The Visitor: Учебно-методическое пособие по развитию навыков аудирования

VOLGOGRAD STATE UNIVERSITY ENGLISH DEPARTMENT

T. N. Astafurova

THE VISITOR (for students of the retraining courses)

Volgograd 1998

ÌÈÍÈÑÒÅÐÑÒÂÎ ÎÁÐÀÇÎÂÀÍÈß ÐÎÑÑÈÉÑÊÎÉ ÔÅÄÅÐÀÖÈÈ ÂÎËÃÎÃÐÀÄÑÊÈÉ ÃÎÑÓÄÀÐÑÒÂÅÍÍÛÉ ÓÍÈÂÅÐÑÈÒÅÒ

Ò.Í. Àñòàôóðîâà

ÏÐÈØÅËÜÖÛ Ó÷åáíî-ìåòîäè÷åñêîå ïîñîáèå ïî ðàçâèòèþ íàâûêîâ àóäèðîâàíèÿ (äëÿ ñëóøàòåëåé êóðñîâ ïåðåïîäãîòîâêè óïðàâëåí÷åñêèõ êàäðîâ Ðîññèè)

Âîëãîãðàä 1998

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Ðåöåíçåíò: äîö. À.Â. Äîëèíñêàÿ

Ïå÷àòàåòñÿ ïî ðåøåíèþ ó÷åáíî-ìåòîäè÷åñêîé êîìèññèè óíèâåðñèòåòà

Àñòàôóðîâà Ò.Í. The Visitor: Ó÷åáíî-ìåòîäè÷åñêîå ïîñîáèå ïî ðàçâèòèþ íàâûêîâ àóäèðîâàíèÿ (äëÿ ñëóøàòåëåé êóðñîâ ïåðåïîäãîòîâêè óïðàâëåí÷åñêèõ êàäðîâ Ðîññèè). — Âîëãîãðàä: Èçä-âî ÂîëÃÓ, 1998. — 24 ñ. Ó÷åáíî-ìåòîäè÷åñêîå ïîñîáèå ïðåäíàçíà÷åíî äëÿ ðàçâèòèÿ íàâûêîâ àóäèðîâàíèÿ è óñòíîé ðå÷è íà íà÷àëüíîì è îñíîâíîì óðîâíÿõ ïîäãîòîâêè è ìîæåò èñïîëüçîâàòüñÿ â êà÷åñòâå äîïîëíåíèÿ ê îñíîâíîìó ó÷åáíîìó ìàòåðèàëó.

© Àñòàôóðîâà Ò.Í., 1998 © Èçäàòåëüñòâî Âîëãîãðàäñêîãî ãîñóäàðñòâåííîãî óíèâåðñèòåòà, 1998

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ÎÒ ÀÂÒÎÐÀ Îñíîâîé äëÿ ðàçðàáîòêè íàñòîÿùåãî ó÷åáíî-ìåòîäè÷åñêîãî ïîñîáèÿ ïîñëóæèëà àíãëèéñêàÿ ó÷åáíàÿ ðàäèî-ïüåñà «The Visitor», ñîñòîÿùàÿ èç 17 ýïèçîäîâ, ñ îáùåé ïðîäîëæèòåëüíîñòüþ çâó÷àíèÿ â 90 ìèí. Ê ïîñîáèþ ïðèëàãàåòñÿ àóäèî-êàññåòà. Ó÷åáíî-ìåòîäè÷åñêîå ïîñîáèå ñîñòîèò èç ñåìíàäöàòè ýïèçîäîâ, â êîòîðûõ îòîáðàíû è àêòèâèçèðóþòñÿ ëåêñè÷åñêèé ìèíèìóì è îñíîâíûå ðàçäåëû ãðàììàòè÷åñêîé ñèñòåìû àíãëèéñêîãî ÿçûêà, íåîáõîäèìûå äëÿ ðàçâèòèÿ êîììóíèêàòèâíûõ íàâûêîâ ó ñëóøàòåëåé íà÷àëüíîãî è îñíîâíîãî óðîâíåé ÿçûêîâîé ïîäãîòîâêè. Ëåêñè÷åñêèé ìàòåðèàë (áîëåå 500 ñëîâ è ñëîâîñî÷åòàíèé) ñïîñîáñòâóåò àêòèâèçàöèè íàèáîëåå ÷àñòîòíûõ îáùåóïîòðåáèòåëüíûõ ÿçûêîâûõ åäèíèö; êîììóíèêàòèâíî îðèåíòèðîâàííûé ãðàììàòè÷åñêèé ìèíèìóì (âèäî-âðåìåííàÿ ñèñòåìà àíãëèéñêîãî ãëàãîëà, ìîäàëüíûå ãëàãîëû, ñòåïåíè ñðàâíåíèÿ ïðèëàãàòåëüíûõ, ðàçëè÷íûå ðàçðÿäû ìåñòîèìåíèé è ò.ä.) ðàñïðåäåëåí ïî ýïèçîäàì â ñîîòâåòñòâèè ñ åãî ïðåäñòàâëåííîñòüþ â àóäèòèâíîì ìàòåðèàëå. Çàõâàòûâàþùèé ñþæåò, àêòåðñêîå ïðåäñòàâëåíèå ìàòåðèàëà è åãî ìóçûêàëüíîå ñîïðîâîæäåíèå ñïîñîáñòâóþò ïîääåðæàíèþ íåîñëàáåâàþùåãî èíòåðåñà ó ñëóøàòåëåé ê àóòåíòè÷íîìó ìàòåðèàëó è ðàçâèòèþ íàâûêîâ àóäèðîâàíèÿ è óñòíîé ðå÷è.

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The Visitor

Present

I am ready. Am I ready? I am not ready. This planet has only one moon. Does this planet have only one moon? This planet doesen´t have one moon.

Past

She was at the end of her long journey. Was she at the end of her long journy? She wasn´t at the end of her long journey. The planet had big oceans. Did the planet have big oceans? The planet didn´t have big oceans.

Future

I will be ready. Will I be ready? I won´t (will not) be ready. They will have wars. Will they have wars? They won‚t (will not) have wars.

this planet — these planets that planet — those planets another — the other others — the others There were two straps. One strap was around her leg. The other strap was around the top part of her body. The robot had more than two hands. Mecco pushed a button in front of him with one hand. With another hand he turned a small wheel.

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EPISODE 1 This is a story in seventeen episodes. Listen to this episode. Then answer the questions. 1. 2. 3. 4.

Who is Tan-Lin? What do you know about her planet? Who is Mecco? Describe him.

They were dangerous people. They had wars. Tan-Lin to be at the end of journey a destination in many ways the man the planet was like her own dangerous people to kill Mecco she put two big straps around her to push/to press/a button

to turn a wheel Thomas Farhey to see the light binoculars a low hum to land in the field a strange object to smell the air then it was gone to wacht with an open mouth

The Indefinite/Simple/ Tense Forms Present

The blue helicopter flies out to sea and turns west. Does the blue helicopter fly out to sea and turn west every morning? The blue helicopter doesn‚t fly out to sea and turn west every morning.

Past

Shandor thought for a moment. Did Shandor think for a moment? Shandor didn‚t think for a moment.

Future

They will meet in Southampton. Will they meet in Southampton? They won‚t/will not/ meet in Southampton.

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The Continuous Tense Forms Present

The police are envestigating the fire./now/ Are the police envestigatig the fire? /now/ The police aren‚t envestigating the fire.

Past

He was giving information to a journalist (at 5 o`clock). Was he giving information to a journalist (at 5 o`clock)? He wasn‚t giving information to a journalist (at 5 o`clock).

Future

The van will be following them (on thier way back). Will the van be following them (on thier way back)? The van won‚t be following them (on thier way back).

EPISODE 2 the helicopter flew out to sea to turn west a pilot to point down to the sea below a midlle-aged man to wear(wore, worn) a grey suit a yacht to land on the deck a cabin Mr Shandor Harlan a grey lether briefcase to go ahead with the plans too

to point to a headline a front page of a newspaper a company director an accident an article the police are investigating the fire to find(found;found) out to follow smb’s orders a Southampton factory to give information to smb a phone call to blink for the first time he smiled

Questions: 1. Why do you think Shandor and Harlan are interested in the fire? 2. What do they say about a journalist and an engineer?

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To be going to do smth Shandor is going to make a new kind of robot. Is Shandor going to make a new kind of robot? Shandor isn’t going to make a new kind of robot. Degrees of comparison Positive small, big interesting good bad little much many

Comparative smaller, bigger more interesting better worse less more more

Superlative the smallest, the biggest the most interesting the best the worst the least the most the most

Remember much smaller far better much, more interesting far more interesting EPISODE 3 The second article is going to be more interesting than the first! Far more interesting! Tony Redford

a small company called Shandor Electronecs Presley to have plans for a new kind of electronic brain on the market to make a robot no later than a newspaper stand

Business News (magazine) to be of medium height

a small moustache he was in his boss’es office Lis Davis the editor of Business News to blow/blew, blown/ a cloud of smoke at smb the electronic industry to be polite the article is going to the printer’s a newspaper seller to puff on a cigarette a foreign visitor to stare at smb 7

Questions: 1. Why is Tony Redford so interested in Shandor? 2. Who is Redford going to meet? There is — There are 1. There is a very serious look 2. There was a fence around on his face. the factory Is there a very serious look on his face? Was there a fence around the factory? There is no serious look on his face. There was no fence around the factory. 3. There will be people here soon. Will there be people here soon? There won’t be people here soon.

4. There are some/many, ten, etc/ houses around them. Are there any houses around them? There are no houses around them.

EPISODE 4 Listen to the episode with these questions in mind. Answer them after you listen to the episode. 1. What do you learn about the man called Prestley? 2. What happens to him in the episode? 3. Why do you think it happens to him? The newspapers said it was a very strange accident. John Prestley to be a computer engineer with a company a prison an intelligent man to find (found, found) out smth. to work for a magazine a manageress of a supermarket to work long hours

to bump into smb. to push smth. towards smth. a piece of iron in a magnet to twist on his driving wheel to have control of the car to scream to break (broke, broken) free he shot (shoot, shot, shot) through

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to earn money to back one´s car out of the garage to wave to smb. to drive(drove, driven) away the cars were parked to the rear view mirror

it like a bullet to sink(sank, sunk) to turn into a side road little traffic on the road to feel(felt, felt) a bump

The Complex Object Construction 1. to want smb to do smth. to want I want you to find out exactly how much to expect Redford knows. should/would like to like to hate to believe 2. to consider + to be to think to know 3. to to to to to to to to to

to see smb do smth. see smb doing smth. see hear watch notice feel make smb do smth. make let

I consider him to be wrong

He didn´t notice the light blue car follow him. He could hear the sound of the train approch ing tunnel.

Let him explain.

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EPISODE 5 Tony Redford is a journalist. He wants to find out more about a strange engineer, Thomas Shandor. A man called Harlan visits Shandor every day in his yacht. the electronic industry to say smth. with a nervous smile to find smth out the cabin to be on one´s way

to lose control of the car to notice an accent a pub called «Brunswick» important to hang (hung, hung) up

Questions 1. What do you think Tony is going to do? 2. What do you think he should do? 3. Why? What kind of accident is it? What kind of man is it? I need your help, too. I don’t need your help, either. Countables few articles a few articles many articles a lot of articles

Uncountables little time a little time much time a lot of time

I have very little time. A few hours later, the telephone rung in Tony’s office. There were many people there.

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EPISODE 6 Tony Redford was a journalist. Yesterday a strange woman phoned him. She asked him to meet her in a pub called «The Branswick». They didn‚t notice the man who sat far away from them reading a newspaper. to be interested in smth, smb. to walk in to look around the pub to come over to smb. to nod you haven‚t been waiting long it was very crowded to sit (sat, sat) down to mention

exactly to stare at smb in surprise an important secret to sense danger to wear (wore, worn) strange glasses to see throught smth. far away from smth

Questions 1. What is strange about the woman? 2. What is strange about the tall man? 3. Which one of them do you think works for Shandor? Be careful! Don’t do it! Let us walk along the street a little! Don’t let’s do it! The Perfect Tense Forms Present

Perhaps he has built it/ the electronic brain/ already. Has he built it already? He hasn‚t built it yet.

Past

Harlan said that the operator hadn’t come back. Had he come back? He hadn‚t come back.

Future

We will have destroyed the yacht by then. Will we have destroyed the yacht by then? We won‚t have destroyed the yacht. 11

EPISODE 7 Tony Redford, a journalist, is talking to a woman in a pub. They don’t know that a tall man with round glasses is listening to them. to leave(left, left) the pub to walk towards smth. to look behind to cross at the traffic lights to hit (hit,hit) smb. you shouldn‚t cross a busy road to look up & down

to turn into a narrow side street to walk into an alley that led (lead, led, led) to an electronic brain to look and act like human being to jump aside like this in the middle

Questions 1. Why do you think Tan-Lin walked so fast? 2. Have you any ideas about who she is & what she wants to do? 3. Why do you think Tony should be careful? She walked so fast it was difficult to keep up with her. It took the firemen half and hour to free Tony. The Perfect Continuous Tense Forms Present

I’ve been waiting for a train for ten minutes now. Have I been waiting for a train for ten minutes now? I haven‚t been waiting for a traitn for ten minutes now.

Past

Someone said that he had been waiting for a train for ten minutes Had he been waiting for a train for ten minutes? He hadn‚t been waiting for a train for ten minutes.

Future

By this time next year he will have been waiting for five years. Will he have been waiting for five years by this time next year? He won’t have been waiting for five years by this time next year. 12

EPISODE 8 Yesterday evening Tony Redford met a strange woman in a pub. They talked about Shandor. Later a man with round glasses followed them. Tony fell in front of the train. to to in to in to to to

travel on the underground towards the base of the platform make robots steel wheels of the train his mind a squeling of breaks be on the edge of the platform to scream the tunnel his job was done step closer to the edge firemen stand away from smth. to free smb. push smb towards smth. a gap between the rail and the base of the to grab the edge of the platform platform to pull one’s body inwards a warning away from the electric rail Questions 1. Why did Tony fall? 2. What happened after he fell? 3. What does the tall man with round glasses think? As ...as not as ... as not so ... as We instructed him to leave the place as soon as possible. He was still angry but not so angry as before. Passive Voice. The Indefinite Tense Forms I am satisfied with your explanation. Am I satisfied with your explanation? I am not satisfied with your explanation.

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He was frightened. Was he frightened? He wasn‚t frightened. This yacht will be destroyed. Will the yacht be destroyed? This yacht won’t/will not/ be destroyed.

EPISODE 9 Tony Redford is trying to find out more about a strange engineer & owner of the factory. This man’s name is Thomas Shandor. Nobody knows much about him. Yes-terday someone tried to kill Tony Redford as he waited for an underground train. But Tony didn’t die. Harlan works for Shandor. He often goes to see Shandor on his yacht. to be a worried man to be disappointed to be furious an explanation to control the fury in one’s voice to follow orders, instructions

to have an imagination to calculate (calculation) to be frightened to look very worried a briefcase to stop thinking

The Reported Speech Statement «It can‚t be. It’s impossible», — he thought. He thought that it couldn’t be. It was impossible. «We instructed him to leave the place as soon as possible,» Harlan said. Harlan said that they had instructed him to leave the place as soon as possible. General, alternative questions One of the men asked, «Could you help us?» One of the men asked /wondered/ if /whether/ he would help them.

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Special questions Bart asked, «What are you doing that for?» Bart asked what he was doing that for? Adverbial Clauses of Time & Condition It’ll be better if you & I just push the car a bit with our hands. If you come with me, Mr. Redford, you will see things which nobody will believe. We will have to get to Shandor before he finds out what has happend to his robot.

EPISODE 10 Carl Eastwood to have a job with the government to drive/drove, driven/a security van valuable things to transport Bristol to come/came, come/ round a bend to wave to smb to get out of the car to give smb a push with smth.

to steer the van to get inside thr car to get behind the steeringwheel to feel a gun in one’s back to reav door everything went black to hit/hit, hit/ smb over the head in the direction of to have plenty of time He had the same face as Carl. But he wasn’t Carl.

Questions 1. What happened after Carl stopped? 2. Why was he so surprised when he saw the third man inside the van? 3. What do you think is going to happen now?

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Passive Voice. The Continuous Tense Forms. I think the van is following us. — I think we are being followed by the van. Are we being followed by the van? We are not being followed by the van. Passive Voice. The Perfect Tense Forms. I’ve brought you a gift. — A gift has been brought to you. Has the gift been brought? The gift hasn’t been brought.

EPISODE 11 Carl shot him between the eyes. Questions 1. What happened to Carl Eastwood in the last episode? 2. Listen to this episode and then answer these two questions a) Who do you think this «Carl» really is? b) Why do you think this? Burt Harris to be the guard in the security van to stay in the radio contact with smb. a two- way radio to contact smb. men in uniform valuable things to send smb by air a special sack with diamonds in it a metal box to be locked

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a microfilm every five minutes at the headquarters of the security company to go straight to the bank to reach for the radio microphone hie eyes never blinked to stare a canal to scream to be gone

Now think of some more questions you would like to answer to, but which you can’t find in this episode. to suggest /that/ smb /should/ do smth I suggest that our operator should visit Mr. Redford in hospital. should do — should have done 1. I think something should be done about him /advice/ 2. The operator should have gone to the hospital & killed Redford yesterday evening /reproach/

EPISODE 12 Shandor studied the film carefully Questions 1. Who was Carl Eastwood? 2. What happened to him? 3. Which of these do you think is correct. Explain why. a) The man who looked like Carl wasn‚t really him at all. b) Carl was really a dangerous criminal all the time but nobody knew that. a cabin below the deck to wait for smb. to put the microfilm into a small machine to make things on the microfilm larger to poject smth on a screen weapons to be thrown /to throw, threw/ a criminal an excellent idea

a spy to look satisfied to step closer to smb. to suggest that smb should do smth. to give smb a gift chocolate to make sure of smth.

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Questions 1. What do you think the operator is going to do?

Modal Verbs must 1. They must promise me something /obligation/. 2. They must be at home now. /high probablity/. They must be following us . They must have made a robot already. may 1. You may take it /permission/. You might take it /by chance. 2. He may/might/ be at home now. He may/might/ be following us ./uncertain supposition/ He may/might/ have left. can 1. I can earn some money that way /ability/. 2. Can /could/ he be at home now? Can he have left /great doubt/? He can’t /couldn’t/ be at home now. He can’t /couldn’t/ have left /disbelief/.

EPISODE 13 Revision questions 1. Tony Redford is in hospital. Why? 2. Do you think he is in any danger there? Give reasons for your answer. 3. Retell some of the other important things that have happened in the story so far. to look around the room Liz Davis thank God to examine smb

to speak like a parrot to taste a chocolate to be sweet bitter to gri p smb.

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to have an accident to have a dress on the dress went badly with her hair to unwrap smth. it was some kind of joke to stare at smb.

it was a gri p of steel to force smb down in the bed a terrible nightmare a box of chocolates it’s good for you

Questions 1. What do you think he is trying to do? You want this chocolate & you‚ll eat it. Some of All of none of both of neiher of

Both of them were very strong. For a moment neither of them moved.

Pronouns Personal I you he she it

we you they

Possesive me you him her it

us you them

my your his her its

our your thier

mine yours his her its

ours yours thiers

EPISODE 14 Tony is in hospital and his boss, Liz Davis, is trying to force chocolate down his throat. Why do you think she is doing this? to give smb trouble with smth. to to to to

the machine kicked out at her with one leg to move away from the kick to chop at smb’s neek a karate expert a knife-like hand

be afraid of have strength of a tiger be terrified blink

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to bite /bit, bitten/ the hand to bite a lump of steel to hold /held, held/ smth down with a knee to force open the mouth poison to spit /spat, spat/ out to be red-haired

a blow a blue spark to freeze /froze, frozen/ to stare out lifelessly a frozen karate fighter to lose one’s strength the machine cut /cut/through the air with its hand

one of its hands was still in the air, like a frozen karate fighter

Questions 1. Do you agree that the thing with Lis’s face is some kind of machine? 2. Give reasons. 3. Who do you think made the machine? EPISODE 15 to stare at smth. a frozen statue to point to smth. to look and smell like a burnt-out machine to gri p smb’s arm to wear/wore, worn/ a cotton hospital night gown to stare at the strange sight primitive

Southampton to find smth out to be a case for the police to drive /drove, driven/ through the night a fire escape

Questions 1. What do you think Tan-Lin means when she says «Shandor isn’t a case for your police.»? She carried him out of the window & down a fire escape.

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EPISODE 16 dawn the hill was overlooking the sea yacht to point up to smth. to use highly developed robots for smth. to be trained to do /to make/ smth. terrible weapons to be forbidden for smth. to break /broke, broken/ a law to interfere in the affairs of a planet

a low, hummering noise a ball of light to land a spaceshi p a flying saucer the metal skin of the spaceshi p a square head a large eye to rise /rose, risen/ to steel secrets

The figure looked something like a man. Questions 1. Explain why Tan-Lin has come to this planet? 2. What do you think is going to happen now? EPISODE 17 The spaceshi p was just above them, turning slowly in the air. a saucer to operate the controls a helicopter to be ahead of smb. to point to a radar screen to program the operator to be stunned a terrible headache to catch /caught, caught/ fire to be hold by a beam of light hatred a long journey

to hit /hit, hit/ smb. his eyes flashed with anger a whistling noise to run /ran, run/ up to the deck to put /put, put/ one’s fingers into the ears to lie /lay, lain/ stiffly without moving to wake up /woke, woken/ to destroy to explode an invisible chain a beach to flow /flew, flown/ out low over the waves

in the direction of 21

Tenses Active Voice Tenses Indefinite Present Past Future Continuous Present Past Future Perfect Present Past Future Perfect ContiPresent nuous Past Future

The blue helicopter flies out to sea & turns west. Shandor thought for a moment. They will meet in Southampton. The police are investigating the fire. He was giving information to a journalist. The van will be following them. Perhaps he has built the electronic brain already. Harlan said the operator hadn’t come back. We’ll (will) have destoyed the yacht by then. I’ve been waiting for a train for ten minutes now. Someone said that he had been waiting for a train for ten minutes. By this time next year we will have been waiting for five years.

Infinitives Indefinite to fly, to turn to think to meet Continuous to be investigating to give to be following Perfect to have built to have come to have destroyed Perfect Continuous to have been waiting

Passive Voice Tenses Indefinite

Present Past Future Continuous Present Past Future Perfect

Perfect Continuous

Infinitive I’m satisfied with your explanation. He was frightened. This yacht will be destroyed. We are being followed by the van. We were being followed by the van. ________________________________________

Present Past Future

A gift has been brought to you. A gift had been brought to you. A gift will have been brought to you by then.

Present Past Future

_______________________________________

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Indefinite to be satisfied to be frightened to be destroyed ___________

Perfect to have been brought

___________

Grammatical Structures Used in the Text Episode 1 Episode Episode Episode Episode Episode

2 3 4 5 6

Episode 7 Episode 8 Episode 9 Episode 10 Episode 11 Episode Episode Episode Episode Episode Episode

12 13 14 15 16 17

To be, to have in the Indefinite Tense Forms; this — these, that — those, another — the other The Indefinite Tense Forms, the Continuous Tense Forms To be going to ..., Degrees of Comparison There is — there are The Complex Object Construction What kind of ..., too — either, countables — uncountables Imperative Mood, The Perfect Tense Forms The Perfect Continuous Tense Forms As ...as, not as ...as, the Indefinite /Simple/ Tense Forms/, Passive Voice The Reported Speech, Adverbial Clauses of Time and Condition The Continuous Tense Forms /Passive Voice/, The Perfect Tense Forms/ Passive Voice/ To suggest, should do — should have done Modal verbs Some of, all of, none of, etc. Pronouns. Verbs with postpositions Prepositions Tenses

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Ó÷åáíîå èçäàíèå

Àñòàôóðîâà Òàòüÿíà Íèêîëàåâíà

ÏÐÈØÅËÜÖÛ Ó÷åáíî-ìåòîäè÷åñêîå ïîñîáèå ïî ðàçâèòèþ íàâûêîâ àóäèðîâàíèÿ (äëÿ ñëóøàòåëåé êóðñîâ ïåðåïîäãîòîâêè óïðàâëåí÷åñêèõ êàäðîâ Ðîññèè)

Ãëàâíûé ðåäàêòîð À.Â. Øåñòàêîâà Ðåäàêòîð Ò.À. Ñóñ Òåõíè÷åñêèé ðåäàêòîð Ë.Â. Ðåìíåâà

ËÐ ¹ 020406 îò 12.02.97 Ïîäïèñàíî â ïå÷àòü 05.10.98. Ôîðìàò 60½84/16. Áóìàãà òèïîãðàôñêàÿ ¹ 1. Ãàðíèòóðà Òàéìñ. Óñë. ïå÷. ë. 1,4. Ó÷.-èçä. ë. 1,5. Òèðàæ 50 ýêç. Çàêàç .

Èçäàòåëüñòâî Âîëãîãðàäñêîãî ãîñóäàðñòâåííîãî óíèâåðñèòåòà. 400062, Âîëãîãðàä, óë. 2-ÿ Ïðîäîëüíàÿ, 30.

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