence” (Mouton 2009: 201; Potts 1990: 155–96). Its location, close to Babylonia, helps to explain its very similar material culture. Qalat al-Bahrain, in contrast, was a local settlement that was closely tied to other settlements on the island and to east Arabian communities, although it was also part of a larger Hellenistic political sphere (Mouton 2009: 188–9). Elsewhere on the Arabian coast, imported material indicates trade connections between settlements from the interior of Arabia and the Seleucid empire. These are no doubt at least partially connected to the incense trade well known from sources during this period (Salles 1987: 100; Potts 1984: map 4).

Tradition

SELEUCID URBANISM

An important element of the transformation of Seleucid settlement was the foundation of new cities and towns and the expansion of settlement in already existing cities. Excavations at Seleucia-on-the-Tigris provide a glimpse into the organization of space at a capital. According to Pliny, at its height, Seleucia rivaled Rome and Alexandria and was home to more than 600,000 people (Pliny [Rackham 1949] HN 6.122). This 550 ha city was built on an orthogonal plan with blocks of 72 × 145 m, the largest in the Hellenistic world (Invernizzi 1993: 235; Gullini 1967; ﬁg. 38). Limited excavation indicates that the majority of these blocks contained large courtyard-style houses and shops facing the streets (Hopkins 1972). Although remains of a fortiﬁcation wall have not been located through excavation, historical sources indicate that such a wall did exist (Invernizzi 1993). Seleucia was divided into two unequal halves by a canal off of the Tigris. The area north of the canal seems to have represented the ofﬁcial quarter of the city, where the main theater, agora, archives building, palace, and temples were probably located. Tell ‘Umar, a 13 m high artiﬁcial mound measuring 94 × 79 m at its base, is situated at the northern limits of the city and provides a focal point for this public area. This 38 Seleucia-on-the-Tigris, Corona, 1104–2138F (Aug 16, 1968)

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enigmatic construction, which was built entirely of unbaked mudbricks, has resisted interpretation, despite years of excavation. Antonio Invernizzi and his colleagues suggest that it was initially conceived as a theater, and that the massive mudbrick walls or platforms made up the substructure of the cavea, the circular seating space (Invernizzi 1993; Messina 2010). But this artiﬁcial mound has also been interpreted as a ziggurat, or part of a religious complex (Hopkins 1972; Downey 1988). Although it seems unlikely that ‘Umar was a ziggurat, its ﬁnal appearance, unusual for a theater, may have referenced this local religious form (Ristvet 2014). South of Tell ‘Umar was an open square, probably the city’s agora, whose dimensions were equal to one city block. The archives building, a public facility for storing private documents or copies thereof, stood along its western side. On the agora’s eastern side was a stoa, with a plan similar to the archives building, adjacent to private houses (Valtz 1986, 1988, 1990). A similar arrangement probably existed on the square’s south side, where more houses and a ﬁgurine workshop were excavated.7 As Seleucus’ royal city, Seleucia was, of course, unusual among urban centers. But despite much of the Greek character of this city, whose urban layout, particularly the relationship between its agora and theater, is typical for Hellenistic cities in the Mediterranean and the east, elements of its spatial organizations cite the urban plans of earlier Babylonian and Assyrian capital cities. The off-center location of Seleucia’s public quarters, particularly the relationship of Tell ‘Umar to the northern city wall, echoes the position of the palace and ofﬁcial quarters at Babylon, Nineveh, and Nimrud, rather than the placement of ofﬁcial quarters in Hellenistic cities (Invernizzi 1994). Beyond Seleucia, many of the newly founded villages and towns in the later ﬁrst millennium are organized differently than older settlements. These settlements tend to be larger and have an average size of 7.71 ha. They are also less nucleated; evidence for settlement is often dispersed over scattered mounds (Adams 1981: 229). Moreover, preliminary analysis of Quickbird imagery of these unexcavated sites indicate that houses and other buildings were generally larger, with more open space between them (E. Stone, personal communication, 2011). These changes in settlement organization have obvious implications for population density and hence population estimates for the region. Although there are important continuities with the past, these dispersed settlements may reﬂect (and

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165

participate in) changes in property relations, family structure, community politics, and a host of other social practices. This period also saw the extension of urban settlement within older cities such as Uruk and Nippur (Gibson 1992: ﬁg. 11; Finkbeiner 1991b; Fig. 39). In Babylon, a series of texts known as “Tintir = Babylon” provide

39 Uruk during the Seleucid-Parthian period (After Finkbeiner 1991: Beilage 31, courtesy of the DAI)

4000

1 2 3 4 5 3500

Grabung in P6

6 7 8 Bit Akitu

9 10

3000

11 12 Grabung

13

Palast des Sinkašid

14 Eanna

2500

15

Bit Res

Anu Zikkurrat

16

Ešgal

17

Grabung

18 Grabung in U/V 18

19 20

2000

21 22 23 Gareus-Tempel

24 25

1500

26 27 28

URUK-WARKA

29 30

1000

31 32 A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

X

Y

Z

A’ B’ C’

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Ritual, Performance, and Politics in the Ancient Near East

topographic information from the Assyrian to Parthian periods (George 1993a; Veldhuis 1998; George 1992). Contemporary texts list the names of ﬁve city quarters known from Tintir during this period, probably indicating that much of the city remained populated (Boiy 2004: 80–1). The two royal residences also remained in use, although they were remodeled with Mediterranean-style tiled roofs. Merkes, Babylon’s elite neighborhood, was also occupied during the Hellenistic period, after, perhaps a series of destructions in the ﬁfth century BC (Baker 2007, 2011; Koldewey 1914; Miglus 1999). Nonetheless, its street grid is unchanged from the Neo-Babylonian period and the layouts of most of these houses are the same as well, although a peristyle was added to at least one house (Fig. 40; Boiy 2004: 11). Yet Babylon was also the site of a Greek polis, known from inscriptions found in both Greek and Akkadian (Van der Spek 1993a). Several new buildings related to this community and the city’s new political status were erected during the third and second centuries, including a Greek theater in the part of the city called Homera. The theater was probably known as the bı¯t tamarti in Akkadian texts and was the regular meeting place for citizen assemblies (Potts 2011; Wetzel et al. 1957: 16–17). Uruk also maintained the same basic urban grid of a central religious quarter and surrounding neighborhoods from the earlier ﬁrst millennium BC, although the layout of many individual urban districts was transformed. We do not have as clear a picture of Uruk’s neighborhoods as Babylon’s, as little work focused on exposing private houses. But excavations in U-V 18 make it clear that the ground plans of the houses did not change substantially from the Achaemenid to the Hellenistic period (Kose 1998: 337–73; Hoh 1979). Otherwise, we have archaeological and textual evidence for continued settlement at Babylon, Borsippa, Larsa, Kish, Marad, and Kutha (Van der Spek 1987: 74). Many of these cities probably retained the same general urban plan that they had in earlier periods, conditioned as they were by the existing urban infrastructure, but there were also important new constructions, including temples and palaces. These changes in settlement patterns, irrigation systems, and urban organization indicate that the later ﬁrst millennium BC was not a time of stagnation or little change. Rather, from the Achaemenid to the Parthian period many of the basic patterns of agricultural and settled life in Babylonia were transformed. The major changes were not simply

Tradition

167

Northern Palace

Southern Palace

Theater Marduk Gate

Euphrates

Etemenanki Merkes

Esagila

0

200 m

40 Babylon city plan, based on the 1974 survey (Courtesy archive Centro Scavi Torino)

the result of Seleucid government policies, although such initiatives probably did contribute to certain processes, including canal construction, the foundation of cities, and increased settlement in Seleucia’s hinterland. Nor were they associated with a simplistic model of “Hellenization.” The language and aesthetic choices of the inhabitants of Babylonia had little to do with how they chose to farm. But it is essential to recognize how different rural and urban life had become in the later ﬁrst millennium, despite important continuities in house plans and street grids.

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Domestic practices Within houses, the distribution of artifacts including pottery, ﬁgurines, sealings, and coins indicates that many domestic practices were also altered during the Hellenistic period. Pottery and terracotta ﬁgurines are the two most common classes of artifacts found in excavations of this period, while sealings and coins are found in both domestic and administrative areas. Variations in the quantities, forms, and deposition of these common goods are related to changes in artisanal production, household consumption, taxation, foodways, religious practices, and perhaps identity construction. Innovations in seal form, their ownership, and the types of materials sealed indicate similar transformations in economic and administrative practice. Similarly, although full monetization of the Babylonian economy did not occur until later, the increasing presence of coins and their growing use for various forms of payment was another important innovation. CONSUMING EMPIRE? POTTERY AND FOODWAYS

In 1967, Eva Strommenger identiﬁed a radical change in southern Mesopotamian pottery forms that began in the early years of the Seleucid period (Strommenger 1967: 33). Although most Seleucid pottery continued to be made from local plain and glazed wares and potters never adopted Greek-style decoration, many of the most common forms from the Hellenistic period have no equivalencies in earlier levels at Uruk. The new forms that occur most frequently in Uruk are associated with serving and preparing food (Petrie 2002). These include the introduction of new table wares and cooking pots (Petrie 2002: table 3), which existed alongside many shapes derived from earlier forms. The adoption of new dish forms may be related to serving new types of food, a pattern well documented in Rome, the Inka empire, and Achaemenid Sardis (D’Altroy et al. 1998; Dusinberre 2003). The emergence of new types of cooking utensils demonstrates changes in food preparation techniques. Seleucid cooking pots had different physical characteristics from earlier ones, which would have affected the types of food they could be used to prepare. The most common cookwares are probably adaptations of stewpots used to cook meat and ﬁsh found across much of the Hellenistic world. Although this pattern is far clearer in the Seleucid period, Achaemenid rule also affected the distribution of certain vessel types and probably foodways (Dusinberre 1999, 2013). Analysis of Seleucid pottery from a range of sites allows us to

Tradition

quantify what changed and investigate how these new forms were related to social and economic practices. It is clear that this shift is not due solely to imported pottery or the adoption of Greek ceramic manufacturing processes. Vessels imported from the west have been found at Uruk (Strommenger 1967: 32), Seleucia (Valtz 1993: 169–70, ﬁg. 1: 1–5), Babylon (Hannestad 1990), and Failaka (Hannestad 1983: 53), but the quantity of imports is small (Hannestad 1990: 182). Instead, the majority of vessels were made from local clays, using manufacturing techniques already well known in earlier periods. At Uruk, a potter’s quarter consisting of many kilns with associated wasters and overﬁred vessels was located north of the main occupied area during the site survey, testifying to an extensive Seleucid ceramic industry (Finkbeiner 1991b). Analyses of wasters and sherds indicate that potters continued to use the fast wheel for all but the largest vessels, which were probably partly handmade. Very few examples of mould-made pottery have been found in Seleucid Babylonia, although this technique was popular elsewhere in the Hellenistic world (Rotroff 1982), and present in northern Mesopotamia and Syria (Hannestad 1990), both in the form of imports and locally made bowls. Similarly, “Hellenistic” inﬂuence appears to be limited to form, not to decoration. “Greek” pots often appear in common and glazed wares and do not show the same surface treatment and ornamentation found elsewhere in the Hellenistic world. The types that appear in Babylonia are found across the Seleucid empire, from Syria to Ai Khanoum, Afghanistan, and in Greece itself (Hannestad 1990; Bernard 1973). Petrie’s study of Hellenistic pottery at Uruk identiﬁed thirty-four “Babylonian” shapes and thirteen “Greek” shapes. The Greek forms that occur most frequently at Uruk include table wares such as ﬁsh plates, plates with thickened interior rims, bowls with incurving rims, and bowls with angled proﬁles; four types of cooking pots, the lopas, chytra, and two types of pots with rolled handles; and storage amphorae (Fig. 41, Petrie 2002: table 3). The most common of these are the plates. Indeed the plate with the thickened rim is the single most common form found in excavation and survey at Uruk. The plates and bowls probably formed a class of table wares that also included several shapes with Neo-Babylonian parallels and was found in temple quarters and private houses at Uruk. Innovations in cooking ware are even more pronounced. In the Uruk survey, none of the cooking pots from the Seleucid period have direct

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41 Serving wares from Seleucid-Parthian Uruk (“Greek-inspired” shapes on left; “Babylonian” shapes on right) (After Finkbeiner 1991a: tafel 167 and 169, courtesy of the DAI; numbers for each shard are the same as in the original publication)

antecedents in earlier Neo-Babylonian levels (Fig. 42).8 On the survey, these common forms were found over much of the site, while in excavation cooking pots have been published from houses in U/V 18 and J/K 17/18, but are not reported from the sanctuaries (Finkbeiner 1991a, 1991b). A few examples do occur, however, elsewhere: at the Ebabbar

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171

Lopades

644, 715

18

645

19

Chytrai

626

24a

24b 633

20 All Vessels 1:4 42 “Hellenistic” cooking ware from Seleucid-Parthian Uruk (left) and Athens (right) (After Finkbeiner 1991a: tafel 168, and Rotroff 2006, courtesy of the DAI and Agora Excavations, American School of Classical Studies at Athens; numbers for each shard are the same as in the original publications)

temple in Larsa (Lecomte 1993: ﬁg. 16: 20), the fortress at Failaka (Hannestad 1983: 63–4), and in houses at Seleucia (Valtz 1991: 54, ﬁg. 3: 26–9). Of these types, the chytra and the lopas, well known from Classical and Hellenistic Athens, are also found at Uruk, Seleucia, and Failaka (Hannestad 1990). The chytra is a deep stew pot with one or two handles that was used to cook meat and vegetables in soups, porridges, and

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stews (Rotroff 2006: 186–7). The lopas, by contrast, is a specialized pan used for cooking ﬁsh, which was fried, or “perhaps ﬁrst braised, then stewed in its juice or a sauce” (Rotroff 2006: 178–9). At Athens, the lopas was slightly more common than the chytra during the Hellenistic period (Rotroff 2006: 179). In Uruk, this trend is reversed, and we ﬁnd more examples of chytrai (Finkbeiner 1991a, 1992). Moreover, the other two “Greekderived” cooking pots are also deep stew pots with handles. Elsewhere, in a Hellenistic context, they would probably also be termed chytrai. Unfortunately, it is extremely difﬁcult to tell how different these cooking pots were from their antecedents in the early ﬁrst millennium BC, as few cooking pots from Neo-Babylonian contexts have been published. Cooking pots are generally recognized by their distinctive fabric. These pots are usually tempered with materials such as grog, mica, shell, calcite, or other minerals that increase resistance to stress brought on by rapid heating (Rice 1987: 229). They tend to have coarse, porous textures and often show evidence of soot and other marks of use wear. Unless reports describe fabric in detail, it can be difﬁcult to discern whether or not a vessel was used for food preparation. A handful of cooking pots have been published from Neo-Babylonian levels at Isin (Hrouda 1981: taf. 32: 29), Nippur (McMahon 2006: 177: 12; Gibson 1978: ﬁg. 68: 29–31), and Uruk (Cancik 1991: taf. 166: 12). These earlier pots are characterized by thicker walls, taller proﬁles, more restricted mouths, and ﬂat bases. The Seleucid examples, in contrast, tend to have rounded bases, interior glazing, and variable wall thickness (Finkbeiner 1991a: 107). These characteristics would have changed the way these pots could be used for cooking. The rounded base, for instance, meant that the pot could not be set down, but must have been suspended over a heat source (perhaps by use of a pot stand). The glaze would have made the vessel less permeable, allowing for faster, more even cooking, with less evaporation. Changes in these pots may have been related to the introduction or development of new styles of food preparation – since cookware is often adopted speciﬁcally in order to make special foods.9 Given the close association of cooking pots and cuisine, cookware tends to be resistant to change, even in other colonial examples where hybrid pottery types are common (Dietler 2010; Antonaccio 2004). Although the Seleucid period in Babylonia probably saw the development of certain hybrid foodways, the same is not true for drinking practices. Drinking vessels in Seleucid assemblages, which include two types of

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handled jars, Mesopotamian amphorae, and eggshell ware bowls and cups, show little change from the Neo-Babylonian and Achaemenid period. Greek-inspired drinking vessels occur at Failaka and Uruk, but in very small quantities (Hannestad 1983: 20–3). In fact, we ﬁnd some forms, like the lagynos for wine decantation, only at Seleucia (Valtz 1993: 172; ﬁg. 2) and specialized wine vessels only at the colony at Failaka (WesthHansen 2011: 111–12), indicating that Greek drinking practices, and perhaps wine consumption more generally, did not become widespread in Babylonia. Instead, people probably continued to drink beer, employing the same cups and jugs that they had for centuries. It is unclear, of course, to what extent people living in Uruk thought of ﬁsh plates, incurved rim bowls, Greek amphorae, or the cooking pots that we label chytrai and lopades as “Greek.” Unlike archaeologists, most producers and consumers of such vessels were probably not used to producing typologies that clearly distinguished local and “foreign” features. Babylonian ﬁsh plates did not have the painted ﬁsh that make these dishes so distinctive in fourth-century Italy and Greece (Rotroff 1997). The indentation in the center of these dishes may have been designed to hold sauce, although it seems likely that this condiment (date syrup?) was quite different from what might be found on a Mediterranean plate, whereas the ﬁsh, if the plate ever held such a delicacy, presumably came from the Tigris or the Gulf. Indeed, the very different local ware types used for these forms and their lack of decoration clearly distinguish these bowls from their Mediterranean counterparts. Edward Keall argues, apropos Parthian pottery at Nippur, that the most common forms show clear continuity with millennia-long traditions, even during the period when Greek inﬂuence was assumed to be at its height (Keall and Ciuk 1991).10 The lack of speciﬁcity of most of the supposedly Greek forms in Babylonia, many of which were probably chosen because they ﬁt within familiar food consumption patterns, may be critical to understanding this pattern. The adoption of new shapes of stewpots, while a distinctive shift, still meant that cooks in Babylonia were preparing stews or meat and ﬁsh cooked in sauces as people had before, albeit perhaps favoring a thicker consistency, as the popularity of plates rather than bowls suggests. This may also explain why certain practices never caught on. People did not begin drinking wine outside of a few self-consciously Greek places, like Seleucia or the colony at Ikaros, perhaps both due to the difﬁculties of grape cultivation in Babylonia and a lack of interest in a drinking culture

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that differed so dramatically from earlier practices. Michael Dietler applies a similar analytical framework to Mediterranean France from the late seventh to the late ﬁrst centuries BC and argues that the complex interactions between locals at the port of Lattes and Greek colonists at Massalia led to certain practices like wine drinking being adapted to a preexisting tradition of feasting, not the wholesale importation of symposia (Dietler 2010). Although Greek colonies in southern France existed within an entirely different political context, one that is not characterized by the same relationship of domination, this pattern of selective importation and accommodation seems to hold true generally in cases of cultural contact (Dietler 2007: 234; Stockhammer 2012). The analysis of Seleucid pottery – like that of much of Seleucid material culture and history – has often emphasized a dichotomy between Greek and Babylonian practices. Although there has been an increasing interest in hybridity in the archaeology of colonialism (Langin-Hooper 2007; Stockhammer 2012; Van Dommelen 1997), understanding the complexity of these processes in practice has proved difﬁcult. Often, scholars characterize pots as either Greek or Babylonian and depict hybridity as an awkward grafting of the features of one culture onto those of another (Langin-Hooper 2007). In postcolonial theory, however, hybridity does not designate the sterile mixing of two hermetic cultures, but a process of cultural production that creates something entirely new, as well as a space of iteration that to some extent reﬂects and reveals power dynamics (Bhabha 1994).11 In the colonial context of Seleucid Babylonia, technological production, foodways, and dinner wares participated in this process. A Babylonian “lopas,” made from a particular clay found near Uruk, according to local shaping techniques, missing handles that are in other places characteristic, is not a knock-off of a well-known Greek form, but a product and tool for a diverse group of people who enjoyed a distinctive cuisine. The same is true for a glazed ﬁsh plate used in the Re¯š temple at Uruk, or for a “Babylonian-style” amphora from a villa belonging to a Greek-speaking family in Seleucia. FIGURINES AND DOMESTIC LIFE

If Seleucid Babylonian table wares and cooking pots may imply the development of a new fusion cuisine, ﬁgurines provide further evidence of changes in household production and consumption patterns. First, the sheer quantity of ﬁgurines from Hellenistic Babylonia hints at the

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commodiﬁcation of these objects. After pottery, ﬁgurines form the largest corpus of material known from Seleucid Babylonia (Langin-Hooper 2011). Although scholars writing about ﬁgurines tend to note this in passing, they rarely put it in diachronic context. Instead, as is the case for ceramics, most studies of ﬁgurines focus on categorizing these objects as either “Greek” or “Babylonian,” with the assumption that Babylonian forms are clear representations of a continuous tradition, and Greek forms represent innovation (Karvonen-Kannas 1995; Klengel-Brandt and Cholidis 2006). What these studies miss is the simple fact that the archaeological contexts and quantity of all the ﬁgurines in the last third of the ﬁrst millennium BC is very different from that of earlier periods. These differences are clear from ﬁnds of ﬁgurines in surveys and excavations. The Uruk surface survey, for example, recovered 771 terracotta ﬁgurines that could be dated to period. Of these, 505 (65 percent) are from the Seleucid-Parthian period (Wrede 1990: 218; 1991). The excavated data from Babylon show an even more pronounced trend. Although large numbers of excavated ﬁgurines remain unpublished, the diachronic distribution of ﬁgurines from the collection at the Vorderasiatisches Museum illustrates this pattern more generally. Of the 4,239 anthropomorphic ﬁgurines published to date, 3,539 of them or 83.5 percent come from the “Late” period (Achaemenid-Parthian), while only 538 or 12.5 percent come from the ﬁrst half of the ﬁrst millennium BC, despite the large expanses of houses of both periods that have been excavated (Klengel-Brandt and Cholidis 2006). This increase in the quantity of ﬁgurines probably implies changes in the manufacture, function, and social context of these objects. Indeed, the increasingly large number of ﬁgurines suggests that their production, consumption, and disposal patterns were transformed during the second half of the millennium. The incorporation of new manufacturing techniques – such as the double mold – and the development of a range of ﬁgurines that combined local and imported elements in novel ways, testify to a strong workshop, as well as a large market. The introduction of different mold types had profound consequences for the way these objects were made and handled. The widespread adoption of these methods indicates substantial and probably ongoing exchange between artisans familiar with both manufacturing traditions (Langin-Hooper 2007: 156). Stephanie Langin-Hooper has persuasively argued that Hellenistic terracotta ﬁgurines are representative of a multicultural society that no

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longer made a clear distinction between Greek and Babylonian iconography and manufacturing practices, and that the “foreign or traditional” aspects of the ﬁgurines were not their most salient characteristics (2007: 163; Fig. 43). Excavations at Seleucia in 1972, 1975, and 1989 revealed a workshop that specialized in the production of terracotta ﬁgurines in the early

43 Seleucid terracotta ﬁgurine, made in a “Greek” double mold but with “Babylonian features,” Babylon BM 94344 (Courtesy of the British Museum)

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Parthian period and found evidence that similar workshops occupied this area in earlier and later periods. The workshop comprised several rooms and a courtyard with a kiln, which was the locus for much of the production of these objects (Valtz 1990; Invernizzi 1977: 9). A shop that sold ﬁgurines was located next door, opening onto the square. According to the preliminary reports, the workshop, located on the south side of the archives square, specialized in the manufacture of female ﬁgurines, although the shop carried a wide range of terracotta items, including column capitals, column bases, and plaques (Invernizzi 1973–74: ﬁg. 10; 1977: ﬁgs. 1–2). These objects were not, however, “uniform in either style or quality, but like the assemblage of Hellenistic ﬁgurines as a whole combined Hellenistic and Babylonian motifs and manufacturing techniques” (Invernizzi 1977: 9). Figurines from the shop could be ﬁnished in a variety of ways, with some kept plain and others painted, presumably to appeal to the different tastes, desires, and resources of customers (Invernizzi 1977: 10).12 Another Parthian terracotta workshop was excavated on the western side of the archives square at Seleucia, in the ruins of the archive building. Here, a small kiln was uncovered in a courtyard, while hundreds of fragments of terracotta ﬁgurines lay nearby (Invernizzi 1972: 15). Once again, this workshop seems to have produced a range of human and animal ﬁgurines of different styles and qualities, as well as masks, and pinakes depicting erotic scenes (Invernizzi 1972: 16). Unraveling precisely how these ﬁgurines were used and why they occur in such numbers is difﬁcult, since few of these objects have been found in primary contexts. Different ﬁgurine types were no doubt purchased for a variety of reasons. Their physical characteristics indicate some of the different ways people may have interacted with these ﬁgurines. Types made using a single mold would have been presented differently from ﬁgures in the round made with the double-mold technique. Some ﬁgurines, like the naked, wreath-wearing children with their splayed limbs, or female ﬁgurines with movable arms, were probably made to be held and handled (Langin-Hooper 2011: 103–5). Others, like plaques, or the “woman and child” ﬁgurines, which often have plinths, were made to be displayed (Langin-Hooper 2011: 124). Figurines in the Seleucid period occur in a wider range of contexts than in earlier periods, probably indicating that the roles that these objects played had also changed. Although they are generally found in houses, as they had been for millennia, they began to appear in temples and as grave

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goods. At Uruk, for example, the majority of excavated Hellenistic ﬁgurines were found in trash deposits in the Re¯š, Ešgal, and (Parthian period) Gareus temple, although they also appear in large quantities in the only excavated houses from this period.13 Similarly, at Babylon, the majority of ﬁgurines come from trash deposits associated with private houses in Merkes, but a few ﬁgurines were found at Homera, near the theater, possibly in debris taken from the Etemenanki, perhaps suggesting that some of these terracottas were used in temples or theaters as well (Koldewey 1914). These temple contexts indicate a clear change from the beginning of the ﬁrst millennium BC. Of the published terracotta ﬁgurines from Uruk, there are only ten ﬁgurines that may date to the ﬁrst half of the ﬁrst millennium BC that were found in the Eanna, the major Neo-Babylonian temple, and some of these might actually date to the Seleucid period. Given the lack of recorded provenience for many examples, it is difﬁcult to delineate any meaningful variation in the types found in different contexts. In general, however, similar types of ﬁgurines are found in both the temples and the houses. This is not surprising, particularly when we consider that the same is true for pottery assemblages during this and other periods (Lecomte 1987, 1993). Figurine use in the divine household probably imitated similar patterns in ordinary households. In both religious and domestic quarters, ﬁgurines were generally found discarded in trash deposits, like pottery sherds. In contrast, in Greece, ﬁgurines were long used as votive deposits. The lifelike Tanagra ﬁgurines known from the Hellenistic Mediterranean are most often found in graves and temples (Jeammet and Matthieux 2010). In Seleucid Babylonia, although these ﬁgurines could be used in the temple, they were nonetheless integrated into ritual life differently. There is little indication that these objects were ever treated as votive deposits. This is true not only at Uruk and Babylon, where many archaeologists would expect the ﬁgurines to continue to be integrated into local practices, but at Seleucia and Failaka as well, despite their larger “Greek” communities.14 In some sites, ﬁgurines also began to appear in graves during the Seleucid period, alongside more traditional funerary goods such as pottery. Only certain ﬁgurine types, particularly those of reclining women and terracotta masks, are found in graves at Babylon (Koldewey 1914: 285; Westh-Hansen 2011: 109). Masks also appear as grave goods in Nippur (Legrain 1930: 11). The reclining woman ﬁgurine, however, is absent; its place might be taken by the terracotta appliqués of women on many slipper

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cofﬁns (Langin-Hooper 2011). In contrast, there seem to be very few ﬁgurines in the graves of Uruk and Seleucia, and masks and reclining women are found in a variety of contexts in both cities (Van Ingen 1939: 31; Ziegler 1962). Like the temple ﬁgurines, these funerary terracottas indicate a complicated process of translation and hybridization in a syncretistic, Hellenistic world. The differences that emerge between the sites are intriguing, as they may indicate that ﬁgurines were incorporated differently into local practices in various Babylonian cities. COINS, DEBT, AND PAYMENT

The last category of ﬁnds – coins – indexes household production, and the changing economic relations of private individuals with each other, the temples, and the Seleucid government. Silver and bronze coins appear on sites beginning in the late fourth century and increase in quantity thereafter. Although very few Achaemenid coins have been found in southern Mesopotamia, the majority of these may also date to after the fall of the empire. Coins are a much smaller class of ﬁnd than pottery sherds or ﬁgurines, but they occur in both excavation and survey collections from sites including Babylon, Uruk, Seleucia, and Susa. There are 134 Seleucidperiod coins from Uruk and more than 539 Parthian-period coins (including several hoards, Leisten 1986: table 4). Most of the Seleucid coins are stray ﬁnds, and many of them come from surface survey, since so few Hellenistic houses have been excavated in this city. At the same time, references to payment in silver in texts begin to mention particular denominations. A citation in an astronomical journal from Babylon notes that the Babylonians refused to accept the new-fangled bronze currency, indicating that this new reliance on coinage, rather than shekels of silver or liters of barley, could be controversial (Sachs and Hunger 1988: 334–47; Joannès 2006: 110). Nonetheless, the vast majority of coins that we have from Seleucid Babylonia are bronze, since the more valuable silver was both rarer and more likely to be recycled. Clearly, despite resistance to coinage, people employed it in a range of transactions. There were probably many reasons that silver coins became popular in this period. The purity of the silver made them attractive to nearly everyone, while their use may have quickly become de rigueur for merchants engaged in transactions with other areas of the Hellenistic world. Like the ﬁsh plates, lopades, or double-molded ﬁgurines, coins were probably adopted and integrated into Babylonian exchange due to a number of factors,

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not least because they made sense within a preexisting cultural framework and were required in certain contexts by the state. Payment in silver had been standard for millennia by the Seleucid period, and beginning in the Neo-Babylonian period more taxes had to be paid in silver rather than in kind (Jursa 2010: 657–60), setting the stage for the increasing use of coinage (UET 4 43, Joannès 2006: 109). At least some parts of the economy, however, remained seemingly unaffected. There is no evidence for forced conversion to a monetary system everywhere, nor do coins become the dominant form of payment in all transactions. At least this is the case for sales recorded in contracts and other cuneiform texts, documents that admittedly relate to only a small segment of the economy. Indeed, our cuneiform contracts probably emerge from only that part of the economy that is not subject to Seleucid taxation or control (Doty 1977). The types of transactions outside of Seleucid regulation changed over time, as the disappearance of cuneiform slave sales in Uruk demonstrates (Oelsner 2003). A survey of the sealed documents indicates at least some of the domains that remain unregulated for most of this period – including sales and leases of real estate, prebends, and other immovables, as well as letter orders, pledges, receipts of various commodities, and a few marriage contracts (Wallenfels 2000: 333–4). Monetization, privatization, and economic integration clearly increased, however, over the longue durée from the Neo-Babylonian to the Parthian periods (Jursa 2005a; Van der Spek 2011; Joannès 2006). A series of archives belonging to families connected to temples (the Egibi, Murašu, Muranu, and Rah¯m-esu ı dossiers) shows increasing use of tax ˘ farming, marketing, and privatization over this half-millennium, until by the Parthian period, in the Rah¯m-esu ı archive, all rations are paid in silver, ˘ not in kind (Van der Spek 1998, 2011). By the Seleucid period, the Muranu archives indicate that a private individual had taken control of the temple’s ration system, “a core area of the temple economy and administration which had remained unaffected by the tendency to ‘farm out’ numerous other branches and parts of the temples’ economic and administrative activities in earlier centuries” (Jursa 2006: 177). Muranu and his son, Ea-Tabtanâ-bullit·, collected tithes in kind for the Esagila in Babylon, controlling large quantities of barley, dates, and other agricultural products. They also both collected and invested taxes owed in silver to an institution called the Bı¯t abista ¯ti (Jursa 2006: 150–1), probably

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named after a speciﬁc tax paid in specie. Although the activities of this family are similar to those of earlier entrepreneurs, they are much more extensive. The increasing use of both tax farming and money imply widespread changes that would have affected most of the population. There is other evidence for the increasing monetization of the Seleucid economy. Unlike the Achaemenid kings, the Seleucid kings had primarily monetary expenses, and for this, they needed to ﬁnd ways to extract as much silver from their subjects as possible (Van der Spek 2011; Aperghis 2004). Estimates of Seleucid taxation in Babylonia show that taxes on land were high, valued at perhaps 40 percent of agricultural production as a whole (Aperghis 2004: 258). Much of this was paid in kind, but probably not all of it. Taxes on trade in salt, slaves, and a general sales tax are well documented at Uruk and Seleucia, and were paid in silver (Aperghis 2004: 176–7). As the government demanded more payment in silver, large numbers of people would have been drawn into a market economy. Settlement patterns and particularly the extension of the canal network would also have increased opportunities for marketing and made transportation from farms to urban markets faster. Such a situation would have presented opportunities for enrichment for families like the Muranu, whose activities probably included the development of deposit banking (Jursa 2006: 173). At the same time, of course, the requirement to pay taxes in silver could have led to the impoverishment of many small farmers, who were victims of this new entrepreneurial class and were now directly subject to price ﬂuctuations in urban markets, rather like rice farmers in Majapahit Java.

Collective representations: scholarly texts, history, and the transmission of knowledge Up to this point, I have emphasized the many ways in which Babylonia during the Seleucid period was quite different from earlier periods, focusing particularly on changes in rural, urban, and household practices. These changes do not result from a simple Hellenization of this society. Rather they emerge from and relate to widespread economic changes. I have expounded these transformations in order to emphasize that daily life in Seleucid Babylonia was not a continuation of timeless urban and rural life ways. On the contrary, many customary practices were in a state of ﬂux. These shifts in daily practice created new types of citizens, with different

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opportunities and constraints. But despite these profound social changes, which accompanied dramatic political events, Mesopotamian traditions continued to be important to a wide range of actors, including temple ofﬁcials, wealthy families, and the Seleucid kings. Indeed, tradition could be a sphere of competition, where different people sought to establish their authority via chronological anteriority. This is particularly true for the domains of Babylonian and Hellenistic scholarship. Babylonian priests, scholars, and citizens, three categories that often overlapped in practice, sought to establish tradition as a potent source of authority, drawing upon both Babylonian and Hellenistic ideas. They did so not only by copying old texts in new ways, and evincing a continued respect for older tradition, but also by composing new texts and even inventing new genres. Similarly, authors writing in the Seleucid empire emphasized the importance of history, antiquity, and religious tradition in order to root the Seleucid kings in this foreign territory, after the loss of their Macedonian homeland (Kosmin 2014). Historical accounts that highlighted Babylon’s antiquity also helped to establish its superiority, particularly vis-à-vis Egypt, as the Seleucids competed with their Ptolemaic counterparts (De Breucker 2011: 650; Beaulieu 2006a; Tuplin 2013). As a result, scholarship became a space of hybridity, a middle ground, where intellectuals could create works that were startlingly innovative, ironically transforming knowledge in the service of tradition. It is this intellectual ferment that framed political and religious performances in the temples and administration and made the Akı¯tu festival a potent political force. PRESERVING SCHOLARLY KNOWLEDGE

Late Babylonian scholars explicitly connected themselves to their predecessors through the study and preservation of ancient texts. The available textual and archaeological sources indicate that such textual transmission occurred in two often interconnected settings: temples and private houses belonging to priests. It is possible that the Esagila temple in Babylon “approached in scope and size” Ashurbanipal’s library at Nineveh and served to archive cuneiform scholarship from the ages (Beaulieu 2006b: 119; Clancier 2009). Unfortunately, the complicated history of illicit digging and poorly recorded early excavations at Babylon means that although many of the scholarly texts we have from that city probably came from the temple, it can be difﬁcult to reconstruct this ancient library

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183

(Robson 2008: 221–6). We do know that the Esagila sponsored the work of hundreds of scholars, including scribes, diviners, and astronomers among others, many of whom were engaged in preserving and collating traditional knowledge. Late Babylonian scholars, like their predecessors in the early ﬁrst millennium BC, were interested in copying a wide range of texts with long traditions. In addition to series such as Enu ¯ma Anu Enlil, these included chronicles, king lists, epics, and ﬁctitious royal letters (De Breucker 2011: 641). Scholarly texts found in Uruk indicate that the two temples there served a similar role. But private houses belonging to priests also served as schools and loci for preserving traditional knowledge, as they had done since at least the early second millennium BC. One of the best attested examples of this comes from a private house in Uruk, belonging to a family of ašipu-priests or exorcists (Fig. 44). From 1969 to 1972, Manfred Hoh and his colleagues 44 U-V 17–19, level II, Ekur-Za¯kir family house (After Schmidt et al. 1979, plates 68 and 69, courtesy of the DAI)

9 1 5 6 3

6

1 4 3

Tablet Oven?

144 tablets found here

8

5 4 7 2 9

0

10 m

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excavated two houses at Uruk in U/V 18 that date to the Seleucid and Achaemenid periods (Hoh 1979). One of these houses yielded two separate archives of scholarly and literary texts, with a few contracts mixed in for good measure, belonging to different families of ašipu-priests. In the earliest level, IV, there were 180 tablets and fragments belonging to the family of Šangi-Ninurta who lived in the house in the 420s BC. Additionally, in the later level, II, there were about 240 tablets belonging to the Ekur-Za¯kir family, who lived in the house approximately a century later. These tablets are an interesting mix of ancient texts and entirely new compositions. Eleanor Robson has recently studied the colophons of these tablets, which provide information on how the texts were written, to investigate the production of knowledge in Mesopotamia during the late period. She has found that an unusually high percentage of the tablets, 27 percent, have surviving colophons, almost half of which explicitly state that they are copies of earlier manuscripts on tablets or writing boards. In several cases, the colophons describe the originals, which came from the Eanna temple at Uruk, as well as other Babylonian cities including Kutha, Meslam, Dêr, and Babylon (Robson 2011: 565–6). The colophons work performatively, demonstrating that these scribes portrayed themselves as part of a long tradition of Babylonian scholars. Paradoxically, of course, the unusual nature of this activity makes these scribes unlike many of their predecessors; since colophons are generally rare.15 Members of the two families of ašipu-priests were not the only people who wrote the texts found in this house; others were written by student scribes from elsewhere, coming from as far away as Dêr, indicating that this concern with preservation was widespread (Robson 2011: 570). The emphasis on copying texts visible in the colophons is also reﬂected in an innovation in the materiality of the tablets. All of the tablets from the Ekur-Za¯kir archive were baked in antiquity, which is extremely unusual.16 A large and ﬁnely built oven found in the courtyard of this house may have been used as a tablet kiln. Near the oven lay four poorly formed and three carefully modeled, uninscribed, and unbaked clay tablets, providing support for this hypothesis (Hoh 1979: 29–30). The majority of the tablets were found in a niche in nearby room 1, while other tablets were found scattered in rooms 3 and 7 (Robson 2008: 238). Firing inscribed tablets would have added a new stage to tablet manufacture and indeed the scribal curriculum. It also markedly changed the physical characteristics of the inscribed objects. One reason for this innovation was probably an interest

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in preserving scholarly texts in a durable form, less susceptible to degradation. The insistence of the colophons that many of these tablets were copies of old and perhaps decrepit writing boards lends support to this (Robson 2011, 2008). As a result, this is an important example of the paradox of tradition during the Seleucid period, by seeking to preserve old, traditional texts, the ašipu-priests in fact are innovators, changing the nature of these artifacts and their role as scholars. A similar example of innovation as a handmaiden of tradition may be seen in some of the last tablets ever made. Sixteen texts written in a combination of Akkadian, Sumerian, and Greek were found in Babylon in the 1870s, along with literary tablets and other school texts.17 Like the compositions found in the ašipu’s house, the Greco-Babyloniaca tablets were the detritus of scribal instruction written by some of the last scribes educated under the old Mesopotamian curriculum. They probably date to some time between 50 BC and 50 AD, at least a century after the Seleucid kings had abandoned Babylon. The texts they learned to write and pronounce, with the help of Greek transcription, included prayers to the god Nabû, word lists, incantations, and even traditional works of Akkadian literature, like Tintir = Babylon (Westenholz 2007: 280). The striking novelty of writing Akkadian and Sumerian in an alphabetic script allowed priests to transmit not only two dead languages, but also the literary and scholarly heritage of Babylon. They did so, no doubt, because Babylonian religion still mattered. Even in this late period, the temple remained part of a larger social framework, one that continued to uphold and transmit a three-millennia tradition to justify their power. ASTROLOGY, ASTRONOMY, AND HISTORY

An examination of scholarly tablets that are not copies allows us to see another aspect of the Seleucid construction of tradition. Here, I want to consider the scholarship of priests in temples and schools in the interrelated domains of astrology, astronomy, and history. Although many of the texts that make up these genres were entirely new, ﬁrst written during the latter half of the ﬁrst millennium BC, they were cast as part of a priestly heritage. Rather like the archaizing liver omens we considered in Chapter 3, each of these genres both recursively constructed and relied upon notions of antiquity and tradition, despite their radically innovative form. Such tablets were found in the same two contexts as copied texts: the major temples of the period, especially in Babylon and Uruk, and in the private houses of

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people connected to the cult. Despite the many copies of well-known texts found in the Ekur-za¯kir family house, for example, there are at least seven original compositions, including one in which the scribe seeks to contextualize the relatively new idea of the zodiac within an older tradition of extispicy by equating the zodiac with zones of the liver (Robson 2011: 568). It seems likely that the Esagila in Babylon was the center of historical, astrological, and astronomical scholarship in Mesopotamia. Nearly all of the examples of chronicles and astronomical diaries come from this city, although astronomical and astrological texts are a large part of the scholarly corpus elsewhere as well (Ossendrijver 2011: 220–1, n. 32).18 The ·tupšar Enu ¯ma Anu Enlil, the “astronomer-priests,” played a prominent role in this temple, charged with producing astronomical and astrological documents including the terse¯tu tablets (probably the ephemerides, tables that forecast the position of heavenly bodies at a given time), the diaries, and the almanacs (McEwan 1981). The council of the Esagila, and quite possibly royal ofﬁcials, conﬁrmed the appointment of each new ·tupšar Enu ¯ma Anu Enlil, underlining their signiﬁcance within this milieu, where they seem to form the preeminent class of temple ofﬁcials and scholars. The Esagila may have been the institution to which Berossus, who composed a history of Babylon in Greek, also belonged. Seneca is one of the many ancient writers who recorded that Berossus, whose Akkadian name was probably Bel-re’ušu, served as a priest of Marduk in Babylon (Lambert 1976a). Historians have used the seemingly dispassionate historical information within the chronicles and astronomical diaries to conﬁrm and supplement material from the Greek historiographic tradition, but have not always considered the relationship of these texts to scholarship more generally. The diaries record daily observations of astronomical and weather phenomena. At the end of each month, they sometimes provide information about the market price of ﬁve commodities, the level of the Euphrates, and political events, which are usually military or cultic (Rochberg 2011: 629–30). Some of the chronicles may be excerpted from the astronomical diaries, but the exact relationship among the genres is unclear.19 Berossus’ composition is also connected to these other genres, although it was a narrative history of Babylonia, beginning with the creation of the world and ending (presumably) with the reign of Antiochus I, to whom the book was dedicated (Kuhrt and Sherwin-White 1987; Verbrugghe and

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Wickersham 1996; De Breucker 2011). In composing his history, Berossus presumably drew upon Babylonian records like the chronicles and astronomical diaries. But he reshaped this source material and wrote a book that combined Greek and Babylonian historical methods and conceptions in order to present Babylonian ideas to a Seleucid audience. One way to understand the cultural context of the diaries and chronicles, and of much of the source material for Berossus, is to consider them as part of the scholarly apparatus of divination, which relied upon such empirical observation (Rochberg 2004, 2011). Mesopotamian diviners examined numerous phenomena, including both “provoked” and “unprovoked” omens. The former were understood as messages that the gods conveyed in response to certain questions (such as via the liver of a sacriﬁced sheep), while the latter were those that priests or other individuals observed in nature. Celestial omens fell into the second category, and their importance probably increased during the course of the ﬁrst millennium BC. Certainly, the number of these astronomical, astrological, and celestial divination texts grew vis-à-vis other types of omen texts (Rochberg 2004, 2011). The regular observations of astronomical phenomenon at Babylon, which began in the eighth century BC, may have supplied raw material for divinatory science. In this case, political observations could be linked to other observed phenomena in terms of the “if p, then q” formulae used for divination (Rochberg 2010a). Work on Mesopotamian astronomy has made it clear that priests drew upon the astronomical information contained in the diaries when composing ephemerides and developing techniques for prediction (Steele 2011). Perhaps historical information was noted for the same reason, in order to provide the source material for later divination, although there is no deﬁnite proof of this (Rochberg 2011). As we have already seen, for much of Mesopotamian history, divination was an overtly political activity (see Chapter 2), and the “heavenly writing” that diviners sought to interpret was believed to contain messages about the activities of kings and kingdoms (Koch 2011: 461; Van der Spek 2003: 295). In the late second and early ﬁrst millennium BC, the palace employed diviners directly, and there was a general obligation for the populace to report any possible omens to the king. The seventh-century BC correspondence between diviners and the Assyrian kings Esarhaddon and Assurbanipal nicely demonstrates the political context of the activities of these priests, who combined the function of astronomers, astrologers,

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and diviners (Parpola 1993). However, with the fall of the last NeoBabylonian king, the exclusively royal context of divination ended (Rochberg 1993). The historical information recorded in the astronomical diaries and the chronicles makes it clear that the priests of the Esagila continued to concern themselves with the destinies of kings. But they no longer worked for the palace directly. Instead, the temple gradually supplanted the palace as the center of divination, during a period when it was also renegotiating its relationship vis-à-vis foreign kings and the larger community. The development of astrology, predictive astronomy, and a new non-royal calendar were part of this larger shift. Although these developments did not result from any particular Achaemenid or Seleucid policy, the general political context remains important to understanding this process. Many of these astronomical techniques were startlingly innovative when compared to the longue durée of Mesopotamian celestial observation and divination, but were nonetheless portrayed as essential to traditional Mesopotamian scholarship. As such, they provided a justiﬁcation for the political and social power of the priests. Late Babylonian horoscopes illustrate how the scope of traditional divination practices broadened from an exclusive focus on the ruler to include ordinary citizens (Rochberg 2004: 62). These texts ﬁrst appeared in the ﬁfth century BC, in the early Achaemenid period, but most of our examples come from the Hellenistic period and include some of the last texts ever written in cuneiform. We only know the names of the subjects of horoscopes in a few cases; the majority of these documents simply use the phrase “a child is born.” Of the twenty-eight extant texts, three contain personal names; two of these are Greek, Aristokrates and Nikanor, and one is Babylonian, Anu-Be¯lšunu (Rochberg 2004: 103–4). We do not know anything more about Aristokrates and Nikanor, who may have been Greek or merely had Greek names, but Anu-Be¯lšunu is probably a member of the Uruk citizenry, a ·tupšar Enu ¯ma Anu Enlil or astronomer-priest and a lamentation priest employed by the Bı¯t Re¯š, who wrote many of the astronomical and astrological texts from Uruk (Beaulieu and Rochberg 1996: 93–4). Although most horoscopes only contain planetary information, some of them, including Anu-Be¯lšunu’s, include predictions based on this information. These predictions, which are similar to those found in nativity omens, demonstrate the development of horoscopes with reference to traditions of astral divination. Clearly if the position of the planets had signiﬁcance for the king and kingdom in earlier periods, in third

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century Uruk, this could also inﬂuence the lives of the priesthood, a group who were in the process of assuming many of the traditional responsibilities of Babylonian kings. The late Achaemenid period also saw the emergence of mathematical astronomy. Rather than merely observing the heavens, priests developed computational models that enabled them to predict astronomical phenomena, including the rising and setting of different heavenly bodies. This allowed them to compile ephemerides, tables that forecast the position of the moon and planets at any given time (Rochberg 2011: 629–30). Together, of course, astrology and computational astronomy had the longest afterlife of any form of Mesopotamian scholarship, contributing to Egyptian, Greek, Roman, Indian, Persian, and Arabic astronomy, astrology, and mathematics (Rochberg 1999–2000: 238–9, 2010b; Brown 2010b). The ability to predict the position of astral bodies in both the future and the past allowed for the casting of horoscopes as well as ritual preparation. Although the calculation of ephemerides is a precondition for the practice of horoscopy, it is unlikely that mathematical astronomy was developed in order to draw up horoscopes for the Babylonian elite, or at least it is difﬁcult to demonstrate this based on the information preserved in the two types of texts.20 Instead, the emergence of both computational astronomy and horoscopy was part of the same larger social and political shift, in which the temple and the citizenry assumed prerogatives that had been previously reserved for the king and court alone. Computational astronomy gave astronomer-priests control over time; another sphere of scholarship and practical life that had previously fallen under royal purview. As late as the Neo-Babylonian period, the king could set the calendar, designating when to add an intercalary month, according to the advice of his scholars. A letter from Nabonidus, the last NeoBabylonian king, for example, informs the priest Kurbanni-Marduk that he has decided to add a month to the calendar (YOS 3 115; Parpola 1983: 504). With the loss of Babylonian sovereignty, however, this changed. Already in the early Achaemenid empire, the priests of the Esagila appear to have been responsible for issuing such decrees, and by the reign of Xerxes, a regular system of intercalation was instituted. This system, based on astronomical calculations and predictions, was no longer subject to palace oversight (Steele 2011: 475–8). This shift from royal control of the calendar to a regular astronomically derived system mirrored the move from natal omens with implications for the king alone to individual horoscopes.

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These changes in astrology, computational astronomy, and the reckoning of time were all part of a general shift in intellectual traditions, as scholarship broadened from an exclusively royal concern to a system of thought developed for the beneﬁt of the temples and urban elites. Increasingly accurate predictions also had practical implications within cultic settings, particularly for ritual performance. Rituals for the sky god Anu, for example, the deity honored in the Bı¯t Re¯š, usually occurred at “celestially signiﬁcant moments,” such as equinoxes, or other periods when astral bodies were in speciﬁc conjunctions (Robson 2008: 260). Proper execution of these rituals relied upon astronomical calculation, based both on observance and mathematical models. Priests also needed to be able to predict other inauspicious events, such as eclipses, so that their ominous consequences could be averted. An eclipse ritual from the Bı¯t Re¯š, probably composed during the Hellenistic period but part of a more extensive tradition, lists certain activities and prayers that must occur at the beginning, midpoint, and end of the eclipse. In this case, correct performance of the ritual required predictions about the exact timing of an astral event (Linssen 2004: 109–16; Rochberg 2004: 243). The emergence of new genres of astronomical and astrological texts thus enabled the continuation of traditional Babylonian religion and strengthened the position of the Babylonian and Uruk citizenry vis-à-vis the Achaemenid and Seleucid administrations. Berossus’ Babyloniaca provides a ﬁnal example of a novel textual genre in the service of tradition. As I have already hinted, like other new genres of astronomical and astrological texts, in the late Babylonian period, historiography probably emerged from divination science. Hellenistic scholars experimented with historiography and nearly half of all of the known chronicles (twenty-one of ﬁfty-four) date to this period (Van der Spek and Finkel 2004). Historical information in the Hellenistic-period astronomical diaries also tends to be more detailed than in the earlier examples. Like these other texts, the Babyloniaca is both a conservative work that aims to disseminate Babylonian history and historiography and a radical rethinking of this genre. Berossus’ attempt to translate Babylonian scholarship into Greek history echoes the strategies of other members of the Uruk and Babylonian citizenry to harness Babylonian traditions in order to gain political and cultural capital. Analyzing Berossus’ work and its larger context is difﬁcult given its complicated transmission history and the few fragments that we have at our

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disposal. Everything that we know about this book comes from twentytwo quotations and paraphrases of the Babyloniaca that appear in the works of classical and late antique authors, and eleven statements that various authors made regarding this text.21 Most of the quotations are from authors who wrote centuries after Berossus, and many of them refer not to the original work, but to an epitome written by Alexander Polyhistor. Moreover, the transmission histories of these manuscripts are often complicated as well. Only fragments of Eusebius, for example, one of our best sources for Berossus, are available in Greek, and historians rely instead on an early Armenian translation (Kuhrt 1987a: 35). Nonetheless, the general framework of the Babyloniaca can be reconstructed, even if historians disagree about precisely where all of the fragments ﬁt. Berossus’ work was probably divided into three books. The ﬁrst book began with a description of the geography and natural history of Babylonia and then provided an account of the creation of the world and of the ﬁrst sage, Oannes, who gave civilization to humankind. The second book narrates the history of Babylonia from the ﬁrst king, Aloros, to the reign of Nabonassar, while the third book recounts the period from Nabonassar to Alexander the Great, a period for which the chronicles and astronomical diaries provide fuller records. In organizing and recounting this history, Berossus followed both Mesopotamian and Greek conventions in order to develop a case for the antiquity of Babylonian culture and hence its importance (De Breucker 2011: 650; Tuplin 2013). In composing his Babyloniaca, Berossus drew upon a wide variety of sources that probably included the chronicles, astronomical diaries, mythological accounts, and other traditions that may have been transmitted orally or through other media. Robert Drews has shown that there are great similarities between the description of Sennacherib’s attack on Babylon in the Babylonian chronicle ABC 1 and in fragment 7, 29 of Berossus (Drews 1975: 54). Similarly, the basic structure of Berossus’ book 2 appears to mirror that of the chronicles and king lists. According to Eusebius, Berossus merely listed the names of the kings and recounted a few events from their reigns. For book 3, however, for which Berossus had detailed sources as well as popular traditions, he probably adopted a more narrative style, as a comparison of his version of the reign of Nabopolassar to the chronicles shows (De Breucker 2011; Glassner 2004; FGRH 680 F8a). Similarly, Berossus’ description of the origins of the world clearly draws on the Babylonian creation myth, Enu ¯ma Eliš, and Sumerian ﬂood

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stories (his hero is named Xisuthros, echoing the Sumerian Ziusudra, rather than the Akkadian Uta-napištim), as well as other sources that have not survived (Kuhrt 1987a: 46). In addition to his focus on political history, a traditional Babylonian trope, Berossus’ interest in the role of sages echoes the attention to the relationship between scholars and the court in the unusual composition, “The Uruk List of Kings and Sages” (Beaulieu 2006a: 143). This document, written by Anu-Be¯lšunu of Uruk, the subject of our best-known horoscope, lists famous kings and their umma ¯nu or advisers. The last entry in the text is probably Nikarchos, a well-known governor of Uruk (Lenzi 2008). Beyond Berossus and the Uruk list, two dozen examples of seals from Uruk featuring apkallu, half-human, half-ﬁsh ﬁgures like Oannes, testify to contemporary interest in these scholars. Most of these seals belonged to members of the Kidin-Anu family, who were exorcists, astrologers, and high ofﬁcials at the Anu temple (Wallenfels 1996: 120–1, 1993). It is likely that Berossus highlighted the importance of these sages, particularly the ﬁsh-man Oannes, for the same reason that the Urukean citizenry did, as part of an argument for the critical role of Babylonian priests and scholars in the Seleucid empire. In order to make his case more persuasive, Berossus also adopted Greek literary conventions and, perhaps most importantly, composed his history in Greek (Tuplin 2013). The book was clearly organized as a Hellenistic ethnography, and hence follows earlier works by Hecataeus, Herodotus, and perhaps even Megasthenes (Kuhrt 1987a: 47; De Breucker 2011: 647). It seems likely that Berossus was well versed in earlier Greek scholarship on Babylonia, as he criticized Greek accounts for their inaccuracies regarding Semiramis. This criticism, however, was itself a Greek historiographic trope (Kuhrt 1987a). In addition to this organizational framework, Berossus also incorporated certain Greek rhetorical devices. His description of the origins of the world from water, for example, was an allegorical account that parallels cosmological narratives developed by different schools of Greek philosophy. Similarly, Berossus introduced himself and his sources in the preface to his book. This strategy of centering the author and justifying his authority was a Greek, but not Mesopotamian, practice (De Breucker 2011: 648). Given the sources at our disposal, it is impossible to evaluate the impact of the Babyloniaca on Hellenistic Babylonia as a whole or on the Seleucid court in particular. It is clear, however, that this work did not become the

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standard account of Babylonian history for a Greek-reading audience and that Herodotus and Ctesias remained far more inﬂuential. Indeed, little would survive of the Babyloniaca at all, except that some of Berossus’ tales became important to Jewish and Christian authors when they sought to afﬁrm the truth of their religious tradition in the ﬁrst centuries AD. Apart from these religiously motivated accounts, later Classical tradition did not remember Berossus as a historian, but instead as a priest of Be¯l and an authority on astrology. In addition to the historical quotations from the Babyloniaca, scholars in the classical world attribute several fragments about astronomical and astrological matters to Berossus. Since the early twentieth century, however, historians of science have assigned the authorship of these astronomical and astrological quotations to a “PseudoBerossus,” a position that has become canonical within ancient history and Assyriology. As Amelie Kuhrt has demonstrated, there are no clear Babylonian sources for the two longest statements regarding the moon and the end of the world in these astronomical fragments (Kuhrt 1987a: 39–44; Lambert 1976a), although these sources may be drawn from mythological traditions such as Enu ¯ ma Eliš or not be extant (Burstein 1978: 15). But as we have seen, history, divination, astronomy, and astrology were categories that were difﬁcult to separate in Seleucid Babylonia, particularly within the Esagila temple, the scholarly context in which Berossus presumably composed his Babyloniaca (De Breucker 2013). Given this, it would be rather surprising if Berossus had not been trained in both astronomy and astrology (cf. Steele 2013). I suspect that the categorical denial of Berossus the astronomer has much to do with shifting fashions within scholarship, and particularly the view that Babylonian astronomy was a “closed chapter” in the history of sciences, with little effect on classical scholarship, which was prevalent until the last decade or so (D. Brown 2010). Perhaps now that most scholars have accepted the inﬂuential position of Babylonian astronomy and astrology in the Hellenistic world, it is time to reconsider the traditions of Berossus the astrologer/astronomer. If we evaluate Berossus in this light, as a scholar, Babylonian priest, and member of the Babylonian citizenry, then we can interpret his work as part of a sophisticated argument for the importance of a Babylonian scholarship that included recent advances in astronomy and astrology. Like his contemporaries in Babylon and Uruk, Berossus grounded his authority in the hoary antiquity of the scholarly tradition that he exempliﬁed, while also drawing on up-to-date

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scholarly information from Greek and Babylonian sources and packaging his entire book in a novel form.

Materialized symbols: temples and tradition Temples served as critical loci for scholarship, religion, and local community engagement. They provided the settings for the public events and daily practices that afﬁrmed the power of tradition in Seleucid Babylonia. When Seleucid kings and governors undertook temple renovations, they were following in the footsteps of scores of rulers before them. The same is true of temple ofﬁcials at Babylon and Uruk, who ensured that the temples remained important economic centers and continued to practice rituals, reciting prayers in Sumerian, a language that had been dead for nearly two millennia. At the same time, priests both drew upon and afﬁrmed traditions in scholarship. Promoting tradition in Babylonia was far from a politically neutral act or a natural outgrowth of millennia of royal, religious, and scholarly activity. Instead, the Seleucid kings, temple ofﬁcials, and citizenry all sought to reinterpret traditional Babylonian culture as part of a larger political argument directed toward the multiethnic communities of Babylonia. REBUILDING THE TEMPLE

Some of the best evidence of engagement with Mesopotamian tradition during the Seleucid period comes from archaeological and epigraphic material resulting from temple construction or renovation. We have archaeological evidence for work on temples in Borsippa, Uruk, Babylon, and Larsa and textual references that indicate additional construction in Ur (Boiy 2010). These temples comprise some of the oldest and most important in Mesopotamia, including the Esagila in Babylon, the Ezida in Borsippa, the Ebabbar in Larsa, and the Eanna in Uruk, along with new temples, such as the Re¯š and Ešgal in Uruk. The sponsors of these construction projects, Seleucid kings and high ofﬁcials, furnished many of these religious establishments with building inscriptions. Together with the architectural evidence, these inscriptions allow us to see how different actors negotiated Mesopotamian religion and Seleucid politics. The Ezida, Nabû’s temple in Borsippa, was excavated in 1879–1880 by Hormuzd Rassam for the British Museum, who was also running simultaneous excavations at Babylon (Fig. 45). Neither Rassam nor Daud Thoma,

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Antiochus Cylinder Court 1

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45 The Nabû temple, Borsippa (After reade 1986, ﬁg. 1)

his chief foreman, was often present at Borsippa, and as a result, although we have a composite plan of the temple, we do not have a clear idea of its stratigraphy and so cannot evaluate the effects of the Seleucid renovation. In light of this, it is rather surprising that we do have a context for a cylinder building inscription, which was “encased in some kiln-burnt bricks covered over with bitumen,” in the wall between room A1 and court 1 (Reade 1986: 109). The cylinder, which records the repairs that Antiochus I made to the Ezida, is the last known cuneiform royal building inscription (Fig. 46). Much about the cylinder is strikingly traditional, including its general appearance, script, language, organization, and ritual descriptions. The ﬁrst audience for this text was presumably the Ezida priesthood and perhaps other Babylonian scholars, who no doubt were also involved in its composition (Sherwin-White 1991).

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46 Antiochus cylinder, BM 36277 (Courtesy of the British Museum)

A recent article proposes that Antiochus used the cylinder to provide a traditional Babylonian framework for a Seleucid imperial program. Paul Kosmin contends that the text establishes an equivalence between Nabû and Apollo, at least partly through homonymy, by referring to Nabû repeatedly as aplu, Akkadian for heir. Moreover, he argues that the cylinder may have been modeled on Nebuchednezzar’s building inscription, given its shape, use of archaizing sign forms, and unusual incorporation of a prayer for the extension of the empire. Antiochus’ emulation of Nebuchadnezzar II in this text is “part of the remarkable reimagining of this greatest of Neo-Babylonian kings in the early Hellenistic period,” when the Seleucid court developed the ﬁgure of Nebuchadnezzar into a heroic forerunner of the Seleucid kings. Megasthenes and Berossus describe Nebuchadnezzar as a powerful monarch who extended his empire all the way to Spain (Kosmin 2013, 2014). The Antiochus cylinder also records that monarch’s plans to rebuild the Esagila in Babylon. Similarly, Strabo and Arrian both note that Alexander intended to rebuild the ziggurat in Babylon, the Etemenanki, although his early death prevented the completion of this task. Entries in the astronomical diaries also mention “clearing the dust” from the Esagila on several occasions, presumably as part of renovation campaigns (Van der Spek 2006: 266–75). There is some evidence at the Esagila and Etemenanki

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of Seleucid-period work, although the nature of the excavations here, where extensive tunneling was used, destroyed much of the evidence (Wetzel et al. 1957: 29–33). The hill of Homera, the site of the Greek colony in Babylon, was composed of debris from the Neo-Babylonian period, which served as foundations for the city’s theater (Schmid 1995: 92–5; Koldewey 1914). Within this debris are fragments of bricks and a building inscription of Nebuchadnezzar that belong to an earlier construction phase of the Etemenanki, perhaps indicating that this material came from temple renovations. Greek literary sources make it clear that Alexander’s attention to the main temple in Babylon was part of a larger political strategy of respect for Babylonian religious tradition. The same sources, as well as Babylonian inscriptions, indicate that the Esagila continued to be important even after Babylon lost its status as an imperial capital (Downey 1988: 7–14; Van der Spek 2006). There is also evidence of temple construction at Uruk, although the individuals who commissioned these projects were not kings. Three of the excavated temples at Uruk were built during the Seleucid period: the Re¯š and Ešgal22 sanctuaries in the center of the city, and the Akı¯tu temple outside its walls (Kose 1998). The Eanna precinct and the ziggurat of Anu, the sky god, were also repaired during this period, although major cult activity had moved into the Re¯š temple (Kose 1998: 257–76). All of these buildings are recognizably traditional Babylonian temples, yet “they do not represent merely a restoration of earlier temples; rather, they are either new creations or radical redesigning of the earlier structures” (Downey 1988: 16). The Re¯š temple, dedicated to Anu, is built on a badly destroyed Assyrian temple, but Ešgal, dedicated to Nanaya, is built on a site where there is no evidence of an earlier building. Both temples are unusually large. The Bit Re¯š is 201 × 162 m (Fig. 47) and the Ešgal is 198 × 205 m (Fig. 48), while the Neo-Babylonian Esagila in Babylon was 79 × 86 m. But in terms of plan, they are similar to earlier cultic buildings, with large fortiﬁcation walls and several courts with attendant chapels. Building techniques at the Re¯š temple follow Neo-Babylonian precedent, by employing laid bricks throughout, unlike in the Achaemenid period, where monumental buildings had a pisé core with brick facing. Builders decorated the temple with glazed baked bricks with relief decoration, some portraying animal bodies and other designs like stars and palmettes, perhaps in imitation of earlier decorative motifs like the Ištar Gate at Babylon (Downey 1988: 22). A fragmentary Greek inscription was

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95

84

83

51

82

90

91

93

55 53

54

54a

29b 33

55a 62

6

7

13

5

32 63

4

29c

52 117

31

64

65

30

29a 29d

35 34

57 11

12

Hof

HOF IV

36

1 MITTELHOF VI HOF III

58 60

14

15

10

37

38

59

38a

8 HOF XII 20

16 17

Hof

2 19

18

68

111

71

Hof X SÜDHOF IX

114

116 109

110

66

67

115

113 112

61

70 76

74

77

75

69

OSTHOF XI?

72 41

73 108

106

105

104 102 101

78

79

40

39

107

0

40 m

47 Bit Re¯š temple (After Downey 1988, ﬁg. 4, courtesy of the DAI)

found on some of these bricks, and a frieze probably ran immediately below the roof of the Re¯š temple, as in Achaemenid or Greek temples (Oelsner 2002: 187; Kose 1998: 75). Access to the Anu-Antu temple at the Bı¯t Re¯š was complicated, but it differs from most of the temples of Babylon by increasing the visibility of the cult image, which could be seen from the main entrance, unlike in earlier temples (Downey 1988: 42). The Ešgal temple also followed a Babylonian court plan. The baked brick temple in the southeast corner of the precinct enclosed an area of 104 × 87 m. Glazed bricks in blue and white, as well as some with designs in relief, ornamented its walls. One of the most interesting features of this temple is its building inscription, in Aramaic, which ran across the lowest row of glazed bricks in the cult niche. This short inscription does no more than name the builder, “Anu-Uballit·, whose other name is Kephalon” (Boiy

Tradition

199

Court II

Court I

Forecourt II

Forecourt I

Court III

Court II

0

50 m

48 Ešgal temple (After Downey 1988, ﬁg. 6, courtesy of the DAI)

2010: 217; Falkenstein 1941: 31; Bowman 1939), but its choice of language is unusual for a temple building inscription. Anu-Uballit·-Kephalon also rebuilt the cella of Anu and Antum in the Re¯š temple, where he left bricks inscribed in Akkadian (Dijk and Mayer 1980; Jordan and Preusser 1928: 47; Boiy 2010: 216). In his work there he was following in the footsteps of an earlier Anu-Uballit·, also called Nikarchos, who deposited an Akkadian cylindrical building inscription in the Re¯š temple’s foundations during his renovations (YOS 1 52; Doty 1988; Clay 1915). This Nikarchos is probably the last ruler to feature in “The Uruk List of Kings and Sages.” The varied building inscriptions of the two Anu-Uballit·s provide an intriguing glimpse into the position and political strategies of two powerful ofﬁcials in Uruk. Although there are other non-royal building inscriptions, these are quite rare in earlier periods.23 The range of media used in the inscriptions – a cuneiform cylinder, a cuneiform brick inscription, Aramaic and perhaps Greek inscriptions decorating the cella – highlights the

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interest of the two Anu-Uballit·s in ﬁnding innovative ways to establish and express their authority. Like the architects whose use of tradition was innovative in the two major Hellenistic temple complexes, Kephalon and Nikarchos used the polysemous idiom of building inscriptions to establish their power in Uruk. Kephalon and Nikarchos were not alone in their efforts. Their use of Aramaic and Greek building inscriptions alongside Mesopotamian cuneiform is paralleled in a contemporary secular building, a palace that AdadNadin-Ahhe built in the ruins of Girsu’s main temple, the Eninnu. The ˘˘ construction of this palace used ancient bricks, from the third millennium king Gudea’s temple-building activities, as well as bricks stamped with Adad-Nadin-Ahhe’s name in Aramaic and Greek (Downey 1988: 48; ˘˘ Sass and Marzahn 2010: 11, 214–5; Fig. 49). The palace itself was divided into a public area and private residential zones. The great court stood at the heart of the public area and was decorated with statues of Gudea, gathered from various sanctuaries, with most of them probably coming from the ruins of the Eninnu itself (Parrot 1948: 16, 155). Here again, we see an urban ofﬁcial constructing a new building in a long-abandoned city and employing a mix of traditional and contemporary features in this center of power. 49 Brick stamped with Adad-Nadin-Ahhe’s ˘˘ name in Greek, palace of Girsu, AO29776 (© RMN-Grand Palais / Art Resource, NY)

Tradition

Temple construction and the deposition of building inscriptions were essential ritual acts in Mesopotamia generally and in Seleucid Babylonia speciﬁcally (Ambos 2004; Linssen 2004). These particular inscriptions and their associated ceremonies probably reached a larger audience than had earlier Mesopotamian building rituals. The Greek and Aramaic building inscriptions were not buried in the foundations of the Re¯š and Ešgall temples, but displayed on their walls, accessible to the priests, but also to the citizenry who gathered in the courtyard in order to take part in the assembly (as we will see in the next section). The same is true in Adad-nadin-Ahhe’s palace. Far from being obscure ˘˘ rituals, these performances probably contributed to the self-deﬁnition of Urukeans, helping to bring into being both a religious and a civic community. THE TEMPLE, THE ASSEMBLY, AND CIVIL AUTHORITY

Construction techniques, decoration, and building rituals are just the beginning of the ways that different constituencies employed tradition as part of a political dialogue. During this period, the temples came to exercise important political and civil functions vis-à-vis the Seleucid court. The activities of the two Anu-Uballit·s demonstrate this clearly. Anu-Uballit· Nikarchos was initially a member of the temple clergy, before going on to hold the political position of šaknu or governor (Clancier 2011: 759). Anu-Uballit·-Kephalon’s own title seems to have been rab ša re¯š ¯ a li ša bı¯t ila ¯ni ša Uruk (Van der Spek 1994: 601; Doty 1988: 98), or chief of the Uruk clergy, but he was also probably responsible for urban administration. The Re¯š temple thus had a judicial role that included oversight of both temple and civic affairs (Clancier 2007: 31–2). In this, Uruk was not unusual, as during the Hellenistic period, chief priests and temple assemblies in other cities, including Babylon, Larsa, Nippur, and Kutha also probably held both temple and civic ofﬁces (McEwan 1981: 157; Clancier 2011: 759). The title ša re¯š ¯ a li is also attested at Nippur, perhaps indicating that the head of the temple also served as the head of the community of citizens in this city (Joannès 1988). In Babylon, the chief priest of the Esagila retained the title of šatammu, but had both administrative and cultic responsibilities, like the rab ša re¯š ¯ a li of the other cities. He usually appears in texts with the kiništu, the temple assembly (Van der Spek 2009, 2006). Indeed, the Esagila’s dual administrative body was important beyond Babylon, as it also managed affairs in

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Borsippa, Dilbat, and Kutha. At Babylon, the members of this assembly were the only people in the city ofﬁcially known as “Babylonians,” ma ¯re¯ Ba ¯bili, probably a term that designated citizenship (Clancier 2007: 28). It is possible that “Urukean” had the same connotation in that city (Clancier 2011: 757). Even if Uruk did not, it is clear from the names and patronymics in the documentation that a small number of “great” families controlled Uruk’s temples, assembly, and probably civic affairs. This role for the temple, and for the attached citizenry, is not new. During the Neo-Assyrian period the chief administrator of the Esagila temple in Babylon held a similar position, as can be seen in the letters between the šatammu and Esarhaddon (Nielsen 2011). This may also have been true during the Achaemenid period, but there is no direct documentation of this relationship.24 And assemblies, of course, had long been characteristic of Mesopotamian cities (Van de Mieroop 1999; Seri 2005). Seleucid assemblies in Babylon met in the “House of Deliberation” in the Juniper Garden of the Esagila, and it is likely that other assemblies also met in temples (Sachs and Hunger 1996: 431, no. 93 A, rev 25; Boiy 2004: 84). In a Hellenistic context, the Seleucid administration probably interpreted them as a Mesopotamian form of boule¯ or civic assembly. Indeed, Greek and Mesopotamian understandings of citizenship and civil government appear to have established a “middle ground” in the operation of the temple assembly (White 1991). No doubt both the Uruk and Babylonian elite and the Seleucid administration beneﬁted from the increased political power of the temples. The great families who controlled the priesthood had a vested interest in exercising economic and political power within the city, while the Seleucid kings needed an institution to work through. It is easy enough to see this resulting from the actions of both the citizenry who could position themselves as interlocutors and the Seleucid court. The urban citizenry, or the Chaldeans, to use the Hellenistic term for this group, were well suited to this role (Clancier 2011: 758–62). The Seleucids were not alone in employing this strategy; temples had a similar function in Ptolemaic Egypt. The Ptolemies encouraged the temple’s traditional economic, cultic, and political position, in order to further their own administrative and economic goals. At the same time, Egyptian priests emphasized the temple’s traditional responsibility of granting political legitimacy to maintain and perhaps gain power and political maneuverability (Manning 2010: 82–3, 96).

Tradition

ARCHIVES, ADMINISTRATION, AND COMMUNITY

Temples sought to justify their role as the center of the Babylonian communities not only through scholarship or religious means, but also by emphasizing the importance of other traditional practices. The persistence of non-scholarly texts written in Akkadian during this period requires explanation, in light of the fact that most documentation was written on other media, and probably in other languages so that they could be used in both royal courts and in the temple. We know of several cases where both a leather scroll and tablet recording the same transaction were drawn up from references in the tablets. In at least one case, it is clear that the leather text was drawn up a month before the cuneiform copy was made, indicating that it was the primary document (Clancier 2005: 89). There are at least twenty-three cases where the same witnesses appear on tablets and bullae from Uruk, documenting parallel recording practices on leather and in cuneiform (Wallenfels 2000: 340). So why did people in Babylon and Uruk, and perhaps a handful of other centers, continue to write contracts and some administrative texts in cuneiform, particularly when they already had a copy of them on leather in Greek or Aramaic? I suggest that to a large extent the composition of these texts was an exhibition of Babylonian identity and part of a wider argument for the importance of this community within the Seleucid empire (Clancier 2011: 766). Most Hellenistic contracts were well made and beautifully written in a clear cuneiform script, with carefully applied seal impressions marking the tablet’s edges (Clancier 2011: 762). At Uruk, contracts generally used a landscape format and had thick edges, to allow space for seal impressions, a practice that began in the late Achaemenid period. In Babylon and Borsippa, however, a portrait orientation is more common.25 These documents were probably created as part of scribal training, as a way to preserve and transmit knowledge of disappearing genres. The elegant, clear script used on these tablets would have demonstrated a scribe’s mastery of this ancient form. The use of cuneiform contracts in temple courts may have helped to set apart the citizenry who employed this archaic medium from the rest of the population of Uruk and Hellenistic Babylonia (Clancier 2011). In this case, the act of pressing a seal into a cuneiform tablet may have marked someone as a member of a group, a performative activity that established a speciﬁc identity. Such legal activities, although perhaps not religious, are best understood as

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performances of tradition, demonstrations of the citizenry’s ancient prerogatives to the community itself and to the Seleucid court. It is clear that many people chose to continue using cuneiform documentation, highlighting the cultural importance of these activities beyond the realm of scholarship. As we have already seen in the AnuUballit·s’ building inscriptions, however, many of these “traditional” activities were paradoxically innovative. This is particularly clear when considering sealing practices. On one hand, this period sees an almost total adoption of signet rings. Although rings were occasionally used earlier, particularly in the late Achaemenid period, their ubiquity is a Seleucid phenomenon (Wallenfels 1994: 1, 1996). Only four impressions from cylinder seals and ten impressions from Achaemenid stamp seals occur in the Hellenistic Uruk corpus, which contains 1,523 seals used by 1,100 different people (Wallenfels 1994: 143–4). On the other hand, like the pottery and the ﬁgurines, most seal imagery combines Babylonian, Greek, and Persian motifs in ways that were also common during the previous Achaemenid and even Neo-Babylonian periods. The only exceptions to this trend are the rare gemstones, which feature a different array of designs, many of which seem to have been introduced from Greece, although the majority of these rings were owned by people with Babylonian names (Wallenfels 1994: 145). The practice of identifying seal owners on tablets shows just how many people continued to use cuneiform contracts. In addition to the 1,100 different seal users, over 3,000 people were named in the texts, demonstrating the popularity of this system. The changing role of temple archives in the larger community also illustrates both continued interest in using traditional cuneiform on the part of the populace and how nontraditional these practices were when compared to the earlier ﬁrst millennium BC.26 Cuneiform tablets, along with bullae or napkin rings that once held leather scrolls, have been found in both the Re¯š and Ešgal temples and represent traces of Seleucid practices that differ from those of earlier administrations. The composition of these archives is distinct from Neo-Babylonian/Achaemenid ones, like that from the nearby temple complex of Eanna in Uruk, or the Ebabbar in Sippar, the two best-documented archives from the long sixth century (Kümmel 1979; Jursa 2005b; Bongenaar 1997). Although private contracts and some literary texts were kept together with institutional documents in both temples, in these and other Neo-Babylonian/ Achaemenid temple archives, unwitnessed administrative texts are the

Tradition

205

largest single category of texts (Gesche 2001; Jursa 2005b: 45; Pedersén 1998: 206).27 This is not the case for Hellenistic period temples, which contained very few administrative documents. Instead, contracts, including large numbers from private contexts, and literary tablets dominate the excavated collections from the Uruk temples. As a result, they resemble private rather than ofﬁcial archives from earlier periods (Oelsner 1996, 2003). In fact, the large number of sealed contracts and literary texts held in temple archives probably indicate that their archival function had changed. The storage of private documents in temple archives nicely reﬂects the situation in the archive building at Seleucia-on-the-Tigris, where 25,000 perishable documents, known only from their sealings, were stored (Invernizzi 2003). Invernizzi hypothesizes that the building was a city archive, accessible to members of the community who needed to preserve legal documents or copies thereof (Invernizzi 1996, 1994) (Fig. 50).28 The Re¯š temple probably served a similar function for members of Uruk’s citizenry. Documents stored here would have been easily available for legal proceedings that probably took place when the council assembled in the courtyard of this temple. Temples in other cities may have also served the same role, although the evidence is more equivocal.29

Actors, audience, and mise-en-scène: kings, priests, and festivals Babylonian temples were a stage for the quotidian political performances of Babylonian communities, for meetings of the assembly, legal affairs, and

50 Archives building, Seleucid, isometric drawing (After Invernizzi 2003, courtesy of Invernizzi)

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other overtly political activities. They also provided the setting for the Akı¯tu ritual, an event that re-presents, breaking down the established order only to resurrect it. This was a celebration in which Seleucid kings and priests in Uruk and Babylon invoked tradition as part of political negotiation, as a method to strengthen hegemony. But events that represent always contain the possibility of anarchy, by providing spaces in which to debate the current political order and sometimes contribute to its overthrow. I will explore three performances of festivals in Seleucid Babylonia, each of which participated in politics differently. On April 6, 205 BC, Antiochus III, the Seleucid king, visited Marduk’s temple in Babylon in order to take part in the rituals on the eighth day of the spring Akı¯tu festival. What precisely happened in the Esagila is unclear, although the astronomical diaries record that sacriﬁces were offered for Ištar of Babylon and the life of the king (the latter was understood as a Greek, not Babylonian, practice) (Sachs and Hunger 1988: no. 204, C, rev. 14–8; Sherwin-White and Kuhrt 1993: 130–1; Van der Spek 1993a). It is probable that when Antiochus entered the temple, he participated in the ceremony whereby Marduk determined the destiny of the king and his land for the upcoming year. Afterward, Antiochus “took the hand of Bel,” probably a gesture in which he reafﬁrmed his kingship, and led the god into the city. Then, as the populace of the city lined the processional way, the king and the statues of the gods paraded through Babylon, before traveling by boat to the Akı¯tu temple (Black 1981; Bidmead 2002; Cohen 1993). Marduk would stay outside of the city for three days before returning to the Esagila, causing order to triumph over primal chaos for another year (Sommer 2000: 89–90). Antiochus III’s celebration of the Akı¯tu festival was critical both to the legitimacy of Seleucid kingship and to the way the Babylonian citizenry constituted itself as a body politic. His visit to Babylon for this festival followed ﬁve years of hard campaigning in the northern and eastern provinces of the empire, during which he reestablished Seleucid dominion over much of the Caucasus and Iran and even reafﬁrmed an alliance with Sophagasenus, who ruled the lands beyond the Indus (SherwinWhite and Kuhrt 1993: 198–9). In recognition of these military and diplomatic successes, Antiochus’ Greek contemporaries referred to him as basileus megas, great king, a translation of an originally Akkadian title, inherited from the Seleucid’s Persian predecessors. Antiochus’ participation in the Akı¯tu festival can be seen against this backdrop, as a way for

Tradition

him to reassert his authority in the heartland of his empire, by afﬁrming his position as a traditional Mesopotamian king. Moreover, Antiochus’s performance of the rites at the apex of the festival, when the fate of the land was cast, both underscored his past successes and set the stage for a brilliant future. Eighteen years later, after his disastrous defeat at the hands of the Romans at Thermopylae, and the treaty of Apamea in which he ceded all Seleucid territory in Asia Minor, Antiochus returned to the Esagila of Babylon once more, perhaps seeking both gold to repay his debts and conﬁrmation of a legitimacy that may have seemed increasingly shaky. He spent at least ten days in Babylon and its environs, offering sacriﬁces to the gods and for the lives of his wife and sons at the Esagila, the Ezida, and the Akı¯tu temple. As part of this affair, the šatammu and the assembly of Babylonians gave him a gold crown weighing 1,000 shekels, a gesture that was meaningful in both Babylonian and Hellenistic contexts. Later, another gold crown, gold box, and a purple garment that had once belonged to King Nabonidus were removed from the temple’s treasury, although whether they were used as props or costumes for various ritual activities, given to Antiochus, or merely shown to him, is not clear (Boiy 2004: 156–7; Sherwin-White and Kuhrt 1993: 216; Sachs and Hunger 1988: no. 187: rev. 40 -180 ). Nabonidus’ garment may have been particularly important, given the Seleucid kings’ treatment of their Neo-Babylonian predecessors as symbolic ancestors (Kosmin 2014). Antiochus’ last visit to Babylon did not coincide with the Akı¯tu festival, but many of his activities during this month recalled that ritual, particularly his sacriﬁces at the three temples. This visit may have sought to demonstrate and reestablish this king’s charismatic position, as the chosen of Marduk, prior to a second set of campaigns in the east. The participation of Antiochus III in the festival and other rituals at the Esagila can be interpreted in various ways. From the perspective of the Seleucid administration, this act may have been meant to convey respect for a venerable religious tradition or have been an example of Hellenistic syncretism. From the viewpoint of the temple, however, the festival may have provided a way for the Babylonian priesthood to register a silent protest against Greek rule (Scott 1990, 2012). Certainly, the šatammu may have used the ritual humiliation of the king to demonstrate that his jurisdiction was the greater of the two (Smith 1982). Even if this part of the

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ritual was an older survival, as seems likely (Michalowski 1990), each performance of it was probably made appropriate to that year’s political events. The Babylonian priesthood were the keepers of traditional religion, but they were also knowledgeable actors who used their religious knowledge as a way of asserting authority in other domains as well. As a consequence of this position, they emerge as the guardians of Babylon’s wealth and arbiters of the king’s legitimacy. Their importance is highlighted by the fact that Antiochus’ participation in the Akı¯tu festival was unusual enough to feature in the astronomical diaries, suggesting that the king rarely took part. Usually the priests alone directed the festival, the same way they took charge of governing the Babylonian community, the reckoning of time, and all the other previously royal domains that they had quietly usurped during the Achaemenid and Seleucid periods. The autumn Akı¯tu festival, as celebrated at Uruk, in the vast Akı¯tu temple complex excavated in 1954–1956 north of the city walls (Fig. 51), afforded the priests and ofﬁcials of this city another opportunity to reimagine tradition and politics (Kose 1998: 277–89). Like the spring Akı¯tu festival in Babylon, the Uruk celebration lasted for eleven days and included several similar rites. As in Babylon, on the eighth day of the festival the city god, in this case Anu, the sky god, led a parade of gods on their journey to the Akı¯tu temple. The procession left the Re¯š temple via the grand gate where the high priests, exorcists, “temple enterers,” and brewers of the temple greeted him, and traveled, partly by water, to the Akı¯tu temple (Falkenstein 1941; Pongratz-Leisten 1994; Linssen 2004). On the ninth day they returned and Anu was seated on both the dais of destinies and the dais of kingship, probably reestablishing his position as king of Uruk and his responsibility for the fate of the land. One of the most interesting features of the long festival is the minor role of the king, who is portrayed as just another participant (Linssen 2004: 76). Indeed, unlike the priests who took part in all stages of the rite, the king only appears on day eight when he is sprinkled with water along with the other Urukeans. As a result, in direct contrast to the king’s starring role in the Babylon festival, the Uruk ceremony celebrated and afﬁrmed the dominant role of the Uruk citizenry. Unlike their counterparts in Babylon, the priests of the Reš temple in Uruk did not need to humiliate the king as part of the ceremony. Instead, they wrote him out of the festival, performing a political vision that ignored the Seleucids completely, denying their authority.

Tradition

209

98

99

101

100 102

103

104

106 105

108 110 111

118

115

121 124e

126

27

29

30

31

33

35

32

124l

128

124F

124m

124h

124n 127

127a 127b 127c

24 25 21

19 22

23

2

7 145

12b

146

0

50 m

51 Akı¯tu temple, Uruk (After Downey 1988, ﬁg. 8, courtesy of the DAI)

Conclusion: performing tradition During the Seleucid period, the house and the countryside were not sites of Mesopotamian tradition. Rather, self-consciously traditional Mesopotamian activities were connected to religion and the temple. Indeed, Mesopotamian temples, archives, and scholarship served as “protected enclaves” or, to use the French historian Pierre Nora’s term, lieux de mémoires, separate and protected from the vicissitudes of ordinary life. As Nora writes: Lieux de mémoires arise out of a sense that there is no such thing as spontaneous memory, hence that we must create archives, mark anniversaries, organize

140

138

13

137 143

141

12

16

135 136

142 144

14

11a1112a

15

17

3

10 18

120

124d

124g 124i 125

34

124

124b 124c 124k

38 39

37

36

113

116 117

122 123

40

112

109

124a 41

107

139

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Ritual, Performance, and Politics in the Ancient Near East

celebrations, pronounce eulogies, and authenticate documents because such things no longer happen as a matter of course. When certain minorities create protected enclaves as preserves of memory to be jealously safeguarded, they reveal what is true of all lieux de mémoires: that without commemorative vigilance, history would soon sweep them away. (Nora 1996: 7)

The priests and citizenry of Uruk invested in Mesopotamian scholarship and religion in order to construct their authority based on tradition and a pragmatic openness to Hellenistic practice. For their part, Alexander and especially the Seleucid kings also used Mesopotamian forms, including cuneiform, as part of their political program of establishing belonging far from Macedon. The very real transformation of so many elements of quotidian existence during the later centuries BC made the continued citation of tradition particularly important. Like Nora’s lieux de mémoires, these practices seem fragile, apt to disappear at any moment. As in Majapahit, choreographed appeals to tradition in Babylon were an elite response to widespread change. The Akı¯tu festival was also a lieu de mémoires, one that despite its seemingly static and traditional nature, could be manipulated in a variety of ways by an elite that was far from united. The festivals we have examined are all examples of performances in which actors employed ancient rituals to make different, strikingly nontraditional cases about political roles and responsibilities in Seleucid Babylonia. It is difﬁcult to uncover how ordinary citizens responded to these spectacles of authority. Given the important adjudicatory role of the audience in Greek drama (Roselli 2011), perhaps including those plays staged at the theater in Babylon, it seems unlikely that they were silent, naïve, or unquestioning, even when viewing a “traditional” Babylonian ritual, such as the Akı¯tu festival. The people who lined the processional ways of Babylon and Uruk probably formed sophisticated, and perhaps critical, audiences. They may have taken advantage of these festivals to imagine an alternative to the empire, a world in which the king was powerless, an idiot, or absent altogether.

5

Community

Performance and public events in the ancient Near East From Hayam Wuruk’s royal progress to the Akı¯tu festival, rituals provide an opportunity to celebrate, establish, and negotiate political identities and practices. But understanding the performance of politics – the role played by the Persepolis festival in the Iranian revolution or the signiﬁcance of the Ebla coronation ceremony to the rise of this city-state – requires attention to broader symbolic systems and the ways they are materialized through daily practice in a world of things. This makes it essential to consider performance in all of its aspects, including theatricality, everyday life, and performativity. The preceding chapters considered the intersection of ritual, performance, and politics through a close reading of three different rituals taken from different times and places in the ancient Near East, which represented three different types of public events. Each chapter analyzed how the rituals drew upon a system of collective representations in order to establish their “scripts” and how they were deployed through a range of materialized symbols – settings and props that gave them a certain narrative force that endured long after the performance ended. The chapters also considered the mise-en-scène of individual performance events, the different ways that political actors enacted their visions, and how the responses of the audience informed the broader efﬁcacy of the political performance. Events that model – transformative rituals – such as the Ebla coronation ceremony, the execution of Louis XVI, and the metamorphosis of individuals into ancestors at K’axob, work to effect certain political transitions. This process served to transﬁgure Tabur-Damu and Iš’ar-Damu into the

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king and queen of Ebla to such an extent that the documentation never addresses them by name again. Alternatively, events that present – rituals that mirror an idealized reality – like the Majapahit processions, Persepolis festival, or the kispum ritual at Mari – may be used by political elites to develop speciﬁc arguments. Unlike the ﬁrst type of ritual, these performances do little more than establish a speciﬁc rhetorical framework; indeed, by presenting an image of authority that is at odds with reality, they may backﬁre, and rarely create a stable political order. Similarly, events that re-present – rituals that allow for the dissolution and recreation of a stable order – such as the Fiesta de Santa Fe or the Akı¯tu festival – provide a locus for dissent and political negotiation. Such festivals may either strengthen or threaten an effective hegemony. The speciﬁc concepts that each chapter explored – movement, memory, and tradition – are also critical to the establishment of these broader symbolic systems, as they are foundational for any community. They may be understood and negotiated differently, but together their interpretation is part of a larger practical system, one that provides a commonsense framework for daily life (Rosebery 1994). Although the particular meaning assigned to them within a political conﬁguration could be and were contested, the elaboration of such abstractions structured the arena in which politics was performed. Movement, memory, and tradition lay at the heart of complex symbolic systems that were articulated in grand rituals like the Ebla coronation journey, the Feast of the Land, and the Akı¯tu festival. These rituals mattered, however, only in the sense that they were related to processes and understandings that were more widely applicable. The power of tradition emerged not just from Antiochus’s celebration of the Akı¯tu festival, but instead from how that celebration cited, afﬁrmed, and helped to create a speciﬁc idea of what tradition should be and do. The ambiguous and arbitrary nature of these concepts is crucial to their role as “nodal points” that helped to partially ﬁx meaning, in a way which is by deﬁnition contingent (Laclau and Mouffe 2001: xi). Within any political domain, hegemony is the struggle over symbolic systems. It is a contest over how certain concepts are deﬁned with respect to others and over which ideas will become the source of ultimate meaning (Žižek 1989: 87). Indeed, to a large extent, this is the form that politics takes. Hence, politics is a contest over the negotiation of meaning, practiced in the design of road networks, funerals, the construction of temples, or the writing of history.

Community

In archaic states, with limited effective power over their inhabitants, such ritual performances are how “the group . . . teaches itself and masks from itself its own truth . . . tacitly deﬁning the limits of the thinkable and the unthinkable and so contributing to the maintenance of the social order from which it derives its power” (Bourdieu 1990: 108). Each of the chapters has highlighted a different abstraction, but all three were contested in each period, as they are in all political communities. As a nodal point, a particular concept may become meaningful (or overdetermined) for a wide web of social relations, but no polity is ever organized around just one central idea (Laclau and Mouffe 2001: 139). The case studies highlight the multiplicity of strategies that different individuals chose to employ in three different situations: the rise of the ﬁrst city-states in the third millennium BC, the reestablishment of political authority in the early second millennium BC, and the Seleucid colonization of Babylonia in the late ﬁrst millennium BC. Up to this point, I have emphasized contingency, seeking to understand the establishment, reestablishment, or negotiation of political authority in terms of particularities, the speciﬁc ways that the control of movement, the commemoration of ancestors, or scholarly traditions brought individual polities into being. Here I would like to adopt instead a comparative and synthetic approach and reﬂect on the case studies, and what they may tell us about the longue durée of Mesopotamian history. I will consider several concepts that are implicit in all of the chapters – community, instability, and political strategies – all of which are essential to the investigation of ancient Near Eastern polities, before concluding with a brief meditation on continuity.

Performing community I have argued that in Early Bronze Age Ebla, Old Babylonian Mari, and Seleucid Babylonia, people created political communities through performance, both in rituals and through everyday enactments of particular identities that drew upon the same system of collective representations. In these cases, the performative dimension of politics actualized certain political communities. The resulting communities were not necessarily unitary, and the sense of belonging generated within ritual or daily practice was often weak; however, the emergence of a collective identity was an essential part of politics. Given this, it is necessary to reﬂect on the nature of

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communities in general, and political communities in particular, in order to unpack some of the implications of this process. Community (Gemeinschaft) emerged as a critical analytical category in nineteenth-century sociology, where it was almost always contrasted with society (Gesellschaft). In this sense, community represented the natural human social unit, a close-knit group of people living in small, rural villages, united through kinship, geographical proximity, economic interest, place, and history. In contrast, society meant industrialized urbanism, where organic solidarity produced by the faceless mechanisms of the economy and the state was opposed to the mechanical solidarity based on kinship and proximity that prevailed in a community (Tönnies 1988; Durkheim 1984 [1893]). In this and subsequent work, communities are characterized by cohesiveness and solidarity, a sense of unity created from daily interactions and exchanges within a particular setting. Members of a community recognize a number of shared commonalities and also distinguish themselves from nonmembers, creating a sense of “us” and “them.” Although the notion of community expanded greatly during the course of the twentieth century to include multiple, overlapping urban communities based around neighborhoods, workplaces, schools, churches, bowling alleys, and bars (Putnam 2000), most work on community in the twentieth century continued to portray communities as natural (Mac Sweeney 2011: 12–14). Since the 1980s, however, there has been an increasing recognition of the fact that simply living or working in the same space does not automatically give rise to a community, in terms of a collective sense of “us,” a shared identity. In this sense, community is a mental construct, an imagined solidarity that is symbolically constructed, emerging from cultural practices rather than social institutions (Cohen 1985). This imagining, however, must be materialized through social practice. The symbolic construction of a community is realized on a number of levels. If communities are imagined and are constructed through social interaction, then they are neither primordial nor universal. Community identity may only be salient in certain situations and at certain times (Mac Sweeney 2011: 18). There are two relevant points for the performance of politics in the ancient Near East that can be taken from more than a century of community studies. First, one of the commonalities at Ebla, Mari, and Seleucid Babylonia is the tension between small-scale communities and larger political formations. Second, it is clear that although stable political communities – deﬁned in terms of a sense of belonging – are rare, there is a

Community

larger sense of a shared civilization that transcends political divisions. In the ancient Near East, small-scale communities were not always rural communities, as they were for Tönnies or Durkheim; rather, they included herding groups, neighborhoods, tribes, and cities. During each period, some of the meaningful social divisions are different, although others remain important loci for community and corporate identity throughout this longue durée. Each of the public events that we considered mediates between these tensions in order to bring a larger political community into being, through pilgrimage in the Ebla coronation rite, the commemorative rituals in the Feast of the Land, or the dissolution of political order in the Akı¯tu festival. Similarly, the more extensive political communities that we may see in northern Mesopotamia, the middle Euphrates, or Babylonia are not nations. Their commonality is not constructed in terms of shared language or ethnicity. Indeed, it is hard for us to even evaluate ethnicity as a category. Although certain ethnic terms survive in texts, their referent and context of use are unclear; and they do not appear to be particularly signiﬁcant in social life. Even the categories that are salient in the ancient Near East, such as citizenship or tribal afﬁliation, do not often correspond with larger political realities. There is no pan-ethnic identity or language community that can give rise to a cohesive collective identity like nationalism. Given this, do any of these polities represent coherent communities? In certain cases we do see the appearance of larger political communities that consist of ﬁelds of practice and sometimes administrative units. Nonetheless, these political formations are rarely stable, do not have deﬁned borders, and tend to cohere only in situations in which ritual systems coincide with economic, administrative, and political networks. In other words, establishing a community requires all aspects of performance – from public events to daily life – to be performative. In the Ebla region, for instance, the small area deﬁned by the Ebla coronation journey, regular deliveries of agricultural produce, and administrative intervention probably did conceive of itself as a community, but not one that necessarily coincided with the various political or material culture divisions that historians or archaeologists draw. Indeed, this territory, located within one or two day’s travel from the city of Ebla, represented neither the territory that Ebla claimed to rule nor the territory deﬁned by caliciform pottery, both of which were more expansive (Milano and Rova 2000; Matthiae and Marchetti 2013). But it was an

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important economic and ritual unit all the same, one brought into being through both practice and public events. More extensive networks, such as the one formed by Ebla’s allied towns and client kings, were necessarily weaker, tied together by symbolic deliveries of metals and textiles, the raison d’être of the administration, and the participation of Ebla’s elite in a series of religious performances like ‘Adabal’s ritual circuit, elite funerals, and royal weddings (Biga 2010). The same is probably true of many of the ma ¯tu during the early second millennium BC, such as the Land of Apum or even Mari, whose constituent territories on the Euphrates were administered as a unit for at least a century. Here, the ritual invocation of a speciﬁc past, through the kispum and other ritual journeys like the sihirtum, were linked to individual polities. Rituals on the level of the polity only worked, however, when they drew upon widely shared ideas of history and cited practices such as ancestor veneration and the curation of heirlooms that also occurred regularly in settlements. Unlike their third-millennium predecessors, the emerging polities were conceived less as territories and more as various peoples. The continued survival of the smaller kingdoms during this period relied upon negotiations between a range of sedentary and semisedentary actors. Perhaps as a result, although lands were important, other community identities were more signiﬁcant for many people, especially ties to a particular settlement and/or tribe. During the Seleucid period, in contrast, the increase in trade, more stable administrative divisions, and improvements in the transportation and communication networks may have led to larger territories with shared identities. Certainly, the šatammu (priest) at the Esagila – who controlled the affairs of the temple as well as those of Babylon’s citizenry, and who were also responsible for the people living throughout northern Babylonia – may have helped promote a new sense of community. This new regional organization may have promoted a pan-Babylonian identity that undercut older, city-based political afﬁliations, although cities remained essential to political self-determination. This process, relying as it does on colonial conditions, resembles the establishment of a panHellenic identity during the Roman Empire under similar constraints (Alcock 1993, 2002). The number of students from across Babylonia learning how to read and write Akkadian and Sumerian in an early Hellenistic schoolroom in Uruk is another aspect of this process. This community may have been partly constituted in opposition to the

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dominant Greek culture (Van der Spek 2009), and although it never coincided with an independent political unit, remaining at all times subject to Seleucid hegemony, it comes closest to a “national” community in Anderson’s sense (Anderson 2006). The second important point, the creation of a broader, shared civilization, is particularly apparent in the ﬁrst two case studies. In the mid–third millennium BC, this probably corresponded to the “Kish civilization” and included the diplomatic partners of the Ebla court from Kish in the south to Nagar in the East and perhaps beyond.1 The use of the term “Kish civilization” is not meant to describe the middle Euphrates and northern Mesopotamia as a proto-empire, subordinate to this central Mesopotamian city; instead, it merely indicates a wide diplomatic network, whose participants exchanged high status gifts and brides, and who supported each other in negotiations and in military affairs. By the early second millennium BC, the area from Has¸or in the southwest, to Ekalla¯tum in the East, and Larsa in the south formed a cultural koine, based on a common diplomatic language, shared religious symbols, and a ﬂexible tribal system. Apart from this broad, pan-Mesopotamian network, certain cities probably had closer relations, particularly Ešnunna, Babylon, Mari, Halab, and Ekalla¯tum. In the Seleucid empire, there may have been a similar koine deﬁned in “Hellenistic,” not Babylonian, terms.

States and instability Although it seems clear that Mesopotamian political communities were not nations, an assertion that would strike few scholars as debatable, there is growing evidence that they were not really “states” either. At least, they were not states in the classic sense in which this term has been used in anthropology and political philosophy. I am not the ﬁrst person to argue this, and this is not a place for an extended discussion of the intellectual history of the state or its use in anthropological archaeology.2 Instead, I am interested in the speciﬁc ways that these polities differ from later ones, and the social and political implications of these differences. As Lisa Wedeen has noted in the case of contemporary Yemen, a performance perspective may be particularly useful for political analysis in situations where state institutions are lacking. Indeed, an exploration of the “performative dimensions of political life” can “[account] for the fragility and contingency of solidarities in a way that many explanations do not” (Wedeen

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2008: 213). One of the most signiﬁcant consequences of the absence of such institutions in both Yemen and the ancient Near East was pervasive political instability, a process that frames much of the operation of politics in both contexts. The most inﬂuential deﬁnition of the state in twentieth-century political theory is Max Weber’s formulation in “Politik als Beruf” that the state is the single entity within a given territory that exercises an exclusive monopoly on the legitimate use of violence (Weber et al. 2004: 33). Weber’s deﬁnition implies a process in which the state expropriates the resources for effective decision making from individuals and other groups and concentrates “all the material resources of organization in the hands of its leaders” (Weber et al. 2004: 37–8). In modern political theory, the state has come to be described as a political entity that controls a deﬁnite territory, where it has a monopoly on violence, and which it governs using an enduring system of administration, one that will outlive any particular politician. Although each element of this deﬁnition might be necessary to describe modern states adequately (a point about which there is considerable debate), taken as a whole, this deﬁnition really only applies to Europe after the sixteenth, or even eighteenth, century. But as Weber recognized when he formulated this argument, it coincides well with vernacular understandings of the modern state (Osiander 2007; Abrams 1988; Ferguson and Mannsbach 1988). Certainly, the three polities that I have investigated here cannot be easily characterized in these terms, but given the normative force of Weber’s deﬁnition, it is instructive to consider just how the actual practice of politics in these examples differs from this paradigm. There are three points that are particularly important in this regard. First, the space of these polities was often discontinuous, deﬁned by porous borders and consisting of noncontiguous territories. Second, the enforcement of ofﬁcial policies throughout this territory was similarly variable, with any individual king able to exercise effective power only in certain urban spaces and over certain activities. This meant that although most polities did claim a monopoly over violence, both in the prosecution of warfare and the enforcement of justice, this claim was rarely realized in practice. And third, the clearest difference between a Weberian state and these Mesopotamian polities lay in their inability to establish an even more fundamental monopoly, one over political power. In each of the case studies, multiple actors had authority over domains of life – including

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violence – that at other times and in other places were the province of the state – of the king and his central administration. These other actors could include tribes, city councils, temple establishments, and kinship networks. Even when the central administration had great effective power – such as in the Akkadian empire or the third dynasty of Ur – their most critical concern remained extractive rather than managerial; the administration operated under patrimonial rather than bureaucratic principles, and they always had limited effective control.3 Although not all of these characteristics apply to all of these polities, they are often important factors in what seems to be near ubiquitous instability. Mesopotamian kingdoms were rarely, if ever, ﬁrmly bounded entities. Instead, like other premodern polities, they are better understood in terms of their shifting frontiers, as an archipelago of cities and villages scattered across a territory that was contested by other political actors (Scott 2009; Smith 2005). Two examples from the early second millennium BC illustrate this point. In the late eighteenth century, Šehna controlled towns ˘ both east and west of the Jaghjagh, entirely separated by Kahat, the king˘ dom centered on this river. Shepherds from Šehna, however, had the right ˘ to pasture their sheep along the Jagjagh, middle Habur, and in the Sinjar, three territories that were independent of Šehna and under the nominal ˘ authority of other kingdoms (Fig. 52). Sheep from various sovereign kingdoms could also graze in Šehna’s territory (Ristvet 2008). Similarly, ˘ during the nineteenth century BC, Larsa recorded ﬁve victories over a city called Pı¯-Na¯ra¯tim, probably a small town located only 55 km away, and not in a contested border region. The fact that this minor settlement, located so close to Larsa, “required repeated paciﬁcation,” highlights the difﬁculties of maintaining control over a contiguous territory and the scope for independent actions by individuals outside of the administration (Richardson 2012: 19). The discontinuous nature of Larsa’s territory is particularly intriguing given the very different social and environmental conditions that prevailed in southern Mesopotamia, resulting at least partly from frictionless water transport, which encouraged the formation of extractive polities that more closely resembled Weberian states in the late third millennium BC. Clearly, such intermittent control was the normative situation in the early second millennium BC and must be understood in cultural and political terms, and not only environmental or economic ones. We may have hints of a similar situation in northern Mesopotamia in the twenty-fourth century BC, where the territory that Ebla controlled was

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52 Reconstructed territory of Apum and Kahat, ca. 1730 BC. Kahat is in light gray and Apum is in dark gray. Dotted lines represent modern rainfall isohyets. (Base map by author, using ESRI topographic data [Creative Commons]: world shaded relief, world linear water, and world countries)

rarely stable, but instead contracted and expanded as a result of yearly raids and skirmishes. The government of Seleucid Babylonia appears to have managed to impose a more even presence across a developed and populous territory, but even here Arab raids highlight the discontinuous nature of the polity (Boiy 2004: 179–80; Shayegan 2011: 206–8). The second major difference has to do with the almost intractable problem of effective governance. Premodern states always faced the problem of scattered peoples, of individuals who could escape taxation and ofﬁcial oversight through mobility. This is again most visible in the early second millennium BC, given the largely mobile population of pastoralists and shifting village cultivators who could easily evade the jurisdiction of small states. The preserved sections from three of the ﬁve Leilan treaties include stipulations about people who have ﬂed the control of a polity, indicating the difﬁculties that states had in retaining people who could vote with their feet (Eidem 2011). In some cases, the people

Community

concerned were slaves or captives, but others may have been ordinary citizens, although the Akkadian terms are not always clear (Eidem 2011: 341–4). The royal correspondence describes two other groups of people who lived outside of the effective jurisdiction of any polity: the h abiru ¯ ˘ and the h abba ¯tu. Although these terms may be “virtually synonymous,” in ˘ the Mari and Leilan letters, the h abiru ¯ were emigrants, who “often acted ˘ as rebels against the authority they had escaped” (Eidem 2011: 22). The h abba ¯tu, on the other hand, were mercenaries outside the control of ˘ any one power, who alternately served or threatened various polities.4 No fewer than sixteen letters from Tell Leilan mention this group, who appear in large numbers (Hazip-Teššup, the king of Razama¯, hired 10,000 h abba ¯tum ˘ ˘ troops) and who pose a clear danger when not employed. When the h abba ¯tu ˘ raided the country of Numhâ, Ewri, an ofﬁcial stationed east of Apum, ˘ wrote letters to the king warning him of the dangers coming his way. He described the h abba ¯tu as “eating the Land of Numhâ clean,” adding that ˘ ˘ they did not leave so much as “a nail in a wall” (Eidem 2011: letter 172, lines 8–11). Eidem hypothesizes that their importance in the second half of the eighteenth century BC resulted from the “elimination” of kingdoms including Ešnunna, Larsa, and Mari from the international stage. This created a world divided between just Babylon and Yamhad, neither of which could ˘ establish lasting hegemony over Greater Mesopotamia, nor consistently employ these surplus soldiers, who refused to live as simple farmers or pastoralists (Eidem 2011: 20). The difﬁculty of enforcing policies and compelling obedience from their subjects helps explain a puzzling fact that emerges from the cuneiform record. In these texts, Mesopotamian polities seem to often suffer from a shortage of labor, not land. Archaeologists tend to assume the opposite and often posit persistent land shortage as a driving force in history. But land is never at a premium in sale documents, making this assumption untenable (Van Driel 1998: 34–5). Indeed, the prices paid for land, much of which is itself underutilized, in land sales from the early second millennium BC and the early ﬁrst millennium BC tend to be the equivalent of the value of only two to four annual harvests (Van Driel 1998: 39–48). Similar conditions held in the Seleucid period (Aperghis 2004; Van der Spek 1993b). The low price suggests that there was always enough land; the main limiting economic factor tended to be people. This also makes sense of the nature of most Mesopotamian administrative texts, particularly in the third and early second millennium BC. At Ebla and

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Beydar there are few texts about agriculture and land; instead, most texts record ration distributions to personnel or track scarce commodities (Sallaberger 1996). The great tebibtum or census undertaken during Samsi-Addu’s reign was about ensuring the loyalty of both settled and nomadic subjects, and recruiting soldiers (Talon and Hammade 1997; Kellenberger 2000; Michel 1990; Castillo 2005: 133–4). Like many of the administrative procedures that we have considered, it is as ritual as it is political; tebibtum means puriﬁcation, and the lists that we have documenting its operation record the presence of religious symbols and ofﬁcials (Talon and Hammade 1997: 15). The ﬁnal major difference is partly derived from the problems of effective governance and has to do with the inability of Mesopotamian polities to consistently maintain their positions as authorities of last resort. The activities of the h abı¯ru and h abba ¯tu in Apum or the Arab tribes in Seleucid ˘ ˘ Babylonia testify to the fact that polities did not exercise a monopoly on either legitimate violence or political authority within their territory. During the early second millennium and the ﬁrst millennium BC, tribes, especially, were key political actors, not just among seminomadic pastoralists, but in farming villages along the middle Euphrates and in cities such as Mari and Šehna. As we have seen, pastoralists, villagers, and city-dwellers ˘ could all have a tribal afﬁliation during the early second millennium BC. Recognizing that tribes, even in ancient Mesopotamia, were not timeless, sui generis entities, but instead historically contingent, is essential to understanding their political role during this period. My point here is not that states and tribes were diametrically opposed entities, always in conﬂict, as that is quite obviously not the case in the Mari documentation (Ristvet 2012b; Fleming 2004a; Durand 2004; Porter 2012). Tribes and cities could remain autonomous entities, but often had overlapping spheres of authority. In some cases, for example, during the reign of Zimri-Lim, as we have seen, urban kings could deﬁne themselves in terms of their tribal identities and employed tribal organizational principles in the military and administration (Fleming 2004a; see Chapter 3). Both tribes and states were part of the same spectrum of politics and could “diverge and merge in a myriad of combinations over time” (Porter 2012: 13). What is important is precisely this ambiguity. Neither polity was a distinct entity, nor did urban authority supplant tribal authority following a long period of sedentarization. In other words, neither kings, nor urban centers, nor states had a monopoly on political power; rather, tribes exercised political

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authority as well. They could engage in conﬂicts, enact alliances, and decide land disputes, in concert with, or in opposition to, urban polities. In the late ﬁrst millennium BC, tribes also appear as important political entities, although their relationship to communities in Babylonia is different (Boiy 2004: 178–80; Sherwin-White and Kuhrt 1993: 18). But tribes organized as competing and sometimes complementary polities were not the only political actors. We have no information, for example, that they existed in this form during the twenty-fourth century BC, although there were obviously pastoralists outside of the control of any kingdom. Instead, three other political institutions that could compete with the royal administration are also relevant in these case studies – kinship networks, councils of elders, and temples. In all periods, family connections were no doubt important, but it is hard to trace the authority that individual families or other lineage-based organizations wielded and how that changed over time. Families exist on the edges of our documentation, and understanding the dynamics of kinship is not possible from material culture alone. During the early second millennium BC, family connections are particularly important for land tenure, which seems to have been managed communally either by tribes or kin groups (Van Koppen 2001; Charpin 2010b). A similar situation of communal landownership is much better documented during the Akkadian period in the stela of Maništušu (Gelb et al. 1991). It is difﬁcult to tell if this was also the norm at Ebla, although David Schloen suggests as much by translating the term “NA. SE11,” which describes landholders and ration recipients, as heads of households (Schloen 2001: 281–2). Kinship networks are also the institutions that resolved most disputes in Mesopotamian cities, making them the usual locus of legal authority. Such communal organizations probably had jurisdiction over cases in which the disputants were not employed by the palace (Yoffee 1988: 105). Indeed, the palace intervened rarely and certainly had no monopoly over “justice,” despite the rhetoric of royal inscriptions and law codes (Bottéro 1992: 160–1; Wells 2005; Roth 1995). It is quite possible that law was the domain of community institutions because only they had the power to enforce their decisions. Royal law codes seem to be “barely interested in policing” and rarely specify just who will incarcerate lawbreakers, or mete out punishment to the condemned (Richardson 2012: 34). As this example illustrates, in all three periods, councils held real power. In the case of second millennium BC Urkiš, the town council clearly

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provided an alternative to the king. This institution was not subordinated to his authority, nor was it merely another part of an essentially unitary political system; rather, the council and the hapless Terru, Zimri-Lim’s appointee to the throne of Urkiš, were bitter rivals who both sought to have the ﬁnal word in diplomacy, warfare, and other ofﬁcial matters (see Chapter 3). A similar situation may have unfolded in a town like Lu’atum in Ebla’s sphere of authority, which was ruled alternately by a council and the king of Ebla, although we do not have the same detailed documentation (see Chapter 2). There are other, archaeological attestations of power sharing in individual cities. Both third-millennium Nabada and second-millennium Šehna had two palaces in different parts of the city that were occupied ˘ simultaneously. At Šehna, we know that one of the palaces belonged to the ˘ kings of Leilan from Samsi-Addu to the fall of the city, while the other palace was built by Qarni-Lim, king of Andarig, and probably occupied by this king and his successor Himdiya, who acted as senior partners in the kingship at Apum in the last years of Zimri-Lim’s reign (Ristvet and Weiss 2011; Van de Mieroop 1994; Pulhan 2000). We do not have the same epigraphic information regarding the two palaces in Nabada, but it is possible that they attest to a similar competitive situation (Pruss 2012). In Seleucid Babylonia, the heads of major temples and the temple’s assembly were responsible for judging and administering the Babylonian community. Temples had considerable economic clout, including being the authority of last resort for most land assignments. Although the interests of the temples and communities of prominent Babylonians often coincided with those of the central administration, this was not always the case. As a result, we can clearly see friction and negotiation between the Seleucid crown and the Babylonian temples. Neither party always had a monopoly over either political or economic policy in these cities (Van der Spek 1993b: 76–7).

Political strategies Ofﬁcials of the three Mesopotamian polities that we have considered – Ebla, Mari, and Seleucid Babylon – all sought to control the practices of their inhabitants by negotiating with, accommodating, and usurping the authority of other political actors. Michel Foucault has analyzed the different ways in which modern states employ the legal code, disciplinary

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mechanisms, and the apparatus of security as part of the establishment of sovereignty. These are different techniques of power that emphasize respectively law and punishment; surveillance and correction; and organization and regulation. These strategies coexist within modern societies (and perhaps all societies), although the apparatus of security, with its emphasis on statistics and its laissez-faire approach to “natural” processes, has been dominant since the eighteenth century.5 The polities under consideration could not employ such a system, but depended instead on a mixture of “legal” and disciplinary strategies, as well as on technologies of spectacle. In a world where mechanisms for enforcement hardly existed, polities employed charisma, tradition, and bodily practices as techniques of legitimacy. As I have argued, ritual performance, which pervaded many aspects of government, was one way that polities established their power. Throughout these millennia, politics remained personal, and rulers relied upon charisma in the Weberian sense of exceptional, god-given ability (Launderville 2003; Weber 1968). In royal inscriptions, which provide perhaps the clearest statements of this charismatic principle, gods can choose, appoint, name, or determine the fate of individual kings. They can bestow divine radiance, love, might, and kingship. Gods may even, to cite a popular metaphor, entrust the king, as shepherd, with the lead rope of the people, his ﬂock. The word that comes closest to charisma in Akkadian is melammu (Sum. mé-lam), which can be understood as a divine sheen, an awe-inspiring aura, and a terrible radiance (Winter 1994; Oppenheim 1943; Cassin 1968). Melammu is a divine attribute and an “almost independent magical object,” that symbolizes the awesome quality of divine power and its destructive and protective aspects (Ataç 2007: 296). This concept is absent from early descriptions of kingship, but it surfaces as a royal attribute by the end of the third millennium BC. Šulgi, Hammurabi, and Samsuiluna are all described as possessing melammu.6 Although this terminology is not used in the north, the letter from Nur-Sin to Zimri-Lim states that Addu gave Zimri-Lim kingship and “anointed him with the oil of his radiance” (Durand 2002: FM 7 38: 40 ), illustrating a similar concept. On a more general level, kings in all three periods proclaim that they are chosen by the gods in some way, a notion that clearly emerges in both Samsi-Addu’s titulary and the Antiochus cylinder. The implications of charismatic kingship go beyond this acknowledgment of the will of the gods. The importance of this principle may account for literary texts that describe the exploits of kings like the Epic of Zimri-Lim

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or legends of earlier kings. But a reliance on the personal rather than the institutional qualities of kingship may also explain why kings rarely delegate their authority. A letter from the governor of Qat·t·unan to Zimri-Lim is about the slaughter of one bull, and the suet that is rendered from its carcass. In his report on this matter, the governor notes that this is just one in a series of letters concerning the fate of this animal: When my lord stayed in Hušlan, a bull who was part of the annual tax, choked. ˘ I wrote to my lord about it and my lord answered as follows, “Kill that bull! Its meat and its suet must be preserved!” This my lord wrote me. When my lord returned to Hušlan, I reminded my lord about that bull and my lord told me ˘ the following, “it must be properly dealt with.” And after I withdrew, nobody reminded my lord about the meat of that bull. Now I arrived and the meat of that bull and its suet have been properly dealt with. The meat did not spoil. My lord must write to me and they will carry that meat to Mari. Otherwise my lord must write to me, and tell me to do this or not. (Heimpel 2003: ARM 27 129, p. 454)

The expectation of the king’s personal attention to matters that might seem mundane also emerges at Ebla. Only a handful of letters and diplomatic texts were preserved in these archives, but they report on activities such as merchants trading small numbers of animals (thirty sheep) and attending funerals (Fronzaroli 2003: ARET 13, 14). It is also possible to interpret the personal interest of the king in household details in patrimonial terms. The king may be simply acting as the head of a household and hence properly attending to every detail of his estate. The importance of kinship terminology and household concerns appears in both administrative vocabulary and practices. David Schloen has argued that this metaphor served as the essential model of politics in the Bronze Age, but clearly elements of it may have persisted longer (Schloen 2001). The importance of kinship, ancestors, and inheritance emerges most clearly from the various attempts of people during the early second millennium BC to use the “authority of the ‘eternal past’” to sanction the present (Weber et al. 2004: 34). But of course something similar is present at Ebla, when kingship may only be transferred at the royal mausoleum, placing political authority quite literally in the hands of the ancestors. And the transmission of traditional knowledge in Hellenistic Babylonia – either scholarly or religious – shares in this same concept of inheritance. The transmission of tradition – and indeed the apparatus of power – works through bodily practice. This has its own logic, particularly in areas

Community

of life not governed by writing or scholarship. Many spheres of knowledge may only be transmitted to the next generation by inscribing them on the body, through daily performance; the practical effect of habitual learning is essential to socialization. In Bourdieu’s words, “what is ‘learned by body’ is not something that one has, like knowledge that can be brandished, but something that one is” (Bourdieu 1990: 73). Going on a pilgrimage, burying one’s relatives, or impressing a ring into a tablet were all activities that inculcated knowledge, that naturalized politics, that performed citizenship, and in so doing, created a certain type of political actor. As a result of all of these tendencies, kings in the polities that we have considered (and probably in general in Mesopotamia) – never succeeded in appropriating all political authority, leaving them and their polities vulnerable and making their states weak, despite their claims of autocracy. This may partly explain why so few states in Mesopotamia lasted for much more than a century. Kassite Babylonia and the Neo-Assyrian empire remain the major exceptions to this trend, yet even the latter only maintained its full supremacy for little more than a hundred years.

Continuity But despite this seeming fragility, a self-consciously Mesopotamian civilization survived for three millennia. This survival obviously must be problematized, particularly in light of the fact that traditions, and indeed the past were constructed in particular ways at particular periods, according to a logic that is often obscure to us and has little to do with our own traditions of historiography (Michalowski 1999). True continuity was rarely the norm, as it hardly ever is (cf. McCorriston 2011). A continued emphasis on continuity is probably due to the power that antiquity and the past exercised in different periods of Mesopotamian history, the power of history in history (see Chapter 2). It is certainly possible to draw a line from the intersection of genealogies, funerary practices, and the creation of political power at Mari (and even earlier at Ebla) and the king list that lies at the heart of Berossus’ history. It is essential to realize, however, that each of these functioned as political arguments in very different contexts. The understanding of certain concepts such as divination, ancestors, and ritual was transformed over time, even when the same, unchanged, texts were transmitted. But this constructed argument

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for continuity was still powerful. This, after all, is why the ancient Near East still resonates in the twenty-ﬁrst century – because the study of this civilization, although lost immeasurably to us, has been used to create a new prehistory for both “Western” and “Islamic” civilizations – and as a result, for much of the world.

Notes

1 PERFORMING POLITICS

1. For the origins of civilization, see Feinman and Marcus 1998; Yoffee 2005; and Wengrow 2010; for early writing, see Woods et al. 2013. 2. The classic studies are Adams 1965, 1966, 1981; Adams and Nissen 1972; and Johnson and Wright 1975. More recently, see Algaze 2008; Stone 2007. 3. In this regard it is interesting to note that Near Eastern archaeologists have only rarely participated in many recent volumes on ideology, performance, ritual, memory, or materiality; see Mills and Walker 2008; Claessen and Oosten 1996; Inomata and Coben 2006; Kyriakidis 2007; Van Dyke and Alcock 2003; Bernbeck and McGuire 2011. Of course, several Mesopotamian historians and art historians have adopted perspectives that emphasize political economy and ideology, most notably Postgate 1994a; Yoffee 1995; Bahrani 2008; Winter 2009. 4. See particularly Schechner 1993; Handelman 1990; Turner 1969; Durkheim 1984, 2001. 5. Similarly, in the early 2000s, Frank Rich, who began his career as a theater critic, became one of George W. Bush’s most inﬂuential critics. For many commentators, Rich’s background made him an ideal person “to explain a political culture increasingly dominated by simulation and spectacle,” Greenberg 2006. Jeffrey Alexander has similarly applied performance analysis to Barack Obama’s 2008 campaign and presidency (2010, 2011). 6. This understanding of performance, in terms of practice, performativity, and the physical world, closely resembles elements of “practice theory,” particularly structuration as explicated in Giddens 1984 and Bourdieu 1977. 7. Descriptions of the Persepolis festivities are drawn from numerous accounts in the popular press and books, including Milani 2012: 322–4; Sciolino 2000: 161–6; Shawcross 1988: 39–44; McWhirter 1971; Life Magazine 1971. 8. There is, of course, a huge bibliography on cultural history in revolutionary France. I am particularly indebted in this account to the following: Hunt 1984, 2008; Ozouf 1975; Shaw 2011; Furet 1992; Sonenscher 2008. 9. These numbers are based on the size of the plaza, calculated from McAnany 2004a: ﬁg. 2. The estimates for how many people the plaza can hold assume estimates of 0.46 m2, 1 m2, and 3.6 m2 per person, as in Inomata 2006. Gilibert uses a slightly smaller estimate for a crowd, assuming 0.4 m2 per person (Gilibert 2011: 103). The estimate of the population of K’axob given by the excavators is vague, “in the tens of thousands” (McAnany 2004b).

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10. These estimates are calculated using the same parameters as in note 9. The size of the plaza was estimated based on Baron 2013: ﬁg. 6.2. 11. This discussion is drawn from Handelman’s typology of events that model the lived-in world, present the lived-in world, and re-present the lived-in world (1990: 23–58). 12. Geertz does address the subject of ritual failure in his analysis of a funeral in Java, however, where the practices performed as part of a slametan ceremony increased social tension (Geertz 1973: 142–69). But the problem with this analysis, as Bell aptly indicates, is that it assumes stasis in the symbolic system, thus not allowing for the change that the article sets out to analyze (Bell 1992: 33–5). 13. Obviously this literature is immense and includes seminal works by Turner (1969, 1974, 1979, 1982; Turner and Schechner 1986), Douglas (2002); Grimes (1985, 1990); Rappaport (1984; 1999); Bell (1992, 2007; Bell and Aslan 2009); and J. Z. Smith (1978, 1982, 1987) among others, drawing on earlier work by Durkheim (2001) and Van Gennep (1961). 14. In this, Wedeen draws upon the work of Althusser, particularly his idea of interpellation (1971). Maintaining the distinction between theatrical performance and daily practice can “expose the multiple ways in which actors can be ‘hailed’ or ‘interpellated,’ brought into being as a national community – at least some of the time” (Wedeen 2008: 7). 15. The Chicago Assyriological Dictionary provides a discussion of the semantic range of these terms diachronically (for ma ¯tum, CAD M, part 1, 414–21; for ¯ alum, CAD A, 379–88). For a general discussion of settlement terms, their political connotations, and archaeological proﬁle, see Postgate 1994a: 73–87; Stone 2007; Adams 2008; and McMahon 2013. For the political connotations of ¯ alum, see Seri 2005: ch. 5; Van de Mieroop 1999; Fleming 2004a. 16. It should be noted that the phrase šarrutam epe¯šum occurs in the Mari correspondence and Old Babylonian royal inscriptions. It is also common during other periods. It is absent, however, from the Ebla texts. For šarru ¯tam epe¯šum and be¯lu ¯tam epe¯šum (see, CAD E, 219–20 and 205, and CAD Š, part 2114–23). 17. Following Slavoj Žižek, I deﬁne ideology as the general material process of the social production of ideas, beliefs, and values, which are functional to relations of power in some non-transparent way (Žižek 1994: 8). This deﬁnition of ideology is similar to William Roseberry’s reworking of the Gramscian notion of hegemony as “a common material and meaningful framework for living through, talking about, and acting upon social orders characterized by domination” (Roseberry 1994: 361). Deﬁning ideology as a material process thus opens up the possibility of understanding it both in ritual and in daily life. 18. The literature on ritual texts in Mesopotamia is vast. For a recent introduction to much of the literature on magic rituals, see Schwemer 2011, with bibliography. For important publications of rituals and their broader context, see Maul 1994; Ambos 2004. For a more general introduction to religion in the ancient Near East, see Snell 2011; for Mesopotamia, see Bottéro 2004. For the past decade, groundbreaking work on ritual in the ancient world has emerged out of the Heidelberg project on ritual dynamics, particularly Weinfurter et al. 2005 and Hüsken 2007; for the complete list see http://www.ritualdynamik.de. 19. In the ancient Near East, this art historical approach has been applied mostly to monumental art from the Iron Age, as well as some second- and third-millennium sculpture, see Gilibert 2011; Winter 1992; Bahrani 2008; Denel 2007; Harmans¸ah 2013; Smith 2006; B. Brown 2010; Mazzoni 1997. For a similar approach in Mesoamerica, see Guernsey 2006, 2012, and Guernsey et al. 2010; in the classical world, see Kondoleon et al. 1999. 20. See, in general, Smith 2003; Inomata and Coben 2006. Once again, in the ancient Near East, this approach has usually focused on Iron Age performance spaces; see Pucci 2008;

Notes to pages 33–41

Harmansah 2007, 2013; Gilibert 2011. For Mesoamerica, see Inomata 2006; Schele and Mathews 1998. For the Andes, see Coben 2006; Moore 1996. 21. In general, see the essays in Kyriakidis 2007; Mills and Walker 2008; Berggren and Stutz 2010. For Mesopotamia, see Winter 1999; Cohen 2005; Pollock 2007. 22. Laclau and Mouffe have been criticized for their ideational approach, their rejection of the Marxist notion of an ideological superstructure separate from the economic conditions of life. Clearly, their post-Marxist understanding of hegemony and ideology is not the same as Althusser’s (Smith 1998; Torﬁng 1999). Nonetheless, there is nothing that prevents applying Laclau and Mouffe’s ideas about signiﬁcation, culture, and hegemony to the material world as well; indeed, their own analysis of leftist politics suggests that this is not an oppositional reading (Laclau and Mouffe 2001: 149–94).

2 MOVEMENT

1. ARET XI includes three ritual texts; two long texts (1 and 2) and a shorter précis (3). Most scholars now agree that 1 and 2 record the coronation/wedding ceremonies of Ebla’s last two kings and queens, Irkab-Damu and his unnamed bride, and Išar-Damu and Tabur-Damu. The third text, which is quite abbreviated, seems to be a general summary of the ritual procedures necessary for a coronation. The description of the ritual here is an amalgamation of both 1 and 2, since the texts are broken, but where they coincide are nearly identical. Certain details are also drawn from text 3 – such as the rituals in the ma-ra-sum (Biga 2007–2008; Fronzaroli 1992; cf. Viganò 1995, 2000). In addition, three administrative texts – TM.75.G.1730, TM.75.G.2164, and TM.75. G.2417 – have been linked to these rituals and contain many parallel passages. Although there are as yet no editions of them, I have relied on Maria Giovanna Biga’s discussions to provide other details for the ceremony and their preparations (Biga 1998, 1992, 1996, 2003). Recent analysis of these and other administrative texts has led Biga to conclude that the festival actually occurred after the marriage and is a ritual of the renewal of royalty, like the Egyptian Sed Festival (Biga 2010: 37–9), but she has not yet published all these data, so this narrative is still based on Fronzaroli’s and Biga’s earlier interpretation that the ritual is a ceremony performed at the marriage and coronation of each king (Fronzaroli 1992; Biga 2007–2008). I am grateful to Vanna Biga for discussing these matters with me and generously providing me with her articles. 2. For references to these gifts, see Biga 1998, 2003. For textiles, see TM.75.G.2164 and TM.75.G.2417; Biga 1992. For metals, see TM.75.G.1730. 3. I follow Matthiae, Archi, Milano, and Biga in assuming that the SA.ZAki corresponds to palace G on the acropolis of Tell Mardikh; see Matthiae 2009: 275, fn. 12, contra Porter 2012: 217. Soundings in 1968 underneath the second millennium Ištar temple revealed part of an earlier temple that may have belonged to Kura here (Matthiae 2008: 34). 4. It is unclear how to read NE, the ﬁrst sign of this toponym. Archi and Bonechi both read Binaš – and it is under this form in most toponym lists outside of ARET XI, whereas Fronzaroli uses the form Nenaš in the ofﬁcial publication and is followed in this by Biga and Porter. I follow Archi and Bonechi here. Binaš was probably the site of the tombs of three kings of Ebla, and otherwise of little importance. Although the Ebla texts mention deliveries of textiles for an assembly (UNKEN-ak NE- na-áš KI, ARET III: 277 II 5) and a lady of Binaš (dam /NE-na-áš KI ARET III: 878 r. III: 3), few personal names from this town are known, and most of the references are cultic (ARET IV: 1; r. XII: 21), where Binaš is associated with Kura, the god of royalty (Archi et al. 1993; Bonechi 1993; Porter 2012; Biga 2007–2008).

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5. The only exception to these offerings are the events that transpire the day after they leave Ebla, when the king and queen sit on the thrones of their ancestors at a place called the waters of Mašad of Nirar (ARET XI 1 21; ARET XI 2 21). The exceptional nature of these activities foreshadows the ritual that occurs in Binaš. 6. Ibbini-Li’m, Šagiš, and Išrut-Damu are dead kings of Ebla, whose names are written with the divine element, the dingir sign. On the possible meaning of this sign in this context, please see discussions in Archi 1988; Biga 1998, 2007–2008, 2012; Fronzaroli 1988, 1992, 1993; Porter 2002, 2012; Stieglitz 2002. 7. This English translation follows Fronzaroli’s Italian translation of ARET XI 1 55–65 and ARET XI 2 58–68. It differs only in the treatment of gu4 ABxÁŠ, which I render as “ancestor bull.” 58. [mu-DU]/ [en]/ [wa]/ ma-li[k]-t[um]/ si-i[n]/ é ma-tim … / 59. ba4-ti/ [dKu]-┌ra┐/ [wa]/d Ba-ra-ma/si-┌ in┐/┌é┐ [ma-tim]/ [wa]/ mu-DU/ d Ku-ra/ wa/ d Ba-ra-ma/ si-in/ 1 é-duru5KI/ 60. wa/ ┌al6┐-┌tuš┐/ 61. wa/ mu-DU/ en/ si-in/ é-duru5KI-sù/ 62. ap/ ma-lik-tum/ si-in/ é-duru5ki-sù/63. ù-lu/ ba4-ti/ en/ wa/ ma-lik-tum 1 gu4 AB×AŠ 2 udu 1 kù-sal 1 buru4- MUŠEN bar6:kù/ dingir I-bíNI-Li-im/ 2 udu 1 kù-sal 1 bu[ru4]- MUŠEN bar6:kù dingir/Sa-gi-su 2 udu 1 kù-sal 1 buru4- muŠEN ┌bar6┐:┌kù┐/dingir Iš11-ru12-ud-Da-mu/En-na- NI ┌nídba┐/ 64. ziga/ ti-TÚG/ en/ wa/ ma-lik-tum/ è-ma/ wa/ al6-tuš/ al6 / GIš-<>/ a-mu amu-sù / 65. wa/ en-nun-ak/ u4 è/ dUtu/ 66. dUtu-ma/ è/ KA.D I / K A . D I / balag-di [bal]ag-┌di┐/ balag-di/ ša-ti/ dTU/ sur-ak/ 67. wa [du11]-┌ga┐/ [níg-mul!-mul (AN. ! ┌ !┐ ┌ ┐ ┌ ┐ ! ! AN:AN.AN)]/ [níg-mul ]- mul ([AN.AN]: AN . AN )/ 68. wa/ níg-mul -mul (AN.AN: d d d AN.AN)/ TU/ Ku-ra gibil/ Ba-ra-ma gibil/ en gibil/ ma-lik-tum gibil. 8. There has been more attention to the archaeology of pilgrimage elsewhere, see GrahamCampbell 1994; Bradley 1999; Kelly and Brown 2012; Shaw 2013. 9. Estimates place the number of documents in the Ebla archive between 2,000 and 7,000; providing a more precise ﬁgure is difﬁcult because of the degree of fragmentation of many of the texts (Archi 1986b; Milano 1995: 1223). At Beydar, ca. 250 tablets have been excavated (Ismail 1996; Milano et al. 2004). In addition to these archives, there are a small number of contemporary (i.e., Early Dynastic) texts from Mari (Charpin 1987), including some from excavations in the 1990s and 2000s that have not yet been published (Cavigneaux 2009: 51). There is also on ED text from Brak (Michalowski 2003a), although most Brak texts come from the following Akkadian period (Eidem et al. 2001). There are no other tablets before the Akkadian period from northern Mesopotamia. For recent historical studies of this period in the north, see Sallaberger 2011, and for the south, see Bauer et al. 1998. 10. Ristvet n.d.-a; Rova and Weiss 2003; Ur 2010a: 401; Porter 2012; cf. Meyer 2011. 11. This area did see a few, large late Chalcolithic settlements, most noticeably Tell Brak, but the overall concentration and nature of urbanism is entirely different in the mid– third millennium BC (Ur 2010a; Ur et al. 2007). 12. This is based on a population estimate of between 60 and 200 people per ha for cities between 100 and 125 ha. These estimates come from ethnographic work in contemporary Iranian villages (Kramer 1980; Weiss 1986). For a different approach to calculating population, see Postgate 1994b. 13. The literature on this topic is vast. For lithics, see Hartenberger et al. 2000; Thomalsky 2011. For metals, see Potts 1997; Bianchi and Franke 2011: 201–3. For cylinder seal production, see Moorey 1999: 103–6; Gorelick and Gwinnett 1990: 53; in general, Wattenmaker 1998. 14. For recent summaries of ethnographic literature on tribalism, see Porter 2012; Salzman 2004. 15. Many Ebla specialists see no evidence for tribes, or even relations with pastoralists (Astour 1992: 54–5; Milano 1995: 1222; Archi 2006; cf. Porter 2012). Fronzaroli,

Notes to pages 53–60

16.

17.

18.

19.

20. 21. 22.

23. 24.

25. 26.

27.

Biga, and Bonechi have argued for some “tribal structures,” although in Biga’s case this seems to have more to do with the importance of kinship in Ebla than for tribes like those known from later periods (Biga 2010: 30–2; Bonechi 2002). The best data for tribal social organization, in this political sense, are references to the “da-mu,” which means “kin” and should perhaps be understood as “a social organization which can detach its personnel at the request of the Eblaic administration” (Fronzaroli 1998: 112). Da-mu generally surface in an administrative context and are not necessarily pastoralist or tribal, although Fronzaroli does understand them as a tribal group and suggests that some type of diffuse – perhaps tribal – authority characterized Ib’al and DUki (ARET 13:11, 12, 13). For general archaeological approaches to feasting and politics, see Aranda Jiménez et al. 2011; Bray 2003; Dietler and Hayden 2001. For the Near East, see Helwing 2004 and Pollock 2003a. For Eannatum’s campaigns, see Frayne 2008: RIME 1 E1.9.3.1, rev. vi 5, E1.9.3.5, vi 17, E.1.9.3.7a, ii 2. “Subartu” is a geographic term that is used both generally for the area to the north of Sumer and Akkad and more narrowly, to refer to the area of the East Tigris. For discussions of the terms, see Sallaberger 2007, fn. 24; Steinkeller 1993: 77, Weiss 1986; and Michalowski 1986. For the historical geography of Ebla in the third millennium, see Astour 1988a, 1988b; Milano and Rova 2000; Archi 1990, 1992; Bonechi 1993, 1998. For Mari, see Biga 2008; for Nagar, Archi 1998; in general, Milano and Rova 2000. This treaty is one of the most famous texts found at Ebla. The most recent translation/ commentary is that of Fronzaroli (2003), but there are several important earlier treatments as well: Sollberger 1980; Edzard 1992; Pettinato 1986; Lambert 1987; Kienast 1988. For habba ¯tu ¯ in the early–second millennium BC see Chapters 3 and 5 and Dercksen 2001; Eidem 2011. For other archaeological approaches to sovereignty, see Lindsay and Greene 2013; Smith 2011. The most notable exception to this list of fortiﬁed settlements is Brak, ancient Nagar. The lack of identiﬁed fortiﬁcations at Brak is puzzling; however, two separate surveys have failed to locate it (Emberling et al. 1999: 23; Jason Ur, personal communication). For a similar approach to space in neo-Hittite cities, see Pucci 2008; Gilibert 2011. This description is based on material from ﬁeld F dating to phase 3a/b (Beydar Phase IIIb, ca. 2450–2300), as described in Lebeau and Suleiman 2003, 2007. It is also probably valid for the earlier phase 2 palace. Additionally, the Italian excavations at Beydar have revealed an elaborate inner city gate and gatehouse (Milano and Rova 2003: 375). The spatial analysis applied here comes from Hillier and Hansen (1984: 147–55) as modiﬁed in Markus 1993: 12–14. See also Smith 2003: 242–53. Real relative asymmetry (RRA) is calculated by ﬁrst determining the mean depth for the system, by calculating the depth for each space (the number of spaces one must pass through to reach it) and then averaging them. The equation for relative asymmetry is RA = 2(MD − 1) ⁄ k − 2, where RA is relative asymmetry, MD is mean depth, and k is the number of spaces in a system. Calculating real relative asymmetry then requires dividing relative asymmetry by a constant based on the number of spaces in a system. A table of such constants can be found in Hillier and Hanson 1984: 112, table 3. Values less than 1 describe relatively integrating systems, whereas those over 1 “indicate a non-distributed space, one in which control is potentially strong” (Smith 2003: 244). The (RRA) of palace F is 2.554, a value that was calculated using Pfälzner 2011: ﬁg. 43.

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28. For Mesopotamia, see especially Seri 2005; Fleming 2004a; Peltenburg 2007–2008; Porter 2002; Charpin 2007; Yoffee 2005. For heterarchy in archaic polities more generally, see Blanton et al. 1996; McIntosh 1999. 29. But see the contradictory interpretation and translation of this term in CAD R: 317–21. 30. For excavations at Chuera, see most recently Meyer 2010b; Moortgat-Correns 2001; Orthmann 1995. For the earlier excavations, see the preliminary reports published by Moortgat and Orthmann by Harrassowitz and then Gebr. Mann: Moortgat-Correns 1988; Orthmann et al. 1986; Moortgat and Moortgat-Correns 1975, 1976, 1978; Moortgat 1960, 1962, 1965, 1967, 31. The low population estimates for Ebla are based on the assumption of sixty people per hectare; the high estimate comes from personnel lists, see Archi 1992: 24–5. Ebla is 56 ha and Chuera is 65 ha. 32. Excavations of hollow ways around Tell Brak conﬁrm a third- to fourth-millennium date for these features, unsurprising given the date of the main occupations at this mound (Wilkinson et al. 2010). Many of the hollow ways present in the Jezirah probably date to other periods as well. This is particularly likely for some of the longer tracts of hollow ways associated with tells that were not occupied during the third millennium BC, several examples of which are present in the Leilan survey area (Ristvet 2005). New work on hollow ways has documented their association with Iron Age, Roman, and Sassanian period sites (Casana 2013). 33. The texts TM.75.G.2377 and TM.75.G.2379 document this cultic journey and are published in Archi 1979. Other published and unpublished Ebla texts that refer to this event are found in Archi 2002: 26–9. 34. See Mantellini, Micale, and Peyronel 2013; Ascalone and D’Andrea 2013; Mantellini 2013 with references. For an earlier survey around Tell Aﬁs, see Ciafordoni 1992, and in the plain of Antioch, see Casana and Wilkinson 2005. 35. Of course, in light of the fact that the coronation journey takes four days to go from Ebla and Binash, it is certainly possible that Binaš is located further from Ebla. 36. Also referred to as Wagon 01 and Beydar Sealing 1 (Jans and Bretschneider 1998: 170, bey. 1; Jans 2004: scene 60; Jans and Bretschneider 2011: 76–82). 37. Other wagon sealings from Beydar are illustrated in Jans and Bretschneider 2011: 76–82. 38. This scene is also found among unprovenanced seals in the Marcopoli collection in Aleppo and the British Museum; see Amiet 1980: 103, 1351, 1354. At Ebla, although no classic Syrian ritual scenes have been found, Donald Matthews interprets the court style as one that has fused the Syrian ritual scene with the ED IIIb contest scene, presumably drawing on the associations of both indigenous religious understandings of kingship and imported ideas of the king as hero (Matthews 1997: 121). 39. This was calculated using the same parameters as in note 9. 40. Of course, it is likely that Nagar became an important power long before the Beydar texts were written, as the earliest phases of the administrative building at TC may demonstrate (Emberling et al. 2003). 41. I base this date range on the published Ninevite 5 pottery from the site, which in its latest phase includes late excised forms in the ﬁnal period, as well as metallic ware and probably corresponds to the earliest phase of EJZ 3a (Munchaev et al. 2004: ﬁg. 38, p. 209; Rova 2011). 42. Recent analyses of Early Bronze Age occupation at Carchemish have reached diametrically opposed views of the size and importance of the city. Working from the material retrieved in the British excavations before WWI, Falsone and Sconzo have argued that these excavations identiﬁed late-third-millennium domestic architecture in Carchemish’s lower town and that it is likely that its earth rampart and gates were constructed during this period, making it a town of some 40 ha (Falsone and Sconzo

Notes to pages 82–92

43. 44.

45.

46. 47. 48.

49.

50.

51.

52.

53.

2007). In contrast, Guy Bunnens estimates that only Carchemish’s main tell was occupied, making it only 4 ha in size, much smaller than several other nearby mounds (Bunnens 2007). If Carchemish was 40 ha, it would have dominated this region; otherwise the area would have been deﬁned by small settlements. This is based on Fig. 22 for the size of the open area; the other parameters are the same as in chapter 1, note 9. This is based on line-of-sight and viewshed analysis conducted in ArcGIS. Elevation data for this analysis came from Aster GDEM missions, which has a 30 m resolution, supplemented with information on the height of each site. For the texts, see Ismail et al. 1996: texts 94, 101, 106, and 122. For commentary, see Jans and Bretschneider 1998: 173; Wilkinson 2009: 158; Van Lerberghe 1996: 121; Sallaberger and Ur 2004: 69–70; Bretschneider et al. 2009:17. A new archaeological project that has focused on surveying the area around Khirbet Malhat may provide new evidence for Hadda (Quenet 2012). This is calculated using the same parameters as Chapter 1, note 9, using the area as depicted in Moortgat-Correns 1972: Tafel XVIII. This is based on line-of-sight analysis conducted in ArcGIS, which indicated that the White Monument could be seen from up to 40 km to the south and 30 km to the west. The parameters are the same as for the analysis around Gre Virike (see note 44). Unfortunately, it is impossible to estimate the size of this courtyard and the possible number of people who could gather here, given the limited excavation and the published plans. The rich and complex record of third-millennium burials in the middle and upper Euphrates and in western Syria has received a great deal of attention in the last decade or so (Cooper 2006; Carter and Parker 1995; Peltenburg 2007–2008; Laneri and Morris 2007; Akkermans and Schwartz 2003). In addition to the sites that I discuss in this section, there are also extramural cemeteries at Hassek Höyük, Tawi, and Halawa, and a cemetery not associated with a settlement at the Birecik Dam (Dugay 2005). Moreover, excavations at Titris¸ Höyük have revealed a fascinating pattern of extramural and intramural tombs (Laneri 2007). Finally, the hypogeum at Tell Ahmar remains an important example of a visible, aboveground monument (Thureau-Dangin and Dunand 1936). Although real estate documents attest to elite ownership of far-ﬂung land – from the Amuq to Carchemish – these estates seem to be the exception rather than the rule (Milano 1996: 140). But cf. McCorriston 2011: 198–216. Arguing from evidence from South Arabia, McCorriston contrasts the punctuated tempo of pilgrimage with daily practices and argues that the former works as a metastructure through landscape. Broader landscapes are clearly important to the construction of such systems, but at least during this period in Mesopotamia, we have rich evidence (of the type not available in Arabia until the immediately pre-Islamic period) of the intersection of occasional pilgrimages with more frequent practices. For a recent summary of the extensive literature on peak sanctuaries, see Kyriakidis 2005: 124–7.

3 MEMORY

1. For discussion of this festival, see Lafont 1999: text 4 (M.12803): 20–1; Durand and Guichard 1997: 32(A.1043). 2. Reconstructing the ritual cycle is difﬁcult, since the texts are fragmentary and the entries in administrative texts referring to these occasions tend to be terse. There are also

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Notes to pages 93–101

3.

4. 5.

6.

7. 8.

9. 10.

11.

signiﬁcant differences in the celebration of these rituals during the reigns of YasmahAddu and Zimri-Lim (see later in this chapter). Additionally, two different interpretations of this cycle have been proposed by Assyriologists. Jean-Marie Durand, working mostly from the ritual texts and the letters, believes that all of these rituals are part of one state ritual cycle, and this is the interpretation I have followed in this reconstruction. Antoine Jacquet, in contrast, arguing from the administrative texts, sees them all as separate (Jacquet 2012b: 130, n. 49). No matter which interpretation we follow, it is possible to reconstruct the ritual calendar from contemporary letters, administrative dockets, and ritual instructions. If we see them as one festival, then Ištar’s journey, and the rituals that made up this feast, including the celebration of the kispum festival, took more than a month and were celebrated at different times of the year during the reigns of the two kings, from the end of month 8 to the beginning of month 10 in the time of Yasmah-Addu (ca. 1795–1776 BC) and during months 10 to 12 in Zimri-Lim’s time (ca. 1775–1762 BC) (Lafont 1999: 68–9). Another letter from Tell Leilan describes deliveries of blood for alliance ceremonies, underlining the importance of this both as metaphor and actual practice (Eidem 2011: 185; Lafont 2001: 275; Veenhof et al. 2008: 312–13). Jonker 1995; Durand and Guichard 1997: 40; Van der Toorn 1996: 46–65. For an extended discussion of these metaphors, see Schloen 2001 and Tsukimoto 1985. See particularly Connerton’s work on the subject, with references (2011, 2009, 1989). At the same time, exploring how memory works and contributes to a particularly human consciousness has emerged as a signiﬁcant topic in cognitive science and evolutionary anthropology. For a recent overview of the literature in psychology, see Baddeley 2012; for its use in evolutionary anthropology and psychology, see the papers in Aiello 2010; Coolidge and Wynn 2009. Important work on this topic includes Lillios and Tsamis 2010; Barbiera, Choyke, and Rasson 2009; Boric 2010; Mills and Walker 2008; Yoffee 2007; Jones 2007; Van Dyke and Alcock 2003. Calendar years follow the Middle Chronology. Several texts from Yahdun-Lim’s reign attest to Naram-Sin of Ešnunna’s presence in ˘ northern Mesopotamia (Charpin 1994). For the campaigns of the later Ibal-pî-El during the reign of Zimri-Lim, see Charpin 1992b, 1992a; Lafont 1992. For the Elamite adventure in the land of Apum, see Charpin 1986; Durand 1986; Vallat 1996; Charpin 1990. Babylon’s control over northern Mesopotamia is, for obvious reasons, not directly attested at Mari, although dockets hint at their presence (Charpin et al. 2004; Charpin 1995), but is clear from the Rimah tablets (Dalley et al. 1976), as well as Old Babylonian year names (Hunger 1976–1980). Finally, evidence for the importance of Aleppo comes from documents dated to the reigns of Yahdun-Lim, ˘ Zimri-Lim, and the later Leilan kings (Mutiya, Till-abnu, and Yakûn-ašar); see Charpin 1992c; Charpin and Durand 1985; Eidem 2011. For further details of the historical reconstruction of this period, see Wu 1994; Charpin et al. 2004; Charpin and Ziegler 2003. An absolute chronology for the period before the fourteenth century continues to elude scholars. I follow the Middle Chronology here because it seems to best accord with the radiocarbon dates and dendrochronology evidence from Acemhöyük (Manning et al. 2003, 2001; Kuniholm et al. 1996). For a recent summary of the issue, with bibliography, see Schwartz 2008. Several anthropologists have viewed tribes not as timeless, sui generis political forms, but as the creation of modern states (Fried 1975; Marx 1996; Asad 1978). Obviously, over the last two centuries state administrators have created tribes and appointed chiefs in several countries (notably Iran) in order to control a diverse agricultural and pastoral

Notes to pages 102–114

12.

13. 14.

15.

16.

17.

18. 19.

20.

21.

nomadic peasantry. While this view is presentist and based on the contingencies of eighteenth-through-twentieth-century imperialism, the extensive overlap between “tribes” and other polities – which maintained a self-conscious tribal referent – might suggest that a similar process was at work in the second millennium BC. Certainly administrators in the Mari archives refer to villages and nomads as belonging to different tribal confederations (Van Koppen 2001); whether in doing so they are creating an administrative ﬁction or recording a cultural or political allegiance is unclear. Both processes may be at work. This text has been treated several times. I follow Kupper and Fleming’s interpretation of the text, and not Durand’s reconstruction, which does not seem justiﬁed based on the surviving wedges (Kupper 1998: ARM 28 95; Durand 2004; Fleming 2004a). Several other letters also cite past precedent, including FM 2 118 18’, Lafont 1994. This is apparent in several of the discussions of Mari, where both archaeologists and historians apply Mari tribal frameworks to earlier and later periods, using them to explain third millennium polities, see Fleming 2004a; Porter 2004, 2002; Lyonnet 2004; Durand 2004, or assuming that they represent deep structures, see Van Driel 1997–2000; Rowton 1974; Porter 2012. For a similar critique of this in Jordan, see Routledge 2004. The literature on the 4.2 ka BP (before present) climate event and the human response to it has exploded over the last twenty years. For the initial statement of the problem, see Weiss et al. 1993. For recent summaries of the paleoclimatology record with references, see Roberts et al. 2011; Weiss 2012a; Staubwasser and Weiss 2006. For recent analyses devoted to the period of collapse, see Rosen 2007; Wossink 2009; and the essays in Weiss 2012b; Kuzucuog˘ lu and Marro 2007. For an analysis of the recovery, see the essays in Schwartz and Nichols 2006; Laneri et al. 2012. This pattern does not hold for the Middle Euphrates, where there is a large percentage of new foundations in this period (Geyer et al. 2003: tableau 2). I suspect that the different settlement dynamics on the Middle Euphrates relates to its lack of abandonment from 2150–1900 BC, which allows people there the freedom to break with the past. Ömür Harmans¸ah makes a similar point for the founding of new cities in the Iron Age, such as Guzana on top of the Chalcolithic remains of Tell Halaf (Harmans¸ah 2013: 110–11). This phenomenon seems limited to cities during this period, however, as analysis of the settlement data from non-urban centers shows less of an emphasis on reuse of old sites, as Wilkinson’s work demonstrates (Wilkinson 2003). Fields and towns speciﬁcally described as Yaminite are ARM 2 55=LAPO 705 and ARM 13 39=LAPO 781. Paul Delnero has argued that these traditions were not limited to a scribal elite, but were widely shared (Delnero, n.d.). Of course, the historical texts of the scribal curriculum, for instance, including those found in northern Mesopotamia could be employed and interpreted in several different ways. Piotr Michalowski has proposed that the Sumerian King List served as a historical charter for the ruling dynasty at Isin, who could not base their claims to authority on genealogy as many of their contemporaries did (Michalowski 1983). The tablets from the houses in Chagar Bazar were probably neither composed nor originally archived in this neighborhood, as their contents indicate that they came from an institution (Talon and Hammade 1997; Tunca and Baghdo 2008). Al-Khalesi instead identiﬁed the area just south of the palace’s largest courtyard as the bı¯t kispı¯ or funeral area and suggests that this complex included royal tombs, dining halls, kitchen, and storerooms (Khalesi 1978: 68–72; Al-Khalesi 1977), but this suggestion has received very little support (Schmidt 1994: 35; Margueron 1982: 340, n. 79; Durand 1987: 108–9; Suriano 2010: 56–7).

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Notes to pages 114–126

22. Eidem 2011: text 5, 79; Ristvet 2008; Ristvet and Weiss 2011. For references to the feast at Leilan, see Ismail 1991: text 30; Vincente 1991: texts 57, 62, 109, and 133. 23. Labeling these documents genealogies is misleading because although they contain certain genealogical elements – namely the kings of the ﬁrst dynasty of Babylon and some of Samsi-Addu’s family tree – they are not dynastic records (Pongratz-Leisten 1997: 78). The SKL shows that a purely genealogical reckoning is not essential to political legitimacy in Mesopotamia (Marchesi 2010). In northern Mesopotamia, descent is one of many strategies that would-be leaders manipulated in order to claim a throne. Although there seems to be a preference for inheritance, this is honored as much in the breach as in practice. In Old Babylonian Apum, for example, inheritance of the throne from male relatives does occur, but there is rarely stable dynastic succession (Veenhof et al. 2008). Although the AKL later normalized this idea of political inheritance, there is little evidence that this principle was ﬁrmly established by this period. Instead, local powers probably saw this as aspirational rather than normative. 24. Translation based upon Finkelstein 1966; Radner 2005. 25. The bibliography for both of these documents is extensive in Assyriology and biblical studies. Important publications include Malamat 1968; Charpin and Durand 1986; Yuhong and Dalley 1990; Kraus 1965; Yamada 1994; Larsen 1976; and Landsberger 1954. 26. Durand argues that this text was looted from Šubat-Enlil and brought to Mari after the fall of Samsi-Addu; see Durand 2008: 334. 27. The Kaneš texts, as well as the other northern Mesopotamia traditions, can probably also be connected to a later Hurro-Hittite ritual that honors the Akkadian kings and uses both divine and human history for royal legitimation (Bachvarova 2012; Van de Mieroop 2000). 28. Excavations at Arbid have revealed three discrete “family cemeteries” located on the summit of the tell and on the northern and eastern ridges (Wygnanska 2011 [2008]: 608–9). There are similar groups of tombs in the houses at Chagar Bazar (McMahon et al. 2009) and in the cemeteries at Bishri (Fuji and Adachi 2010), ‘Usiyeh, and Shuweimiyeh (Kepinski 2008). 29. For an example from Mohammed Diyab, see Bachelot 1992: 31–2, where at least two adults and one newborn were buried together. There are also multiple interments in vaulted tombs at Arbid and Chagar Bazar; see Bielinski 2005: 486–8; Mallowan 1947: 81–7. 30. The later Emar texts, however, record cases where tombs are sold alongside houses, and where the new owners assume the responsibility of performing the kispum rituals, clearly showing cases in which the tombs were not emptied even in the case of sale; see Galli and Valentini 2006: 59; Durand 1989. 31. There is no evidence for royal burials in Zimri-Lim’s palace at Mari, unlike in the earlier palace of the šakkanakkus as Margueron indicates (Margueron 2004: 448, ﬁg. 424). Nonetheless, the recently published ritual dockets from Mari do indicate that the kispum ceremony was performed here; see Jacquet 2002. 32. Many of the examples date to the later second millennium BC, including the cult statues from level 2 of the temple at Rimah (Carter 1965), but other examples from Ras Shamra and Gawra seem to be Old Babylonian (Carter 1970: 29–35). Similar stone ﬁgurines come from Ebla in the Middle Bronze Age (Paleo-Syrian) and from Selenkahiye and Wreide in the Early Bronze Age (Matthiae 2006a; Orthmann 1991; Van Soldt 2001). Such ﬁgurines have been found in a range of contexts, including graves, temples, and private houses. 33. Oddly enough, beer does not seem to be documented in cuneiform texts relating to funerals (Jacquet 2012b).

Notes to pages 126–134

34. For the northern cairns, see Fuji and Adachi 2010; Fuji et al. 2010a; Fuji et al. 2010b; Fuji et al. 2009; Fuji 2007. For the survey in the west, see Lönnqvist et al. 2011; Lönnqvist 2008. The Finnish survey has suggested that many of the cairns at Tar al-Sbai on the western edge of Jebel Bishri date to the Chalcolithic and Early Bronze Age, based on similarities between these cairns and those in the Levant (Lönnqvist, Aro-Valjus, and Lönnqvist 2011: 184–5). Although this is certainly possible, the lack of pottery drawings in the reports make this difﬁcult to evaluate, and the small number of artifacts discovered during survey render any interpretations open to debate. The cairns appear to be of the same type as those excavated by the Japanese, where associated radiocarbon dates provide secure evidence to assign them to the Middle Bronze 1 or 2. 35. Both Naram-Sin and Šar-kali-šarri link Basar – the Jebel Bishri – with Amorites, often understood as pastoralists; see Frayne 1993: E2.1.4.2, 17–19 and p. 186; Buccellati 1966, but see Porter 2012: 311 and Michalowski 2011. For links to the Sutu from the Mari archives, see Charpin 2010b. 36. For the third-to-second millennium transition, see Numoto and Kume 2010. The Abu Hamad cemetery may represent a transitional example as it contains similar tombs to those found later in Bishri, but is located near a settlement (Meyer 2010a: 156–7). The wide range of material in these tombs suggests connections to both western Syria and the northeast (including the presence of Metallic and Smeared Wash Ware), and is unique among excavated cemeteries. The arrangement of the graves into complexes may reﬂect a hierarchical order, perhaps among different types of kin groups, from families to clans. It seems quite possible that rather than reﬂecting the sedentarization of nomads, as the excavators suppose, that the cemetery instead represents the nomadization of previously sedentary peoples, and the beginning of many of the patterns that become dominant centuries later. 37. For these tombs, see Schwartz 2013; Schwartz et al. 2012; Schwartz 2007a; Schwartz et al. 2003; Schwartz et al. 2000a; Weber 2012. 38. Paolo Matthiae, Ebla’s excavator, argues that monument P3 was a cultic “high place,” or Bamah, resembling those known from biblical sources (Matthiae 1993: 650–1). 39. Unfortunately, no excavations were undertaken below this structure, so we do not know if its builders also sought to lay claim to older tombs or features. It is likely that there are Early Bronze Age remains here, however, given the presence of the earlier building, P4, underneath the adjacent “Square of the Cisterns.” 40. The remains of the animals in the shaft at monument 1 could also come from divinatory practices. Although at Mari, diviners usually perused the liver of a male lamb, other animals, including pigeons (ARM 26 145) could also be subject to haruspicy (Heimpel 2003: 173). During the Old Babylonian period in the south, malformed animal fetuses were one object of divinatory inquiry (Leichty and Soden 1970). Indeed, a Mari text referred to as the protocols of the diviner (ARM 26 1/1) explicitly refers to these fetuses, while we have a letter to Zimri-Lim that describes the birth of such a prodigy, which will be protected until the king (or perhaps his diviners) can see it (ARM 26 1/ 241; Durand 1988; Heimpel 2003). Divination was also, as we have seen, a political activity and one that was intimately connected with many affairs of state. Alternatively, some of the other animals, particularly the puppies, lambs, and birds, were appropriate offerings to netherworld deities in Hurrian rituals (Collins 2006: 174–6). I owe these interpretive suggestions to Jill Weber, who was responsible for excavation of the shaft and the analysis of its contents. I am grateful for her generosity in discussing this material with me. 41. Equid burials are found with human remains, as deposits in cemeteries, and buried in favissae associated with temples throughout Syria, Palestine, and even in northern Egypt during the Middle Bronze Age. For a recent discussion of this phenomenon with references, see Way 2010, 2011.

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Notes to pages 134–151 42. This is estimated from Schwartz et al. 2012: ﬁg. 21. Estimates of the population of Umm el-Marra are calculated using the parameters in Chapter 2, n. 12. 43. The area of the square of the cisterns is conservatively estimated at about 2,540 m2, which could hold an upper limit of about 5,500 people (Marchetti and Nigro 1997: ﬁg. 1). It is possible that much of the rest of the vast area within the temenos walls was also open space, which would have allowed an even larger audience, although this has not been conﬁrmed by excavations. 44. See Harmans¸ah 2013: 56 for a parallel case from an Iron Age context. 45. There is no evidence for third millennium temples beneath the temples at Rimah and Leilan; however, only very small soundings have been done in both cases. See Oates 1970; Weiss 1985. 46. Other monumental sculptures from the Old Babylonian period also mimic earlier statuary and stelae. This is the case for the stela of Daduša and the statues at Ešnunna, which employ Akkadian, Early Dynastic, and Ur III conventions. Melissa Eppihimer has also interpreted the Zagros campaign sculptures in this light (Eppihimer 2009). It is also possible, of course, that the statues at Ešnunna functioned as lamassatu. Recent excavations at Qatna and Hazor have yielded other statues from Late Bronze Age contexts (some of which were probably made in the Middle Bronze Age), which have also been interpreted as lamassatu. See Maqdissi et al. 2009; Ornan 2012; Morandi Bonacossi 2006. 47. 3,417 sherds were collected from the building level 2 ﬂoors. A subset of this material was analyzed by Julia Frane (1996). 48. Porter argues that Yaradum could also be a larger tribal designation, one that embraced both Yaminite and Sim’alite (Porter 2012: 271). Durand, on the other hand, understands this to designate “Amorites” who have migrated to the banks of the Euphrates (Durand and Guichard 1997: 64; Durand 2004). 49. Durand has argued in a number of publications that Samsi-Addu was from Akkad and this explains his connection to the Akkadian kings (Durand 1998: 108; Durand and Guichard 1997: 28). There is no speciﬁc textual attestation of this fact; the thesis relies instead upon Durand’s interpretation of the kispum ritual. It seems far more likely that Samsi-Addu was from Ekallatum, a town that his father ruled (Porter 2012: 34; Charpin et al. 2004: 148; Ristvet 2012b). 50. See note 44, this chapter. 51. Many others understand the wall paintings in the palace as a whole, which date to different periods, as depicting historic scenes that unfolded within the spaces they decorate, thus grounding the present in a historical past (Gates 1984; Margueron 1982; Moortgat 1964). 52. Dêr is also a possible location for the tombs of Mari’s Sim’alite kings; see Jacquet 2012b: 133. 53. For the archaeology of sacriﬁce, see Porter and Schwartz 2012. The relationship between violence, the sacred, and sovereignty is an important theme in much political and ritual scholarship (Burkert 1983; Girard 1977; Agamben 1998, 2005), and has recently been addressed in accounts of the archaeology of sovereignty (Smith 2011). 54. In this sense, the citation of the past resembles Hobsbawm’s later “invented traditions,” inventions that occur most often when “a rapid transformation of society weakens or destroys the social patterns for which ‘old’ traditions had been designed” (Hobsbawm 1983: 4). 55. I adopt the term koine from Aaron Burke, to whom I am grateful for wide-ranging discussions about the Amorites. 56. “Or l’essence d’une nation est que tous les individus aient beaucoup de choses en commun, et aussi que tous aient oublié bien des choses. Aucun citoyen français ne sait

Notes to pages 153–178

s’il est burgonde, alain, taïfale, visigoth; tout citoyen français doit avoir oublié la Saint-Barthélemy, les massacres du Midi au XIIIe siècle” (Renan 1992: 42). My understanding of Renan is clearly indebted to Anderson’s inﬂuential reading (Anderson 2006: 199–203).

4 TRADITION

1. There is an extensive literature on the Akı¯tu festival in Assyriology and religious studies, which is impossible to cite in full. For the Seleucid period ritual texts, see Pallis 1926; Pongratz-Leisten 1994; Cohen 1993; Linssen 2004. For other studies on the Akı¯tu, in Babylon or elsewhere, see Sommer 2000; Bidmead 2002; Black 1981; Ambos 2008; and Van De Mieroop 2003, with bibliography. 2. Translation adapted from Kuhrt 1987b; Cohen 1993: 446–7; and Linssen 2004: 223, II. 423–8. The Akkadian text is in Thureau-Dangin 1921: 144–5. 3. The role of these ﬁgures mirrors that of the king in the fall Akı¯tu, when he was imprisoned in a house of reeds; Ambos 2012. 4. For other reconstructions, see Bidmead 2002; Pongratz-Leisten 1994; Pallis 1926. 5. This is, of course, the main criticism of Hobsbawm and Ranger’s approach; see Horton 2010: 5 for a discussion and further bibliography. 6. Although I will occasionally refer to speciﬁc material traces from the past, preserved in a Seleucid present (as in Chapter 3), heirlooms, ancient kings, and ancestral remains are not my focus. 7. See the preliminary summaries in Invernizzi 1972, 1973: 74, 1977; 1994: 10–11. 8. Petrie 2002 identiﬁes a Babylonian inspired cooking pot, type 17a.b globular pot with out-turned rim. This is the same type used in the Uruk surface survey and found at the Ebabbar sounding at Larsa (Finkbeiner 1991; Lecomte 1993). However, it is clear from the illustrations and descriptions of this form at both Uruk and Larsa that it is a simple pot, not a cooking vessel. It does not occur in the same ware as the other cooking pots at Larsa, but is rather a plain ware vessel, whereas at Uruk it tends to be found in graves, not in domestic contexts. As a result, I have excluded this type from the analysis. 9. In the United States in the 1970s, the wok moved out of import stores into mainstream home stores, as many Americans became interested in preparing authentic Chinese food (Lovegren 2007: 294). A related case is the persistence of colono ware in slave settlements in South Carolina. This pottery may have been suitable for cooking African meals, and its persistence has been interpreted as a type of resistance (Ferguson 1991). 10. The forms that Keall illustrates tend to be very general, however, with great variation across periods. Nonetheless, potters in Babylonia probably imitated fewer Greek shapes, wares, and decorative elements than their counterparts in Asia Minor, the Levant, or northern Mesopotamia (Rotroff et al. 2003). 11. For archaeological approaches to hybridity, please see Dietler 2010; Mills 2008; Voss 2008; Gosden 2004; Van Dommelen 1997, 2005. 12. As this material has yet to be published in its entirety, it is difﬁcult to generalize, but the preliminary reports indicate that the shop carried a wide range of ﬁgurines and other terracotta items, including column capitals, column bases, and plaques (Invernizzi 1973–74: ﬁg. 10; 1977: ﬁgs. 1–2). 13. See Ziegler 1962: 214–27. Of the two hundred four Seleucid-Parthian period ﬁgurines that came from the early excavations, sixty-seven are from the Ešgal, twenty-eight from Bı¯t Re¯š, and seventeen from the Gareus temple. The rest come from Parthian houses or unclear contexts. I have included in this count ﬁgurines that Ziegler classiﬁes as “Neo-Babylonian” on stylistic grounds, but that were found in the Ešgal

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14. 15. 16.

17.

18.

19.

20.

21. 22.

23.

24.

or Bı¯t Reš in later contexts, since these contexts suggest that they were used during the Seleucid period. For Seleucia, see Van Ingen 1939: 5, for Failaka, Mathiesen 1983. Veldhuis applies a similar argument to the transmission of older Babylonian literary texts by Middle Assyrian scribes (Veldhuis 2012). For the general rarity of this event, see Margueron 1995: 67–8; Taylor 2011: 16. Compiling a full list of tablets baked in antiquity is complicated by the fact that most tablets were baked either in the ﬁeld or in museums as part of conservation, while other tablets were ﬁred in various conﬂagrations (as seems to have been the case for both Assurbanipal’s library and Ugarit). A kiln found in the palace at Ešnunna may also have been used for tablet baking, although other interpretations are possible (Reichel 2001: 80–2). Colophons only list three deﬁnite and one possible example of baked tablets, all of which are late Babylonian scholarly texts, see Hunger 1968: 427, 440, 441, and possibly 157. Additionally, a Neo-Babylonian text in the Ashmolean refers to tablets placed in a kiln, indicating at least some use of baking in antiquity, see Baker 2003: 243, citing OECT 12 AB 253. Jonathan Taylor assures me that all tablets with so-called ﬁring holes were baked in antiquity, even if these marks may not have actually served this purpose (personal communication, 2012). Finally, many Middle Assyrian literary tablets were baked in antiquity, including some of those from the socalled library of Tiglath-Pileser (Christian Hess, personal communication 2013; Lambert 1976b: n. 2). For the Greco-Babyloniaca, see Sollberger 1962, Geller 1983, Geller 1997, Westenholz 2007. I follow Westenholz in limiting the number of these texts to sisteen, rather than eighteen. Unfortunately, it is difﬁcult to establish an archaeological context for most of the tablets from Babylon that could help us to understand the role astronomers, astronomical diaries, and chronicles played in this society. The British Museum acquired all known chronicles and astronomical diaries from Babylon either through purchase or from Rassam’s excavations in the 1870s and 1880s. Rassam and his colleagues kept few records and were unable to recognize unbaked mudbrick, making much of this excavated data difﬁcult to analyze (Robson 2008: 220–2). All of the available evidence indicates, however, that these tablets came from the temple district, a mound called Amran ibn Ali (Reade 1993; George 1993a; Robson 2008: 221). In the Neo-Babylonian period, for example, Brinkman has demonstrated that the chronicles and the diaries often contain different information about the same event and that the chronicles do not merely quote the diaries (Brinkman 1990: 96–7). Rochberg, for example, analyzes the existing horoscope texts and their astronomical sources and concludes that the former drew upon material from nonmathematical astronomical texts, particularly normal star almanacs, and not necessarily from the ephemerides (Rochberg 2011, 2004). The authoritative publication is FGrHist, vol. III C1 364–97, Jacoby 1923–1958. See also De Breucker 2011 and Verbrugghe and Wickersham 1996. I follow Tom Boiy and Marc Linssen in reading this temple as Ešgal rather than Irigal, based on evidence presented by Andrew George (George 1993b: 84–5; Boiy 2010: n. 29; Linssen 2004). Apart from Anu-Uballit· Nikarchos, Ellis lists just four non-royal personages who left foundation deposits commemorating building projects from the third to the ﬁrst millennium BC (Ellis 1968: 165. n. 24). Clancier cites Kuhrt’s discussion of the Cyrus cylinder to argue that the Achaemenids viewed the temple as important and thus the šatammu may have had a civil leadership position. Certainly this is possible, given the Assyrian and Seleucid experience, but the

Notes to pages 203–221

25.

26.

27.

28.

29.

cylinder itself does not conﬁrm it, nor do other economic texts (Clancier 2011: 758; Kuhrt 2007: 173–6). These tablets have an unusual mix of innovative and traditional features. Some of these characteristics show continuity with earlier periods, particularly the practices of the late Achaemenid period, like the shape of the tablets and most of the formulae (Stolper 1994; Doty 1977: 139). Others show a gradual evolution from earlier periods, like the introduction of new formulae for prebend and house sales at Uruk in the third century (Oelsner 2003, 1996, 1986). Assyriologists often distinguish between archives – collections of nonliterary documents – and libraries – collections of literary documents (Pedersén 1985, 1998; Pedersen 2005). I will not retain this distinction. In the Hellenistic period, it seems a particularly artiﬁcial one, foreign to the actual practice of collecting texts, as literary and nonliterary tablets are found together in both institutional and private contexts wherever we have provenience information. Additionally, excavations in 1985–1986 by the Iraqi Department of Antiquities unearthed a scholarly library, including 800 clay tablets, in the Ebabbar (Pedersén 1998: 194–7). Indeed the same seals have been found at Uruk and Seleucia, suggesting that these urban institutions were linked, despite their seemingly different cultural contexts (Invernizzi 2004). The evidence of similar practices at Babylon and Borsippa is less clear. Since the Hellenistic tablets found in these cities came from Rassam’s excavations, and there is no documentation of their ﬁnd spots, it is impossible to distinguish between documents from private houses and those stored in the Esagila (Oelsner 1986; Joannès 1982). Nonetheless, the tablets we do have may indicate a slightly different context for writing and archiving practices here. One sign of this is the larger number of administrative documents from Babylon than from Uruk. Although contracts still occur in this institutional context, they no longer represent the predominant form of non-scholarly texts. The nature of these administrative documents, however, is different from those of earlier periods. For one thing, large numbers of these documents, including ration lists and receipts for commodities from Babylon, were sealed, unlike the numerous unsealed examples from the Neo-Babylonian archives (Wallenfels 2000: 333). This is a signiﬁcant change. Only 2 percent of the Eanna tablets carry seal impressions, which is typical for the Neo-Babylonian period as a whole (Ehrenberg 2001: 186), while somewhere between 33 percent and 50 percent of the Hellenistic texts from Babylon and Borsippa are sealed. This may indicate that although administrators at the Esagila continued to use traditional techniques for recording aspects of the administration, like cuneiform, there was little continuity with earlier administrative practices.

5 COMMUNITY

1. For classic accounts of the “Kish Civilization,” see Gelb 1981; Steinkeller 1993; Postgate 1994c. 2. For such a discussion in archaeology, see especially Smith 2003; Yoffee 2005; Porter 2012; Smith 2011. 3. For interpretations of the Ur III state that see it as extractive, see Adams 2004, 2006; as patrimonial, see Garﬁnkle 2008. For the extractive nature of the Akkadian empire, see Ristvet 2012a. 4. The habba ¯tu must be understood in social, not ethnic terms. This word does not designate a speciﬁc ethnic group. Rather, names of habba ¯tu include the same mix of

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Notes to pages 225 Akkadian, Amorite, and Hurrian that we ﬁnd throughout northern Mesopotamia during this period. 5. See particularly the College de France lectures, especially Foucault 2003, 2007, 2011, 2012. 6. Samsuiluna, for example, describes how once he built and restored several fortresses, “the fearsome splendor and melammu of my kingship covered the borders of heaven and earth” (Frayne 1990: RIME 4 E.4.3.7.5: 64–6). Yet it is not until the early ﬁrst millennium BC that the attribution of this divine quality to kings becomes normative. A long royal inscription of Tiglath-Pileser I, for example, is one of the earliest texts to describe the king in these terms, as “a brilliant day whose melammu overwhelms the regions, splendid ﬂame which covers the hostile lands like a storm and, [who] by the command of the god Enlil … defeats the enemy of the god Assur” (Grayson 1987: RIMA A.0.87.1). In Neo-Assyrian and Neo-Babylonian royal inscriptions, however, the semantic range of melammu has shifted. It is no longer simply a description of legitimacy or authority; instead, it has come to mean royal power. Possession of this powerful aura is correlated to military might and easy victory as Tiglath-Pileser’s use of the term illustrates (CAD M, melammu C 11; Aster 2012).

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Index

‘Abd-el-Aziz, 105, 110 10-year anniversary of Yemen’s uniﬁcation, 31 ab šarra ¯ni, 116 Abarsal, 47, 51, 53, 54, 67, 85, See Chuera Aboriginal and Torres Strait Islander Heritage Act, 96 Abu Hafur, 49 ABXÁŠ, 61, See elders access, 20, 45, 51, 54, 55, 57, 58, 61, 62, 76, 85, 86, 87, 103, 119, 129, 135 Achaemenid empire, 4, 5, 7, 8, 158, 160, 166, 168, 173, 175, 179, 181, 184, 188, 189, 190, 197, 202, 203, 204, 208 actors, 29 Adab, 53 Adabal, 69, 71, 90, 216 Adad, 116, 144 arms of Addu, 145 Adad-nadin-Ahhe, 200 ˘ ˘44, 159 Adams, Robert, Addu, 117, 145, 225, See Adad administration, 30, 32, 50, 61, 79, 100, 150, 180, 182, 201, 202, 207, 216, 218, 219, 222, 223, 224, 233, 243 Afghanistan, 97, 169 agora, 62, 163, 164 agriculture, 45, 50, 51, 126, 157, 162, 222 Ai Khanoum, 169 Akı¯tu, 206, 211, 212, 215, 241 autumn, 208 festival, 37, 153, 155, 157, 158, 182, 206, 207, 208, 210, 212 temple, 153, 197, 206, 207, 208 Akkad, 54, 97, 116, 118, 139, 143, 144, 233, 240 Akkadian empire, 99, 115, 136, 142, 144, 243 Aleppo, 92, 100, 117, 234, 236 Alexander Polyhistor, 191 Alexander the Great, 37, 158, 191, 196, 210 Alexandria, 163 Aloros, 191 ¯ alum, 31, 230 Amadu, 69, 70

American Southwest, 96 Amisadu, 70 Ammis¸aduqa, 114, 115, 117 Amorite, 115, 158 Amorite koine, 151 Amût-pî-el, 93 Anatolia, 100, 111, 114, 159 ancestors, 13, 17, 18, 20, 22, 23, 29, 36, 37, 42, 68, 86, 87, 92, 94, 96, 98, 114, 115, 116, 117, 118, 119, 120, 121, 124, 129, 131, 135, 140, 142, 144, 145, 146, 149, 150, 151, 207, 211, 213, 226, 227, 231 ancestor rituals, 83, 112, 116, 124, 148, See ancestor veneration ancestor veneration, 18–24, 69, 85, 98, 103, 114, 216 Andarig, 103, 224 Anderson, Benedict, 2, 217, 240 Andrae, Walter, 141 animal sacriﬁce, 92, 122, 130, 131, 135 donkey sacriﬁce, 92, 93, 103, 122, 128, 130, 134, 146, 147, 149 Antigonus, 158 Antioch, 70, 159 Antiochus cylinder, 194–197 Antiochus I, 186, 195 Antiochus III, 206–208 antiques, 97, 98, 136, 137, 140, See heirlooms Anu, 192, 198, 199, 201, 208, 242 Anu-Be¯lšunu, 188, 192 Anu-Uballit· (Kephalon), 198, 199, 201 Anu-Uballit· (Nikarchos), 199, 201 Apame, 159 Apamea, 159, 207 apkallu, 192 Apollo, 196 Apum, 92, 100, 101, 102, 106, 216, 221, 222, 224, 236 Aramaic, 198, 199, 200, 201, 203 Aramean, 162 Arbela, 158 Arbid, 55, 99, 106, 107, 121, 122, 125, 140, 142, 147, 238 archaeobotanical evidence, 50, 111 archaeological heritage, 96

307

308

Index

archaeology of colonialism, 174 archaeology of performance, 4, 32–35 archives, 46, 52, 53, 54, 103, 113, 114, 116, 163, 177, 180, 184, 204, 209, 226, 232, 237, 239, 243 archiving practices, 112, 243 ofﬁcial, 205 preservation of ancient texts, 182–185 private, 205 temple, 204–205 ARET XI, 41, 42, 68, 231, 232 Aristokrates, 188 Armanum, 79, 82, 86, See Armi Armi, 62, 79, 82, 86 Arrian, 196 Arugadu, 69, 70 Ashura, 6 Ashurbanipal’s library, 182 ašipu-priests, 183, 184, 185 Ašlakkâ, 122, 131 Ašnakkum, 146, 149 Assad, Hafez, 31 Aššur, 97, 99, 100, 111, 114, 121, 136, 139, 140, 141, 142, 144 Aššur temple, 136, 169 copper hoard, 136, 137 grave, 20, 141 Assurbanipal, 187, 242 Aššur-Dan, 97 Assyrian King List, 114, 115–116 astrology, 185, 188, 189, 190, 193 zodiac, 186 astronomical diaries, 179, 186, 188, 190, 191, 196, 206, 208, 242 astronomy, 185, 187, 193 computational, 189 Atarib, 70, See Darib Athens, 171 audience, 5, 9, 22, 27, 29, 31, 32, 41, 57, 76, 79, 83, 85, 134, 152, 154, 187, 193, 195, 201, 210, 211, 240 authority, 2, 18, 23, 26, 32, 44, 46, 54, 55, 60, 61, 66, 72, 74, 81, 84, 88, 89, 90, 91, 94, 101, 103, 117, 118, 119, 147, 148, 152, 153, 155, 182, 192, 193, 200, 207, 208, 210, 212, 218, 219, 221, 222, 223, 224, 226, 233, 237, 244 civil authority, 62 political authority, 2, 23, 36, 44, 70, 71, 86, 87, 91, 98, 112, 115, 146, 213, 222, 223, 226, 227 Ayatollah Khomeini, 6 Aztec, 135 Azu, 62 Babylon, 93, 97, 100, 101, 114, 115, 153, 154, 155, 158, 164, 165, 166, 169, 175, 178, 179, 180, 182, 184, 185, 186, 187, 191, 193, 194, 196, 197, 201, 202, 203, 206, 207, 208, 210, 216, 217, 221, 224, 236, 237, 241, 242, 243

Esagila, 154, 180, 182, 186, 188, 189, 193, 194, 196, 197, 201, 202, 206, 207, 216, 243 Etemenanki, 178, 196 Homera, 166, 178, 197 Ištar Gate, 197 Merkes, 166, 178 theater, 166 Babylonia, 2, 37, 97, 113, 154, 155, 158, 159, 160, 162, 166, 169, 172, 173, 174, 178, 179, 181, 186, 191, 192, 193, 194, 201, 203, 206, 210, 213, 214, 215, 216, 220, 222, 224, 226, 241 Hellenistic, 156 Kassite, 227 Babyloniaca, 190, 191, 192, 193 Babylonians, 153, 179, 202, 207, 224 Bactria, 159 Badalum-ofﬁcials, 62 Baghouz, 125 Bahrain, 162 Bahrani, Zainab, 32 Balikh, 53, 62, 82, 88, 100 Bamiyan Buddhas, 97 Banat, 47, 55, 74, 79, 81, 82, 86, 87, 88, 90, 91, 105 Building 6, 81, 87 Building 7, 81, 88 Mortuary Monument II, 88 Mortuary Mound II, 81 Tomb 7, 81, 86, 87 White Monument, 79, 80, 81, 86, 87, 91, 235 Banks-of-the-Euphrates, 100 baraka, 68 Barama, 40, 41, 42, 69 Barri, 99, See Kahat ˘ basileus megas, 206 Baudelaire, Charles, 44 Bazi Building 2, 56 Bazi-Banat, 87, See Bazi, Banat Bderi, 49, 55 Bel, 154, 186, 206 bêlum, 32 be¯lu ¯tam epe¯šum, 32, 230 Benjamin, 44 Berossus, 186, 187, 190–194, 196, 227 Beydar, 46, 48, 50, 52, 55, 57, 58, 60, 61, 62, 63, 65, 66, 71, 72, 74, 79, 84, 107, 222, 232, 233, 234 acropolis, 72 Administrative texts, 52 Area F, 58 Beydar Master Seal, 71 Field P, 50, 66 Main Street, 57 ofﬁcial block, 58 room 6762, 59 room 6775, 59 southern gate, 57 Temple B, 72

Index

309

Temple D, 48, 58 throne-room, 65 upper city, 56, 57, 62 Bhabha, Homi, 151 Bi’a, 48, 88 Palace B, 88 Billa, 138 Binaš, 41, 68, 231, 232, 234 Binish, 70, See Binaš Bishri, 125, 126–127, 238, 239 Bı¯t abista ¯ti, 180 bı¯t tamarti, 166 bodily practices, 11, 38, 90, 225 borders, 54, 61, 103, 215, 218, 243 Borsippa, 153, 166, 194, 202, 203, 243 Ezida, 194, 207 bothroi, 131 boule¯, 202 Brak, 47, 49, 50, 51, 53, 65, 72, 76, 84, 104, 107, 108, 110, 124, 138, 232, 233, 234 HH temple, 138 Old Babylonian (level, 8) shrine, 124 Brak Sustaining Area Survey, 108 Bretschneider, Joachim, 74 Brumﬁel, Elizabeth, 135 burial, 20, 37, 79, 81, 83, 86, 89, 92, 120, 124, 126, 127, 128, 130, 133, 140, 141, 147, 148, See graves Cahokia, 34 cairns, 80, 93, 126, 127, 128, 129, 238 calendar, 10, 16, 53, 188, 189, 236 Carchemish, 74, 82, 86, 88, 90, 234, 235 Çatalhöyük, 34 Caucasus, 158, 206 cemeteries, 50, 93, 94, 108, 120, 121, 124, 125, 126, 128, 129, 235, 238, 239 Central Asia, 158 ceramics, 49, 80, 175, See pottery Chagar Bazar, 107, 112, 121, 237, 238 tomb 18, 121 Chakaw Nahb Chan, 23, 151 Chaldean, 158, 162 charisma, 225 checkpoints, 54, 57, 60, 63 Christianity, 15 chronicles, 31, 116, 183, 186, 187, 188, 190, 191, 242 Chuera, 47, 48, 49, 51, 53, 55, 57, 60, 62, 63, 65, 85, 234 Anton-Moortgat-Platz, 62, 65 Palace F, 60, 233 temenos, 62, 139, 240 temple district, 62 chytra, 169, 171 cities. See urban centers city wall, 41, 47, 55, 57, 62, 66, 108, See fortiﬁcations coins, 13, 168, 179, 180 collective representations, 29, 46, 98, 211, 213

colophons, 184 communities, 2, 18, 24, 36, 38, 42, 46, 52, 97, 105, 151, 152, 162, 178, 194, 203, 205, 213, 214, 215, 217, 223, 224 competitive feasting economies, 52 Connerton, Paul, 157 consumption, 52, 138, 168, 173, 174, 175 contracts, 113, 180, 184, 203, 204, 205, 243 cooking pots, 168 council, 47, 60, 61, 65, 146, 186, 205, 223 city council, 30, 37, 54, 120, 219 council of elders, 61, 65, 146 craft production, 1, 49, 87, 150 craft specialization, 50, See craft production creative recovery, 157 Crete, 91 Ctesias, 193 Ctesiphon, 161 cultic journey, 69, 71, 234, See ritual journey cultic sites, 47, 79, 82 custom, 157 Cyrus, 5, 7, 158, 242 Dabiš, 103 Daduša, 143, 144, 240 Dagan, 53, 92, 100, 110, 142 daily practice, 2, 12, 29, 31, 35, 39, 79, 181, 211, 213, 230 Darib, 68, 69, 89 Dari-Epuh, 101 Darius III, 158 David Schloen, 226 de Certeau. Michel, 43 De Vargas, 15, 16, 17, 26, See Don Diego de Vargas deposit banking, 181 depositions, 33, 81 Dêr, 92, 124, 146, 184, 240 Dêritum, 143 Dietler, Michael, 174 Dilbat, 202 dimtum, 31 disciplinary strategies, 225 discontinuous borders, 219–220 divination, 37, 118, 119, 120, 187, 188, 190, 193, 227 celestial omens, 187 liver omens, 118, 119, 135, 185 divine will, 117, 145 Diyala, 111, 160 domestic practices, 120, 157, 168 domestic structures, 57, See houses Don Diego de Vargas, 15, 16 Don Juan de Oñate, 17 double-mold, 175, 177 Dub/Tuba., See Umm el-Marra dunnum, 32 Dura Europos, 125 Durand, Jean-Marie, 116 Durkheim, Émile, 26, 27, 28, 214, 215 Dur-Rimuš, 144

310

Index

Eannatum, 53, 233 Early Bronze Age, 44, 52, 66, 125, 213, 234, 238, 239 Ea-Tabtanâ-bullit, 180 Ebla, 29, 36, 40, 41, 42, 46, 47, 48, 49, 51, 52, 53, 54, 55, 57, 61, 63, 65, 66, 67, 68, 69, 70, 71, 72, 74, 79, 82, 84, 86, 87, 88, 89, 90, 91, 94, 128, 130, 131, 133, 134, 135, 211, 212, 213, 214, 215, 217, 219, 221, 223, 224, 226, 227, 230, 231, 232, 233, 234, 238, 239 acropolis, 41, 54, 64 administrative system, 61 AN.EN.KI, 68, 70, 89 annual accounts of metals, 61 Area P, 134 bothroi, 130 Building G2, 48 building P4, 50, 239 coronation ceremony, 70 Court of Audience, 63 Ebla Chora Project, 69 Ebla Coronation Ritual, 68, 94 favissae, 130 Gate of Kura, 41 Kura temple, 40 monthly accounts of textiles, 61 Monument P3, 130, 131, 132, 134, 239 Palace G, 41, 48, 49, 54, 63, 64, 231 political correspondence, 52 SA.ZAki, 41, 68, 231 šeš-Il-ib, 69 Stela of Ištar, 131 Temple of the Rock, 41 The Ebla and Abarsal treaty, 55 treaties, 52 treaty between Ebla and Burman, 55 Victory Standard, 53 economy, 3, 13, 168, 180, 181, 214, 229 effective governance, lack of, 220 Egibi, 180 Egypt, 26, 97, 182, 202, 239 Eidem, Jesper, 108 Einwag, Berthold, 107 Ekalla¯tum, 100, 143, 217 Ekur-Za¯kir, 184 elders, 52, 61, 65, 86, 101, 103, 146, 147, 148, 149, 223 Eliade, Mircea, 155 Eluhut, 93 elunnum, 92, 114 En, 42, 232 Enna-Dagan, 53 entanglement, 4 Entrada, 15, 17 Enu ¯ma Anu Enlil, 183, 188 Enu ¯ma eliš, 153, 155 ephemerides, 186, 187, 189, 242 Erabiriri, 154 Erišum, 113, 116, 144 Esarhaddon, 187, 202

Ešnunna, 93, 100, 139, 140, 143, 144, 217, 221, 236, 240, 242 et·¯mmu, e 116 Euphrates, 53, 74, 82, 86, 88, 100, 102, 104, 105, 107, 111, 124, 128, 129, 143, 162, 186, 216, 237, 240 Eusebius, 191 events that model, 26, 35, 230 events that present, 26, 35, 152, 212 events that re-present, 26, 212 extispicy, 186 Failaka, 162, 169, 171, 173, 178, 241 Farfara, 47 faunal, 50, 51 favissae, 131, 239 Feast of Ištar, 92, 143, 152, See Feast of the Land Feast of the Land, 36, 92, 124, 146, 147, 212, 215 Fiesta de Santa Fe, 14–18, 25, 26, 29, 151, 158, 212 ﬁgurines, 22, 46, 75, 76, 85, 122, 124, 130, 133, 154, 168, 174, 175, 176, 177, 178, 179, 204, 238, 241 animal, 76, 77, 177 female, 177 ﬁshplates, 173 ﬂaneur, 44 foodways, 168, 172, 174 former Soviet Union, 96 fortiﬁcation wall, 163, See fortiﬁcations fortiﬁcations, 40, 55, 233 Foucault, Michel, 224 foundation deposits, 37, 120, 136, 138, 242 French revolution, 8–11 gates, 40, 44, 47, 54, 56, 57, 61, 62, 234 KÁ, 57 Gaugamela, 158 Geertz, Clifford, 3, 11 Gemeinschaft, 214 genealogy, 115, 237 Genealogy of the Hammurabi Dynasty, 114–115 Gesellschaft, 214 Ghanem al-Ali, 108 Giddens, Anthony, 27 Girsu, 200 Eninnu, 200 glyptic, 53 boat god motif, 74 man with a mace, 140 master of animals, 72 Goffman, Erving, 28 granaries. See storehouses graves, 20, 33, 66, 75, 76, 77, 78, 79, 84, 86, 87, 108, 120, 121, 122, 125, 126, 127, 128, 129, 135, 140, 142, 148, 178, 238, 239, 241 grave goods, 125, 126, 127, 141, 178

Index

311

Gre Virike, 72, 74, 76, 77, 81, 82, 85, 87, 90, 91, 235 Greater Israel, 96 Greater Mesopotamia, 52, 121, 221 Greco-Babyloniaca, 185, 242 Greece, 96, 162, 169, 173, 178, 204 Greek philosophy, 192 Greek pots, 169 Gudea, 200 Gulf, 162, 173 Gutium, 115 h abba ¯tu, 55, 221, 222 ˘h abı¯ru, 55, 221 ˘Habur plains, 53, 99, 105, 106, 146 Habur triangle, 76, 104, 107, See Habur Plains Habur ware, 107, 126, 137 Haddu, 85, See Malhat ed-Deru Hadidi, 105 Halab. See Aleppo Hama, 70 Hammurabi, 93, 97, 100, 101, 115, 225 Code of Hammurabi, 97 Hamoukar, 47, 55, 106 Hana, 101, 102 Handelman, Don, 26, 35 Hariri, 51, See Mari Harzanu, 70 Has¸or, 217 Hawa, 47, 106 Hayam Wuruk, 12, 13, 33, 211 Hazna, 72, 74, 76, 77, 81, 82, 84, 85, 90, 91 room 110, 77 room 149, 77, 85 room 37, 76 head of an Akkadian ruler, 137 hegemonic articulation, 35 Heidegger, Martin, 44, 45 heirlooms, 37, 98, 120, 133, 135, 137, 139, 140, 141, 216, 241 Hellenistic Period, 156, 157, 158, 159, 162, 163, 164, 166, 168, 169, 171, 174, 175, 177, 178, 179, 182, 188, 190, 192, 193, 196, 200, 201, 202, 203, 204, 205, 207, 210, 216, 217, 226, 243 Hellenization, 155, 167, 181 Herodotus, 192, 193 hi’ârum, 92 hibrum, 103 Himdiya, 224 history, 5, 6, 7, 8, 17, 23, 31, 32, 34, 38, 95, 97, 98, 101, 103, 110, 112, 114, 115, 116, 117, 118, 120, 136, 144, 145, 146, 150, 151, 156, 157, 174, 182, 185, 186, 187, 190, 191, 192, 193, 210, 212, 213, 214, 216, 217, 221, 227, 229, 238 History Begins at Sumer, 1 Hodder, Ian, 4 Hoh, Manfred, 183 hollow cities, 106 hollow ways, 66, 234

horoscopes, 188, 189 Hosbawm, Eric, 157 household production, 157, 174, 179 houses, 4, 22, 47, 49, 60, 64, 94, 97, 106, 108, 113, 117, 120, 121, 122, 124, 138, 140, 147, 149, 163, 164, 166, 168, 169, 170, 175, 177, 179, 182, 183, 185, 237, 238, 241, 243 regular plots, 49 humu ¯sum, 128, 131, 133, 148 Hušlan, 226 Hussein. Saddam, 98 hybridity, 174, 182, 241 Ibal, 62, 131, 236 Ibal-Addu, 122 Ibal-pî-El, 93 Ibbi-Sin, 140 iconography, 13, 45, 66, 71, 72, 74, 140, 141, 144, 176 Ida-Maras¸, 92, 102, 107, 146 identity, 38, 101, 102, 203, 215 Babylonian, 203, 216 collective, 213, 214 community, 92, 214, 215 construction, 126, 168 ethnic, 103 Pan-Hellenic, 216 political, 135 tribal, 52, 102, 103 urban, 101 ideology, 10, 18, 31, 32, 45, 112, 140, 146, 147, 149, 229, 230, 231 Ikaros, 162, See Failaka Imar, 146 Indus Valley, 141, 158, 206 Inka empire, 168 inscriptions, 5, 12, 13, 31, 53, 72, 99, 113, 116, 126, 137, 139, 143, 166, 194, 197, 199, 200, 201, 204, 223, 225, 230, 244 intercalation, 189 intervisibility, 45 invention of the past, 96 Invernizzi, Antonio, 164, 205 Ipiq-Adad II, 144 Iran, 1, 4, 5, 7, 8, 25, 28, 30, 95, 158, 159, 206, 236 Iranian Cultural Heritage Organization (ICHO), 8 irrigation, 162, 166 Iš’ar-Damu, 40, 42, 211 Isin, 113, 118, 121, 133, 172, 237 Isin-Larsa, 126, 141 Išme-Dagan, 100 Išqi-Mari, 72 Išrut-Damu, 42, 232 Ištar, 92, 93, 114, 116, 119, 120, 122, 124, 130, 131, 133, 134, 135, 136, 137, 143, 145, 148, 152, 206, 231, 236 of Irradân, 143 Itûr-Mêr, 142

312

Index

Jabbul Lake, 108 Jabbul Plain, 88, 107 Jaghjagh, 99, 100, 219 Java, 11, 13, 14, 68, 181, 230 Jebelet al-Beda, 74, 81, 82, 85, 87, 90 Ras et-Tell, 78, 79 statue, 78, 86 stela, 78, 86 Jerablus Tahtani, 88 T. 302, 89 Jezirah, 50, 53, 55, 97, 99, 100, 102, 106, 108, 115, 126, 146 Western, 110 Johnson, Matthew, 44 K’axob, 18–23, 24, 25, 27, 29, 33, 87, 211, 229 K’inich [?] Yook, 23, 24, 26, 151 K’uk’ Ajaw, 23 kadum, 103 Kahat, 99, 101, 106, 110, 121, 122, 124, ˘ 125, 219, 284, 298 room 583, 122 tomb 570, 122, 124 Kaneš, 111, 113, 114, 116, 140, 238, 246, See Kültepe kaprum, 31 Karbala, 6 Kazane, 47, 48, 55, 57 Keall, Edward, 173 Khafaje, 76 Khoshi, 47 Kidin-Anu, 192 Kiduh, 102, 103, 111 kimah h um, 121, 122, 124, 148 king ˘of˘ Nagar, 61 king ship, 7, 9, 32, 34, 61, 68, 69, 70, 79, 82, 92, 117, 118, 140, 143, 144, 146, 147, 149, 155, 206, 208, 224, 225, 226, 234, 243 Kingdom of Urkiš and Nawar, 99 kiništu, 201 kinship, 27, 37, 101, 120, 145, 147, 149, 152, 214, 219, 223, 226, 232 Kish, 53, 84, 161, 166, 243 Kish civilization, 217 kisikkum, 93 kispum, 36, 92, 93, 94, 112, 114, 115, 116, 119, 122, 124, 125, 134, 135, 136, 143, 145, 147, 150, 212, 216, 236, 238, 240 Kranzhügeln, 52, 55, 85 Kültepe, 112, 140 kunga, 44, 88 Kura, 40, 41, 42, 69, 231 Kurban, 105 Kurbanni-Marduk, 189 Kutan, 49 Kutha, 166, 184, 201

Lagash, 53 lagynos, 173 lamassatu, 93, 124, 136, 143, 240 land ownership, 102, See land tenure land tenure, 66, 110, 111, 223 landscape archaeology, 3, 35, 44 perception, 45 landscapes, 33, 36, 43, 45, 46, 47, 67, 90, 91, 96, 98, 159, 235 ancestral, 109 mortuary, 98 sacred landscape, 67 Langin-Hooper, Stephanie, 175 Laodicea, 159 lapis lazuli, 49, 81, 141 Larsa, 93, 102, 103, 121, 133, 166, 171, 194, 201, 217, 219, 221, 241 Ebabbar, 170, 194, 204, 241, 243 Lattes, 174 leather text, 203 Lefebvre, Henri, 43 legends of the king s of Akkad, 34, 113 Leilan, 37, 47, 48, 49, 50, 51, 53, 55, 57, 62, 63, 65, 104, 106, 108, 110, 112, 113, 116, 136, 137, 140, 220, 224, 234, 236, 237, 240 acropolis, 48, 108 Acropolis temple, 137 Akkadian Administrative Building, 56 Eastern Lower Town Palace, 113 LT-3, 101 lieux de mémoires, 209, 210 Lim dynasty, 142, 145, 146 literature, 1, 38, 112, 118, 185, 230, 232, 235, 236, 237, 241 Epic of Lugalbanda, 113 historiographic, 112, 113, 114, 116, 155, 186, 192 Revolt Against Naram-Sin, 113, 116 ritual texts, 33, 46, 68, 91, 113, 118, 124, 230, 231, 235, 241 royal praise songs, 113 school texts, 113, 185 location, 12, 45, 64, 87, 114, 127, 134, 136, 146, 162, 164, 240 long-distance trade, 13 looting, 97, 98 in Egypt, 97 in Syria, 97 of the Iraq Museum, 97 lopas, 169, 171, 174 Loretto chapel, 15, 16 Louis XVI, 8, 9, 26, 151, 211 Louis-Michel Le Peletier, 9 lower town, 40, 47, 66, 234 Lu’atum, 62, 224 Luban, 69 Lundström, Steven, 121 luxury goods, 49

La Conquistadora, 15, 17, 33 La Corona, 18, 23–24, 26, 87, 151

Mabtuh, 85 Mada ¯nu, 154

Index

313

magnetometry, 57, 62 Majapahit, 11–14, 25, 26, 29, 34, 68, 181, 210, 212 Malhat ed-Deru, 51, 85 maliktum, 42 Maništušu, 136, 137, 143, 223 Manuwat, 62 Marad, 166 Marduk, 153, 154, 186, 206, 207 ma ¯re¯ Ba ¯bili, 202, See Babylonians Mari, 36, 47, 48, 51, 53, 55, 72, 74, 79, 84, 85, 92, 93, 94, 99, 100, 101, 102, 103, 106, 110, 111, 112, 113, 114, 115, 117, 118, 121, 122, 124, 125, 128, 130, 131, 134, 135, 136, 138, 140, 142, 143, 144, 145, 146, 147, 148, 152, 212, 213, 214, 216, 217, 221, 222, 224, 226, 227, 230, 232, 233, 236, 237, 238, 239, 240 Chantier K, 113 Epic of Zimri-Lim, 225 liver omens, 118 Palais Présargonique, 48 Sacriﬁce of Water, 145 Šamaš temple, 138, 139 treaty, 93 Mari Eponym Chronicle, 113, 116 Mari Palace Court of the Palms (room 106), 114 courtyard 106, 145 room 108, 113, 118 room 132, 145 room 64, 34, 72, 114, 232, 240, 243 room 65, 114 Room of Thrones, 93 Martu, 96 Marx, Karl, 31, 94, 95, 236 Maškan-Šapir, 102 Massalia, 174 material culture, 3, 29, 155, 162, 174, 215, 223 materialized symbols, 29, 46, 112, 157, 211 Matthiae, Paolo, 64 ma ¯tum, 31, 230 ma¯tum elı¯tum, 100 Maya, 18–24, 25 McClellan, Thomas, 79 Mediterranean, 46, 104, 139, 145, 164, 166, 173, 174, 178 Megasthenes, 192, 196 Meijer, Diederik, 105 melammu, 225, 243 Melebiya, 49 memory, 2, 4, 35, 37, 90, 94, 96, 97, 120, 127, 144, 151, 209, 212, 229, 236 memory work, 98 Meptûm, 147 mer’ûm, 147 Meslam, 184 Mesopotamia, 1, 4, 25, 29, 34, 36, 38, 43, 44, 46, 47, 51, 53, 57, 89, 98, 102, 103,

104, 106, 111, 112, 114, 116, 118, 119, 120, 136, 141, 157, 158, 159, 162, 184, 186, 194, 201, 222, 227, 230, 231, 233, 235, 236, 238 Northern, 2, 36, 37, 42, 46, 47, 49, 50, 51, 52, 53, 54, 60, 62, 66, 67, 71, 74, 82, 89, 90, 91, 99, 100, 101, 102, 103, 104, 111, 112, 113, 116, 117, 122, 123, 135, 137, 139, 142, 144, 146, 149, 150, 169, 215, 217, 219, 232, 237, 238, 241, 243 Southern, 47, 49, 50, 74, 102, 124, 126, 136, 159, 179, 219 Middle Bronze Age, 93, 106, 107, 110, 238, 240 Middle Chronology, 100, 236 Middle Euphrates, 2, 50, 92, 106, 107, 125, 126, 144, 146, 215, 217, 222, 237 Middle Habur, 50, 52, 53, 105, 107, 219 mise-en-scène, 29, 81, 154, 211 Mithridates, 159 modernity, 5, 44, 96, 156 Mohammed Arab, 49 Mohammed Diyab, 47, 121, 238 Mohammed Reza Shah, 4, 7 monetization, 13, 14, 168, 181 monumental architecture, 1, 44, 79 monumental buildings, 44, See monumental architecture Moortgat-Correns, Ursula, 79 Morocco, 68 mourning, 98 movement, 2, 4, 8, 35, 36, 43, 44, 45, 46, 54, 55, 56, 58, 66, 90, 91, 212, 213 ritual journeys, 68, 71, 90, 216 ritual procession, 41, 74 Mozan, 47, 48, 55, 57, 63, 106, 107, 122 abi, 48 Puššam’s house, 111 Muranu, 180, 181 Murašu, 180 Museum of New Mexico, 16 muške¯nu ¯, 94 NA.SE11, 223 Nabada, 51, 66, 72, 224, See Beydar Nabonassar, 191 Nabonidus, 98, 158, 189, 207 Nabû, 98, 153, 154, 185, 194, 196 Nabula, 99 Nabû-zuqup-ke¯nu, 98 Nagar, 47, 51, 53, 66, 76, 82, 84, 90, 99, 106, 217, 233, 234, See Brak NAGPRA, 96 Nanaya, 197 Napoleon, 11, 94 naptanum, 130 Naram-Sin of Akkad, 93, 97, 114, 139, 143, 144, 236, 239 Victory Stela of Naram-Sin, 97 Naram-Sin of Ešnunna, 100, 144 Naranjo,Domingo, 15 nationalism, 38, 215

314

Index

Native Americans, 17, 18 Nawar, 99, 110, 144 Nebuchednezzar, 196 Negara-Kertagama, 12, 26, 33, 34 Neo-Assyrian empire, 227 Neo-Babylonian, 158, 160, 162, 166, 169, 170, 172, 173, 178, 180, 188, 189, 196, 197, 204, 207, 241, 242, 243, 244 Neolithic Britain, 96 Nihadum, 103 Nikanor, 188 Nikarchos, 192, 200, 242 nindan measurement, 49 Nineveh, 46, 47, 55, 99, 136, 137, 140, 143, 164, 182 Ištar temple, 136, 137 Ninevite 5, 137, 141, 234 Nintu, 42 Nippur, 112, 113, 160, 165, 172, 173, 178, 201 niqûm, 130 nodal points, 35, 212 Numhâ, 102, 114, 144, 221 Oannes, 191, 192 offerings, 41, 48, 68, 70, 71, 74, 75, 76, 80, 85, 88, 89, 91, 93, 94, 114, 121, 122, 128, 130, 135, 136, 144, 147, 149, 153, 231, 239 Old Assyrian royal seals, 140 Old Babylonian period, 62, 96, 98, 112, 113, 117, 119, 124, 137, 138, 139, 140, 142, 143, 150, 213, 230, 236, 238, 239, 240 Oñate, 17, 25, See Don Juan de Oñate open spaces, 48, 54, 61, 63, 65 Orontes Valley, 53 pagra’um, 92 palace, 12, 13, 32, 41, 42, 48, 50, 56, 57, 58, 60, 61, 62, 63, 64, 65, 67, 68, 69, 81, 90, 93, 94, 106, 113, 116, 118, 119, 122, 137, 145, 147, 148, 158, 163, 164, 187, 189, 200, 201, 223, 224, 233, 237, 238, 240, 242 paleoclimate proxies, 104 palû, 115, 116, 117 Parisian arcades, 44 Parthia, 159, 160, 166, 173, 175, 177, 178, 179, 180, 241 Pasargadae, 4 pastoralism, 37, 51, 67, 110 patrimonial, 219, 226, 243 patron deity, 18, 23, 24, 26 peak sanctuaries, 91 performance, 2, 3–4, 5, 15, 23, 24, 25, 27, 28–30, 31, 32, 33, 34, 37, 38, 39, 64, 82, 95, 134, 190, 207, 208, 211, 213, 214, 215, 217, 225, 227, 229, 230 performativity, 28, 29, 31, 32, 40, 87, 93, 119, 143, 184, 211, 213, 215, 217, 229

Persepolis, 4, 5, 7, 25, 26, 27, 29, 33, 34, 97, 152, 211, 212, 229 2500 Year Celebration at Persepolis, 4–8 phenomenology, 45 Pierre Nora, 209 pilgrimage, 36, 67, 68, 69, 70, 74, 76, 82, 85, 87, 89, 90, 91, 139, 215, 227, 232, 235 plain of Antioch, 70, 234 plazas, 33, 63, 65 Pliny, 163 polis, 166 political complexity, 1, 42, 44, 45, 46, 67, 89 political instability, 38, 98, 101, 119, 146, 218 politics, 2, 3, 4, 6, 8, 12, 23, 24, 25, 30, 31, 32, 34, 35, 38, 39, 69, 76, 92, 101, 102, 103, 104, 115, 149, 151, 152, 157, 165, 194, 206, 208, 211, 212, 213, 214, 218, 222, 225, 226, 227, 229, 231, 233 Politik als Beruf, 218 Porter, Anne, 64, 79 postcolonial theory, 174 pottery, 2, 37, 49, 78, 80, 88, 120, 126, 129, 130, 133, 137, 140, 141, 142, 168, 169, 172, 173, 174, 175, 178, 179, 204, 215, 234, 239, 241, See ceramics practice theory, 27–28, 229 predictive astronomy, 188 privatization, 180 professionalization, 49 Pseudo-Berossus, 193 Ptolemaic Egypt, 182, 202 public events, 11, 25–26, 29, 35, 194, 211, 215, 216 Pueblo Indians, 15, 17 Puššam, 111, 147 Puzriš-Dagan, 99 Puzur-Aššur II, 144 Qarni-Lim, 224 Qatanum, 93 Qat·t·unan, 226 qubu ¯rum, 121 Radd, 107 Rahı¯m-esu, 180 ra ¯mum, 92, 128, 131, 134 Rassam, Hormuzd, 194, 242 Rawda, 47 Reagan, Ronald, 3 real relative asymmetry, 59, 233 rebı¯tum, 62, See town square religion, 3, 23, 25, 26–28, 30, 35, 74, 150, 155, 157, 185, 190, 194, 208, 209, 210, 230 Renan, Ernest, 151 resettlement, 106–107 Richardson, Seth, 119 Rimah, 106, 112, 136, 138, 140, 236, 238, 240 temple, 138 Rim-Sin, 93 ritual, 2, 3, 4, 9, 10, 12, 13, 14, 18, 20, 23, 24, 25–26, 27, 28, 29, 30, 32, 33, 34,

Index

315

35, 36, 39, 40, 41, 42, 44, 46, 48, 64, 67, 68, 69, 70, 71, 72, 74, 76, 79, 82, 84, 85, 86, 87, 90, 91, 92, 93, 94, 98, 103, 112, 113, 114, 115, 118, 119, 120, 122, 124, 125, 128, 130, 132, 133, 135, 142, 143, 145, 146, 147, 148, 149, 151, 153, 154, 155, 157, 158, 178, 189, 190, 195, 201, 206, 207, 210, 211, 212, 213, 215, 216, 222, 225, 227, 229, 230, 231, 232, 234, 235, 238, 240, 241 ‘Adabal’s opening festival, 69 commemorative ceremonies, 17, 38, 90, 122, 128, 134 feeding of the gods, 41 offerings to the dead king s, 71 touching one’s throat, 93 treaty ritual, 93, 122, 131 ritual humiliation, 154, 155, 207 roads, 12, 30, 45, 49, 56, 57, 66 Robson, Eleanor, 184 Rome, 11, 163, 168, 216 royal progress, 12, 14, 25, 26, 29, 68, 84, 145, 211 ruralization, 47, 50 ša re ¯š ¯ ali, 201 sacred water beaker, 13 Saggaratum, 111, 152 Šagiš, 42, 232 šakkanakku, 99, 139, 144 šakkanakku script, 118 Samsi-Addu, 100, 108, 115, 116, 117, 135, 136, 137, 138, 142, 143, 144, 146, 151, 152, 222, 224, 225, 238, 240 stela, 140, 143 Šangi-Ninurta, 184 Sapiratum, 147, 148 Sardis, 168 Sargon, 54, 93, 113, 114, 116, 136, 144 Šar-kali-šarri, 99, 239 Šarmaneh, 93 šarru ¯tam epe¯šum, 32, 230 šatammu, 201, 202, 207, 216, 242 satellite imagery, 45, 66, 159 Satrapi, Marjane, 7 Schloen, David, 223 scholarship, Babylonian, 182–194 Schwartz, Glenn, 134 seal impressions, 67, See glyptic sealing practices, 204 sealings, 61, 72, 79, 91, 111, 168, 205, 234, See glyptic Šehna, 100, 101, 108, 110, 111, 114, 116, ˘ 219, 222, 224, See Leilan Seleucia, 159, 161, 162, 163, 164, 167, 169, 171, 173, 174, 176, 178, 179, 181, 205, 241, 243 Archives square, 177 city wall, 164 Parthian terracotta workshop, 177

stoa, 164 Tell ‘Umar, 163, 164 workshops, 177 Seleucid Period, 2, 29, 37, 155, 157, 158, 159, 160, 162, 163, 167, 168, 169, 172, 174, 175, 177, 178, 179, 180, 181, 182, 184, 185, 187, 188, 190, 192, 193, 194, 195, 196, 197, 201, 202, 203, 204, 206, 207, 209, 210, 213, 214, 216, 217, 220, 221, 222, 224, 241, 242 Seleucid pottery, 168 Seleucus, 158, 164 Semiramis, 192 Seneca, 186 Sennacherib, 191 šešgallu, 153 settlement abandonment, 95, 104–106, 136 settlement patterns, 1, 37, 47, 98, 157, 166 Shuweimiyeh, 125, 129, 238 Šibtu, 148 signet rings, 204 sihirtum, 145, 216 sikkana ¯tum, 124 Sim’alite, 100, 102, 103, 142, 145, 147, 240 Sinjar, 92, 102, 144, 219 Sippar, 113, 114, 121, 143, 204 slipper cofﬁns, 179 Smith, Jonathan Z., 155 social complexity, 1, 39, See political complexity social power, 29, 155, 188 sovereignty, 2, 13, 36, 44, 55, 68, 74, 144, 158, 159, 189, 225, 233, 240 space, 43–44 Spanish, 15, 16, 17, 18 spatial syntax analysis, 58 Speiser, E.A., 138 standardization, 49 state formation. See political complexity stone spirits, 123 storehouses, 48 Strabo, 196 stratigraphy, 33, 195 structuration. See practice theory Subartu, 53, 233 Šubat-Enlil, ix, 100, 116, 238, 254, 303, See Leilan, Šehna Suhûm, 147 ˘ Šulgi B, 113 Sumerian KingList, 113, 114, 237 Sumerian proverb, 60 Šuna, 102, 111 Susa, 97, 100, 121, 179 Sweyhat, 55, 65, 105, 107 symposia, 174 Syria, 31, 46, 51, 54, 69, 71, 90, 97, 105, 108, 110, 115, 126, 140, 146, 159, 169, 235, 239 Syrian god, 72 Syrian ritual, 72, 74, 79, 88 Syrian Tetrapolis, 159

316

Index

Taban, 107 tablets, 82, 106, 112, 113, 137, 184, 185, 186, 203, 204, 232, 236, 237, 241, 242, 243 baking, 184–185 Tabqa dam, 125 Tabur-Damu, 40, 41, 42, 211, 231 Tanagra, 178 tax farming, 180 taxation, 168, 180, 181, 220 Taya, 55, 57, 139 seal workshop, 139 tebibtum, 222 Tehran University, 7 temple, 48, 139, 143, 153, 171, 178, 179, 180, 197, 238, 239, 240 assembly, 201, 202 courtyards, 62 economy, 180 ofﬁcials, 182, 194 Tenochtitlan, 135 Templo Mayor, 135 Terqa, 110, 111, 145 Territorial, 44 territorial control, 55 Terru, 146, 224 terse ¯tu, 186 the Syrian ritual, 71, 234 The Uruk List of Kings and Sages, 192, 199 theater, 12, 28, 163, 164, 178, 197, 210, 229 theater-state, 12 Thermopylae, 207 Thoreau, Henry David, 44 Tiglath-Pileser III, 121 Tigris, 99, 100, 102, 104, 106, 107, 111, 143, 159, 162, 163, 173, 205, 233 Til-Abnû, 101 Tilley, Christopher, 45 Tintir = Babylon, 165, 185 Titris¸, 47, 49, 55, 57, 62, 105, 235 titulary, 143, 144, 225 Tönnies, Ferdinand, 214, 215 Tor-Rahum 1, 126 town square, 62 traces, 33–35, 46 tradition, 2, 4, 16, 20, 33, 35, 37, 38, 46, 94, 103, 138, 140, 155, 156, 157, 174, 175, 182, 184, 185, 186, 190, 193, 194, 197, 200, 201, 204, 206, 207, 208, 209, 210, 212, 225, 226 invented, 112 travel, 36, 44, 55, 89, 152, 215, See movement treaties Ebla, 54 tribes, 37, 51, 98, 101, 102, 103, 110, 114, 115, 120, 215, 219, 222, 223, 232, 236 tribal confederacies, 52, 92, 101, 102, 134 Trowoulan, 13, 32 Tuan, Yi-Fu, 43 ¯ma Anu Enlil, 186 ·tupšar Enu Tuttul, 88, 110, 142, 146, See Bi’a Tylos, 162, See Bahrain

Ubaid, 76 UKKEN EN EN. See council of elders Umm el-Marra, 88, 128, 129, 130, 131, 133, 134, 135, 142, 147, 148, 149, 151, 239 acropolis, 129, 134 Monument 1, 129, 130, 131, 132, 133, 134, 135, 148, 149, 151, 239 mortuary complex, 88 umma ¯nu, 192 Upper Euphrates, 51, 53, 54, 62, 82, 86, 107, 126, 235 Ur, 1, 45, 52, 66, 73, 79, 99, 103, 106, 111, 112, 113, 118, 121, 133, 136, 139, 140, 141, 142, 144, 146, 150, 194, 219, 232, 233, 235, 240, 243 domestic chapel, 122 Ur III, 99, 103, 133, 139, 140, 141, 144, 146, 150, 240, 243 Uranum, 103 urban centers, 36, 45, 47, 106, 160, 164, 222, 237 administrative quarters, 47, 48, 49 neighborhoods, 47, 48, 49, 51, 166, 214, 215 urban quarters, 57, See neighborhoods urban planning, 90, 91, 157 urbanism, 44, 46, 47, 54, 55, 61, 67, 99, 160, 166, 214, 232 urbanization, 50 Urkiš, 47, 99, 106, 111, 121, 144, 146, 147, 148, 149, 223, See Mozan Uruk, 29, 47, 121, 136, 160, 165, 166, 168, 169, 172, 173, 174, 175, 178, 179, 180, 181, 183, 184, 185, 188, 190, 193, 194, 197, 199, 201, 202, 203, 204, 205, 206, 208, 210, 216, 241, 242, 243 Anu-Antu temple, 198 city walls, 208 Eanna, 178, 184, 194, 197, 204, 243 Ešgal, 178, 194, 197, 198, 201, 204, 241, 242 Gareus, 178, 241 neighborhoods, 166 Re¯š, 174, 178, 188, 190, 194, 197, 198, 199, 201, 204, 205, 208, 241 surface survey, 175 U-V 18, 166 Uruk colonies, 47 Urukeans, 201, 208 ‘Usiyeh, ix, 125, 126, 129, 134, 135, 148, 149, 283 Area A, 132, 133, 134, 135, 148 Area B, 148 ED III Grave, 133 Mound 1, 148 Mound 2, 148 visibility, 60, 83, 87, 88, 126, 198 Vorderasiatisches Museum, 175 Warburton, David, 108 Warka vase, 97

Index

317

Weber, Jill, 88 Weber, Max, 218, 225 Wedeen, Lisa, 31, 217 Weiss, Harvey, 104 Westenholz, Joan, 136 Western Australia, 96 wine, 173 writing boards, 184, 185 Xenakis, Iannis, 5 Xerxes, 189 Xisuthros, 192 Yaba, 121 Yabasum, 102 Yaggid-Lim, 145 Yahdun-Lim, 100, 101, 117, 138, 145, 151, 236 Yahruru, 103

Yamhad, 93, 140, 145, 221 Yaminites, 102, 146, 147 Yams¸i-Hatnû, 101 Yamutbal, 102, 103 Yaqqim-Addu, 152 Yaradum, 114, 144, 240 Yarim-Lim, 93, 118, 136 Yasmah-Addu, 100, 118, 119, 143, 145, 235 Yumhammu, 147, 148 Zagros, 115, 240 ziggurat, 164, 196 Zimri-Lim, 93, 100, 101, 102, 114, 116, 117, 119, 124, 142, 144, 145, 146, 148, 152, 222, 224, 225, 235, 236, 238, 239 Epic of, 116 investiture of, 114, 145 Zozobra, 16

Ritual, Performance, and Politics in the Ancient Near East

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