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Ti,e Rome of Pope P"sell,,1 I authority in the name of the distant Frankish mler." g though in R ome that relationship had ,I particular significance because of the mUTU,llly publicised Franco- papal allegiance, as will be demonstrated . The city of R ome and its nuterial and monumental e nvironment served as the canY;1S for this exposition of new authority and latt'r enmity.
PAPA C Y AN D EMPIR E : NE GO TIATI O NS I N AR C HIT EC T U R E
As discussed in the previous chapter. R o me's adm inistrative man,lgemenr came to be the product of a rela tionship negotiated directly bef\veen the papacy and the emperor, first the Dyzantine empero r and then bter. after 800. the Frankish emperor. T hese negotiations took place in the j midical and diplomatic arena and in respect ohhe day- co-day upkcep of the city and its inhabitants as \vell as in mo re symbolic formulati o ns. including monumental progra mmes. In (,ct, the monumental architecture of Rome has lo ng been invo ked as an illustratio n of the papacy's new visio n of itself, thou gh it has never before been examined in the light of othe r building wo rks in R ome nor with attention to the means by which such architectural expressions might be understood by R omans or visitors to R o me. In fact papal architecture must be examined with regard fo r its significance bo th fo r the highest echelo n of political and theological diplomacy as well as for the rest of the Roman people. In planning their architectural projects, early medieval patrons such as Po pe Pas(hal too k special earl' to build in such a way t hat any visicor to Rome, from the most humble to the most noble, would recognise their care of the c itv. T here is no do ubt that, compared to the period up to the early fifth ( emury, the ll1:tterial (ultuTe of early mediev:tl R ome had become increasingly local and impoverished. The great exception to this diminished splendour is the preservation of a very high- quality luxury goods I,. So. from , Copitu Luy , ,,,,,c iated w it h C h "lem' gn e. u"dJ.ted : 'L{}I",,,u! "i.m " " ""i,",,, J,
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Bw'ldi"S ill R ome market enjoyed mostly by the clerical and monastic elite. The material expression of R ome 's greatness came to be the expression of the wealth . power and primac y of its chmch . T his elite was not a dosed COlTlI1111 nity but rather.1 tluid grou p. populated by vi,itors, both diplomatic and devo tional, to tht· city who carried a\\';1y with them thei r imprt'ssions of papal prt-'stige. In buildings such as the Triclinium of Leo 111 , a certai n kind of visitor might have seen those mosaics and recognised the archi tectural and visual links tha t the monument established between emperors, kings JIld popes. The majority of the population of R ome and its visitors, however. experienced papal prestige through their urban projects, partiwbrly the churches. As wc have seen, the nature of displays of civic munificence and elite evergetislll changed in the city during the early Middle Ages. T he public areas ,ueh as the Fo rum were maintained until the si.xth century with restora tions of ancient bu ildings and the continued erec tion of statues and monuments. The distinction between extTd - urban and int ra- urban activities, such as burial of the dead and agricultur.ll production , was maintained through the fifth and even into the sixt h ccntury, though the shrinking po pulation and increasingly local economy forced a reorgallisation ofdle ways of living in R ome. In the sixth century, an emerging clerical elite appropriated some of R ome's most prestigious spaces, like t he Forum R om anum , fo r the proclamation of thei r new kind of civil munificence, papal chu rch buildings. Papal archi tecture as an expression of a new hegemo ny and lavishly decorated chu rches came to be the fundame ntallocllS of the new social o rde r within the city_ In the ninth century. R o me's monumental centre was transformed aga in . as prestigious domestic architecture took over the fo rmerly public buildings and spaces. By the mid- ninth century, popes, including Paschal, had spent the previous dcc~des refu rbishing ~nci ent churches in the neighbo urhoods of R Qme. Far from being an expression of grandeur reserved for a limited few, these chu re h- building projects \veTC very public proclam~ tions, visible and intdligible to local R omans alld visitors of all social st~ndin g, united onc to another through a circuit of liturgical celebrations and cult attractions. 1 have laid o ut the traditions and transformations of R o me\; urban fabri c in th t" early Middle Ages. The city. unlike so Jllany contt"lllporary cities, preserved some of its ancient R oman fa bric by imbuing areas of the c ity and even ancie nt buildings with new significance, tied to the new ecclesiastical hegemony. T he commercial ac tivities of R ome similarly achieved a new kind of vibrance in conne(tion with church travellers and embassies and special liturgical products. The popes and the papal 79
Ti,e Rome of Pope P"sell,,1 I court administered the city and aho orchestrated the preserv;ltion of the city's urban filbric. The built environment of the city and its material culture, including thc obJccts madc and traded there wcre both products of the impo rtance of the place ~s well ~s means by which that power \\~IS achieved. In tht, early ninth century, Pope Paschal rebuilt three churches, resCOrt'd another, and created three chapels in R.ome to consolidate not only his control over the city of Rome but also the power of R o me o n thc early medicval stagc.
80
Chapter 3
CONS TKUC TI NG TH E PA PA L CIT Y
Paschal's architectural progranlllle centred on three churches in the city of Rome, S. Ceeilia in Trastevere, S. Maria in Donmica and S. Prassede. each entirely rebuilt by him, and some prominent reconstruction of the ancient ba,ilicas of S. Maria Maggiore and St Peter. This chapter discusses Paschal's architectural programme as the manifestation of papal prestige using architecture, urban ism and liturgy. The churches were set into the urban fabric of the city as markers of papal presence by virtue of their conjunction with other monuments and residential areas within the city and their roles in the papal stational liturgy of R.ome. The churches and their attached monasteries were located at key points on the edges of thriving neighbourhoods, along major routes through t he city, or in prominent positions within important other churches, in the case of the two minor oratories at St Peter's. T hese new buildings in highly visible locations were grandiose in their scale and material splendour. Comparison of Paschal's churches with those erected by his predecessors sets them apart from other buildings in Rome and suggests that Paschal's aims were to create showpiece works of virtuoso building: large and regular in plan and elevation . T hey were filled with light from the big regubrly placed windows, light which reffected on the marbles, glass mosaics. gold and silver furniture and embroidered textiles in the interiors. Just as the language of architectural form and adornment continues centuries of papal building, so too the liturgy of the churches is a long- lived pattern of processions and celebrations. Paschal's churches were careful adaptations of traditional architecture and ceremony.
Paschal"s churches, in particular S. Cecilia and S. Prassede, arc landmarks in mediev.ll architectural history. T his is in part owing to their spectacular architecture md mosaics, :md also because one of the mo';t important scholars ofRollle 's architecture, R.ichard Kramheimer (t897- 1994) held
8,
Ti,e Rome of Pope P"sell,,1 I them up as a medieval revival of the Rome's fourth - and fifth -centl1ry basilicas, prime examples of his thesis of C'lrolingian Revival. ' Considering how pervasive Krautheimer's interpretation of the architecture has beell, it is worth reviewing hi, thesis, addressing it, limitatiom and then analysing tilt.' buildings usi ug dittt'rent approaches. According to Krautheimer. t he basilicas erected by Paschal I in the first quarter of the uimh cemury were a little 'renascence' after centuries of the ' Dark Ages', during which period the very few buildings in R ome that were built had non-ba,ilkal phns, perhaps reflecting fo reign, non- Roman influence. He argued that the significance of medieval churches lies in the way in which they resen lb1e in phn and elevation the great basilicas of Christiau antiquity such as St Peter's and St Paul's. Krautheimer saw Paschal's churches as a great bre;lk in the pattern of church architecture in R o me, from an era of lion-basilican ,tructures to a resurrec tion of ancient architectural splendour, the Christian basilica. Further, K rautheimcr saw a poliricalmcssage in this revival : he suggested that Paschal was st'ekillg to cbim impt'rial gralldeur for himself by replicating the basilicas of great ancient emperors, especially Constantine's basilicas.' In discus.<;ing this theory and its implicatiom for early medieval Rome I shall avoid the current disc ussion about whether Constantim' or his son COllstans built St Peter's. For Kr;lUtheimer, St Peter's basilica was certainly Constantine's cr-cation. l As Glen Bowersock has pointed out, however. the overwhelming evidence for Constantine's involvement with St Peter's comes from hter sources, including the biography of Silvester in t he LP, which derails Constanrine's patronage of the building, and such a building project is perhaps more in keeping with the climate of the mid- fourth century, not before. 4 T hese issues lll ay cOlllplicate things for historians for the fourth century, but for historians of the eighth and ninth centuries, it is important to note that the LP informed the thinking of early medieval patrons and audiences about history: for early medieval audiences and patron 's, St Peter's and St Paul's wert' built by Constantine.'
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To be SU I\', Kr~mheimer S,1W the tr~nsept ~t S. Prassecle ~s ~ very explicit reference to the tT;\nsept ~t St Peter's. 'The combination of an archi trave in the nave with a continuous transept' , Krautheimer rem inded us, 'is found only [at St Peter', ~ncl S. P r~ssedej:" The relationship w~s not limited to the transept however. Both St Pett'r's and S. I' rassede featured: a Aight of [25"1 steps as<:ending to the atrium, once enveloped by fom arcaded portico{'s; a pbin fa.,ade; the na"" carri"d by tr:lbcated colonnades. a narrow transept communicating with the na,"" through a triumphal arch: a single aI'S<:; underneath an annular crypt like that which around 590 had been inscrted into St. l'eter's. ' )
The colonnades of S. Prassede number precisely onc half the number of columns as in St Peter'> :ll1d the ~isles, 'single rather than double, are linked to the tr.ll1sept by colonnaded and trabeated twin openings' . The 'unique proportion of 1:5 corresponds exactly to that of the transept ofSt Peter's'. '· Any differences between the original and the copy arc explained by 'other putatively Constantinian models, sl1ch as S. Paolo fuori le mura [St Paul\j'.' j T he cOllStntction techniques - in.)(J£ir as t he foundations are solidly laid and tilt' bricks are laid in courses or double an:he. around the windows - likewise i. a 'comcious attempt to imitate the technique of the early cemurie, of Christian architecture in Rome'. '6 In this way, the ninth-century building ill it> var iou> part~ recalled t he fourth -century building and, thus, its associated cultura l and political atlllosphere. Au.;ording to this thinking, Paschal's new building was ~ ,tructurc of the magnificence of Constantine 's and thus Paschal himself desired to be viewed in imperial light. Krautheimer linked the deliberate te naiSs,lnce ill Rome to political events: ' It is evident that the architectural revival conforms to the political and ecclesiastical renotlalio movement which from the middle of the eighth century on had forllled t he backbone of the policy of the p~pal comt." 7 For Krau theill1l'r, this reUOlldlio in Rome was identical to the contemporary movcment among the Carolingians north of the Alps, which aimed to cre:lte a new empire modelled upon the political and artistic culture - literary, representational Ko"lllthe,,"ec. ·Th. C . ",h"g1.:'" rev;..... r. l('. "I.id.. :o " RlCh .. nl K"'Ulhd"'.r, R.lI"" Profile ,1. d,y. J 'rlJ~~ (1', ;"c.,o". '9 ~0), '»-4 " Kr:outhe;",.,. ' The C .. rul; ngi.:", ",,",,·.. r. '0. " K"uthei",., . R~,",: Po.jil, Of" G,y. "4 . K,.u,h.illl ...cgu"'; lh" bee,u,. the ",,-<,.II.d Don>!ion ofCo"'''nt;n~ ",,,,cd Elllp~,o, COIISt"",ill< a< 'h< 1'>"011 "fS, p,,,r,. ill ~" ly 11,«1;<", 1 R "",e it W:l<" d",ir> ble, ",odd to .",,,b.. ,, St Peter"" K,.m thei",er. ' The Corolill gi .. n reviv..r. J6 Indeed. the ].,,. Si/""tri in the LP do .. d.... il Co",... nt;n", cOllst," ction of the b .. ,ilie. of St 1', ,, 1. LP J. : ,t.
85
Ti,e Rome of Pope P"sell,,1 I and architenural - of ancient R.ome, with particular attention to fOllrth,lnd fifth-century monuments, those of Christian antiquity. ,R \Vhen. in [967, Krautheimer returned to the subject ofS. Prassede in the course of his systematic publication of the early mediev.ll churches of Rome. his interpretation was largely the same as in 1942. S. I'rassede 'is a perfect example of the Carolingian revival in R o me . .. a movement which. begun under Hadrian [ and Leo [11. strove toward a renascence of Early Christian types and ideas in politics, liturgy and architccture."~ Challenges to Krautheimer's theories have been few; his is still used as a key tool for understanding till' arehitectme of the early M iddle Ages!O T he recent work of Judson Emerick on S. Prassede illustf:ltes the pervasiveness of this way of thinking in the field of medieval R oman architectural history. Emerick has suggested that in constructing a screen of column.> at S. Pnssede, Paschal attempted to bring this titular church in line with the papal basilica of St Peter, not just the basilica as it was constructed in the fourth century, but an up- do- date copy including a!! ml·dieval acc retions and rt'uO¥;l tions that subsequent popes and emperors had built at St Peter's.' ] I intend to demonstrate how this is too limited a tool for understanding building in early medie¥;ll R ome. CRITIQUES OF THE KRA U THEIMEll THESIS
Kraurheimer, and Emerick following him. have defined meaning in medieval architecture in very limited terms: iconography. [ argue that o ur understanding of r .lsch:l]'s architectural programllle can be expanded in three key \¥;lyS. First, as R. oocrt Coates-StephellS has already shown. the so-called Constantinian basilica was an architectural fortH current throughout the period bet\veen Constamine and Paschal. \Vhat is more. a visitor's impressions of these buildings were conditioned by the urba n context of the city of R ome. T he other buildings in medieval R ome's ,. K]":1.",h<;1II.'. 'Th~ C,rol;ng;'" r~y,v. l" . 'J '. Kr:>.U lh ";",.r" 01.. c"'1)"~ m. l58 . H" '07 ;merp""" ';o" o'S. I'r.o,,.,d,,;', ... h~, ....1 o',h" re"iv, [ ,h",i. ,. wcll . , , d;'p, ,..!;i,,!; d=ription of 'he limi" of Clt[y medi ..·v,[ comltuc,ion: ·co"'p.'r>ti,·dy ,,,"'" , i" ofth~ church: the r",I""'ion of ,;,b f",,,, fo ur '0 'wo: ..,,,,11 wi"rlow< with do"bl. "0"'''';'' . ,,,d f", .. lIy. [he "' .. ..,"'y wit h ""du l.;" jng
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urban landscape, both ancient and more recent, informed viewers about the glories of antiquity and the paradigms of ancient and mediev:ll architecture, not JUSt Constantine's buildings. T he preserved and renov:ltcd public Structures in the Forum, for example, and other basiliclll churches, such as S. Sabina on the Aventint' or S. Agnese fuori It- mura \vere arguably as compelling representations of imperial power and ancient values as t he Constantinian basilicas were. Secondly, the topographic locations of the buildings wcrc key to Paschal's architcctural programme, by asscrting the churches' role in the stationalliturgy :ll1d their cO!lnedion with /0(<1 S
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an ais1cd basilica with spolia colonnades was fitted into a late antique aula.'4 It should also be poimed out, as Coates-Stephens has do ne. that o ther churches with transepts existed at R ome, not only at S. Prassede and St Peter's. T he church of s. Eusebio, on the Esquiline, had a cominllolls transept in its early medieval phase, as recent studies have proven." ~ The monastery church of S. Stefano degli Abissini, located near the :Ipse of St Peter'" also had a transept, recognisable even in the church's presem significantly al tered state!6 The dating ofS. Stef.1no is troubled by the absence of medieval descriptions of its foundation, restoration and rebuilding, bllt it might date to e ither Leo [11 or Leo IV, which is to S-1.y either before Paschal's building of S. Prassede, or after it !7 \Vhether it came before or after. its form indicate, a currency of the T-shaped basilica form in R ome in the eighth and ninth centuries, and diffuses the significance of Krautheimer's 'revival' . Spacious and regularly proportioned basilicas, such as St Peter's, St Paul's, S. Giorgio, S. Euscbio, s. Susanna and S. Stefano degli Abissini, formed part of a trldition of " On 'he rehuilding of S. s .. hi", hl' !>ope Leo I ll. ",e K... u , heim~r" .1. . C,,'1"". ttt. IJj-j2 ., The m.mep' of'he pr....b)",,,ul ch urch ofS_ Emebio h" eeceml)" bee n ru,,,, ' 0 Pop< Z.. ch..ri" (74 1- p): Io"",dlo. ·L. ch i.,.. IIlcdi~.I<' . T h< biog.-.ph)' of Ih>l pope d<>cr ioo illl<"-<"';o", Ih~ b .. ,ilic" rooffdl in : LP9J; ~7 . '" On the church ,ee K... u,hei mer" .1., CO'lnu, IV_ 178---<,18 _ " K.. u,heim
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89
Ti,e Rome of Pope P"sell,,1 I buildings which had been in use in R Ollle consistently from the fourth century o nw'lrd. not a revival of a long--dead way of building. THE URBAN LANDSCAPE
In comextualising Paschal's :m;hitectural progT:\mme. It IS IIllportant to re-member that a significant portion of the monumental core of the ancient city of Rome was preserved after a fashion . T he material fabric of the city" ancient fom, ba,ilicas. temples and porticos. repaired md reorgan ised as it may have been, W;lS still the pn'dominant element w ithin the citysc;lpe. Major monument, stood in R o mc in Paschal's day to provide enduring exempla of ancient architecTUr.l1 splendour. eventually being dismantled to create the new buildings of the twelfth and later centuries. A:; we have ~eell, the Fora of Peace and of Cae~ar were despoiled of their lll;lrble columns ;lnd capit;lls in the middle of the eighth century. perhaps destined for use in the new porticos. churches and episcopal pa!acl's built in tht, latter half of the eighth century!3 The f'orum of Traja n was preserved to some degree: its white Luni marble pavement was cleaned and maintained, the tiuted columns of its porticoes stood with their massive Corint hian capitals until the middle of the ninth century! ? These buildings remained through the early Middle Ages as part of the fabric of the city. N ew monuments lllade use of the sanle principles of ancient architecture that had always been importam particularly with respect to fOrln and nuteriak This is very evident in Paschal"s architecturc. The attcntion to harmonious combination of materials in conventional ways, the respectwhen' possible - of homogeneity of column materials and sizes. or of capitals of the same order. these speak to the enduring qualities of R oman architecture that had not lost their importance by the ninth century. Il lSTORIC A t TOPOGRAPlIY
T he choice of site fo r the rebuilt churches \v:lS also significant for the articulation of Paschal's programme, for their n'lationship to the papal liturgy and to the cult of the saints. Each cllllrch restored by Paschal and each church into which he inscrted a chapel had already existed in some form for several decades if not sevenll centuries. Textual sOllrces attest to some of the institutions which were rebuilt by Paschal as early "
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COIISIn/cri ,lg Ihe papal dly
as the fifth century, and the patriardul basilicas of St Peter's and S. Maria Maggiore were ,lmong the city's most ancient churches. Each of Paschal's new churches sits atop the earlier church it replaces or very near to it. Paschal's projeet thus preserved the ecclesiastical topography of the city and Wl' shall see that this allowed his projl'cts high visibility, as they were all in busy parts of the city, H is new churches remained connected to the sacred archaeology of the sitl's. The LP and inscriptions describe how Paschal found each of the churches in ruins >0 he replaced them with the buildings that stmd today. The (let that S. Prassede had been restored by Pope H adrian merely a few years before suggests, however, that the material conditions of the church were not the primary lllotivation for the resrora tion. Jo The consistency of language in the inscription in the church and in Paschal's biography stressing the ruin:ttion of the churches :tnd the abando nment of the saints' cults atte!\t, to a larger rhetorical ,trategy of preservation and renewaL The apse of S. Cecilia reads: 'This hall , once in time past had been ruined, the generous prelate Paschal built to a beul'r condition';)' at S. Maria in Domnica the apse reads: 'T his house, once reduced to ruins, now gleams ... Paschal the virtuous happy bishop has founded this regal hall, to remain through the centuries.') ' The LP descrihes Paschal's building projects with the same language: S. Prassede was 'an improvement on what it had been' and 'built wonderfully renewed' . S. Mafia in Domnica was 'renewed enlarged and improved from what it had been before'; it was desired that S. C ecilia be 'completed to a better state than it had been' and the cathedra at S. Mafia Maggiore was 'better than it had been before' and the presbyrery was 'repaired, an improvement on what it had been'. JJ T he churches that Paschal sdected to rebuild and renovate aTe all located well within the medieval city)' (sce Figure], p. xx). H e built i·
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H AEC 1)0 .1/ 1'5 . O Ll,I/ QI'tIE FI'F.RAT CO,','FRAC TA S VB TEM PORE PRlseo CO,\'DIDn' u ,' MLiLl I'S I\1 SCHA LlS. f o, th< ontir< i",,,,ipti on, sc< bdow. n. ' 72. i ' IYJ'II D O.\l VS I'RID/CM 1-v/C' R.~·r CONI'RAC] /1 R I'INIS NlI;"C R I TIL~'r W C J"J/C'R . ET D EellS ECCE SVVS SPI£ND ET . P4 SCH A LlS PR.!E SVL H O,,"'EST I'S CO,\'DIDIT H ~ NC A VIA M. For ,he entire i",,,ipt;on . ..,e belQw, '" ' 74. " LP '00; 8 'in ,"
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Ti,e Rome of Pope P"sell,,1 I within the active neighbourhoods of Trastevere and the Subura and in one case, the C elian hill which was crowded with churches, monasteries and pilgrimage assistance centres. In brietly examining each case for the pre-existing church ~nd the neighbourhood in which Pasch~1 rebuilt a lillllu5. a pattern em .... rges for Paschal's attention to minor chu rch ....s in important neighbourhoods and his transfo rmation of these churches into major showpieces of papal architecture and new centres of urban cult.
S. PRASSHD£
When Paschal's biographer begins to discuss the pope's architectural programme in the LP, S. Prasscde is the first church project described .l l Given the tone and organisation of Pasch:li's biography, it is reasonable to assume that the projects are described in the order in which t hey were constructed and thus that S. Prasscde was the first of Paschal"s buildings to go Up J6 (see Figures 4- , p. 4- , and [3. p. 84). The new basilica was located ' not far from the earlier 11111111$ ' . presumably more or less on the 5.amc site.J7 Bnlllo Apollonj- Ghctti identificd thc fCmains of a \'Juit discovered in the atrium of the present church with the earlier liwllls and he identified part of the colonnade of the quadriportico of tile curfCnt atrium with the nave of the earlier Ilw/lIs. rims recon,tructing it as a basilica- plan building. parallel to the CIiJllIs SIIIJllr,ulIIs. There is no convincing evidence for t his; the structurc discovercd could easily have beell a R oman building pre-dating any ecclesiastical structure Oil the site.Ja Carlo Cecchelli suggested that the earlier church might have been located down at the bottom ofthe Oppian I-!ill near S. Clemenre. at the oratory of5. Pastore. perhaps recalling the presbyter Pastor. a character in the Vila Pr,'.wdis, though there arc more convincing cOllncctions bet\veen the Vir" and the an.:haeology of the earlier church, discussed below. Krautheimer was convinced that the church was ra ther some\vherc along the CH/IllS SUlnlT
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A lillllus s. p,,/>"cdi5 existed in R ome from as early as 4 89 ~0 and underwent restoratio ns p,lid for by Pope l-IadrianY The explanation for the tebuilding given by Pasdlal's biographer is that the ancient church of S. Prassede on the Esquilille wa, ill ruins.4. The significance of his choice to rebuild it lies in the s.l crcd history of the site, just as it would latt."r attract him to rebuild S. Cecilia. The intricate intersections of cult and archaeology will be discussed more fully in the follo\ving chapter, but in this discussion of the form of the buildings, it is important to recognise the medieval chmches' relatiomhips with what lay beneath them. Papal records describe the conversion of a private bath complex. the so-.called 13,1ths of Nov:Hus. to the lilll/II.' of S. Prassede by Pope Pius I (141-55).'; The section of the LP that makes this claim was composed in the sixth century, and owes much to the Vila Pr<1xedis. composed at the end of the fifth century. The Vild Pr
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Ti,e Rome of Pope P"sell,,1 I Vitue might derive some of their specificity of place from knowledge of the archaeology ofboth sites. Despite this sacred histo ry and foundation by the saint, the old rilllllls ofS. Prassede may have been a rather modest church. The gifts bestowed upon it by Pope Leo Ill. who g.lve gifis of liturgical furnishings to all of the chmches in R.ome in a sort of hierarchical ordcr, \vere comparatively meagre.~?
s.
CI:Cll.1A
Based on the same li~t of Leo [[ [\ donatiOn>, S. Cecilia in Trastevere was also a relatively minor titular c1mrch before its restoration. The earlier church was located at or near Paschal's rebuilt e1111rch in Trastevere and seems to have been founded as early as the fourth century. There is abundant indirect evidence for the presence of an early church dedicated to Saint Cecilia at or near the location of the present church. T he H!5sio s. GlC!ciliul', composed probably in t he late fifth cCntury. Tt'ports that the R oman Ill atron Cecilia . mortally wounded by R o man soldiers, made arrangements to donate her property to the church and for Pope Urban (222- 30) to establish her house as a church and baptistery. ,8 T he first mention of the institution is an inscription on ;1 stone, later used as paving of the medieval church. The imcriptiotl was the epitaph of Apollonia, a daugh ter of an office -holder from S. Ce-cilia. who die-d in the second half of the fourth century or the early fifth .N Priests fWIll a 0 filii/ liS l(s.)] C"eaHIII' were signatories at the Councils of 499 and 595 ,5 and the basilica of the tillllus itself is mentioned in the biogrAphy of Pope Vigilius (537- 55), who was arrested there w hilst celebrating mass on the Feast of Saint Cecilia (X Kalends of December. 22 N ovember) in the mid-sixth century. S1 ., On the h ier:>Tch inl org:m;",tion of the imtitut ion, iu Leo Il l", encyclopedic li;t of R o "" u
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Multiple epigraphic references to the church attest to its age, The earliest is a somewhat uncie,lr iuscription discovered ~t the church . which may refer to the {iw/IIS of S. Cecilia. dating from the sixth cellt'ury..I' A later inscription commemorAtes a Byzantine official TheodoTus. laid to rt·S( by the arch-priest of the lifllllls Cilecili
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Ti,e Rome of Pope P"sell,,1 I been re~d as evidence for ~ fem~le convent ~t S. Cecilia in the sixth o r seventh centllry.l6 Marios Costambeys. however. m,lkes the point th at the locatio n of burials at churches must bc undcrstood within thc contcxt of changes in urban jurisdiction, propeny and liturgical practices. p R ead this \\';ly, t he abbess's epitaph attests to thc presence of a cemctery. llot necessarily a convent, ~s part of the earlier church co mplex. While we can be fairly cenain that Paschal's b,lsilica rcpl;Ked a church dcdicatcd to S. Cccilia ncar to thc prescnt locatio n, perhaps on the very same ,ite, we have very little info rmation abo ut what it looked like. This is not for lack of trying. I n t he bte nineteenth century, a tealll of archaeologists wo rking at the behest of the titubr cardinal of the church began to excava te the area below the church Y They hypothesised that the prcsent basilica repbced an earlier basilica- form churc h located slightly to the >o uth. l9 T hey gave little credence to the hagiographic so urces of the earliest tlfll/m which da te its fo undation to the third century. inste,ld hypothesising an earliest church dating from the first years of the Peact' of the Church in tht, fo urth century.GOThe archaeologists slIggt'stt'd that the riwllls prior to Paschal's S. Cec ilia had been renovated extensively by Pope Cregory I in the ble sixth or early sevellth century, largely on
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A NC CONI VR.i / TlO,'W, M PR ESI'I'A/SERI T A NA TE A/A AElEAT DE IVDA ET R E / PR!"),. ,i",,,",] A N A '\/A '\' SYRI A REAT (H e .. """';" I'e'c. A'l\e"d , who lived "'0" or 1<-" 40 I""'" The pl. c<. • c' m lll. wh ich ' he Abb= Gm i"", prep.red for hersd f. while m< " ... .<, iIl . live, ,.h . S""e "I' [0 "'c. I .w<" by ,h. F.. ,he', the SO", ",d the Holy 5I'i ';, . .. "d by ,h. ,,,,,,,,,ndotl; wy ofjudgeme'" 1« no on. p",.ume ,,, di>t u,!, ,h,. pi>co wh"", I "".. If''')'<)''e will ~e r dare i nfi-;n~c ,h;, o"h. m.y he h,Y< ,h~ .. " ,hem. ftolll Jud" , nd ' he repro of of An, ,,, ,,, ' he Sy, i,," ,) Or.. z;o M>tncch;, 'S< op"m d; un> , n,;<. i"" ;, ;o,, . P"'''''' '" ch; .", di ,. C.dli, ;n Ttl "~ve",' , 1\'",,,... b"ll",in" di "rch,,,'".~" cri"i.M ' 5 I''''''')' ' 4 '-2 , ugg."ed. d ..,e of th • •i~t h « ntm y: f<-
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the basis of seventeenth-century texts which <:;rediced Gregory with the bllilding works for no dear reason. (>I D uring the excavations, two colu mns with capitals, fragments of a delicate entablature, alld one ProcOllnesian marble panel of a chancel barrier were recovt·red under some 3 m of earth under the Idi: aisle near t he altar of the present c hurch. 6 2 The chancel barrier suggests that there was indeed a church in the sixth century 011 or near this site. Its decoration is organised symmetricall y, with two vertical rectangular recesses, each carved with a round disk and Latin cross with Hanged ends. Plulei of this kind, found in sevcral ehllTehcs in R Ollle. are generally associated with the well -dated examples from S. Clenlente, inscribed with the insignia of John 11 (533-5).6) In the fill above the marble panels. no finds da ted to the eighth centur y or later were located. 64 ., 1I0.io ,dded the followi" g "ote i" the m>rgi" 01 hi. edition of the I~tt~, p"'port~d l)" fmm P, .... h,1 L I"' '/,"'>Ii."" 1'.'1'" /'1,,,,,,, Grw';'" ,/,-.;,,,, ,x'",i.. , & P<' ~W", i,", k",I''''' d
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Ti,e Rome of Pope P"sell,,1 I Further study o f the excavations in the [9305 by Krautheimer rejec ted the idea of a sixth-century basilica and demonstr;lted that the nimhcentury church \V:lS constructed atop a series of ancient domestic structures conStructed between 50 BC and 50 AD, renoV:lted ill [75 - 200, again in the third Ct·ntury, and a subsequt·nt renovation in late antiquity, the full extent of which is still poorly understood. 6 j T he site ofS. Cecilia was recen tl y subject to re-examination in the course of excav.nions to the north of the current basilica, conducted by the Soprintendenza ai Beni Architettonici del Lazio beginning ill 1980.66 The current interpretation of the site identifies the remains below tilt' church as a dOlmls of the second century RC, constructed around a peristyle court. T his structure was incorporated in the second century into an imll/ll. At a subsequent date, a bath with a ulid
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of the ninth- century church.69 On the b~sis of its hex~gonal shape. the font has been d~ted by the excavators to the fourth or fifth century.7'" A w~terline running on the south -e~st side of the structure fed the fom ~nd it is inscribed with the name of the church: PET{i
99
Ti,e R ome of Pope P"sell,,1 I T he church complex of S. Cecilia thus comprised a church w ith furniture , a baptistery and a cemetery in the period between the hter fourth and ninth centuries. T his is probably unexceptional in early medieval R ome. Indeed as we have seen the gifl' given to the institutions in the t"arly ninth ct"ntury by Lt"o ][ 1 suggest that these \wre ratht'r It"ss than significant churches among others in the city. The sacrt'd histo ry of each of the churches w~s prob~bly the most important factor le~ding to their restoration, a point I shall develop below. T he two basilicas of S. Prassede :Illd S. Cedia replaced long-standing lilll/i, each of which was believed in the ninth century to have been founded on the private property of the s:linr. by the saint herself. T he institlltions of these rirllli had been in existence for centuries, though their materi~l form is no t known. Two of the clmrches arc described as near to ruin and suffering from inattention when PaschAl begins his renovati011)." While this kind of description is used so often t hat it more probably rd-Iects a trope of the papal biognlphers than the material condition of the churches. it llonethdess holds tha t. at least rhetorically, Paschal was taking on some of R omc's lesser churches to restore. T hese same conditions hold true for the dirlconill church ofS. Maria in Domnica. liturgic~l
S. 1>1"1<1" IN DOM N[C A
Pope Paschal r built the church of5. Ma ria in Domnica 'dfimd
the church and the LP tdl us.1 J T ht" earliest mention of the church of5. Maria in Domnicl appears among Leo ][ l's donations where it is cited as a dia(oui
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